4 387 résultats
In-4, 78p. Edition originale numérotée 1/1000 exemplaires sur pur chiffon (après 113 exemplaires numérotés sur divers papiers). Illustré de 24 planches photographiques hors texte et d'une page de notations chorégraphiques. Dessin de la couverture et culs-de-lampe dessinés par Nathalie Gontcharova. Exemplaire débroché, dos partiellement absent. A relier. Dans l'état.
In-4, 78p. Edition originale numérotée 1/1000 exemplaires sur pur chiffon (après 113 exemplaires numérotés sur divers papiers). Illustré de 24 planches photographiques hors texte et d'une page de notations chorégraphiques. Dessin de la couverture et culs-de-lampe dessinés par Nathalie Gontcharova. Très bel exemplaire.
GF33Saint-Quentin, Imprimerie Paul Bourlet, sans date (s.d.). In-folio, 8 pp., illustrations de Luc BY.
2012R110263854DIFUSION. 2012. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Quelques photographies en couleurs hors texte. Couverture contrepliée. CD inclus.. . . . Classification Dewey : 793.3-Danse
1619170555c.1916-1920s. A collection of photographs of Ballets Russes dancers including images of the principal dancer and choreographer Adolph Bolm his daughter Kyra Alanova the prima ballerina Tamara Karsavina and a single photo of Nijinsky as Albrecht in Giselle. Fifteen were taken by Emil Otto Hoppé 1878-1972 one of the most sought-after photographers of the 1920s and 1930s. He photographed the Ballets Russes from 1911 to 1923; these images are predominantly from their only American tours in 1916 and 1917. Karsavina appears in five and Bolm in twelve including two images of them together in costume for Le Pavillon d'Armide one of them together in Thamar and two in L'Oiseau de Feu. Adolph Bolm 1884-1951 was a pioneer of ballet in the United States. From 1909 to 1916 he was a principal dancer and choreographer for the Ballets Russes. During their American tour Bolm injured himself while dancing Thamar. He stayed in the USA and quickly established himself as a coveted choreographer. There were no American ballet companies and dancers performed with opera companies until Bolm established Chicago Allied Arts the first repertory ballet company in the USA. He later founded the San Francisco Opera Ballet and was one of five choreographers involved in the 1940 founding season for New York's Ballet Theatre. Tamara Karsavina 1885-1978 was a principal artist of the Imperial Russian Ballet before joining Diaghilev's Ballets Russes. She is perhaps most famous for creating the title role in Mikhail Fokine's L'Oiseau de Feu. Seventeen photographs are unattributed. One showing Bolm and Karsavina in Scheherazade is from the same Ballets Russes season. Another shows Bolm as the Golden Slave in Scheherazade post-1929 while a third shows Bolm as Amoun in Cleopatra undated but perhaps 1910. A further three are portraits of Bolm's daughter the ballerina Kyra Alanova two as the princess in A Kiss in Xanadu and one in unidentified costume. She danced with the Ballets Russes between 1918 and 1924 but these photos are likely later: one is dated in pencil "London 1925" on the verso and another has the ink stamp of Vaughan & Freeman on the verso London photographers who were active from 1928. The remaining 11 photographs are all dress rehearsals from an unidentified ballet with an "oriental" theme which does not appear to be any of the six ballets of that kind that the Ballets Russes debuted in Paris. Pencil annotations on the verso of nine images suggest "Adolf Bolm Kyra Deakin Alanova" and two images are annotated in a different hand with Alanova's name weight height hair and eye colour and New York address. These are likely from ballets choreographed by Bolm once he had parted with the Ballets Russes and established himself as one of the most important figures in American ballet. Together 32 photographic prints of varying mediums including carbon and silver gelatin from approx. 170 x 122 mm to 260 x 203 mm the photograph of Kyra Alanova as the princess in A Kiss in Xanadu mounted on card 260 x 198 mm. Edges rubbed occasional chips a few photographs overexposed or lightly silvered at edges remnants of adhesive to verso of two photographs two short closed tears to Adolph Bolm in Le Pavillon d'Armide one with tape repair to verso. A well-preserved collection. Andrew Foster "A Directory of Diaghilev Dancers" Dance Research: The Journal of the Society for Dance Research vol. 37 no. 2 2019 pp. 181-205. unknown
1911190134Paris & New York: various publishers 1911-39. Highly desirable collection of elusive and superbly produced ephemeral publications offering a rich panorama of the two decades of the Ballets Russes and featuring the leading lights of the company - Bakst Rubinstein Nijinsky; the whole reflecting the very highest standards of Diaghilev himself who in the words of his highly acclaimed biographer "would never allow quality to suffer" Sjeng Scheijen Diaghilev: A Life 2009 p. 405. Souvenir programme: Théâtre Sarah-Bernhardt Mai-Juin 1911. Grande Saison Russe: Opéras et Ballets. Organisée par "L'Association pour la Propagation de la Musique Slave" avec le concours d'Artistes des Théâtres Impériaux de Saint-Pétersbourg et Moscou et des principaux Théâtres de France et de 'Etranger. Paris: Publications Willy Fischer 1911 Square quarto pp. 32. Original pictorial wrappers designed by Jean Portalez wire-stitched. Portraits from photographs and adverts throughout. Light creasing and signs of handling to wrappers otherwise very good. Eye-catching souvenir programme clearly inspired by the enormous impact of the first two seasons of the Ballet Russes in Paris 1909-10 when "audiences were dazzled by the dancing and striking designs" V&A its title echoing Diaghilev's original billing of a "Saison Russe". The repertoire for the season at the Théâtre Sarah-Bernhardt comprised five operas including Dargomyzhsky's Rusalka Eugene Onegin and Anton Rubinstein's Le Démon and "sketches" from four ballets including La Forêt enchantée by Riccardo Drigo. The striking cover design is by Jean Portalez who did much stylish work for the French humour magazines Le Rire and Journal Amusant and was a frequent contributor to La Nouvelle Mode. One copy only located on Library Hub at New York Public Library. Comdia Illustré - Numero Special. Les Russes au Châtelet. Paris: Comdia Illustré 1911 Quarto. Original pictorial wrappers front cover with colour design by Bakst for the ballet Narcisse premiered in 1911 wire-stitched. With the translucent paper wrapper. Monochrome illustrations and adverts throughout one colour plate costume design by Bakst.One 4-page section loose light signs of handling otherwise very good. Attractive special number of the Comdia Illustré dedicated to Le Martyre de saint Sébastien a five-act mystery play by Gabriele D'Annunzio with incidental music by Debussy and scenery and costumes by Bakst designed as a vehicle for the inspirational Ida Rubinstein. Comdia Illustré - Théatre du Châtelet Grande Saison de Paris. du 4 Mai au 10 Mai 1912 Six Représentations de Gala: Hélène de Sparte. du 10 Juin au 20 Juin 1912 Six Représentations de Gala: Salomé. Paris: Comdia Illustré 1912 Quarto. Original pictorial wrappers front cover printed in silver and blue showing costume design by Bakst for Ida Rubinstein as Hélène wire-stitched. With the translucent paper cover wrapper printed in gold and green with copper-coloured cord. Colour and monochrome illustrations and adverts throughout all printed within gold borders. Light signs of handling to cover wrapper a few short closed-tears to periphery otherwise very good. Beautifully produced special issue of the Comdia Illustré dedicated to two productions Hélène de Sparte Verhaeren's tragedy music by Deodat de Severac decorations and costumes by Bakst mise en scène by Sanine and Wilde's Salomé music by Glazunov mise en scène by Sanine Dance of Salome choreographed by Fokine. Illustrations include colour plates of Bakst's costume and scenery portraits of the leading participants. One copy only located on Library Hub at BnF. Comdia Illustré - Grande Saison de Paris. Programme official des Ballets Russes. Septieme Saison de Ballets Russes. Mai-Juin 1912. Paris: Comdia Illustré 1912 Quarto. Original pictorial wrappers front cover with colour design by Bakst showing Nijinksy in L'Apres-Midi d'un Faune wire-stitched. With the translucent paper cover wrapper printed in blue and gold art nouveau border pearl-coloured cord. Colour and monochrome illustrations and adverts throughout all printed within gold borders. An excellent copy. Spectacular special number commemorating the seventh season of the Ballets Russes covering four spectacles and including Le Spectre de la Rose The Firebird Petrushka Prince Igor L'Apres Midi Daphnis et Chloé with excellent colour reproductions of Bakst's stunning costume and scenery designs. One copy only located on Library Hub at BnF. Souvenir - Serge De Diaghileff's Ballet Russe: With Originals by Leon Bakst and Others. 1916 American Tour Programme. New York: Metropolitan Ballet Company Inc. 1916 Quarto pp. 38. Original mottled brown hammer-finish card wrappers green silk cord tie cover image of Nijinsky in Scheherezade by Robert Montenegro in brown with embossed gilt work title lettering similarly embossed. Sepia frontispiece from a photograph Nijinsky in Spectre de la Rose and 8 other similar full-page illustrations including one of Lydia Lopokova 15 full-page colour illustrations one double-page the majority costume designs by Bakst among them the famous image of Nijinsky as the Faun in L'Après Midi. Minor nicks to periphery of wrappers. An excellent copy. An important piece of ballet history: the original souvenir programme from the first American tour of the Ballet Russes with full-colour illustrations of the sumptuous costumes designs of Leon Bakst. The programme includes brief ballet synopses an itinerary and two pages of illustrated advertisements. This is an unusual and highly desirable variant in that it features the superb Nijinsky illustration on the cover. Souvenir - Serge de Diaghileff's Ballet Russe. New York: Metropolitan Ballet Company Inc. 1916 Quarto pp. 36. Original cord-tied embossed grey card hammer-finish wrappers. Colour and sepia illustrations throughout. Minor nicks to wrappers. An excellent copy. Sumptuous souvenir program published by the Metropolitan Ballet Company for the first and only American tour of the Ballets Russes superbly illustrated and containing brief introductions to the repertoire: Le Pavillon D'Armide; L'Oiseau De Feu; Les Sylphides and Papillons; Le Spectre de la Rose; Narcisse; Schéhérazade; Sadko; Thamar; Le Carnaval of Schumann; Prince Igor; Petrouchka; Snégourotchka; Daphnis et Chloé;'L'Après-Midi d'un Faune; Le Dieu Bleu; and Cléopâtre. This differs in many respects to the version above. Souvenir programme: Ballets Russes de M. Serge de Diaghilew. Paris: Printed by L'Edition Artistique for Les Publications Willy Fischer 1925 Quarto. Original pictorial wrappers front cover with colour design by Pedro Pruna wire-stitched. With the glassine paper cover wrapper. Monochrome illustrations and adverts throughout. Glassine a little creased and tattered general light signs of handling. A very good copy. Attractive art deco souvenir programme the repertoire including Pulcinella La Boutique fantasque Les Matelots Les Biches and Train Bleu. The young Catalan artist Pedro Pruna was recommended to Cocteau by Picasso and a meeting with Diaghilev and Boris Kochno was arranged; they "immediately commissioned him to design Les Matelots" being impressed by his "limpid poetic theatrical work" cited in Alexander Schouvaloff The Art of Ballets Russes Yale UP 1997 p.279. Included here are a publisher's slip issued by Editions des Quatre Chemins advertising as "just published" Les Biches and Les Facheux; also the single page programme for 18 June Pulcinella Les Matelots La Boutique fantasque. Just a handful of copies on Library Hub. Ballets Russes de Diaghilew 1909 a 1929. Exposition organisée par Serge Lifar Mars a Juin 1939. Paris: Jacques de Brunhoff printed by Imprimerie Crété 1939 Quarto. Original printed wrappers with design by Bakst on gold paper inset to front cover wire-stitched. Monochrome illustrations throughout. Small stain at fore-edge of front cover light vertical crease. A very good copy. Attractive resume of productions spanning the first two decades of the Ballets Russes and illustrating costume designs by Bakst Gontcharova Sert Marie Laurencin Juan Gris and Benois scenery and curtain designs by Roerich Federovsky Picasso Braque Matisse Derain de Chirico Rouault Larionov Utrillo and Tchelichew. 8 works quarto. Original variously illustrated wrappers cord-tied or wire stitched as issued. Illustrated throughout in colour and monochrome. unknown
1922193327M. De Brunoff; Paris 1922. First Edition. Hardcover. Acceptable. Heavily worn boards. Silk covering the beveled boards is separating from the boards in many places and faded in color- Front board illustration has dust soiling but colors are bright and unfaded. Binding is beginning to crack at some places hinges not started. Name is written at the top corner of the front pastedown- no other marks or notations. The 8pp of "L'Apres Midi di Faune" are loose but included the following program Comoedia Illustre 10pp "Le Carnaval" and "Daphnis et Chloe" is missing. All other pages and programs are present. Beautiful collection of art and performers of that era- Leon Bakst Natalia Goncharova Henri Matisse and Pablo Picasso to name a few with Vaslav Nijinsky Tamara Karsavina and Ida Rubenstein as a few of the featured performers/dancers. More photos available upon request. M. De Brunoff; Paris hardcover books
1922307356Paris: M. de Brunoff 1922. Profusely illustrated with full-color covers mounted and full-page plates and photographs. 187 of 188 leaves. Folio. Original cloth with inlaid illustrated upper cover from "The Firebird" by Natalia Gontcharova. Covers and spine rubbed and soiled internally fine but lacking cover for Ballets Russes program from May 1921 featuring Picasso illustration on recto and verso. Bakst Léon. Profusely illustrated with full-color covers mounted and full-page plates and photographs. 187 of 188 leaves. Folio. An outstanding visual record of Diaghilev's Ballets Russes and Ida Rubinstein's Galas Russes in their most influential years lavishly illustrated with the works of Bakst Gontcharova Larionov Picasso Matisse Massine Derain and others. The collection is comprised of special issues of the theatrical periodical "Comoedia Illustré" and souvenir programs devoted to Ballets Russes and Rubinstein's Galas Russes for the seasons 1909-1921 with introductory letterpress text for each season by V. Svetloff. With splendid color and gilt illustrations of costume and set designs as well as numerous photographic portraits of dancers and production artists. Bakst is the most frequently represented artist in the group; the illustration inlaid to the upper cover is by Natalia Gontcharova. M. de Brunoff unknown books
1922004588Paris: M. De Brunoff 1922. Folio green silk over thick beveled boards with large inset color illustration from Natalia Goncharova's design for "Firebird". Endpapers color- stenciled with names of the dances dancers composers and choreographers and in the center that of the impresario Serge Diaghilev. Silk faded; a little edge wear to bottom of front board. An exceptionally nice copy of this magnificent book. A compilation of the most important special issues of the theatrical periodical "Comoedia Illustré" and souvenir programs for the 1909-1921 seasons of the Ballets Russes compiled by the program publishers themselves Maurice and Jacques de Brunoff Explanatory forewords by the critic Valerian Svetlov. Lavishly illustrated with photographs and black and white and splendid color plates some heightened with gilt and silver of the dancers costumes and stage decor. Work by Léon Bakst Valentine Hugo André Derain Alexandre Benois Mikhail Larionov. Natalia Goncharova José Sert Henri Matisse and Pablo Picasso. Dancers include Vaslav Nijinsky Tamara Karsavina Michael and Vera Fokine and Ida Rubenstein. Léon Bakst's brilliantly exotic and vivid designs for costumes and stage design revolutionized theater and fashion in the first quarter of the 20th century drawing on Neo-Russian Orientalist and ancient Greek motifs. The May 1917 issue is devoted primarily to the ballet "Parade". In his introduction "Parade et l'Esprit Nouveau" Guillaume Apollinaire coins the term "surrealism" laying the foundation for this movement. "Parade" is a collaboration among Erik Satie Jean Cocteau Pablo Picasso Léonide Massine and Serge Diaghilev. Picasso's costumes are depicted in two pochoir-colored plates: "Costume de Chinois" and "Costume d'Acrobate". A copy is in the collection of the Metropolitan Museum of Art rebound without the original cover plaque by Goncharova and another copy is featured in the 2019 exhibition "Hymn to Apollo/The Ancient World and the Ballets Russes" at the NYU Institute for the Study of the Ancient World. Illustrated Boards. Near Fine. Folio. M. De Brunoff Hardcover books
1913Zv517Paris Comoedia 1913 In4 - broché - coiffes légèrement fendues - 26 pages sur la saison des ballets Russes sur environ 80 pages
1913Zv517Paris Comoedia 1913 In4 - broché - coiffes légèrement fendues - 26 pages sur la saison des ballets Russes sur environ 80 pages
1913Zv518Paris Comoedia 1913 In4 - agrafé - 20 pages environ sur la saison des ballets Russes .
1913Zv518Paris Comoedia 1913 In4 - agrafé - 20 pages environ sur la saison des ballets Russes .
14239P., Co-édition Canal, 1986, in-4, toile noire et jaquette éd., 128 pp. Illustré de nombreuses photos en noir et en couleurs. La peinture, liée à la discipline qu'impose la danse....Collection Angle d'ailes.
192979902Imprimerie de la presse française | Paris s. d. [1929] | 27 x 35 cm | un double feuillet et une feuille volante
RO80032262SOCIETE PHILHARMONIQUE, de Bruxelles.. Non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Environ 20 pages. Quelques photos et dessins en noir et blanc, dans le texte et hors-texte. Coiffe en-tête fendue.. . . . Classification Dewey : 793.3-Danse
201028146Les Éditions du Passage Jaquette en très bon état Couverture rigide Outremont 2010
2002MCOHCOM1Paris Séghier Archimbaud 2002 In-8 broché (2115x cm), couverture illustrée (Olivier Debré), bibliographie, filmographie, 178 pp.
RO40037460IMP A.G.A., LIBOURNE / COMPAGNIE DE BALLETS JOHNNY LUDECHER. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Dépliant d'environ 8 pages illustrées en noir et blanc. Petit in-4.. . . . Classification Dewey : 793.3-Danse
1921Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
1921Tir223Paris Comoedia 1921 In4 - broché - pagination continue ( environ 50 pages - Sommaire voir photographie - A noter l'article sur les Ballets Russes , sur les Ballets Suédois ainsi que le théatre chinois - Illustrations de Hémard , Iacovleff , Picasso , Larionow , Matisse Juan Gris .Couverture illustrée par Gerda Wegener . Bon état si ce n'est une petite tache au 1er plat .
9055Gallimard 1987
96298aafGenève, Secrétariat de l’Institut Jaques-Dalcroze, 1926, gr. in-8vo, 389 p., ill., brochure originale illustrée.
68004Parachute, 2000, 103 pp., broché, bon état.
108937aafBologna, Bora, 1991, in-4to, 197 p., richement ill. de photographies et dessins n./b. et couleurs, brochure originale. Jaquette.
