410 résultats
19929102<p>>Leaned sunned spine jacket in mylar</p> Montreal Museum Of Fine Arts hardcover
1980010959Paris: Ecole nationale superieure des Beaux-Arts 1980. Square octavo. 373 pp; profuse illustrations many in color; bibliography; index. Text in French. Paperback. Light wear to covers creased spine else VG. Exhibition of large-scale architectural drawings by winners of the prestigious Prix de Rome awarded by the Ecole des Beaux Arts. Exhibition held at Ecole Nationale Superieure des Beaux-Arts 14 january-22 march 1981 and Institut Francais de Naples 11 april-13 june 1981. Soft Cover. Very Good. Ecole nationale superieure des Beaux-Arts Paperback
19277909Berlin: Deutscher Kunstverlag 1927. First edition thus. Blue Cloth over Boards. Very Good very light foxing to first and last plate of each section. Octavo pp. approx. 120 plus five sets of bw plates totalling 344 plus five b/w frontispieces. Deutscher Kunstverlag hardcover
51-6680Musée deToulon 1987. In-4° 24 x 32.5cm. 80pp.broché envoi de l’auteur.OCLC Number / Unique Identifier:496734767.En 1968 il « monte » vivre à Paris où il est un des fondateurs avec Franck Venaille de la revue ChorusMonory Ben Filliou Jean-Pierre Raynaud Fromanger Boltanski Annette Messager etc.Il fait différents petits boulots chantiers de peinture et de décoration avec Le Boul'ch. Il rénove les atelierset les appartements de Dietman de Fromanger.Il publie des recueils de poèmes : La Flute de Marcus pour la première fois chez un « vrai » éditeur GuyChambelland 1968.Hôpital Silence est édité par Seghers 1975. C'est un succès auprès du public et de la critique. PourtantPierre Tilman s'écarte et s'éloigne silencieusement de la poésie qui fait partie de la littérature. Il est de plusen plus un écrivain sans papier artiste compositeur poète de l'écriture du langage des images. Les motsde la poésie sortent du format du livre pour aller dans l'espace réel celui des murs et de la rue. Il utilise dessupports et des médiums variés la photo la vidéo.S'il lit ses poèmes en public et participe à des festivals de poésie en compagnie de musiciens et d'artistessonores Julien Blaine Serge Pey Patrick Dubost il est surtout un poète visuel.Après la revue Chorus il a fondé L'évidence avec Marie-Hélène Dumas en 1993.Il a écrit des articles Opus le Magazine littéraire la Quinzaine littéraire Art press et des livres sur desartistes tels que Erro Monory Filliou.Il fait quand même beaucoup de choses même s'il a l'impression de ne rien faire même s'il est attiré parl'anonymat et la disparition de la signature. Il ne se presse pas se met volontiers hors catégorie horssélection et semble gravement dénué de l'ego de la compétition.Professeur à l'école d'art d'Avignon. Artiste invité intervenant à l'École nationale supérieure des beaux-artsde Paris en 1998-1999. Atelier nomade d'écriture dans les écoles d'art du sud de la France en 2002.Il vit actuellement à Sète.Provenance. Estate of Jacques and Madeleine Matarasso.The story of the Matarasso family booksellers gallery owners and publishers of illustrated books and prints spans three generations of enthusiasts. The Matarassos played a leading role in the intellectual and cultural life of Paris and then Nice. "They devoted their lives to promoting the works on paper of artists and writers" recalls Laure Matarasso who took up the torch first with her father in 1993 then alone after his death in 2015.1911 - Henri Matarasso leaves Salonika now Thessalonika for France;1916 - Birth of Jacques Matarasso Henri’s son in Barcelona;1933- Opening of Matarasso bookshop 72 rue de Seine Paris;1941- Jacques moves to Nice; After initially setting up shop on rue Alberti in 1941 followed by a second on rue de Russie after the Liberation Jacques Matarasso settled permanently at 2 rue Longchamp on July 1 1950;1993- Laure Matarasso Jacques and Madeleine's daughter continues the adventure by taking over the gallery in Nice;2016- The bookstore-gallery moved from Rue Longchamp and after a year of searching opened at 46 Boulevard Risso near Mamac and the Nucéra library between Place Garibaldi and Acropolis in Nice. Musée deToulon, 1987 unknown
1958AARauCHA76Charleroi: 1958. 1958. square 8vo. pp. 16 leaves-most versos blank. 1 colour lithograph front cover & 11 b./w illus. wrs. institutional bookplate. Exhib. Cat. Charleroi: [1958]. unknown
18-5854Brussels Belgium: Palais des Beaux-Arts Bruxelles 1979. . 4to. 150 pp. Stiff glossy white and color illustrated wraps. Very good. Mostly black and white plates some color. Includes texts by Peter Selz and Dore Ashton. Includes works by John Martin Florine Stettheimer Marsden Hartley Joseph Stella Arthur Dove Edward Hopper Charles Demuth Charles Sheeler Georgia O’Keeffe Mark Tobey et al. List of 150 exhibited works and artist chronology. Catalogue created on occasion of exhibition “Peinture Américaine 1920-1940†held at the Palais des Beaux-Arts Bruxelles in Brussels Belgium from November 10 through December 30 1979. En Francais / In Het Vlaams. From the Collection the Art Historian Peter Selz. Brussels, Belgium: Palais des Beaux-Arts Bruxelles, 1979. paperback
2001PMV326902QCaen: Office franco-norvégien d'échanges et de coopération-Université de Caen Musée des beaux-arts de Caen 2001. 1. Trade paperback. Good/Not issued. 246 x 291 x 17 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Office franco-norvégien d'échanges et de coopération-Université de Caen, Musée des beaux-arts de Caen paperback
196959250Brussels Belgium: Musees Royaux Des Beaux-Arts De Belgique. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 40 pp. With 11 ills. 20 x 14 cm. -- with a bonus offer-- . Musees Royaux Des Beaux-Arts De Belgique paperback
1995503927MONTREAL: Musée des beaux-arts de Montréal 1995. Book. Fine. Hardcover. En excellent état. 552 pages imprimées. Catalogue pour l'exposition Paradis Perdus : L'Europe Symboliste au Musée des beaux-arts de Montréal. Texte en français. Musée des beaux-arts de Montréal Hardcover
197731714Anvers: Musee Royal Des Beaux-Arts. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED CRISP TIGHT TO THE SPINE - 388 pages; text in French. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
1996016219Montreal: Musee des Beaux-Arts de Montreal Musee du Quebec 1996. Soft cover. Near Fine. Soft cover book in near fine condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally please be aware that additional charges may apply for heavier books. We guarantee a safe quick and secure transaction. 10 years in online bookselling experience. <br/> <br/> Musee des Beaux-Arts de Montreal, Musee du Quebec paperback
195958781Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and French. 176 pp. With 116 ills. 20 x 15 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
1900157232Paris: Librairie Centrale des Beaux-Arts 1900. Vintage Documents Lithographiques design sheet plate 16 with a "Wm. J.C. Klamm" provenance stamp on the verso. Art Nouveau color lithograph design sheet featuring margin designs a drop cap design and a book plate for use by designers and typographers in the arts and industry published by the Librairie Central des Beaux-Arts Paris circa 1900. <br /> <br /> 11 x 15 inches. Very Good plus with some light foxing edgewear and faint toning at the extremities. Librairie Centrale des Beaux-Arts unknown
1900157231Paris: Librairie Centrale des Beaux-Arts 1900. Vintage Documents Lithographiques design sheet plate 26 with a "Wm. J.C. Klamm" provenance stamp on the verso. Art Nouveau color lithograph design sheet featuring five headers for use by designers and typographers in the arts and industry published by the Librairie Central des Beaux-Arts Paris circa 1900.<br /> <br /> 11 x 15 inches. Very Good plus with a small amount of light splashing to the far left bottom margin and faint toning at the extremities and light edgewear. Librairie Centrale des Beaux-Arts unknown
185020700Paris 1850. Pencil pen and wash drawing with numerous sub-titles in ink signed "J. Litoux" A fascinating and beautiful architectural drawing - or 'rendu' of basic elements of house construction in cluding walls floors doorways roofs and ceilings.<br/> <br/> A fine drawing from an architectural student at the Ecole des Beaux-Arts in Paris the most influential architectural school in existence during much of the 18th century the whole of the 19th century and the first part of the 20th century. 'Students were eligible for the Ecole if they were at least fifteen years old or under thirty. They began with the seconde classe in which they competed in the concours d'émulation. These alternated between an esquisse - a rough sketch for which up to twelve hours was allowed - and a rendu - the large-scale finished drawing for which one to three months were allowed. Two to four years were usually required for a student to accumulate enough credits to enter the première classe. The same system was followed again usually for two to three years after which the student should have accumulated enough credits to compete for the Grand Prix de Rome. The winner of the Grand Prix was entitled to five years study under the auspices of the French Academy in Rome. For each of his first three years he was required to submit an analytical study of an ancient monument. For his fourth year he had to submit a complete reconstruction of a major classical work. For his fifth year he was required to submit an original work designed to a program of his own invention. In the seconde classe the student was required to attend a variety of lectures in theory history and construction and learned to prepare construction drawings. Work was done at ateliers located outside the precincts of the Ecole des Beaux-Arts. These were rented and organized by the students themselves and the students had the right to invite a teacher of their own choice to serve as their maître. The teacher himself did not have to be a member of the faculty of the Ecole nor - at least in principle - did he have to be a practicing architect.' Arthur Drexler. The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977 p.8-9<br/> <br/> Arthur Drexler The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977. unknown
69-6179Mulhouse France: musee des beaux-arts 1960. 80 x 60 cm. Offset Color Lithograph. Good tears along edges particularly in bottom left corner. Mulhouse, France: musee des beaux-arts, 1960 unknown
1787011666Paris 1787. Presumed First Edition. Soft cover. Good. Two uncommon pamphlets of criticism of works in the 1787 Salon the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. This 1787 salon was just two years before the Revolution of 1789. OBSERVATIONS is printed by Chez les Marchands de Nouveautes front cover detached rear missing 32 pages complete with critical discussions of Vien de Lagrenee Brenet Sivee Vincent Callet David Regnault le Barbier l'Aine Taillasson Peyron Perrin Robin Monnier Monsiau le Marquis de Turpin de l'Espinasse Roslin le Brun Madame Guiard Vestier Roland de la Porte Hue Valenciennes Nivard Taunai and Bilcoq. Worldcat identifies 8 institutions that have this item. DIALOGUE's has two parts. The front title page identifies the paper as "Premiere Partie. La second est sous presse" the second part to be published soon. No printer is identfiied. Lacking covers front and rear 39 pages complete some staining largely to verso last page. The first part runs through page 24 with a 6 page preface followed by "Dialogue entre l'auteur et un peintre" the author a member of the artistocracy "M. l'Aristarque" with the painter unidentified. The second part begins on page 25 The dialogue continues in the second part. Worldcat lists six institutions with this item. unknown
19838417Berlin: Galerie Peerlings 1983. Second edition. Cloth over Boards. Very Good in Very Good DJ. Oblong Quarto pp. approx. 150 profusely and lavishly illustrated w/ color prints and b/w photographs. Pencil dated 17 5 84 inscription to his major benefactor in the United States Harvard and Radcliffe educator Julia Phelps who almost singlehandedly introduced Janssen to the USA art world. Janssen perhaps one of the best and most creative German draftsmen of post war Germany writes in his inscription to "Julia" Phelps "ich liebe Sie." A wonderful association copy. For other Horst Janssen material lplease consult our inventory or web presence. Galerie Peerlings hardcover
1965211245Paris: Firmin Didot 1965. Staplebound. VG-: Exlibrary book. Stamp and catalogue sticker on the front cover. Sticker on the inside front cover; sticker on the first page; stamp on the title page; stamp in the margin of pages five and fifteen. Wear to the edges and some creasing to the bottom corner. A tan staplebound book with black text and designs on the front cover. The tope textblock has deckled edges. 18 pages; two black-and-white plates. Firmin Didot unknown
035399152X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
033272042X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019154315.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B194585-1Ostfildern/Bruxelles Hatje Cantz/ Bozar Books 2013. 186pp. Prof. illus. Lrg. 4to. Boards. Parallel texts in German and English. Ostfildern/Bruxelles (Hatje Cantz/ Bozar Books), 2013. hardcover
1528397207.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282240225.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
