1 196 résultats
1921100261<p>Milano January 15 1921. 1921. Very good. - Over 60 words penned in Italian on 10-1/2 inch high by 8-1/4 inch wide cream "Via Verdi 4 Milano" stationery. Puccini writes to the publishers Fratelli Treves on behalf of his friend the writer Enrico Pea. He addresses Guido Treves the nephew of the firm's founder Emilio Treves who took over the company upon Emilio's death in 1916. Guido Treves ran the company with his wife Antonietta. Puccini writes that there is a manuscript awaiting publication at Treves' house. It is from his dear friend the Apuan region poet Enrico Pea. He asks that publication be expedited as there is a second volume ready for print. Puccini states that he wrote to Beltrami Giovanni Beltrami the managing director at Fratelli Treves who promised that it would be published soon. Signed "tuo yours G. Puccini" followed by his regards to Guido's wife. Folded horizontally and vertically for mailing the letter is slightly creased at the corners with a couple of minuscule chips to the edges. Once mounted there are remnants of archival tape along the top edge of the verso.</p><p>Giacomo Puccini often enjoyed a table at the Antico Caffe di Simo in Lucca with his friend Enrico Pea.</p><p>The book being discussed by Puccini is without doubt the first volume in Pea's "Trilogia del Moscardino" simply titled "Moscardino" published by Fratelli Treves in 1922. The book was translated into English by Ezra Pound. It was reviewed in the January 1 2005 edition of the New York Review of Books: "A small masterpiece Pea's lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino the first novella of his tetralogy Il romanzo di Moscardino is anarchic and haunting. Pound conducts Pea's vernacular song allowing images to flow from the land the flesh and beyond."</p><p>Little needs to be said about the life of the great Italian opera composer Giacomo Puccini 1858-1924 who composed several of the best known Italian operas. His works include "Manon Lescaut" "La Boheme" "Madama Butterfly" and "Turandot" among many other works.</p><p>The Italian poet novelist playwright and theatre impressario Enrico Pea 1881-1958 produced literary works that are said to be divided into two periods. The first being that of "Moscardino" and the second beginning with "Il Figlioccia" which takes on a softer delicate modulated style.</p> Milano, January 15, 1921.
100159<p>New York Canell . Very good. - An original 10 inch high by 8-1/8 inch wide sepia toned gelatin silver photograph of the opera contralto Else Brems. The portrait depicts Else Brems from the shoulders up looking up with a soulful smile. The photographer's credit "Canell NY" is printed in white at lower right of the image. The contralto has inscribed the photograph to Enrico Rosati diagonally at bottom right "To dear Maestro with deepest gratitude / Sincerely / Else Brems". The top left corner is slightly creased and the bottom edge of the border is darkened. Else near fine.</p><p>The Danish opera contralto Else Brems 1908-1995 is remembered the world over for her interpretations of Carmen. She first performed in Copenhagen at the age of 20 and her success propelled her to study with the American opera singer Sara Cahier who was herself famous for her performances of Carmen. She went on to appear as Carmen with the Royal Danish Theatre at the age of 22. Following a highly acclaimed private concert in Chicago she went to study in New York under Enrico Rosati the great voice teacher of Benniamino Gigli Giacomo Lauri-Volpi and Mario Lanza. She went on to perform the role hundreds of times and also performed the role of Bess in Gershwin's "Porgy and Bess" during the Second World War. Following the liberation of Denmark she sang the role of Elisabeth in the patriotic "Elvehoj". She performed many other roles while at Copenhagen's Royal Theatre and elsewhere.</p> New York, Canell,
1863100670<p>Boston: Transcript Job Printing Office 1863. 1863. Very good. - An original 10-3/8 inch high by 6-5/8 inch wide broadsheet announcement for the Grau Italian Opera Company's performances of "Norma" "Les Noces de Jeannette" "La Traviata" and "Lucrezia Borgia" with a 2-7/8 inch high by 6-5/8 inch wide tipped-on overlay advertising the following week's performances of "I Puritani" and a performance of "Oratorio and Sacred Concert" several featuring the Opera Soprano Madame Lorini in the title roles. The broadsheet advertises the Friday February 27 performances of "Norma" and "Les Noces de Jeannette" and the following Saturday & Sunday's performances of "La Traviata" and "Lucrezia Borgia" with the Following week's Monday performance of "I Puritani" and the Tuesday performance of "La Juive" printed on the recto of the overlay tipped on over the Saturday program with that Sunday's "Oratorio and Sacred Concert" advertised on the verso of the overlay. The Broadside is dated "Sunday Evening March 1 1863 under the announcements of "La Traviata" and "Lucrezia Borgia". There is some minor foxing and darkening and the broadsheet is mounted from the verso onto slightly larger heavy cream paper. Very good.</p><p>The Brau Italian Opera Company began a six week engagement at the Boston Academy of Music on February 9th. This was the last time that what became "The Boston Theatre" was called "The Academy of Music". Among the singers were Madame Lorini Mlle Morensi Signor Maccaferri Signor Susini Mademoiselle Cordier Signor Dubreul etc.</p><p>The November 15 1862 New York Herald review of an earlier performance of "Norma" at the Academy of Music possibly the Brooklyn Academy of Music in that case highly praises the quality of the Soprano's voice "It follows as a matter of course from what we have just stated that Madame Lorini's debut last night was a success. She had sung but a few passages when the audience recognized the beautiful quality of her voice--pure round and fresh--and though not as powerful as one would wish to hear in Norma still with volume sufficient to give a perfect interpretation of the music of the part. Her method is excellent and exhibits evidence of her Italian training."</p> [Boston]: Transcript Job Printing Office, 1863.
0666279748.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1601127846Opera Gallery 2016-01-01. paperback. Like New. 0x0x0. Brand new slender exhibition catalog illustrated in color. Invitation card laid in. Please email for photos. Opera Gallery paperback
0366005723.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390598993.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1989277489New York N.Y. Boston Mass. : Metropolitan Opera Guild ; G.K. Hall 1989. First Edition. Hardcover. Fine copy in the original title-blocked cloth. Corners sharp with an overall tight bright and clean impression. Physical description; 1000 p : illustrations ; 29 cm. Subjects; Metropolitan Opera New York N.Y. New York N.Y. Metropolitan Opera. New York, N.Y. Boston, Mass. : Metropolitan Opera Guild ; G.K. Hall hardcover
104730Antico spartito manoscritto - Gloria in excelsis Deo / Credo - secolo XIX - Pag. 8 - Dimensioni: 31 x 45 cm ca. - Condizioni generali buone. Piccoli segni del tempo. unknown
44934Architettura Teatro - Acustica - Leo Baranek - Concert and opera halls - How they sound - Woodbury Acoustical Society of America 1 ed. 1996 - VIII 643 con numerose illustrazioni. - Testo in inglese - Copertina rigida. - Condizioni molto buone. unknown
1390269442.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365301930.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
133438178X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282518517.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021008514American Mathematical Society 2021 8vo 25 cm 301 pp. Laminated wrappers. "This volume contains the proceedings of the 17th International Conference on Arithmetic Geometry Cryptography and Coding Theory AGC2T-17 held from June 10-14 2019 at the Centre International de Rencontres Mathématiques in Marseille France. The conference was dedicated to the memory of Gilles Lachaud one of the founding fathers of the AGC2T series. Since the first meeting in 1987 the biennial AGC2T meetings have brought together the leading experts on arithmetic and algebraic geometry and the connections to coding theory cryptography and algorithmic complexity. This volume highlights important new developments in the field." publisher's synopsis American Mathematical Society paperback
2021__1470454262Amer Mathematical Society 2021. Paperback. New. 303 pages. 10.25x7.25x0.75 inches. Amer Mathematical Society paperback
A9781470454265Paperback / softback. New. paperback
1390414175.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390450120.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1925309392New York 1925. 1-1/2 pp. on personal letterhead. 8vo. Old folds else fine. 1-1/2 pp. on personal letterhead. 8vo. Reading in part: "Many thanks for your interest in my career. It's greatly appreciated . you are indeed very sweet." Born in San Antonio Texas operatic tenor Rafaelo Diaz 183-1943 was known as the "Lone Star Tenor of the Lone Star State." Praised for the depth and richness of his voice Diaz performed lead tenor roles with the Metropolitan Opera Company from 1917-1936. <br/><br/> unknown
1985100069<p>New York October 8 1985. 1985. Fine. - Over 30 words penned on her embossed 4-1/8 inch high by 6-1/8 inch wide personal postcard stock. The actress Kitty Carlisle thanks her good friend City Center producer Jean Dalrymple "What a good friend you are! I will follow the prescription to the letter & pray that its sic not too late!!" Signed "Kitty". The card is addressed in her hand on the verso and postmarked from New York on October 8 1985. Fine.</p><p>Inducted into the American Theater Hall of Fame in 1999 Kitty Carlisle Hart 1910-2007 was an American stage & screen actress opera singer and television personality. A spokesperson for the arts she served on the New York State Council for the Arts for 20 years. Kitty Carlisle played the leading lady opposite Groucho in the Marx Brothers movie "A Night at the Opera" and regularly appeared on "To Tell the Truth".</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York, (October 8), 1985.
11562Hood's letter: On letterhead of Osborne Isle of Wight. 8 January 1891. Mrs Gye's draft reply: without place or date. Both items good on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye and letter and reply are written informally. Hood's letter: 3pp. 12mo. She received Mrs Gye's letter that morning 'and the Queen has read it' and is 'quite pleased with your reply'. 'The Queen desired me to assure you that she had never for a moment supposed that you were responsible for the article in the newspaper - only the Queen thought it was better to have the matter mentioned to you - especially as it might be copied into other papers.' The Queen also thinks that Mrs Gye should 'have some contradiction put in the Paper'. Mrs Gye's draft reply: 2pp. 12mo. She writes that she cannot express her relief at the contents of Hood's letter. 'Since your first letter the thought that Her Majesty would be displeased about it has troubled me very much - therefore you can imagine how delighted I am to find the Queen did not imagine I was responsible.' She has 'written to Church Journal to deny the authorship of the article and ask them to publish it'. Hood's letter: On letterhead of Osborne [Isle of Wight]. 8 January 1891. Mrs Gye's draft reply: without place or date. unknown