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Pierre Humbourg (drawings by Jules Pascin)Biblio.com

Contrôleur de l'ennui a unique copy illustrated throughout with drawings by Jules Pascin

Auscher, Jean (Wash drawings by); Francis de Miomandre (Preface by)Biblio.com

La Faune des Dancings SIGNED- Unique Copy

192544706Paris: Published by the author 1925. Limited First edition. Hardcover. g to vg. Folio 16 1/2 x 14 3/4". Unpaginated. 8pp Title Preface Table of Contents Limitation page 10 leaves Plates 10 leaves Suite of the plates. Original gilt-tooled full vellum with gold lettering to spine. Marbled endpapers. Title page in red and black lettering. Jean Auscher's striking series of 10 wash drawings highlighted in pochoir render a vivid joyful pittoresque and at times acerbic vision of people dancing at Parisian nightclubs in the 1920s. The ten drawings are followed by a suite of the same plates without the pochoir highlighting. Each illustration measures appr. 8 1/2 x 11" and is tipped in onto heavy cardstock. Text pages on Japan paper. One of the 50 Hors Commerce copies this being the only known HC copy printed on Japan Nacre from a total edition of 1178. Minor and sporadic rubbing along edges of binding. Covers slightly warped. Text in French. Binding in overall good interior in very good condition. About the artist: Jean Auscher 1896-c. 1950 was a 20th century French artist caricaturist and illustrator. Auscher was a pupil at l’Ecole des Arts Decoratifs in Paris. His work was exhibited at Le Salon d'Automne and Le Salon des Tuileries between 1923 and 1933. His most characteristic work recorded the life "des Années Folles" in the Paris of the 1920s including scenes in the casinos gambling clubs and dance halls evoking the decadence of the demi-monde. He also recorded the theatrical community with portraits of actors some in their famous roles such as Louis Jouvet as "Le Trouhadec indigne" and the clown Grock. His best-known work appeared in limited edition folios published by the artist himself "La Faune des Dancings" 1925 and "Le Baccara" circa 1926. Many copies of the lithographs contained in these were heightened with watercolor. He contributed to the satirical journal "Le Rire"; he also illustrated works by Irène Némirovsky who was rediscovered when "Suite Française" was republished in 2004. Andre Haguenauer "Les Amertumes" 1925 and Alfred Machard "Printemps Sexuel" provided Auscher with subject matter that was again towards the margins of conventional attitudes to sexuality. From Wikipedia. Published by the author hardcover

Eric Chaim Kline - Bookseller · États-Unis3 750,00 $US≈ 3 172,88 €

Saunders, Charles Francis, Color Plates From Watercolor Drawings By Elisabeth Hallowell SaundersBiblio.com

California Wild Flowers: Six Reproductions in Natural Colors from Water Color Drawings: California Poppy Scarlet Bugler Brodiaea Cream Cups Owl's Clover Wild Pansy

1905050883Pasadena: Charles Francis and Elisabeth HAllowell Saunders 1905. First Edition 1st Printing. Brown Chemise / String Binding. Fine. 11" x 5 1/2. Color Plates By Elisabeth Hallowell Saunders. String-Bound Text Pages Title Page Printed In Red And Black With Six Loose Color Plates In Gray Felt Three-Panel Chemise Printed In Black And Red As Issued Apparently The First State And Rare. The Poppy Plate Has Some Light Brown Discoloration At Edges Outside Of The Printed Area. Second Separate Publication By The Saunders. Charles Francis Saunders 1859-1941 Was Born To Quaker Parents In Bucks County Pennsylvania. He And His First Wife Elisabeth Hallowell Saunders D. 1910 Were Both Avid Naturalists; Charles Began Publishing Essays On Botany As Early As The 1890S. Charles And Elisabeth Also Collaborated On A Number Of Publications He As Author She As Illustrator. After A Honeymoon Trip To California And The Southwest In 1902 The Couple Moved Permanently To California In 1906 And Settled In A Craftsman Bungalow On North Lake Avenue In Pasadena Where Charles Devoted Himself Full Time To Writing. He Eventually Published More Than A Dozen Books Inspired By California And The Southwest. Both Charles And Elisabeth Were Amateur Photographers And Many Of Their Photographs Were Used To Illustrate Saunders' Books The Indians Of The Terraced Houses 1912 And Under The Sky In California 1913. In 1921 Saunders Married Mira Barrett Culin D. 1968 Whom He Had Met At The Pasadena Garden Club. Also A Writer Mira Shared Saunders' Interest In Gardens Botany And Photography. For Many Years Mira Published Articles On Pasadena Gardens Parks And Trees In The Pasadena Star News For Which She Took Dozens Of Photographs. First With Elisabeth And Then With Mira Saunders Travelled Extensively Throughout California And The Southwest Photographing All Of The California Missions The Regions' Natural Wonders Native Americans And Flora Among Other Things. These Interests Became The Subjects Of 18 Books And Numerous Essays And Articles Saunders Published In His Lifetime. Many Of These Books Were Illustrated With Photographs Taken By Their Author On His Many Excursions. Saunders' Collection Of Native American Pottery And Crafts Is Now In The Collection Of The Southwest Museum Los Angeles And His Botanic Library Is In The Possession Of The Santa Barbara Botanic Gardens. Source: Apostol Jane. "Southern California Through The Lens Of Charles Francis Saunders" Southern California Quarterly Volume 81 Spring 1999: 1-88. <br/> <br/> Charles Francis and Elisabeth HAllowell Saunders unknown

Arroyo Seco Books · États-Unis1 984,50 $US≈ 1 679,09 €

Ayscough, Florence (Wheelock); Drawings By Florence Ayscough; Original Bookplate Print Inscribed By AyscoughBiblio.com

A Chinese Mirror: Being Reflections Of The Reality Behind Appearance

1925059684Boston / New York: Houghton Mifflin Company 1925. First American Edition Printing Unknown. Hardcover. Very Good/No Jacket. 464 Pp. Folding Map At End. Red Cloth Colored Boards. First American Edition Later Printing 1925 Using Sheets Printed In Great Britain. Some Wear Spine Lettering Quite Clear But Not Bright No Marks Fraying At Tips And Along Bottom Edges Of Boards. Black Silhouette Bookplate Of Ayscough In Robes Feeding Her Pekingese Hand Titled "Yo Fei And His Missus" Inscribed "To Mrs. Low With Love A Well-Acquainted American's Observations In China; It Would Be Hard To Find Any Comparable Early Twentieth Century English-Language Observations Of China Or America By A Chinese Writer. Florence Wheelock Ayscough Macnair 1875 -1942 Was A Sinologist Writer And Translator Of Chinese Literature Born In Shanghai China To Canadian Father Thomas Reed Wheelock And American Mother Edith H. Clarke. Ayscough Moved To The United States Aged Nine And Attended Shaw School In Brookline Where She Met Amy Lowell The American Poet. The Two Were Lifelong Friends. Ayscough's Family Returned To Live In China When She Was In Her Early Twenties. Ayscough Was A Lecturer On Chinese Art And Literature And Was The Author Of Eight Books On Chinese History Culture Literary Criticism And Translation. She Traveled As A Lecturer To Cities Including London Paris Berlin And New York. Ayscough Accepted A Permanent Lecturing Post At The University Of Chicago In 1938 Where She Lectured On Chinese Literature And Continued Her Translation Work And Documenting The History And Culture Of China. She Was Honorary Librarian Of The North China Branch Royal Asiatic Society In Shanghai For Fifteen Years. She Collected Modern Chinese Paintings Including Work By Xu Gu. Her Efforts Introduced This Chinese Art Form To The American Public. Her Writings Included Translations Of Classical Poetry And Essays On Chinese Art History And Philosophy. She Work Also Attempted To Correct Previous Inaccurate Attempts To Translate The Cultures Of Ancient And Contemporary China For Example Perspectives Of China As A Stagnant Culture. In Addition To Countering Negative Stereotypes With Positive Reevaluations She Also Sought To Correct Misinformation. For Example Her Review Of The 1931 Novel The Good Earth By American Writer Pearl Buck Ayscough Praised The Choice Of Contemporary Chinese Peasantry As The Subject But Criticized The Accuracy. Ayscough Had A Strong Influence On The Work Of Amy Lowell Being The Source Of Lowell's Interest In Asian Culture And Chinese Poetry; Ayscough Introduced Lowell To Chinese Paintings And Poetry In 1917. On A Visit To America She Brought With Her Chinese Word Pictures That She Translated Into English Which Lowell Turned Into Rhymed Poetry. Her First Book Fir-Flower Tablets With Amy Lowell Was A Translation Of Poems From The Chinese. A Chinese Mirror Published In 1925 Was An Analysis Of The Structure Of Chinese Society And Government In Particular The Symbolism Of The Beijing Imperial Palaces. She Published Tu Fu The Autobiography Of A Chinese Poet In 1929; Her Translations Of The Poems Of Tu Fu With A Biography Constructed Using His Poetry. In 1934 She Published Travels Of A Chinese Poet. These Two Works Contributed To The Introduction Of Tu Fu To The British Public. Ayscough Wrote Two Books Intended For Younger Readers; The Autobiography Of A Chinese Dog An Account Of Shanghai From The Perspective Of Her Pekingese Dog Yo-Fei And Fire-Cracker Land. Her Final Work Chinese Women Yesterday And To-Day Published In 1937 Examined Contemporary Chinese Women Leaders As Successors Of A Long Line Of Capable Though Secluded Chinese Women. Ayscough Also Contributed Articles To The Encyclopaedia Sinica. After Her Death Ayscough's Correspondence With Her Friend The Poet Amy Lowell Was Compiled And Published By Her Husband Professor Harley Farnsworth Macnair. The Following Year He Published A Biography Of His Wife Titled The Incomparable Lady. He Donated Her Collection Of 1292 Chinese-Language Books To The Library Of Congress. <br/> <br/> Houghton Mifflin Company hardcover

Arroyo Seco Books · États-Unis1 455,30 $US≈ 1 231,33 €