63 résultats
1846RROBEGY00twF.G. Moon 1846-1849. Very Good. Roberts David drawings. Egypt and Nubia from Drawings Made on the Spot. Haghe lithography Louis; Brockedon historical description William. London: F.G. Moon 1846-1849. Illustrated. Folio. 3/4 red morocco with elaborately gilded spines. Book condition: Very good with careful professional restoration of leather primarily at spine ends joints and corners. Spine gilt is complete bright and fully legible. Pages are variously moderately foxed. Collated complete with 125 required plates many tinted and a few in bright multi-colors. F.G. Moon hardcover
1815G4JCUY01U79OFrance 1815. 20th-century red goatskin morocco sewn on 5 cords with the title "Gouaches érotiques" in gold in the 2nd of 6 spine compartments double-combed marbled endpapers pasted over the original marbled pastdown; spot pattern curled. 4to 26 x 21.5 cm. A matching set of 12 erotic drawings image area about 20 x 16 cm in coloured gouaches each showing a man and woman engaged in manual vaginal or oral sex in a richly furnished interior with furniture lamps clocks vases drapery mirrors books clothing architectural ornamentation etc. Each is drawn on thick paperboard and mounted on the album leaves. A matching set of 12 skilfully executed erotic gouache drawings in numerous colours each showing a naked or more often partly undressed young man and woman engaged in manual vaginal or oral sex. Each is set in an interior in at least most cases domestic most of them richly furnished. Though the drawings depict several different men and women some of them seem to appear in more than one drawing. One drawing appears to show a home library another includes a case full of books and two others have an open book lying on the floor. Another has the woman sitting on the man's lap before a writing desk with a quill pen in her hand. These may be intended to suggest that the man is the young lady's tutor and they got distracted from their lessons. The clothing suggests couples from fairly high social standing. The clothing architectural decoration furniture clocks lamps vases etc. much of it in Empire Style suggest a date around 1815 perhaps in France.The drawings are in good condition and the binding fine. unknown
1857D11024Aix-en-Provence probably 1857-1860. Hardcover. Near Fine. Marbled paper over boards backed in red sheep gilt-stamped lettering in spine compartments; 311 x 230 mm; contains 70 double-page pen-and-ink drawings open they measure 311 x 445 mm some enhanced with ink wash or watercolor each with the artist's name and the professor's signatures 4 signatures in all. Boards and spine rubbed and scuffed; top corner of front board lacking. Contents are very near fine -- just some light foxing and a few small spots of soiling. <br/><br/>Highly skilled technical drawings by Michel Clement a student at the École Impériale d'Arts et Métiers d'Aix. The period of training was set at three years with the first year devoted to arithmetic geometry and drawing; the second year to descriptive geometry trigonometry and mechanical drawing of both stationary and moving parts; and the third year to industrial mechanics and advanced drafting techniques. This album affords a fascinating glimpse into the type and extent of the skills required of graduates of French technical schools in the mid-19th century. The course in design cours de dessins is structured and presented here in 4 sections: Troisieme division premiere annee; deuxieme division these drawings dated 1858-1859; deuxieme annee; and premiere division. The drawings include ornements 6 architecture 6 lavis 4 lever a l'equerre 1 echelles 1 epures 5 boulons et rivets 2 assemblages 1 geometrie descriptive 22 cinematique 5 organes de machine 3 topographie 2 machine outil 1 engrenages 6 machine a vapeur 1 treuil 1 machine a vapeur 2 hydraulique 1. hardcover
1819007599London: H. R. Young. Printed by J. McCreery 1819. Second Edition. Full Straight-Grained Morocco. Cloth Slipcase. Very Good Plus. Folio 33 by 24 cm. xiv 2 306 4 239 13 pp. Also two engraved half-titles with illustration of tiger and with 40 hand-colored plates 20 in each volume. Contemporary dark green straight-grained full morocco binding with ornate gilt border decoration -- a repeat of vines and leaves contained within ruled lines and also a blindstamped band within this one. Five raised bands of spine with ruled lines denoting the raised areas and four gilt impressed vignettes of deer. Professionally rebacked both volumes with original spines retained and attached in a manner that the work is as inconspicuous as possible. The gilt decoration -- floral borders ruled edges turn-ins spine illustrations lettering has spots that are dulled but generally the gold remains bright. The leaves within both text and plates are also generally clean almost remarkably so notwithstanding the most occasional of spots of soiling. H. R. Young. Printed by J. McCreery unknown
1830D7399Italy c. 1830. Hardcover. Very Good. Modern half morocco and marbled boards gilt-stamped lettering and ornament on spine; 430 x 560 mm; contains 26 anatomical drawings in red and grey chalk most of them full-page but also including double-page spreads tipped onto stubs. Spine tips and corners gently bumped; some faint dampstaining; a few leaves with repaired tears. Images of skeletal and muscular representations of arms legs feet torsos and heads. <br/><br/> hardcover
1820cmd30<p><strong> A VERY CURIOUS ALBUM OF EROTIC DRAWINGS </strong></p><p><strong> MANUSCRIPT / DRAWINGS</strong></p><p><strong> D'HANCARVILLE Pierre-François</strong></p><p><strong> <em>Monuments of the Private Life of the Twelve Caesars – 79 DRAWINGS</em></strong></p><p><strong> France c. 1820-1830. </strong>Small 4to 87 leaves. 19th century half brick-red shagreen binding.</p><p><strong>A very curious handwritten album created by an anonymous amateur based on the <em>Monumens de la vie privée des douze Césars</em> </strong>by D'Hancarville the famous <em>curiosa</em> first published in 1780 in Nancy by Le Clerc with the false imprint "A Caprées chez Sabellus". <strong>This album contains 79 erotic pen drawings purportedly inspired by antique cameos and statues</strong>. The artist allows himself some interpretation of D'Hancarville's plates: simplifying lines selecting elements of interest or even… exaggerating certain attributes. This intriguing album likely produced in the 1820s-1830s was bound later in the 19th century complete with a specially printed title page for the occasion!</p>
1842B5735London: George Virtue 26 Ivy Lane c. 1842. . A fine example with text and plates clean and crisp. A handsome set in attractive contemporary binding. Binding: Contemporary quarter green-brown calf with matching cloth boards spine with four raised gilt designed bands; compartments in blind and gilt floral design gilt title on two and four; matching marbled endpapers; all edges marbled; with tissue guards. Notes: “Bartlett made four voyages to the United States and Canada between the years 1836 and 1852 the fruits of which appeared in American Scenery in 1840 and Canadian Scenery in 1842 with text by N.P. Willisâ€Harper. “In autumn of 1836 in company with Willis he visited Niagara Falls and presumably was briefly in Canada. Journeyed from Halifax to Niagara in 1838 completing 117 sepia wash drawings which were engraved and published with text by Willis in a two volume Canadian Scenery in 1840†DNB. The engravings were produced by Willis Cousen and others. <br> Size: Quarto 274mm x 210mm. Illustration: Illustrated with one signed portrait of Bartlett by H. Room and B. Holl vol I; one full page map of Canada vol I plus 119 engraved plates by Bartlett both vols.; these include two engraved titles - each with a large vignette: “Wigwam in the Forest†vol I and “The horse-shoe fall†vol II - and a frontispiece to vol II entitled “Montreal from the Mountainâ€. <br> Volume: Two volumes. Provenance: Manuscript notation on verso of first upper free endpaper of vol I: “Mr. Coudani Copy // Albert Britnelâ€; third upper free endpapers of vols I&II manuscript note possibly signature of owner: “Allenâ€. References: Ref: Alston 7673; Sabin 3786; Lande 2310 Pages: P. Vol I: manuscript note bl. 2 owner’s signature frontispiece portrait engraved title “Wigwam…†bl. title printer’s note list of engravings bl. 2 map of Canada 1-128 with 53 engraved plates throughout the text; vol II: bl. 4 owner’s signature frontispiece “Montreal…†engraved title “The horse-shoe fall†bl. title printer’s note list of engravings bl. 1-116 with 63 engraved plates throughout the text. Category: Book Canada; Book Plate Books General; George Virtue, 26, Ivy Lane hardcover
1823007166London: Thomas M'Lean 1823. Second Edition. Full Straight-Grained Morocco. Very Good. Folio 37 by 26.5 cm. Title one page Preface List of Plates followed by 64 leaves half of which are the hand-colored plates. Each plate accompanied on a separate leaf with an English description on the recto one in French on the verso. The plates are not merely scenery but generally genre scenes depicting Italians at play at work going about their lives. The book is far more interesting in our view then contemporaneous color plate books about costume or of scenic views. Contemporary full red morocco binding. Binding has scuffs and some abrasions but remains attractive. Spine rebacked with original spine mostly preserved and pasted onto matching red morocco used in the reback. The reback in other words is not overly conspicuous. Corners bumped slightly and typical edgewear. Light foxing within along edges generally but text and plates still bright fresh and mostly clean. Thomas M'Lean unknown
1822045078London: Sherwood Neely and Jones; Thomas Moule 1822. Volumes I-V dated 1822; Volume VI 1823. First series of volumes picturing and describing the estates of essentially everyone considered to be of importance in Great Britain. Includes 72 engraved plates in each volume including frontis engravings all present and complete. Contemporary of that period bindings in black textured leather with dual spine lables in red extensive gilt decoration to spines marbled endpapers. Good to very good with expected rubbing to the covers and extremities joints good but several hinges internally cracked and secure text blocks sound top inch removed from each title page likely to remove a name short internal tears to preliminary blank of fourth volume occasional foxing to pages and plates but most very clean text pages occasionaly age-yellowed small modern name stamp at the top of each preliminary blank no other markings. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall. Sherwood, Neely and Jones; Thomas Moule Hardcover
18841506110093Bibliotheque Artistique; Librairie des Bibliophiles 1884-01-01. First Edition. Hardcover. Good. 0x0x0. 3 volume set. One of 25 copies. Full blue Moroccan leather gilt ruled. All edges gilt. 5 raised bands. Silk patterned end pages. In blue slip case. Edge wear to box. Front board of Volume I detached. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Bibliotheque Artistique; Librairie des Bibliophiles hardcover
184254385London: Fisher Son & Co 1842. Hardcover. Good- to near fine condition. Large Quarto. 6 II 3-80 2 76 2 100 4pp. 120 plates incl. two maps and three vignette titles. Original green pebbled morocco with gilt tooling and ruling along edges of covers gilt lettering ruling and tooling on spines; raised bands and protected by modern mylar. Gilt edges. Endpapers yellow. Engraved vignette titles. <br /> <br /> The author John Carne left England in 1821 and spent much time traveling in Israel/Palestine and in Constantinople Greece the Levant and Egypt. It is one of the few works of that time to include what is present-day Lebanon. The book with plates by Bartlett Purser and Allom was published some time after Carne returned to England initially in thirty parts of four plates each. Many of the plates in volume 3 are after drawings by Thomas Allom commissioned by the publishers to complete the illustrations. This work contains 2 full page maps and 118 steel-engraved plates depicting views throughout Syria and Asia Minor all protected by tissue-guards. All volumes with list of engravings at front volume three with general index at rear.<br /> <br /> Binding with light rubbing and scuffing along edges slightly more pronounced at top foredge of front cover of volume three. All three volumes lightly starting at inside covers but firm. Volume one with engraved bookplate on inside front cover signed Alfred Bilbrough May 1908. All three volumes with medium seize O printed to front free endpapers. Volume three with bump at lower spine lightly at foredge and some pages and plates with water stains at top margins not affecting images. Eighty of the engravings are fine with none or very light foxing in margins. Thirty-six engravings with light or minor damp-staining in plates four engravings with heavy damp-staining in images. Blocks lightly age-toned. Fisher, Son, & Co hardcover
185054009Belfast: Marcus Ward & Co 1850. Second edition. Softcover. Good- to fine condition. Folio. 6 6pp. 5 plates with tissue guards. Bound in black half-cloth over stiff turquoise wraps with triple-framed black lettering and Royal emblem on cover; protected by modern mylar. Gilt edges. Turquoise endpapers. Title page in red blue and black lettering with decorative augmentation framed in red with tissue guard. Dedication page to the Queen.<br /> <br /> "In presenting to the public the present work the publisher had to objects in view; first to bring under their notice one of the most ancient curious and valuable reliques of Irish Antiquity at present in existence by accurately drawn and coloured representations and secondly to<br /> produce a specimen of Irish Lithography at once tasteful elegant useful and instructive and if the present work attains these objects they will consider themselves fully repaid." Preface. Contains essay providing the historical context for the Ecclesiastical Bell and five chromolithographs protected by tissue guards depicting the bell and four views of the shrine.<br /> <br /> Wraps with some discoloration and light scuffing al corners and foredge. Light scuffing from removed plate on inside front cover. Endpapers lightly wavy due to water exposure. Previours owner's name inked to front free endpaper. Binding in overall good- interior in very good title page and lithographs in near fine to fine condition. Marcus Ward & Co unknown
190015849AB1900. ca. 1900 24 : 18 cm. 8 double-page hand-coloured paltes partly in aquatinta. Japanese boards with tile-label on front cover. Eight beautiful double-page coloured plates showing different Japanese landscapes. In birght shinning colours. Each plates with description in Japanese. - Binding loose. hardcover
1884110938Bibliotheque Artistique; Librairie des Bibliophiles 1884-01-01. Leather. Very Good. 0x0x0. 3/4 red leather gilt decorated bindings over marbled boards. One of 25 copies with double proofs of each engraving. Three volume set. oversized and overweight. B45 Please email for photos. Bibliotheque Artistique; Librairie des Bibliophiles hardcover
186713607New York: Hurd & Houghton / Townsend / James Gregory 1867. First Edition in this Format. Hardcover. Book condition is Very Good- in elaborately embossed boards with gilt decorations. Wear at spine base and heal to most volumes including some minor tearing. A few small bumps and tears to edges of exterior. Minimal foxing/spotting to end papers. A few small chips and tears to edges of a few pages. Small bookseller stamp inside front cover of most volumes inside rear cover of a few volumes. Owner name and date to front end page of a few volumes. Small label on spine of "Ways of the Hour" reads "32" presumably the final volume of the set received by the original owner. Text is clean and unmarked. Each volume illustrated with steel engravings reproducing the original illustrations of Darley including in-text illustrations frontispiece and engraved title-pages. ; 8vo 8" - 9" tall. Hurd & Houghton / Townsend / James Gregory hardcover
183095864London: A. Fullarton And Co c.1830. Finely bound example of the poems of Lord Byron each accompanied by a period engraving. Quarto bound in three quarters morocco over decorative boards gilt titles and tooling to the spine raised gilt bands inner dentelles all edges gilt frontispiece engraved portrait of Lord Byron. Illustrated with 36 full page engraved plates. In very good condition with the plates bright and crisp. George Gordon Byron commonly known as Lord Byron was an English poet and politician and a leading figure in the Romantic movement. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage and the short lyric poem "She Walks in Beauty". Byron is regarded as one of the greatest British poets. He traveled extensively across Europe especially in Italy where he lived for seven years in Venice Ravenna and Pisa where he had a chance to frequent his friend the poet Percy Bysshe Shelley. Later in his brief life Byron joined the Greek War of Independence fighting the Ottoman Empire for which Greeks revere him as a national hero. A. Fullarton, And Co hardcover
1884059813Boston: Houghton Mifflin 1884. 1st Edition . Hardcover. Good. Binding 16" X 13 1/4" Leaves 15 1/2" X 12". Brown Cloth Rounded Edges Gilt Top Edge Gilt Gray Endpapers With Pastedowns Illustrated In Color.127 Unnumbered Pages All Tipped In Mounted On Stubs. Drawings And Text Reproduced By Albertype Process Printed On One Side Of Leaves Only. First Edition American Trade Edition. Gilt Bright Wear To Covers Tiny Frays At Tips Worn And Split Along Upper And Lower Parts Of Front Joint. Light Foxing In Margins; Small Area Of Faint Tidemark/ Waterstain At Center Of Fore Edges Of Pages 107-127. Shipping Weight About 12 Pounds Insurance Required. International Shipment Will Require Additional Cost Far More Than Standard Shipping Rate Quoted. <br/> <br/> Houghton Mifflin hardcover
1895001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. Librairie A. Rouquette unknown
187840238Philadelphia Pa: G M Hopkins M E. Very Good with no dust jacket. 1878. Synthetic leather. Folio 19; Hopkins Atlas of Howard County 1878. Title page with 4 mainly marginal repairs. Includes 5 single page maps including ones of both hemispheres. Also 24 double page maps including maps of Maryland and of the United States including territories. Rebound in Leather like cloth. 14.5 x 17.5 inches Colored and mounted on stubs. Subject Headings - Anne Arundel County Md. --Maps - Baltimore County Md. --Maps - Baltimore Suburban Area Md. --Maps - Real property--Maryland--Anne Arundel County--Maps - Real property--Maryland--Baltimore County--Maps - Anne Arundel County Md. --History - United States--Maryland--Anne Arundel County - United States--Maryland--Baltimore County - United States--Maryland--Baltimore Suburban Area. Appearance and contents are nice. Includes customary notes and statistics. . G M Hopkins M E hardcover
1886158411886. Paris Librairie J.-B. BailliÂre et Fils 1886. Un fort vol. au format in-4 283 x 227 mm de 1 f. bl. xxiv - 703 pp. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ cerise filets ˆ froid encadrant les plats dos lisse ornÂŽ de filets gras et maigres ˆ froid larges fleurons dorÂŽs titre dorÂŽ serti d'un filet dorÂŽ tÂte dorÂŽe. Edition originale de cette importante monographie de rÂŽfÂŽrence ; ici dÂŽnuÂŽe de son Atlas. L'ouvrage s'agrÂŽmente nÂŽanmoins de nombreuses compositions par Edouard Cuyer. ''L'idÂŽe de rÂŽunir en un volume tout ce qui a trait ˆ la connaissance du cheval n'est pas nouvelle. Notre ouvrage doit pourtant se recommander par une exposition claire par une mÂŽthode de dÂŽmonstration ˆ la fois attrayante facile ˆ saisir et fructueuse. La vÂŽritable originalitÂŽ de notre livre rÂŽside surtout dans notre mode de dÂŽmonstration ; laquelle consiste ˆ prendre en particulier chaque divison du cheval ˆ la dissÂŽquer et ˆ ÂŽtudier l'un aprÂs l'autre les diffÂŽrents organes qui entrent dans chacun des plans que l'on rencontre en procÂŽdant de la pÂŽriphÂŽrie vers le centre''. Quelques rousseurs ÂŽparses. Nonobstant trÂs belle condition. b42961 unknown
1881QQ0306Macmillan and Co 1881. Full red cloth black decor and lettering to front board and spine; black publisher's insignia to rear board. Much worn: spine darkened; boards bubbled and tide-marked at base. 8vo. Front hinge slightly slack. Front endpapers cracked at gutter; rear endpapers likewise with rear free endpaper now attached to inside rear board at base thanks to water damage. Pictorial bookplate of Edward Chesterton father of Cecil and G. K. Chesterton to inside front board with pen inscription to verso of front free endpaper: 'E. C. from M. M. J.' or M. M. F. Oct-Birth-/82'. Pencil annots to blank verso of half-title: what appear to be street or house names S. Parade Seaview and lists of times: these have every appearance of being notes taken in a professional capacity by Edward Chesterton who worked as an estate agent. Pencil annots in a child's hand to publisher's advertisement pages to rear: lists of words with their French German Latin and Greek translations perhaps the work of one of the young Chestertons G. K. Chesterton would have been 8 in 1882. To recto of rear free endpaper is a pencil sketch of a flamingo with an inordinately long neck tied in knots together with an Edward Lear-esque beetle-man with spectacles and antennae. These could be the work of either an older G. K. Chesterton an inveterate sketcher in book-margins or of his father of whom Chesterton notes in his 1937 autobiography that 'I have inherited or I hope imitated his habit of drawing' p. 41: the bookplate at the front of the vol. which has signature E. C. is almost certainly his design. G. K. Chesterton was later to write memorably on De Quincey as 'the first and most powerful of the decadents' in his 1913 'The Victorian Age in Literature' p. 24. Whether the drawings here are by father or son they stand as testament to their shared delight in the fanciful and fantastic. Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Hardcover. Poor/Fine. vi 200 4pp. Macmillan and Co Hardcover
189930629New York: Frederick A. Stokes 1899. Hardcover. First Edition. 5 x 8.5in. 96pp. Bound in recent paper-covered boards with the original front board panel and title label affixed. New colored endpapers in emulation of the original. An odd copy with the first 12pp. printed twice one after the other. NEAR FINE. Shows the spine somewhat rubbed the slightest hint of toning at the outermost margin of the text-block otherwise the binding is strong and tight the text is clean and unmarked and the boards remain bright and distinct. As pictured. Frederick A. Stokes hardcover
18841377087Paris: Librarie des Bibliophiles 1884. Hardcover. Octavo Six volumes. In Very Good condition. Bound in contemporary half red leather and marbled paper boards with gilt lettering on paneled spines. Marbled endpapers. Silk ribbon bookmarks in each volume. Head and tail pieces to denote beginning and end of chapters. Text in French. <br /> <br> <br /> Minor shelf wear. Light scuffing to leather and paper boards. Top edge of textblocks dyed peachy-orange. Age-toning and light scattered foxing to interior pages. Shelved above Europe. 1377087. Shelved Dupont Bookstore. Librarie des Bibliophiles hardcover
183223205London: Fisher Son & Co 1832. Book. Very Good. Half Black Leather. First Edition. Quarto. 3 volumes: 1. pp. 80 engraved title-page and 38 plates containing 76 engraved illustrations; 2. pp. 81-144 frontispiece and 34 plates containing 68 engraved illustrations; 3. pp. 149-220 frontispiece and 35 plates containing 68 engraved illustrations. For a total of 110 plates containing 215 engraved illustrations. Most plates have tissue-guards. Original half calf and moiré on Turkish doubled marble patterned paper flat spine with gilt-stamped floral cartouche enclosing the title "Lakes" and the volume number. Covers rubbed and scuffed previous owner's tiny ink name at head of front blanks dated Feb'y 17th 1865 on the verso and recto of a blank fly sheet in each volume is very neatly handwritten in two columns an alphabetical index with page number of the volume's plates. Scattered foxing throughout occasional offsetting otherwise a very good set. Fisher, Son, & Co Hardcover
18981577212023950<p>Author: Laura E. Richards. W. H. W. Bicknell illustrator after drawings by Frank T. Merrill.<br />Title: Captain January Edition de Luxe Being the Centennial Edition or the Hundredth Thousand.<br />Publisher: Boston Estes and Lauriat 1898. Centennial Edition. First De Luxe Edition. Limited to 1000 copies. This one is copy 91/100 on Japanese Hand-made paper. Signed by the publisher and the author. Signed also by the illustrator on all second state de luxe plates.<br />Language: Text in English.<br />Size: 6.5" X 4.5".<br />Pages: 128 pages.<br />Binding: Attractive and fine stunning binding of 3/4 red Morocco leather with marbled boards and matching marbled endpapers with the spine featuring raised bands and gilt floral motifs hinges fine under a protective removable mylar cover. Upper edge gilt.<br />Content: Near fine content bright tight and clean - as shown.<br />Illustrations: Complete with 12 illustrations 6 in two different state one being signed by the illustrator W. H. W. Bicknell.</p><p>Estimate: Scarce with no or few other copies available for sale worldwide.</p><p>The book: Captain January by Laura E. Richards is a classic piece of children's literature first published in 1891. This Edition de Luxe being the Centennial Edition is particularly special as it celebrates the 100000th copy of the book limited to a total of 1000 copies this one being copy 91/100 on Japanese hand-made paper. The book tells the heartwarming story of Captain January a lighthouse keeper and his adopted daughter Star Bright. The narrative set against the picturesque backdrop of the Maine coast explores themes of love duty and the passage of time. The luxurious binding and fine etchings make this edition a collector's gem.</p> Boston, Estes and Lauriat, 1898. Centennial Edition. First De Luxe Edition. Limited to 1000 copies. This one is copy 91/100 on J hardcover