109 résultats
193338743Paris: Javal et Bourdeaux 1933. An extraordinary suite of 30 etchings by Ablett in his purest boudoir style printed on extremely fine laid Japanese paper. EACH ETCHING IS SIGNED IN THE PLATE AND EACH ETCHING HAS A REMARQUE DRAWN IN PENCIL BY THE ARTIST as a rule remarques are engraved but in this case each one is an original drawing. Folio. Loose as issued. In perfect condition. EXTREMELY RARE. <br/><br/> Javal et Bourdeaux unknown
190635294New York: Edwin C. Hill Company 1906. Limited edition. Vellum. Good. L. Alma Tadema. Limited edition of 206 this hand numbered 17 and signed by the Edwin C. Hill Company 1906. A Good copy. 4to. 312 pp. with 2 etched plates bound in decorated full vellum with top edge in gilt. Overall light wear and soiling to vellum. Upper spine is partially detached. Spine is tanned. Front and rear hinges starting to crack. Tear and small loss to the paper covering the rear board End papers are lightly toned with some finger soiling to title page otherwise text is clean and unmarked. Edwin C. Hill Company unknown
19801303300729xbvkRastatt, Moewig, 1980. 155 (1) Seiten auf Kunstdruckpapier, durchgehend farbig bebildert. - Farbig illustrierter, kartonierter Originaleinband mit Deckel- und Rückentitel; 4to.(ca. 31 x 20,5 cm).
197428675London, 1974. 12°, all catalogues with numerous fotos. - No. 3 (Etchings and Lithographs by Modern Masters), No. 6 (Fauvism and Expressionism), No. 7, No. 8, No. 9 (The Mother and Child), No. 10 (Fine Prints by 19th and 20th Century British and European Masters), No. 11 (John Crome 1768-1821), No. 12 + catalogue with works by John Brunsdon. Good and clean copies.
1966106619New York: Thomas Y. Crowell 1966. First Edition; First Printing. Hardcover. Near Fine in a Near Fine price clipped dust jacket. Minor chip to crown near rear panel. ; 8vo 8" - 9" tall. Thomas Y. Crowell hardcover
1920MUSI0553Berlin, Paul Cassirer 1920. Kl.4°. 173(3) S. Mit ORadierung von Max Slevogt ("Der Sänger Francesco D'Andrade als Don Juan") als Frontisp. sowie 39 Faks. u. Lichtdrucken. OHLeinenbd. m. goldgepr. Rü.titel u. Einbandzeichnung v. Hans Meid. Rücken geblichen, Einbd. etw. angeschmutzt, Vorderschnitt stockfl., Name auf Spiegel. Über Paganini, Liszt, Rubinstein, Joachim u.a. Die Slevogt-Radierung von der Pan-Presse gedruckt.
1970232973Santa Fe: Ancient City Press 1970. Paperback. 46p.5.5x8.5 inches preface introduction map illustrations selected bibliography very good first printing booklet in stapled pictorial wraps. Ancient City Press paperback books
197022784Santa Fe: Ancient City Press 1970. Paperback. 46p.5.5x8.5 inches preface introduction map illustrations selected bibliography very good booklet in stapled pictorial wraps. Ancient City Press paperback books
190253698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. <br/><br/> Freemantle & Company hardcover
190540530Bedford Park Chiswick: The Caradoc Press 1905. Limited edition. Hardcover. g to vg. 1/350. Large octavo. 14 155 1pp. Striking contemporary gilt-ruled full calf with gold decoration and lettering to spine. Raised bands. Top edge gilt. Dentelles. Marbled endpapers. Engraved frontispiece portrait of Izaac Walton. Title page in red and black lettering. Decorative initials and tailpieces. <br /> <br /> This splendid limited edition of Walton's masterpiece "The Compleat Angler" is the exact reprint of the first edition published in 1653. It is a celebration of the art and spirit of fishing in prose and verse. Walton's frontispiece portrait as well as the decorative initials and ornaments were designed and engraved by Harry George Webb a recognized artist of the time. <br /> <br /> One of 350 unnumbered copies on paper out of a total edition of 364. <br /> <br /> Binding rubbed along joints with head of spine slightly chipped. Binding in overall good interior in very good condition. The Caradoc Press hardcover
192721012501New York: The Bennett Libraries Inc 1927. Limited Edition. Leather bound. Near Fine. Tice Clara. No. 89 of 250 special copies octavo size 189 pp. Clara Tice 1888-1973 avante-garde illustrator and artist spent most of her life in New York City; due to her provocative art she was seen as representative of bohemian Greenwich Village. Her fame actually increased when the Society for the Suppression of Vice remember this was 1915 tried to confiscate her art; this naturally drew more attention to her art which was thereafter published in works such as Vanity Fair. Looking at the etchings in this book might cause comment even today; they lavishly celebrate the feminine figure and are rampant with sexual innuendo. <br/><br/>This one of the 250 special edition copies bound in full morocco by Whitman Bennett N.Y. and printed on special deckle-edge Pannekoek paper. The text according to the title page an exact copy of the "Earliest English Text Printed in Holland by Joh. Enschede en Zonen". <br/><br/>___DESCRIPTION: Red leather binding by Whitman Bennett N.Y. with their stamp on the verso of the front free endpaper with two female seated nudes depicted in gilt on the front corners four raised bands on the spine gilt rules decorations and lettering on the spine with "Special Issue" at the tail top edge gilt other edges uncut gilt rules on the turn-ins decorative endpapers limitation statement on the verso of the half-title page two separate title pages for each Part in red and black Part II title page being on page 121 of the book with ten full-colour etchings by Tice each etching with its tissue guard Table of Contents at the end; octavo size 9 1/8" by 6 1/4" pagination: 1-182 Table of Contents 183-189; limited edition this no. 89 of 250 special copies total edition 1000. <br/><br/>___CONDITION: Near fine; the leather binding smooth and supple a strong square text block with solid hinges the text pages clean and bright all of the etchings with their tissue guards present and the book is entirely free of prior owner markings; we are grading near fine due to a few very light marks to the leather on the back board a few pages roughly opened one leaf with a short closed fore-edge tear pp. 173-174 and the black ink on the etchings has powdered slightly; still a near fine example of Tice's outstanding nudes. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Bennett Libraries Inc unknown books
192944148Paris: Devambez 1929. Limited edition. Softcover. g to vg. 1/20. Folio 13 1/2 x 11". 137 5pp. Original glassine over decorative dust-jacket and blind wrappers. Book housed in its original chemise with title label to spine. Chemise itself housed in its matching slipcase. Color illustrated title page.<br /> <br /> Originally published in 1895 "Les Villages illusoires" by Belgian symbolist Émile Verhaeren is one of two works the other being "Les Villes tentaculaires" expressing the writer's growing concern for social problems based on the 'illusory character' of human perception. <br /> <br /> This striking limited edition is splendidly illustrated by Belgian artist Julien van Santen who studied under Brussels engraver Jeff Codron. Our copy contains 50 of the 51 etchings 17 etchings in 3 states as the 17th etching is in two states only.<br /> <br /> One of 20 artist copies after 40 copies on japon impérial 30 on japon and 130 on Vélin d'Arches total edition 220.<br /> <br /> Minor shelf wear and age-toning to spine. Minor and sporadic foxing along paper edges not affecting lettering or illustrations. Text in French. Slipcase and chemise in overall good to good condition glassine dust-jacket wrappers and interior in very good condition. Émile Verhaeren 1855-1916 foremost among the Belgian poets who wrote in French. The vigor of his work and the breadth of his vision have been compared to those of Victor Hugo and Walt Whitman. Devambez unknown
1940110021940. Paris Guy Leprat s.d. 1940. 1 vol. in-plano 443 x 318 mm de 11 pp. et 12 planches en feuilles sous chemise cartonnÂŽe d'ÂŽdition. Edition originale. Tirage unique ˆ 500 exemplaires seulement sur vÂŽlin d'Arches seul papier. Exemplaire numÂŽrotÂŽ et signÂŽ ˆ la mine de plomb au colophon. ''Penser Paris. Comment songer ˆ vaincre ˆ rÂŽduire ˆ quelque forme intelligible un tel monstre de grandeur de rapports de diffÂŽrences concentrÂŽes '' Paul ValÂŽry. Premier tirage des 12 dÂŽlicates eaux-fortes de FlorÂs donnant ˆ voir : La rue des Francs-Bourgeois - Notre-Dame et les bouquinistes - L'aiguille de Notre-Dame - Le Pont-Neuf et la CitÂŽ - Notre-Dame vue des Quais de Seine - La Sainte-Chapelle - Tour de l'Horloge et marchÂŽ aux fleurs - L'Eglise Saint-Germain-des-PrÂs - MarchÂŽ rue Mouffetard - Rue Brise-Miche - Place de la Concorde - Arc de Triomphe / Place de l'Etoile. Chemise prÂŽsentant des marques d'usage ÂŽparses dont deux manques de papier affectant tÂte et queue du dos. Feuillets de garde fortement roussis. Rousseurs affectant texte et planches quoique davantage concentrÂŽes en marge. Du reste bonne condition. Rare. b42961 unknown
197983595Kent Ohio: Volair Limited/Capra Press 1979. Hardcover Octavo in slipcase. Hardcover. Very good. black leather spine marbled boards gilt lettering cardboard slipcase unpaginated inscribed by the author on the half title page slipcase lightly worn <br /> <br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Volair Limited/Capra Press hardcover
195139403Paris: Ambroise Vollard / Georges Leblanc 1951. André Derain. An outstanding copy of this important livre d'artiste illustrated with 33 HORS-TEXTE ETCHINGS BY ANDRE DERAIN. Derain executed the etchings in 1934 but they were not published until this livre d'artiste appeared in 1951. Large folio 45 x 35 cm. ENTIRELY UNTRIMMED WITH WIDE MARGINS IN ABSOLUTELY PERFECT CONDITION. Housed in the original chemise and slipcase. Johnson 184; Rauch 40; MoMa 57; Strachan p. 330; Stern 33. Rare and important. <br/><br/> Ambroise Vollard / Georges Leblanc unknown
193935481Baltimore: The Etchcrafters Art Guild 1939. Hardcover. Very Good. Hardcover. Number 69 of 200 copies. The 100 etchings in these two volumes are all artist proofs individually signed by Don Swann. Inscribed from the artist and author: "Aunt 'Madge' and Uncle 'Ed'. December 25th 1941 with Best Wishes. From Don Sr. & Don Jr." <br /> <br /> Don Swann Sr. 1889 - 1954 grew up in Baltimore attending Maryland Institute College of Art and is known for his etchings of colonial and Neo-classical American architecture. In addition to houses he also did multiple etchings of Baltimore cityscapes. His son Don Swann Jr. 1911 - 1998 followed in his father's footsteps to become a master etcher. He continued to operate the Etchcrafters Art Guild after the death of his father. <br /> <br /> Both volumes are bound in blue leather over blue leatherette boards with gilt titles to spines. Minor scuffing to both spines and light stain to spine of second volume. Minor foxing to interiors heaviest on tissue guards and browning to endpapers. All etchings have the original tissue guards bound in. Bound by the Elliott Bookbinding Company in Baltimore. Printed on Rives Woven Imported paper with Old Style Caslon type at the Monumental Printing Company in Baltimore with typography by Norman T.A. Munder. Continously paginated - 425 pages. Size: Folio. MD/122121. The Etchcrafters Art Guild hardcover
198012801FARRAR STRAUS & GIROUX. NY 1980. Fine with no dust jacket. 1980. First Edition. Softcover. UNCORRECTED PROOF. Fine in plain white printed wrappers. . FARRAR, STRAUS & GIROUX. NY 1980 paperback
19816136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
19341332280Oxford: The Limited Editions Club 1934. 1158/1500. Hardcover. Octavo; pp 423; G; dark reddish orange spine with black text to paper label; no jacket; limited numbered copies; this is no. 1158 of 1500; patterned slipcase; slipcase exterior slightly sunned; some chipping to edges; panels intact; cloth wrapped in patterned paper; exterior housed in HB sleeve; sleeve partially detached at joints; some wear to sleeve exterior; mildly rubbed edges; wrapper has paper label to front; some wear to edges; sturdy boards; text block has light foxing to exterior edges; endpapers modestly foxed; mild foxing toward interior edges; deckled edges; bookplate to ffep; good binding; illustrated; signed by illustrator. 1332280. FP New Rockville Stock. The Limited Editions Club hardcover books
198612352Lewisburg PA: Bucknell University / The Press of Appletree Alley 1986. Limited Edition. Hardcover. Near fine. Quarto 29pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A crisp clean copy near fine in the publisher's pale blue cloth. Cloth a tinge faded at extremties and the page block edges just a trifle toned. A few forgivable smudges to one blank leaf. Per the colophon: "The book was set in 16 point Spectrum and printed on a Vandercook No. 4. The volume was designed hand-set and printed by Mary Chenoweth and Barnard Taylor and bound by Don and Pam Rash. The three full-page etchings were created by Rosalyn Richards and printed by Kathy Kaminskas at Bucknell University Department of Art. The edition was printed on imported mould made Rives Heavyweight." This is number 57 of 125 limited copies SIGNED by Shapiro and Richards on the limitation page. Bucknell University / The Press of Appletree Alley hardcover
19971803110290xbvkBremen, Kunstkabinett am Barkhof / Gifkendorf, Merlin-Verlag; 1997 (Heft 4a, mit datierter Orig.-Signatur des Künstlers). Je 'Heft' ca. 30-50 unnummerierte Seiten auf Kunstdruckpapier und vielen transparenten Zwischenblättern, durchgehend bebildert; die Originalradierung 'Der Handlanger des Zeichners' (Nr. 99 von 333 Exemplaren) von Schindehütte eigenhändig nummeriert und signiert, lose in rotem kartonierten Doppelblatt mit näherer Erklärung des Mappeninhalts. - Zeichenhefte und Originalradierung mit Schutzkarton zusammen in grauer Original-Flügelmappe mit illustriertem -Titelschild und schwarzem Schliessband; 4to.(ca. 30 x 21 x 2 cm; ca. 1,2 kg.).
197041932New York: Associated American Artists 1970. First Edition. Limited Issue one of 150 numbered copies printed on Rives paper and signed by the artist this being copy no.137. Loose signatures each consisting of a poem facing a numbered and signed etching by the artist all housed in a letterpress printed card chemise and gray linen slipcase. Contents Fine; slipcase showing some light wear and a few tiny scuffs and stains; Near Fine. Elegant fine press production of these seven poems originally published between 1916-1956 and presented here with masterful etchings by Gregory Masurovsky. Associated American Artists unknown books
1926007159Paris 1926. LImited Edition. Full Decorated Crushed Morocco. Very Good. Example L of 20 containing the suite "en sanguine". These copies were reserved for Eduoard Champion. Beautiful pochoir coloring of illustrations contained in text. 4to. 26 by 17 cm. 141 3 pp. Beautiful decorated morocco by Princevel with floral onlays in corners of boards and on spine onlay bands around around perimeter crimson doublures with gilt ruling surrounds etc. Silk moire free endpapers marbled paper pastedown succeeding two pages. Condition: heavily rubbed along joints. Corners and edges also rubbed. Scattered foxing and at times quite conspicuous. unknown
1940318481940. S.l. Paris chez l'artiste s.d. circa 1940. Un vol. au format in-4 353 x 252 mm non paginÂŽ en feuilles sous couverture ˆ rabats rempliÂŽs dont le premier plat est occupÂŽ par une large composition gravÂŽe. Tirage unique ˆ 220 exemplaires seulement de cette ''ÂŽdition recherchÂŽe''. in Carteret. Celui-ci comptant parmi les 200 exemplaires du tirage sur Arches ; justifiÂŽ au colophon exemplaire d'artiste et revÂtu de la signature autographe ˆ la mine de plomb de LÂŽon Courbouleix. ''Ce livre contient dont premier plat de couverture 59 planches dont les ornements le texte et les illustrations ont ÂŽtÂŽ gravÂŽs ˆ l'eau-forte. Chaque planche a ÂŽtÂŽ imprimÂŽe ˆ la poupÂŽe en plusieurs couleurs sur la presse ˆ bras de l'artiste. Les lettres capitales ont ÂŽtÂŽ rehaussÂŽes de gouache et d'or ˆ la main''. ''LÂŽon Courbouleix grava ˆ la pointe-sÂche et ˆ l'eau-forte des illustrations pour des auteurs libertins notamment pour l'ÂŽditeur Maurice Glomeau''. in Osterwalder citant la prÂŽsente contribution de l'artiste. ÇÊPrince des poÂtes et poÂte des princesÊÈ Pierre de Ronsard est une figure majeure de la littÂŽrature poÂŽtique de la Renaissance. Auteur dÕune Ãuvre vaste qui en plus de trente ans a touchÂŽ aussi bien la poÂŽsie engagÂŽe et ÇÊofficielleÊÈ dans le contexte des guerres de religions avec Les Hymnes et les Discours 1555-1564 que lՎpopÂŽe avec La Franciade 1572 ou la poÂŽsie lyrique avec les recueils Les Odes 1550-1552 et des Amours Les Amours de Cassandre 1552Ê; Les Amours de Marie 1555Ê; Sonnets pour HÂŽlÂne 1578. Imitant les auteurs antiques Ronsard emploie d'abord les formes de l'ode Mignonne allons voir si la rose et de l'hymne considÂŽrÂŽes comme des formes majeures mais il utilisera de plus en plus le sonnet transplantÂŽ en France par ClÂŽment Marot en 1536 en employant le dÂŽcasyllabe Mon dieu mon dieu que ma maistresse est belle! Les Amours ou Je vous envoye un bouquetÉ Continuation des Amours comme le mÂtre ÇÊmoderneÊÈ de l'alexandrin Comme on voit sur la brancheÉ Second livre des Amours ou Quand vous serez bien vieilleÉ Sonnets pour HÂŽlÂne. Monod II Manuel de l'amateur de livres illustrÂŽs modernes 9902 - Osterwalder III Dictionnaire des illustrateurs p. 419 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 347. Petite coupe au dos de l'exemplaire. Rousseurs dans le corps d'ouvrage. Du reste belle condition. b42961 unknown
191252175Essen Germany: Krupp A. G. 1912. First edition. Hardcover. Very good condition. Inscribed to "Max von . in friendship Krupp Bohlen Halbach Herbst 1912" on front free endpaper. <br /> <br /> Folio. 416 2pp. 4 plates 2 foldouts. Original ochre cloth with brown lettering and publisher’s device on cover brown lettering and ruling on spine. Black edges. Title page with publisher’s device. Green ribbon marker. Head and endpieces with drawings and woodcuts by Robert Engels and C. Thiemann throughout depicting factories factory grounds and company products of the manufacturer. Three full page etchings of Alfred Krupp and one of Friedrich Alfred Krupp by W. Conz. Contains twofold color lithograph of the cast steel factory and a twofold color lithograph with plans of Krupp factories from different years in pocket at rear. Text in German. Light water-staining along bottom of front cover and spine. Imprint at rear with light foxing at top near spine and some water stains at bottom of back free endpapers. Krupp A. G. hardcover