92 résultats
Two huge color aquatint / etchings depicting surreal gnome-like musicians. Printed on fine Arches wove paper. Each of the prints is signed, titled, and justified by the artist in pencil. Plates measure 20 x 13 inches (51 x 33 cm), sheets measure 30 x 23 inches (76 x 58.5 cm). Printed in delicate tones of purple and orange. Originally, this set was to be published in an edition of 75, but the publisher died before the project was completed. Finally only a few impressions were actually printed and signed, and THESE PRINTS HAVE NEVER BEFORE BEEN OFFERED TO THE PUBLIC. In absolutely perfect condition, like new. Price is for the set of 2 prints together.
A clean, unmarked book with a tight binding. Edge wear and a bit of curl to cover. Peeling laminate on cover. 8 3/8"w x 11 1/4"h. 222 pages.
Sm. 4to., First Edition, with a frontispiece and plates; original printed wrappers, a near fine copy. The catalogue list 258 exhibits.
First edition, 4to, 191pp., 106 plates, orig. publishers cloth-backed boards, uncut.
pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
In -folio grande (cm. 50 x 35), 35 grandi tavv. con un totale di 53 incisioni indicizzate e numerate.
238pp.(of which 106pp.illustrations), 34cm., cart., dustwrapper, in slipcase, VG
Profusely-illustrated monograph which provides the only catalogue raisonne of the work of Lunois, an important late-19th-century French artist fascinated by Spain, the Maghreb, and Scandinavia. ONE OF ONLY 50 NUMBERED COPIES PRINTED ON FINE OLD JAPAN PAPER. Illustrated with about 100 text illustrations and 26 full-page plates, each in two states. Most of the full-page plates are original etchings or lithographs by Lunois (some printed in color). Also includes the etching "Dame turque", which appears ONLY in this deluxe edition. 4to, original illustrated wraps. Uncut and unopened. With the prospectus. A bright, excellent copy of a rare book.
196 p. Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
Over 320 p. 315 illustrations, including 298 plates in full color. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
295 p. 285 Color plates. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
Over 256 p. 238 Illustrations, with 229 in full color. Printed on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1st edition. Full Leather binding with tooled spine with gilt lettering. 8vo, 443 pages. Illustrations throughout. In French. Title translates as, Water Amusements of Aix-la-chapelle [Aachen]: A Useful Work For Those Who Will Take The Baths There, Or Who Use Its Waters; Enriched With Tailles-douces, Which Represent The Views & Perspectives Of This City, Its Baths & Fountains, Churches & Public Buildings." This volume includes fold-out plates XII though XVII [6 in total], all of which are present, as well as numerous in-text illustrations. Includes fold out illustration of Bain de LEmpereur T Keysers Bad as a frontis. In French. Volume two only. Karl Ludwig was a German writer. He worked in the households of King Frederick William I of Prussia and Frederick the Great. He wrote La Saxe galante and Histoire secrete de la duchesse d'Hanovre, épouse de Georges I. Subjects: Baths -- Germany -- Aachen. Mineral waters. Balneology. Travel. Description and travel. OCLC number: 20181205. A single institution (University of Manchester) lists a 1734 copy; we presume this to be an error as no other copies pre-dating 1736 could be located anywhere. Former Owners small ex-libris (obliterated) and small ownership stamp on blak end paper. Some wear to covers, 1st foldout has some tearing along crease. Very Good Condition, attractive binding, plates, illustrations, and text paper. A nice copy. (AC-21-19)
FIRST AND ONLY EDITION of this EXTREMELY RARE dictionary of monograms found in prints. Hundreds of monograms identified, 8 lithograph plates showing dozens of the more elaborate examples. ONE OF ONLY 60 COPIES PRINTED. According to a note on the free endpaper, part of this tiny edition was destroyed. Printed on fine wove paper. Small 8vo. Original wraps. Wraps somewhat worn, especially at extremities. Internally fine and bright.
A clean, unmarked book with a tight binding. Full brown cloth boards. 9 1/2"w x 12 3/8"h. 338 prints.
Wear to top/tail of spine. Crease to corner of back cover. Not paginated. 431 items listed, each illustrated.
Features: Toronto Print Gallery - Old Etchings, Engravings & Watercolours, Ltd.; Collecting Antique Dolls Today; Steamboats and the China Collector; New Brunswick Sketches; Gingerbread - The Gilded Treat; The Documentary Tradition in Photography; The Humberstone Potteries of North York. Sound copy. Magazine
Sans date - 1873. In-folio relié demi-chagrin bordeaux, dos à nerfs, titres dorés, reliure de Michon. Très bel ensemble regroupant les vignettes en plusieurs états dessinées et gravées par les frères Hillemacher pour le Théâtre de Racine, imprimé à Paris par D. Jouaust 1873 - 1874 et pour Le Lutrin de Boileau-Despreaux, publié en 1862. L'album regroupe, pour le Théâtre de Racine. 157 vignettes en deux formats 12,5 x 18,5cm et 6 x 10,5cm, en plusieurs états, de 1 à 4, des contre-épreuves et des vignettes de rebut. Pour Le Lutrin de Boileau-Despreaux : 31 vignettes en deux formats 15, 5 x 20, 5cm et 11 x 17cm, en plusieurs états, et avec des planches d'essais non publiées. Toutes les vignettes sont contrecollées sur des pages de beau papier dessin fort, montées sur onglets et cousues. En tête d'ouvrage deux grandes vignettes 12 x 18,5cm, gravures allégoriques, portant le nom d'Ernest Hillemacher. Les mentions d'état sont manuscrites. Ex-libris Bibliothèque Frédéric Hillemacher et deuxième ex-libris portant "nec ridendo vellicat" (Paul-Emile Daurand-Forgues connu sous le pseudonyme de Old Nick ou de Tim). Tout laisse à penser que cet album a été constitué par F. Hillemacher lui même. Joint : 3 lettres manuscrites signées de Frédéric Hillemacher et datées pour deux d'entre elles 1867 - 1879, contrecollées sur papier dessin libre. Destinataire non identifié mais texte bien en rapport avec la gravure et une lettre manuscrite d' Ernest Hillemacher à Monsieur Laugee, artiste peintre, à Paris dans laquelle il lui envoie deux couplets du vaudeville Lantara. Quelques frottements en dos, coiffe fragile avec mors détachés sur environ deux centimètres, coins un peu émoussés, rares rousseurs, une planche détachée. Exemplaire unique.
Paris, V. Lecou - J. Hetzel sans date, 1852. In-4 relié demi-basane noire, dos lisse, motifs estampés à froid, titre et filet doré. Fx-titre, eaux-forte en frontispice, titre, 310 pages + table,. Trilby, Le songe d'or, Baptiste Mantauban, La fée aux miettes, la Come de l'homme mort, Inès de la Sierra, Smarra, La neuvaine de la chandeleur, La légende de la soeur Béatric. Illustré de 8 eaux-fortes tirées sur chine et de 2 vignettes gravées sur bois de Tony Johannot. Second tirage des illustrations (la première date de 1846). Reliure modeste, néanmoins exemplaire très frais.
Cercle Grolier 1956, In-4 en feuillets sous chemise et double emboitage. Illustré de 25 Eaux-fortes de Mario AVATI tirées sur les presses à bras de J.J.J. RIGAL. Tirage à 220 exemplaires numérotés sur Grand Vélin de Rives. Exemplaire enrichi d'une Suite sur Japon nacré, signé de l'artiste sur la chemise, d'un superbe tirage original d'une eau-forte, de la plaque de cuivre de cette même eau-forte, du menu illustré, signé et dédicacé par Mario AVATI, du Cercle Grolier (15 décembre 1956 au Pavillon Dauphine) organisé pour la présentation de l'ouvrage. Egalement joint, dans le menu, les étiquettes d'une bouteille de vin "MARQUIS DE TERME 1951" + un 2° menu. Très bel exemplaire.
Rouquette, Paris. 1875. In-Folio Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Quelques rousseurs. 15 pages de texte + 31 planches volantes d'eaux-fortes en noir et blanc, dans une pochette rigide. Bandeaux, lettrines et culs-de-lampe noirs. Avec une Lettre-Préface de M. Victorien Sardou. 30 eaux-fortes de A. Guillaumot Fils. Avec un portrait de M. V. Sardou, dessiné et gravé par M. Guillaumot Père. Dessins de MM. Eugène Lacoste et Draner, d'après des estampes du temps, tirés chez Chardon Aîné.
A Paris, Aux Dépens de la Compagnie des Bibliophiles Gastronome, 1949. Discours sur le souverain bien de Maître François Rabelais chinonais, dont le texte critique illustré par André Hebuterne a été établi et commenté par Jacques Saint-Germain. In-4 relié demi-maroquin bordeaux à coins, dos à nerfs,titre doré en dos et tête dorée, couverture conservée. Ilustré d'eaux-fortes originales sous serpentes d'André Hebuterne, tirées par G. Visat, pressier. Tirage limité numéroté à 265 exemplaires, celui-ci n°220 sur vélin d'Arches. La reliure est frottée sur le haut du dos, sinon bon état pour ce titre peu courant.
A portfolio of eleven stunning cubist / surrealist etchings (with drypoint) by Philippon, each numbered (15/15) and signed by the artist in pencil. Edition limited to 15 sets, all printed on fine wove paper. Philippon, although little known, was a very talented printmaker. The images include three female nudes, four town views, one interior, one portrait, and two depictions of the port of St-Tropez. 4to. Loose as issued in folding sheet. Cover a bit soiled and damaged, but the etchings are fine and bright, and have never been matted or framed. Extremely rare.
Portfolio of 10 exquisite landscape etchings by Pierre Bazire, each of which is JUSTIFIED (10/15) AND SIGNED IN PENCIL. These etchings evoke the rustic, pastoral landscapes of southern France, bathed in soft sunlight. Additionally there is a title/justification leaf (signed by Gustave Arthur Dassonville, for whom the edition was printed) with an eleventh etching, and another signed proof of that etching (so 12 etchings in all, of which 11 are full-page, loose, signed, and justified). Printed on fine Arches wove paper. Folio. Loose as issued in cloth portfolio with paper label. FINE AND BRIGHT, with no defects. Very rare (only 20 sets were printed: 1-15 and I-V).
