494 résultats
1977157909Acanta, 1977. Ings. ca. 75 min Spieldauer. 2 Vinyl, Gatefold.
190964260New York: Frderick A. Stokes 1909. 4to. xv 1 172 2 pp. Colour frontisp. 6 colour plates title pages & chapter initials all decorated in lavender-coloured Celtic knotwork illustrations and borders. Black publisher’s cloth blue Celtic design borders gilt lettering colour plate mounted front cover black topstain as issued minor shelfwear light rubbing slight bumping to couple corners still a VG copy w/ former ownership marking on ffep. First edition of this translation and recounting of the epic Wagnerian opera set against the backdrop of the Arthurian myth surrounding Tristan and Isolde including music scene movements and details on the development and early performances. Williams 1875-1932 began his career in New Jersey while running a large engineering business without formal instruction and began his illustration career with St. Nicholas Magazine and later Century. He illustrated works by Smollet Defoe and would later receive the Silver Medal at the 1915 Panama-Pacific International Exposition. Frderick A. Stokes, hardcover
19812102150078zbvkLe Square, Éditions Albin Michel, 1981. 91 (1) pages, fully illustrated. - Publisher's colour-illustrated softcover; 4to.(ca. 30 x 21 cm).
1988159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988.<br /> <br /> Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991.<br /> <br /> 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
1984008770Los Angeles: William Granger 1984. First Edition . Green Cloth. Fine. Photographs. One of apparently only 100 copies of this outstanding privately published summary of the careers and Metropolitan Opera performances of several hundred singers. The book was given to some of those who provided photographs and other copies given to selected public libraries; the correspondence of the author and his respondents indicate that only 100 copies were printed but the actual number is unknown. In any case it is very scarce. This particular copy is a clean and near-new presentation copy and comes with an extensive file of miscellaneous correspondence relating to the author's requests for photographs and other matters relating to publication and distribution of the book. An extensive file of signed and unsigned memorabilia including the photographs in the book are also available individually in our Opera catalog. <br/> <br/> William Granger hardcover
19763115743Wiesbaden: Franz Steiner 1976. LXIII, 342 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenband. [Hardcover / fest gebunden].
198022426ABSigmaringen, Jan Thorbecke Verlag, (1980). kl8° (17x11), 507; 344; 323; 412; 486; 274; 598; 209 (mit 8 Tafeln); 518; 103 (mit Porträttafel) S., einheitl orange OKart (LeinenBrosch), 9+1 Bände in 10 (so komplett), die Leinenbroschur wie immer teils etwas aufgefranst, sonst nahezu ungelesen, schöne gepflegte Exemplare,
1925THUK0004Wien, Klopfer 1919-1925. 4°, 8 Seiten mit einigen Künstlerabb., gefalt., abgegriffen, vereinzelt etwas randriss., schwach braunfl., an den Bugfalten zumeist etwas abgewetzt u. stärker gebr., sonst alters- u. papierbed. gebr. Vorhanden sind die Nummern: 11, 18, 21, 24, 26, 29, 30, 31 (diese doppelt), 33, 34, 36-39, 40, 43, 44, 46, 49, 50, 52, 54-57, 58, 60-63, 65, 66, 68, 71-74, 76-79, 81, 84, 85, 87, 88, 89, 91, 92, 94, 96-98, 100, 102-109, 110, 111, 113, 114, 116, 117, 110, 120-124, 128, 130-132, 134. - Zahlreiche Artikel über das Wiener Theatergeschehen an Burg und Oper, jeweils 2 Künstlerporträts, der Theaterzettel des laufenden Tages etc. machen diese Zeitung zu einem überaus informativen Blatt der damaligen "Hoch"-Zeit der Wiener Musik- u. Theaterszene.
197194050Hamburg: TELDEC Telefunken-Decca Schallplatten GmbH, 1971. 30 x 30 cm ; kart.
1971125044Hamburg: TELDEC Telefunken-Decca Schallplatten GmbH, 1971. 76 S. ; 30 x 30 cm ; kart. ;
196212107London/Cambridge, Heinemann/Harvard University Press, 1962/1967. "12° (15-18,5 cm). 361; 335 SS." OLeinwand mit goldgeprägtem Rückentitel und Oumschlag
1937450519Paris : Delagrave 1937. First Edition. Hardcover. Good copy in the original gilt-blocked cloth Art Deco binding. Spine bands panel edges and corners slightly dust-toned and rubbed. Front hinge slightly cracked. Some light marginal foxing within and pages gently tanned as with age. Remains well-preserved overall. Physical description; 93 pages : illustrations ; 28 cm. Notes; ""Livres pour distribution de prix. Série B. Texte abrégé et expurgé."" Subjects; French fiction 18th century. Satire French. Paris : Delagrave hardcover
198655797ABNördlingen, Delphi verlegt bei Franz Greno, 1986. 4°quer (26x27), 374 S., 1 Bl., mit 915 Abb., Oln mit ill OU, 1. Aufl. Umschlag minimalst angerändert, nahezu ungelesen, schönes gepflegtes Exemplar,
199375073(Hamburg, Christians, (1993). 329 S. Mit sehr zahlr., tls. farb. Abb. 4to. (ca. 30,5 cm). Blaue goldgeprägte OPp. mit SU (dieser etwas gerändert).
199311322(Hamburg, Christians, (1993). 329 S. Mit sehr zahlr., tls. farb. Abb. 4to. 30,5 cm. OPp. m. SU.(dieser m. leichten Gebrauchssp.).
195117386BBMünchen, Intendanz des Bayer. Staatsschauspiels, 1951. 23 cm. 127 S. zahlr. Ill. Paperback. guter Zustand., Bibliotheksaufkl. a. Buchrücken., Stempel auf Titel., Hint. Buchdeckel m. wenigen Flecken.
19261701310064xbvkLeipzig, Breitkopf und Härtel, 1926. 46 Seiten, mit 2 Notenbeispielen; 2 S. Verlagswerbung zu Werken Busonis. - Kartonierter Originalumschlag mit Deckeltitel; 8vo.(ca. 21 x 16 cm).
1986223029Sichuan.: 四川美术出版社. Sichuan meishu chubanshe. 1986. Poster showing 56 captioned Chinese Sichuan Opera facepaint masks. Text in simplified Chinese characters 76 x 52.5cm occasional light creasing corner pinholes in very good and bright condition. In Chinese opera individual characters are distinguished by highly codified facial make-up often described as painted “masks” and in some regional traditions particularly Sichuan opera by the use of actual masks. These visual conventions function as an interpretive guide for audiences signalling a character’s identity personality and moral attributes. Musical style facial design and costume vary markedly between regional operatic forms including Beijing opera Sichuan opera Yue opera and Cantonese opera reflecting distinct local performance traditions and aesthetic systems. . 四川美术出版社. [Sichuan meishu chubanshe]. unknown