Charles NODIERMareMagnum
92 résultats
Paris, V. Lecou - J. Hetzel sans date, 1852. In-4 relié demi-basane noire, dos lisse, motifs estampés à froid, titre et filet doré. Fx-titre, eaux-forte en frontispice, titre, 310 pages + table,. Trilby, Le songe d'or, Baptiste Mantauban, La fée aux miettes, la Come de l'homme mort, Inès de la Sierra, Smarra, La neuvaine de la chandeleur, La légende de la soeur Béatric. Illustré de 8 eaux-fortes tirées sur chine et de 2 vignettes gravées sur bois de Tony Johannot. Second tirage des illustrations (la première date de 1846). Reliure modeste, néanmoins exemplaire très frais.
This is a fine softcover copy with no wear at all. Completely clean. This is a sale catalog for an auction held at Christie's London on February 15, 2012. Sale code: FREUD- 6330. The sale consisted entirely of etchings by Lucian Freud printed at Studio Prints in London. The press was established in the late 1960's. Lucian Freud became a client in 1985, and for a quarter of a century produced some of his most memorable prints there. 44 lots in the sale all illustrated in black & white with some additional color images of related paintings. Auction results included. 11" high X 8" wide, 117 pages. This book will be securely packed and shipped with tracking.
THE UNIQUE COPY, WITH 13 ORIGINAL DRYPOINTS ON 11 SHEETS BY CLAUDIA BERG, EACH SIGNED, TITLED, DATED, AND JUSTIFIED BY THE ARTIST. The total edition was 12 copies: in the 11 "normal" copies the drypoints have no margins, are folded, and are not signed. In this unique copy, the drypoints have wide margins, have never been folded, and are all signed. Laid in is a manuscript text booklet by the artist, explaining the creation of this copy (it was printed for a prominent Italian opera singer) and providing the excerpts from the Divine Comedy on which her drypoints are based. Large oblong folio (70.5 x 54 cm). Housed in a custom-made folding case, with the title on the cover in calligraphy. FINE AND BRIGHT, WITH NO DEFECTS. UNIQUE AND IMPORTANT. Claudia Berg
In -folio grande (cm. 50 x 35), 35 grandi tavv. con un totale di 53 incisioni indicizzate e numerate.
Réunion des Musées Nationaux. 1969. In-8 Carré. Broché. Bon état. Couv. légèrement passée. Dos plié. Intérieur frais. 63 pages de texte et 68 planches de reproductions en noir et blanc. Texte sur 2 colonnes. Reproduction en noir et blanc en frontispice. Exposition, oct.-jan. 1969-1970. Tricentenaire de la mort de l'artiste. Préface de Maurice Serullaz. Intro. de Frits Lugt et Maurice Serullaz.
ENCYCLOPEDIE ALPINA ILLUSTREE. NON DATE. In-Folio Carré. En feuillets. Etat d'usage. Couv. défraîchie. Dos satisfaisant. Intérieur frais. 2 pages + 40 planches en noir et blanc sous pochette souple legerement taches brunatres. INCOMPLET - MANQUES LES PLANCHES 17, 18, 19, et 20. INTRODUCTION DE ANDRE-CHARLES COPPIER. / ATTENTION INCOMPLET
ENCYCLOPEDIE ALPINA ILLUSTREE. NON DATE. In-Folio Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 4 pages + 50 planches en noir et blanc sous pochette souple abimée en coiffes, coins et frottée.. COMPLET. OUVRAGE COLLATIONNE INTRODUCTION DE ANDRE-CHARLES COPPIER.
Sm. 4to., First Edition, with a frontispiece and plates; original printed wrappers, a near fine copy. The catalogue list 258 exhibits.
Exhibition catalog for show by the same name at the publisher's gallery. is in excellent condition with creaseless covers and spine; a tiny bit of edge wear and one very slightly curled corner as the only flaws. Otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 124 pages with full page b&w plates beginning on page 43 and continuing to page 117. Essay by Mr. With, Noteon Corinth's printmaking techniques and checklist of the exhibition.
Lienart, 2021. Fort et grand in-4 relié plein cartonnage éditeur illustré de 627 pages. Très nombreuses reproductions dans et hors-texte. Bon état
Roy. 8vo., with facsimile title in colour, 14 facsimile plates and an illustrations in the text; decorative cloth gilt, gilt back, a fine copy. EDITION LIMITED TO 500 COPIES. Dallaway's scarce work was first published in 1821. Based on an original in the Surrey County Library, this sympathetic reprint was printed and bound at the Scolar Press.
First Edition, large 4to, ix,36pp., number 44 of a limited edition of 200 copies, large paper copy printed on hand-made paper, 96 full-page plates printed on one side only of which several are heliogravure facsimiles each with protective tissue with short descriptive text, orig. full vellum, some lightly soiled, title stamped in gilt on upper cover, label to spine, uncut, a nice copy. An important work on Whistler's etchings with a 448 item list of his etchings reprinted from Kennedy's 1910 catalogue.
First Edition, large 4to, ix,36pp., number 44 of a limited edition of 200 copies, large paper copy printed on hand-made paper, 96 full-page plates printed on one side only of which several are heliogravure facsimiles each with protective tissue with short descriptive text, orig. full vellum, some lightly soiled, title stamped in gilt on upper cover, label to spine, uncut, a fine copy. An important work on Whistler's etchings with a 448 item list of his etchings reprinted from Kennedy's 1910 catalogue.
4to., First Edition, with 96 illustrations, endpapers mildly browned; boards, vellum back lettered in gilt, gilt top, covers lightly age-marked else a very good, clean copy.
Bornemann. 1972. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Plaquette de 48 pages. Traité pratique et simplifié à l'usage des artistes, élèves et amateurs.
Book is in excellent condition, as new with pictorial HB boards. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Slipcase shows the slightest signs of shelf wear only, one small tear at corner. Illustrated with two hundred reproductions of the drawings, etchings and paintings of Goya selected and arranged by J.B. Neumann. 522 pages on heavy, glossy paper with many large prints throughout. Contans loose-leaf Sandglass Number v: 21
212p. + Plus etched frontis and four full page etchings with tissue guards. Large paper copy. Foxed. Top edge gold, other edges deckled. 4to. Original full leather binding, gold lettered. Binding worn. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W69
A beautiful livre d'artiste, illustrated with NINE ORIGINAL LOOSE FULL-PAGE HORS-TEXTE ETCHINGS BY JULES JOETS, EACH OF WHICH IS JUSTIFIED (15/44) AND SIGNED IN PENCIL. One etching is a portrait of Fort; the other eight are dramatic landscapes depicting the North of France and Belgium (specifically Flanders), often including farmhouses and other rustic buildings. edition limited to 44 numbered copies, of which this is one of 37 printed on fine Arches laid paper, with the etchings on fine Arches wove paper. A presentation copy, signed and inscribed by Joets on the half-title. Folio. Loose as issued in original wraps. FINE AND BRIGHT. In the original board chemise and slipcase.
The catalogue raisonne of the prints. About 160 items described and reproduced, almost all in color. Folio. Original wraps. FINE AND BRIGHT.
A clean, unmarked book with a tight binding. Full cream colored boards. Slight edge wear to dust jacket. Note: This is Volume II, Illustrations, only. 8 3/4"w x 11 1/4"h. 166 pages. Includes portraits, drawings, watercolors, etchings; copies, imitations, and forgeries; comparative illustrations by copyists. Illustrations are in black and white.
Grande incisione ad acquaforte (cm. 55 x 42) realizzata da Giorgio Hackert sul quadro del fratello Philipp: rappresenta il porto di Taranto. Gli Hackert lavorarono molto in Italia e all’epoca di quest’incisione, probabilmente non di molto posteriore al 1789, data del quadro, erano pittore e incisore di corte presso Ferdinando IV. Il quadro è nel museo della Reggia di Caserta. Negli ultimi anni del secolo sono numerosi i porti italiani ritratti da Philipp: la didascalia recita “Preso dal quadro originale che fu parte della collezione dei porti delle due Sicilie ordinata da S.M. il Re. Ottime condizioni, molto raro. A big etching engraved by Georg Hackert on a painting of his brother Philipp: the subject is Taranto’s port. Hackert brothers worked in Italy for a long time, and at this etching time, around 1789 (it’s the painting year), they were painter and engraver of the Ferdinand’s Court, in Caserta (where the painting is still in the collection). Many Italian ports were painted by Philipp in the late XVIII, when the king asked him to do a recognition (and a series of paintings) of southern Italy coast. Very good conditions, much rare.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean inside and out. SIGNED by the artist, Trevor Haddrell, and dated 2002, on the first blank white page. Not inscribed to anyone, just signed and dated. Stated first edition. Illustrated in black & white with reproductions of Trevor Haddrell's fifty engravings and linocuts of Bristol. 10" high X 11" wide, 100 pages. A beautiful copy. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Sans date - 1873. In-folio relié demi-chagrin bordeaux, dos à nerfs, titres dorés, reliure de Michon. Très bel ensemble regroupant les vignettes en plusieurs états dessinées et gravées par les frères Hillemacher pour le Théâtre de Racine, imprimé à Paris par D. Jouaust 1873 - 1874 et pour Le Lutrin de Boileau-Despreaux, publié en 1862. L'album regroupe, pour le Théâtre de Racine. 157 vignettes en deux formats 12,5 x 18,5cm et 6 x 10,5cm, en plusieurs états, de 1 à 4, des contre-épreuves et des vignettes de rebut. Pour Le Lutrin de Boileau-Despreaux : 31 vignettes en deux formats 15, 5 x 20, 5cm et 11 x 17cm, en plusieurs états, et avec des planches d'essais non publiées. Toutes les vignettes sont contrecollées sur des pages de beau papier dessin fort, montées sur onglets et cousues. En tête d'ouvrage deux grandes vignettes 12 x 18,5cm, gravures allégoriques, portant le nom d'Ernest Hillemacher. Les mentions d'état sont manuscrites. Ex-libris Bibliothèque Frédéric Hillemacher et deuxième ex-libris portant "nec ridendo vellicat" (Paul-Emile Daurand-Forgues connu sous le pseudonyme de Old Nick ou de Tim). Tout laisse à penser que cet album a été constitué par F. Hillemacher lui même. Joint : 3 lettres manuscrites signées de Frédéric Hillemacher et datées pour deux d'entre elles 1867 - 1879, contrecollées sur papier dessin libre. Destinataire non identifié mais texte bien en rapport avec la gravure et une lettre manuscrite d' Ernest Hillemacher à Monsieur Laugee, artiste peintre, à Paris dans laquelle il lui envoie deux couplets du vaudeville Lantara. Quelques frottements en dos, coiffe fragile avec mors détachés sur environ deux centimètres, coins un peu émoussés, rares rousseurs, une planche détachée. Exemplaire unique.
238pp.(of which 106pp.illustrations), 34cm., cart., dustwrapper, in slipcase, VG
The standard catalogue raisonne. 43 items illustrated (each with a full-page plate) and exhaustively described. Text in French and English. 4to. Original wraps. FINE AND BRIGHT. Scarce.
