109 résultats
199337567San Francisco: Arion Press 1993. Hardcover. Fine. Hardcover. Number 126 of 250 numbered copies signed by the artist on his artist's statement preceding the text. There were also 26 lettered copies for private distribution. This was the forty-first publication of the Press. The text of this book is "From the History of an Infantile Neurosis" that was reprinted in The Standard Edition of the Complete Psychological Works of Sigmund Freud Volume XVII pages 7-122 translated from the German under the editorship of James Strachey. The Wolf-Man was the pseudonym given by Freud to his patient a young Russian man named Sergei Pankejeff. Freud's analysis of the Wolf-Man became his most famous case centering on the interpretation of dreams and childhood sexuality. In addition to the text of Freud's study this book includes an erudite and detailed discussion of Freud's work and influence by Richard Wollheim. Wollheim was a British philosopher noted for original work on mind and emotions especially as related to the visual arts specifically painting. <br /> <br /> The striking woodcuts and etchings illustrating the book were done by Jim Dine b. 1935. He is a well-known American artist who rose to prominence in late-1950's New York. He was closely associated with the Pop Art movement. An innovator throughout his long career Dine's extensive output includes paintings assemblages sculptures drawings prints and over twelve books of poetry. He has been the subject of more than 300 solo exhibitions around the world including eleven major surveys and retrospectives since 1970. The book was designed printed and bound at the Arion Press under the direction of Andrew Hoyem. <br /> <br /> Bound in gray cloth with a black cloth spine with titling in silver. The front cover has an image by Dine of a young boy confronting a wolf. Printed in Century Old Style type for the text with Century Expanded italic and Miller & Richard Old Style capitals for display. The text paper is Johannot mouldmade in France. The etchings and woodcuts are on T.H. Saunders Drawing paper mouldmade in England. The intaglio prints were editions by Pace Editions in New York. The book is housed slipcase covered in black paper with gray cloth trim with a black title label to spine. Accompanied by prospectus. Book is in fine condition in a near fine slipcase. Measures 10 x 12.5 inches. 114 pages plus illustrations. PRI/103024. Arion Press hardcover
1966846Cazenovia NY: Eva Thoby-Marcelin 1966. First edition thus. Near fine. Etchings portfolio hand printed by the artist R. E. Marx 1925-2020 in blue and black on Rives paper each of the ten etchings numbered and signed 26/80 in an edition limited to 80 copies only. The type was handset in 18 pt. Garamond. 15 copies were bound all others were issued in portfolio as here. Contains a finely printed English language version of de Maupassant's story translated from the French by Eva Thoby-Marcelin "The Wretch." All ten plates present and the colophon is further signed by Robert Marx; the dark green cloth portfolio is encased in a matching board slipcase with the title gilt-stamped to the front panel. Eva Thoby-Marcelin unknown
195249456London, Phaidon Press, (1952). 4°. Mit zahr. tlw. ganzs. Abbildungen im Text u. auf Tafeln. VII S., 2 Bll., 338; 232 S.; OLwd.-Bde. m. Kopfgoldschnitt.
19743965London: The World's End Press 1974. First edition. Paperback. Near Fine/very good . Natalie d'Arbeloff. Designed and hand-printed by Natalie d'Arbeloff set in 18 point Garamond and printed on Barcham Green mould-made paper. One of 75 copies loose in leaves as issued each leaf consisting of an etching facing text by A.B. Christopher the artist's father. Signed by Christoper and d'Arbeloff. The leaves are in a printed wrapper. All leaves fine or very nearly so. The set in a solander case with embossed vellum spine over paper boards trivial wear to the slipcase but the glue attaching the spine to the cream paper board has stained from underneath a little so VG. This is a handsome illustrated work the etchings perfectly complementing the mystical text. 25 of the 75 copies were bound in goatskin leaving only 50 copies loose and suitable for display of the leaves. <br/><br/> The World's End Press paperback
196743562Maine: Anthoensen Press/Bowdoin College Museum of Art 1967. limited edition. Hardcover. Very good . 11 x 15 in. Folio. Not paginated. Limited edition of 30 copies this is number 29 signed by Stephens and Lent on the limitation pg. and numbered. Black cloth and marbled paper boards. Bound by Arno Werner. Hand-made rag paper. 6 etchings in all including the frontis each signed in pencil on the margin. Small etching on the limitation pg. Condition is VERY GOOD ; covers have light wear to the edges but are very clean with some dulling to the black cloth. Binding tight. Text and etchings are spotless and all tissue guards in excellent condition. Very scarce. Art. RGR. Anthoensen Press/Bowdoin College Museum of Art hardcover
1929005691New York: MacMillan 1929. 179 pp.with 51 high-quality reproductions of etchings nad drawings of churches and cathedrals including Notre Dame Rouen Chartes Bayeux Albi Quimper much more. First printing. Clean. 1st Printing. Cloth. Near Fine/No Jacket. Folio - over 12" - 15" tall. MacMillan hardcover
1929002348New York: The Macmillan Company 1929. 179 pages. Spine faded with light wear to the head and foot; boards lightly soiled. First Edition. Cloth. Very Good/No Jacket. Thick 4to. The Macmillan Company Hardcover
1951299321951. Paris Alphonse Lemerre s.d. circa 1900. Un vol. au format in-16 158 x 97 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. 336 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'ÂŽpoque de plein maroquin glacÂŽ cerise plats jansÂŽnistes dos ˆ nerfs ornÂŽ de filets gras ˆ froid titre dorÂŽ tÂte dorÂŽe double filet dorÂŽ sur les coupes tranches dorÂŽes dentelle intÂŽrieure dorÂŽe. Exemplaire revÂtu d'une dÂŽlicieuse reliure de plein maroquin. Il s'ouvre sur un portrait-frontispice figurant Barbey par Rajon et recÂle en outre 6 dÂŽlicates eaux-fortes par FÂŽlix Buhot. ''Du point de vue pictural le meilleur de l'oeuvre de Buhot rÂŽside dans les dÂŽlicates illustrations qu'il exÂŽcuta pour quelques romans de Barbey d'Aurevilly et notamment pour L'EnsorcelÂŽe le Diable amoureux de Cazotte aussi ainsi que les Lettres de mon moulin de Daudet. Comme graveur il s'est particuliÂrement fait remarquer par l'expression intense de ses estampes et sa science approfondie des effets de lumiÂre et d'ombre''. in BÂŽnÂŽzit. ''Au rang des oeuvres de Buhot les plus dignes d'intÂŽrÂt figurent ces esquisses demeurÂŽes ˆ l'ÂŽtat d'ÂŽbauches destinÂŽes ou non ˆ servir de modÂles ˆ d'ÂŽventuelles gravures''. in Centorame. ''Dans une atmosphÂre de campagne barbare o interviennent des p‰tres jeteurs de sorts et des vieilles femmes hantÂŽes par le souvenir de leurs dÂŽbauches Jeanne Le Hardouey une aristocrate claudÂŽlienne mÂŽsalliÂŽe d'‰me et de corps ˆ un acquÂŽreur de biens nationaux est ÇensorcelÂŽeÈ par un prÂtre l'abbÂŽ de La Croix-Jugan qui a tentÂŽ de se suicider par dÂŽsespoir de la cause perdue et dont le visage monstrueux porte la trace des tortures que lui ont fait subir les Bleus. ÇJ'ai t‰chÂŽ disait Barbey de faire du Shakespeare dans un fossÂŽ du Contentin.È Centorame Les Illustrateurs de l'oeuvre de Barbey p. 48 - SÂŽguin Barbey / Etude de bibliographie critique p. 42 - Boucard & Goodfriend p. 45 et suivantes - BÂŽnÂŽzit II Dictionnaire des peintres p. 385 - Monod I Manuel de l'amateur de livres illustrÂŽs modernes 957 pour une ÂŽdition antÂŽrieure. Dos lÂŽgÂrement t‰chetÂŽ. TrÂs rares autant que claires rousseurs dans le corps d'ouvrage. Nonobstant belle condition. b42961 unknown
192644185Paris: Éditions de l'Intermédiaire du Bibliophile 1926. Limited edition. Softcover. vg. 1/705. Quarto 9 x 7". 220 4pp. Uncut and unopened. Original glassine over printed dust-jacket and blind wrappers. Tissue-guarded etched frontispiece in two states. Publisher's device on title page. <br /> <br /> "Le Spleen de Paris" is a collection of 50 short prose poems by Charles Baudelaire the iconic author of "Les Fleurs du Mal" The Flowers of Evil. <br /> <br /> The collection was published posthumously in 1869 and is associated with the modernist literary movement. <br /> <br /> This limited edition is splendidly illustrated throughout with 10 tissue-guarded etchings by Édouard Chimot. <br /> <br /> One of 705 numbered copies of which this is No. 622. Some age-toning to glassine. Text in French. Dust-jacket wrappers and interior in very good condition. Éditions de l'Intermédiaire du Bibliophile unknown
1973114745Gorner and Millard, London, um 1973. 20,5 x 20 cm ; kart.
19259013300Paris: Le Groupy 1925. paperback. Very good condition. One of 575 numbered soft cover copies loose bound with an original etching on the front cover stamped in black and red. Chips and closed tears to the extremities of the wrapper. Interior is clean. <br/><br/> Le Groupy paperback books
19259013300Paris: Le Groupy 1925. paperback. Very good condition. One of 575 numbered soft cover copies loose bound with an original etching on the front cover stamped in black and red. Chips and closed tears to the extremities of the wrapper. Interior is clean. <br/><br/> Le Groupy paperback
1947B50032Pittsburgh: University of Pittsburgh Press 1947. Hardcover. Very Good/Very Good. One of fifteen hundred copies! Brown stamped beige cloth boards in dust jacket folio 244pp. illustrated in color and b&w. Book has faint foxing and wear to boards and spine binding tight text clean and unmarked but gently toned throughout. DJ shows mild rubbing and edgewear now in protective mylar wrap. THIS LARGE HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. University of Pittsburgh Press hardcover
1965mon0003147979A Loujon Press Award Book Lyle 1965T. paperback. Very Good. . A Loujon Press Award Book, Lyle paperback
1987JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. <br/><br/> The Limited Editions Club hardcover
1945179421945. Paris Editions de La CitÂŽ 1945. Un vol. au format pt in-4 ÂŽtroit 258 x 168 mm de 79 pp. Reliure de l'ÂŽpoque de plein chagrin maroquinÂŽ havane semis de fleurons dorÂŽs sur les plats dos lisse ˆ l'identique titre dorÂŽ tÂte dorÂŽe sur tÂŽmoins gardes de pleine moire havane sous ÂŽtui bordÂŽ couvertures et dos conservÂŽs. Exemplaire sous pleine reliure du temps. ''IntÂŽressante et charmante publication''. in Carteret. Un des 60 exemplaires du tirage sur Arches deuxiÂme papier aprÂs seulement les trois exemplaires de tÂte sur Japon. Outre les compositions originales gravÂŽes - ici en premier tirage - par Paulette Humbert que l'ouvrage se doit de contenir ce dernier recÂle par ailleurs in fine une suite en noir desdites planches. ''Dipl™mÂŽe de l'Union centrale des Arts dÂŽcoratifs et sociÂŽtaire du Salon d'Automne Paulette Humbert a - entre autres - illustrÂŽ RenÂŽ de Chateaubriand''. in BÂŽnÂŽzit. ''Chateaubriand se plait ici ˆ dÂŽpeindre la mÂŽlancolie du hÂŽros-narrateur. Lequel narre ici sa vie passÂŽe en dÂŽcrivant les ÂŽvÂŽnements qui l'eurent pu conduit ˆ ce mal de l'‰me ainsi que son habitude ˆ chercher refuge dans une rÂverie qui devient poison.'' in Espace franÂais. Carteret V Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 47 - BÂŽnÂŽzit V Dictionnaire des peintres p. 168. Frottements affectant le dos de l'exemplaire. Nonobstant trÂs belle condition. b42961 unknown
1951300004084par le Club bibliophile de France pour l'Union Latine d'éditions 1951. 1951. par le Club bibliophile de France pour l'Union Latine d'éditions unknown
199138627Barcelona 1991-1996. A gorgeous livre d'artiste with TEN LARGE COLOR ETCHINGS with aquatint BY JAUME RIBAS each SIGNED and numbered in pencil by the artist. This is copy 7/35 printed on extremely fine Arches wove paper and SIGNED by the artist and the author in the justification / colophon. Square folio. Loose as issued in printed wraps housed in an elaborate wooden and metal box. FINE AND BRIGHT exactly as issued. VERY RARE. <br/><br/> paperback
192639221Paris: Librairie de La Collection des Dix Veuve Romagnol 1926. Henri Le Riche. An outstanding copy of an outstanding livre d'artiste devoted to the glamorous and sensual side of early 20th-century Saigon illustrated with 53 ORIGINAL ETCHINGS mostly with drypoint and aquatint by Henri Le Riche one of the great masters of color etching. From a total edition of 300 numbered copies this is ONE OF 100 ON IMPERIAL JAPANESE PAPER. This copy includes A A remarque suite also on Imperial Japanese paper of the 36 color-printed en-têtes in first state without text; B A remarque suite of the 17 hors-texte etchings in first state before the reduction of the plates; C A suite of the 17 hors-texte etchings in second state before the reduction of the plates; D The two planches refusées in two states with and without remarque. Folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS in the original board chemise and banged-up slipcase. <br/><br/> Librairie de La Collection des Dix, Veuve Romagnol paperback
1927D10945Paris: Editions d'Art de l'Intermediaire du Bibliophile 1927. Limited Edition. Paperback. Very Good. Printed wraps with aquatint vignette on front cover; folio 286 x 380 mm; contains 12 loose color etchings of prostitutes of Marseille each one signed in the plate and numbered in the lower margin. Number 47 from a limited edition of 100 copies on Rives paper. Glassine and tissue-guards wrinkled chipped and torn; portfolio lightly rubbed and wrinkled along the edges. Auction records suggest that this copy may be missing a slipcase box or "board portfolio" -- difficult to say. Nonetheless contents are fine suitable for display. A lovely item. <br/><br/> Editions d'Art de l'Intermediaire du Bibliophile paperback
1927D10945Paris: Editions d'Art de l'Intermediaire du Bibliophile 1927. Limited Edition. Paperback. Very Good. Printed wraps with aquatint vignette on front cover; folio 286 x 380 mm; contains 12 loose color etchings of prostitutes of Marseille each one signed in the plate and numbered in the lower margin. Number 47 from a limited edition of 100 copies on Rives paper. Glassine and tissue-guards wrinkled chipped and torn; portfolio lightly rubbed and wrinkled along the edges. Auction records suggest that this copy may be missing a slipcase box or "board portfolio" -- difficult to say. Nonetheless contents are fine suitable for display. A lovely item. <br/><br/> Editions d'Art de l'Intermediaire du Bibliophile paperback books
1982165391Sydney: Ansay 1982. 1st edition. As New. large octavo. hardback with dust jacket 63pp. sepia illusts. Presentation copy inscribed & signed by Paul Deprat on the title-page Ansay hardcover
198318613West Islip NY: Universal Limited Art Editions ULAE 1983. First Edition First printing. Hard Cover. Inscribed on title page by Jim Dine to fellow artist R.B. Kitaj. FINE BOOK IN VERY GOOD DUST JACKET WITH SLIGHT EDGEWEAR AND TINY CHIPS. Universal Limited Art Editions (ULAE) unknown
1974000652Land's End Press 1974. Hardcover. Good/Good. Scarce edition. From dust Jacket: "Here in one volume are facsimiles of three rare and valuable works of fencing by the noted eighteenth century fencing masters Domenico and Henry Angelo." Hard back binding in publisher's original crimson cloth covers gilt title and author lettering to the spine. Landscape 6½'' x 9¼''. Contains printed pages of text with full-page monochrome etchings and engravings throughout.Very Good condition book with minor rubbing of the cloth along the spine. Good condition dust jacket with some damage. Not price clipped.Names stamped on First page. Dust wrapper supplied in archive acetate film protection. <br/> <br/> Land's End Press hardcover
1930042244Paris: G. Cres 1930. First Edition Thus . Hardcover. Near Fine/Slipcase. 201 Ii Pp. Full Black Niger Gilt And Blind-Stamped In An Art Deco Design Top Edge Gilt Black Gilt And Blindstamped Turns With Blue Silk Doublures And Additional Blue Marbled Endpapers Matching Leather And Marbled Paper On Slipcase. Front Board Neatly Detached Long Ago Reattached With Nearly Invisible Silk Now Again Detached But Can Be Invisibly Reattached Using New Cords Without Any Rebinding. Slipcase With Wear At Corners Split Along One Top Edge. Tipped In Is A Calling Card Of Emile Rossignol With Handwritten Message "Avec Tous Les Voeux De Bonheur Pour L'an Qui Vient" Rossignol." Very Faded Abbreviated Signature At End Of Contents Page. Roland Dorgelès 1885 - 1973 Was A French Novelist And A Member Of The Académie Goncourt. Born In Amiens Somme Under The Name Roland Lecavelé He Adopted The Pen Name Dorgelès To Commemorate Visits To The Spa Town Of Argelès He Spent His Childhood In Paris. A Prolific Author He Is Most Renowned For The Prix Femina-Winning Wooden Crosses Les Croix De Bois A Moving Study Of World War I In Which He Served. It Was Published In 1919 In English By William Heinemann In 1920. Dorgelès Served As A Juror With Florence Meyer Blumenthal In Awarding The Prix Blumenthal A Grant Given Between 1919 And 1954 To Painters Sculptors Decorators Engravers Writers And Musicians. <br/> <br/> G. Cres hardcover