977 résultats
18907502Paris: Librairie des Bibliophiles 1890. Hardcover. Fine. Full red morocco with elaborate gilt stamping on boards and spine gilt-stamped lettering on spine t. e. g. inside gilt dentelles marbled endpapers. Each volume housed in a custom clamshell box half red cloth and marbled paper. Both volumes are without flaw. Please be advised that these two heavy volumes MAY INCUR ADDITIONAL SHIPPING CHARGES. <br/><br/> Paris: Librairie des Bibliophiles hardcover
185089657Zürich: Verlag von Henri Fuessli & Cie, um 1850. 41 x 31 cm quer ; Halbleder
19733969Lausanne, André et Pierre Gonin, 1973. 1 vol. in-folio en feuilles de 225 p., [2 ff. ] Couv. de papier gaufré à rabats, 1er plat orné de reliefs d’après Hans Erni. Sous chemise et étui demi-vélin et toile bleue turquoise. Très belle condition.
193020531[Paris], Éditions de la Nouvelle Revue Française, 1930. In-4 de 133-[5] pages, plein maroquin caramel, dos à nerfs orné de filets dorés, triple encadrement de filets dorés sur les plats, étoiles dorés à chaque côté, roulette à froid sur les coupes, filet doré intérieur, tête dorée. Étui. Reliure signée Wilhelm Göbel.
192716707A Paris, Jacques Schiffrin, Ed. de la Pléiade, 1927. In-4 broché de 121-[4] pages. Couverture blanche à rabats, 1er plat illustré, sous étui de carton brun. Quelques très discrètes rousseurs dos, pour le reste en belle condition.
18852223Paris, Pour les Amis du livre, A. Lahure, 1885 ; in-8, demie-percaline rouge à coins à la bradel, pièce de titre verte, fleuron décoratif doré, couverture conservée (reliure de l'époque, signée Champs) ; (2) ff. (faux-titre, titre), 294 pp., (6) ff; (justification, légende des gravures, 3 ff. Société des Amis du livre, 1 bl.).
134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover
134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover books
192548170Berlin: Eigenbrödler Verlag 1925. First limited edition. Hardcover. Fine condition. 36/525. Signed by Kyser and Oppler on colophon. All etchings signed by Oppler. Quarto 32 2pp. 10 plates with original etchings with tissue guards. Spectacular original hand-bound green gilt decorated morocco with gilt lettering and decor on spine raised bands in plain original tan dustwrapper protected by modern mylar; housed in original plain cardboard slipcase handwritten lettering on spine. Gilt top edge. Ribbon marker. Printed on Japan paper. Cover design by Ernst Nicolas. One of one hundred copies of the deluxe edition.<br /> <br /> Novella by the German author screen and audio-play author Hans Kyser war reporter and author of the first German "Talkie" Das Mädchen mit den Schwefelhölzern The Girl with the Matchsticks. Kyser directed a Luther biography and was head dramaturge at the German movie production firm Bavaria Film.<br /> <br /> The ten sensuous etchings illustrating the stage performance of a dancer are by Ernst Oppler a German impressionist painter and etcher. After studying at the Academy of Arts in Munich he went to England to study Whistler and then the Netherlands to practice the pleinair method. Back in Munich he joined the Munich Secession and on invitation of Max Liebermann moved to Berlin and joined the Berlin Secession. He became an important chronicler of the history of ballet in Germany. The numbers I-XXV and 1-100 are printed by hand and signed by the artist. This is number 36. Text in German. Light wear and age-toning of protective dustjacket and slipcase. Eigenbrödler Verlag hardcover
197439138Paris: Les Cent Une 1974. Limited edition. Softcover. vg. 1/122. Large quarto. 100 8 loose pages as issued. Uncut. Pages within printed wrappers in a decorative cloth chemise housed in a matching decorative slipcase. Illustrated with four tissue-guarded original etchings by Jean Jansem this striking edition of Jules Laforgue's "L'Imitation de Notre-Dame la Lune" The Imitation of Our Lady the Moon 1885 is a collection of 22 poems dedicated to Gustave Kahn and "to the memory of little Salammbô priestess of Tanit". Limitation page signed by Jansem and by the President and Vice-President of the société de femmes bibliophiles "Les Cent-Une." One of 122 copies on vélin d'Arches of which this is No. LIX 59. Slipcase chemise wrappers and interior in overall very good condition. About the artist: Hovhannes "Jean" Semerdjian 1920-2013 also known as Jean Jansem was a French-Armenian painter. Jansem's artworks are internationally known and are part of museum collections throughout France Japan and the United States. He was awarded by the Ordre des Arts et des Lettres in 1953 and by the Knight of the French Legion of Honor in 2003. The President of Armenia awarded Jansem a Medal of Honor for his “reinforcement of Armenian-French cultural ties.â€. Les Cent Une unknown
192628373n.p.: Privately Printed. Near Fine. 1926. Limited Edition. Hardcover. quarter-bound light blue cloth over marbled boards; gilt-stamped lettering and small nude figure illustration on spine; no dust jacket a lovely copy with just the slightest wear to the extremities including a very slight exposure of the board at the lower tips; some of the pages remain unopened. B&W etchings A nice copy of this desirable edition of the French poet's scandalous first novel originally published in 1896 which recounts the tortured relationship of the courtesan Chrysis and the sculptor Démétrios the latter driven to commit theft and ultimately murder by the former's resistance to his desire for her. A sensation in France it was reported to have already had 35 printings within a few months of its first publication an English translation was printed in Paris as early as 1900 but the book drew the attention of American censors and customs officials and remained difficult to obtain in the U.S. for many years. When Louys's brother-in-law lectured at Harvard in 1900 one prominent and widely-syndicated literary critic opined that "he ought to be ashamed of the relationship" because "Aphrodite" was "written printed and bound nastiness and unadulterated filth." Eventually a theatrical adaptation had a five-month run in New York in late 1919 and early 1920 and got the bluenoses' panties in a bunch all over again. The nekkid-lady illustrations in this edition "limited to 650 copies of which which 600 copies are for sale" this being no. 499 are by Clara Tice the so-called "Queen of Greenwich Village"; this was one of a dozen or so books Tice illustrated during the 1920s when she was at the height of her fame and in great demand as a magazine and theatrical illustrator. . Privately Printed hardcover
188341149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. <br /> <br /> Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. <br /> <br /> Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. <br /> <br /> An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. <br /> <br /> Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. <br /> <br /> Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. <br /> <br /> One of 100 Artist copies of which this is No. 9.<br /> <br /> Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover
192944148Paris: Devambez 1929. Limited edition. Softcover. g to vg. 1/20. Folio 13 1/2 x 11". 137 5pp. Original glassine over decorative dust-jacket and blind wrappers. Book housed in its original chemise with title label to spine. Chemise itself housed in its matching slipcase. Color illustrated title page.<br /> <br /> Originally published in 1895 "Les Villages illusoires" by Belgian symbolist Émile Verhaeren is one of two works the other being "Les Villes tentaculaires" expressing the writer's growing concern for social problems based on the 'illusory character' of human perception. <br /> <br /> This striking limited edition is splendidly illustrated by Belgian artist Julien van Santen who studied under Brussels engraver Jeff Codron. Our copy contains 50 of the 51 etchings 17 etchings in 3 states as the 17th etching is in two states only.<br /> <br /> One of 20 artist copies after 40 copies on japon impérial 30 on japon and 130 on Vélin d'Arches total edition 220.<br /> <br /> Minor shelf wear and age-toning to spine. Minor and sporadic foxing along paper edges not affecting lettering or illustrations. Text in French. Slipcase and chemise in overall good to good condition glassine dust-jacket wrappers and interior in very good condition. Émile Verhaeren 1855-1916 foremost among the Belgian poets who wrote in French. The vigor of his work and the breadth of his vision have been compared to those of Victor Hugo and Walt Whitman. Devambez unknown
190540530Bedford Park Chiswick: The Caradoc Press 1905. Limited edition. Hardcover. g to vg. 1/350. Large octavo. 14 155 1pp. Striking contemporary gilt-ruled full calf with gold decoration and lettering to spine. Raised bands. Top edge gilt. Dentelles. Marbled endpapers. Engraved frontispiece portrait of Izaac Walton. Title page in red and black lettering. Decorative initials and tailpieces. <br /> <br /> This splendid limited edition of Walton's masterpiece "The Compleat Angler" is the exact reprint of the first edition published in 1653. It is a celebration of the art and spirit of fishing in prose and verse. Walton's frontispiece portrait as well as the decorative initials and ornaments were designed and engraved by Harry George Webb a recognized artist of the time. <br /> <br /> One of 350 unnumbered copies on paper out of a total edition of 364. <br /> <br /> Binding rubbed along joints with head of spine slightly chipped. Binding in overall good interior in very good condition. The Caradoc Press hardcover
194911777A Genève, Chez Pierre Cailler, coll. Les amis des graveurs et des poètes, 1949. In-folio en feuilles de 32 ff. non chiffrés, sous couverture à rabats (très légèrement salie, avec quelques légers plis).
1878WOC-993Dessins de Henri Pille, gravés par Louis Monziès.Première série:10 eaux-fortes. Deuxième série:10 eaux-fortes. Troisième série:10 eaux-fortes. Quatrième série:12 eaux-fortes. Paris, Alphonse Lemerre, éditeur, 1878. 4 chemises in-8 (20,5x14,8cm) cartonnées à rabats et lacets.
19724058Milano, Edizioni d’arte Giorgio Upiglio, 1972. 1 vol. (284 x 305) en feuilles de 35 p., [2 ff.]. Couvertureà rabats, sous étui de carton gris. Belle condition.
19634896sans lieu [Vésenaz], Pierre Cailler, 1963. In-4 (16,7x25,9) de 120-[8] pages, broché, couverture rempliée, sous emboîtage.
19334237Lyon, pour les XXX, s.d. (1933) ; in-folio en feuilles (325 x 250 mm) ; (4) ff. dont dédicace à Pierre Brisson, 205 pp., (1) f. imprimeur (Daragnès), 47 eaux-fortes originales d'André Villeboeuf dont 16 à pleine page, couverture blanc-crème, chemise dos parcheminé et plats de papier gauffré rouge y compris l'étui. Tirage total à 95 exemplaires sur vélin de Rives dont 30 nominatifs.
1871RO80068290LEMERRE Alphonse. 1871. In-16. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 34 planches d'Eaux-Fortes originales en noir et blanc + une page de titre. Gravures rangées dans une chemise cartonnée, avec fermeture à lacets.. . . . Classification Dewey : 767-Eaux-fortes
199618352Paris, Robert et Lydie Dutrou, (Parly en Puisaye), octobre 1996 : in-8 en feuilles pliées en deux, sous couverture blanche à rabats, titre imprimé dans une cuvette rectangulaire, chemise-étui de toile écrue ; frontispice gravé sur cuivre à l’eau-forte et tiré en noir et bleu.
1983009673Paris Clivages 1983 In-8 Broché, couverture à larges rabats.
187916678Paris, Plon et Cie, 1879 ; in-4, demi chagrin à coin rouge, dos à nerfs très décoré et dorés, tête dorée, double filet doré sur les plats, non rogné (reliure de l'époque) ; (8), XIV, (2), 398, (2) pp. et 25 planches hors texte, dont le frontispice.
191420949Paris, Ferroud, 1914 ; in-8, broché, couverture crème rempliée, illustrée, tirée en rouge et noir ; 38, [2] pp, 20 illustrations, dont 3 eaux-fortes hors-texte, 1 en-tête à l'eau-forte et le reste gravé sur bois.
1876mode438Ouvrage exceptionnel. Deux volumes datant de 1876 et intitulés Costumes du temps de la Révolution. Ravissant porte feuille cartonné sous toile. En une soixantaine d’eaux fortes coloriées, toutes datées de 1790 à 1806, suivez l’évolution de la mode à travers les grands bouleversements politiques et sociaux de la fin du XVIIIème siècle. Les gravures sont réalisées selon les techniques de l’époque représenté, au burin et sur un papier à la cuve traditionnel, signées Auguste-Alexandre Guillaumot (1815-1892). Tirées de la collection du célèbre dramaturge et précurseur de l’art médiumnique Victorien Sardou, ces gravures sont brillament introduites par un texte de son ami le romancier Jules Claretie, tous deux membres de l’Académie française. L’ouvrage date de 1876 et il est plutôt en bon état pour son âge. L’un des deux volumes présente seulement une hachure sur la couverture. Deux gravures sont tâchées et enfin, huit sont manquantes. Pièces à l'unité également disponibles, encadrées pour certaines. Nous contacter pour plus d'informations.
