Wildfowling Tales From the Great Ducking Resorts of the Continent
031522-13Wilderness Adventures Press. Hardcover. Near Fine. 9x6x0. Wilderness Adventures Press hardcover
Lost Time · États-Unis59,95 $US≈ 50,72 €
160 résultats
196950314London: Trigram Press Ltd 1969. First edition. Softcover. Very good. Small square quarto 10". 451pp. Lettered cream wrappers head & foot of front hinge rubbed. Illustrated with photographs some nudity on rectos and mostly erotic etchings on rectos. Trigram Press Ltd unknown
031522-13Wilderness Adventures Press. Hardcover. Near Fine. 9x6x0. Wilderness Adventures Press hardcover
499380Maine: Romulus Editions 1989. Hardcover. Fine. First edition deluxe issue. Poems by David Walker. Etchings by Thomas Cornell. Quarto. 38pp. Quarter blue morocco stamped in gold paper-covered boards. printed on handmade Barcham Green Langley paper illustrated with five original etchings by Thomas Cornell. The spine cover and title page reproduce a "voiceprint" from a recording of the poet pronouncing the vowels and consonants of the book's title on a precision oscilloscope. Copy letter "h" of 24 lettered copies along with an extra separate suite of etchings "the first pulled from these plates" each limited to 24 lettered copies signed by David Walker and Thomas Cornell all within a box made by Jeffrey Haste. A fine copy beautifully printed and illustrated in about fine clamshell case with the topedge faintly sunned and a bit of very faint spotting along the spine edge. <br /> <br /> Beautifully printed and designed by George Benington the multi-color etchings printed by James Cambronne. Two of the etchings are individual portraits of Franz Kafka and Charles Ives. Striking etchings by the artist Thomas Cornell who had a one-man show at the G.W. Einstein Company in New York.<br /> <br /> Thomas Cornell is the Bowdoin College Richard Steele Professor of Studio Art. "A graduate of Amherst College Cornell studied for a year at Yale School of Art and Architecture. In addition to Bowdoin he has taught at the University of California at Santa Barbara and at Princeton University. He has received many awards including a Fulbright Grant the Louis Comfort Tiffany Award and the National Foundation on the Arts and Humanities Fellowship in 1966. He was elected to the National Academy of Design in 1983. His work is present in art books most notably Rizzoli's Post-Modernism The New Classicism in Art and Architecture by Charles Jencks. He has had five one-man exhibitions in New York City and seven major museum exhibitons including a Bowdoin College Museum of Art exhibition in 1990 with a catalogue essay by Martica Sawin" cf Bowdoin College Visual Arts Department Website. Romulus Editions hardcover
197983595Kent Ohio: Volair Limited/Capra Press 1979. Hardcover Octavo in slipcase. Hardcover. Very good. black leather spine marbled boards gilt lettering cardboard slipcase unpaginated inscribed by the author on the half title page slipcase lightly worn <br /> <br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Volair Limited/Capra Press hardcover
308521The Folio Society 1999. Super octavo blue heavy boards gilt lettering to spine gilt illus to front board xix 735pp illus Near FINE in slipcase VG light chafing & soiling The Folio Society 1999 hardcover
1966846Cazenovia NY: Eva Thoby-Marcelin 1966. First edition thus. Near fine. Etchings portfolio hand printed by the artist R. E. Marx 1925-2020 in blue and black on Rives paper each of the ten etchings numbered and signed 26/80 in an edition limited to 80 copies only. The type was handset in 18 pt. Garamond. 15 copies were bound all others were issued in portfolio as here. Contains a finely printed English language version of de Maupassant's story translated from the French by Eva Thoby-Marcelin "The Wretch." All ten plates present and the colophon is further signed by Robert Marx; the dark green cloth portfolio is encased in a matching board slipcase with the title gilt-stamped to the front panel. Eva Thoby-Marcelin unknown
19743965London: The World's End Press 1974. First edition. Paperback. Near Fine/very good . Natalie d'Arbeloff. Designed and hand-printed by Natalie d'Arbeloff set in 18 point Garamond and printed on Barcham Green mould-made paper. One of 75 copies loose in leaves as issued each leaf consisting of an etching facing text by A.B. Christopher the artist's father. Signed by Christoper and d'Arbeloff. The leaves are in a printed wrapper. All leaves fine or very nearly so. The set in a solander case with embossed vellum spine over paper boards trivial wear to the slipcase but the glue attaching the spine to the cream paper board has stained from underneath a little so VG. This is a handsome illustrated work the etchings perfectly complementing the mystical text. 25 of the 75 copies were bound in goatskin leaving only 50 copies loose and suitable for display of the leaves. <br/><br/> The World's End Press paperback
1898142603260005George Barrie Philadelphia 1898. Hardcover. Good. Set of Three Hardcovers. Pages are clean and unmarked. Slightly tanned and foxed. Covers show light edge wear with rubbing/light scuffing. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! George Barrie, Philadelphia hardcover
1898028733Philadelphia: George Barrie 1898. 1st Edition 1st Printing. Hardcover. Very Good. Xxi.353; Vii 318 Pp.; Vii 321 Pp. Three Volumes. Volumes One And Two Of A Three Volume Set Are #337 Of A Limited Edition Of 1000 Copies The Bibliophilist's Library Series Two. Full Navy Blue Morocco Five Bands Gilt Title And Volume Number On Spines Elaborately Gilt Turns Marbled Endpapers Top Edges Gilt. Deckled Edges 8 3/4" Tall. Volume Iii Is #111 Of 1000 But Original Gray Cloth Paper Spine Label No Gilt On Top Edge 9" Tall. Vol. I And Ii With Light Wear Fraying At Corners Bindings Solid With Hinges Tight No Names Or Marks Or Bookplates. Volume Iii Is Near Fine And Unopened Pages Still Attached Along Edges. <br/> <br/> George Barrie hardcover
188925262Philadelphia PA: J. B. Lippincott Co 1889. 1st. Hardcover. Very Good. 10.6x7.7x0.8in. rebound in 3/4 navy calf with marbled boards and endpapers all edges gilt; offsetting to title page from frontispiece. <br>Illustrated with 6 etchings by M. M. Taylor. <br>47pp 1.49lb 10.6x7.7x0.8in J. B. Lippincott Co hardcover
1923ferry06249Tillinger 1923 Berlin: Hans Heinrich Tillgner Verlag 1923. Very good/no dust jacket as issued. A tight clean copy. 300 copies only were printed. 1-20 were bound in parchment and printed on Imperial Japan paper. With signed etchings. This is copy #14. Signed by Authors. 1st Edition. Hardcover. Very Good/No Jacket. Tillinger hardcover
1974000652Land's End Press 1974. Hardcover. Good/Good. Scarce edition. From dust Jacket: "Here in one volume are facsimiles of three rare and valuable works of fencing by the noted eighteenth century fencing masters Domenico and Henry Angelo." Hard back binding in publisher's original crimson cloth covers gilt title and author lettering to the spine. Landscape 6½'' x 9¼''. Contains printed pages of text with full-page monochrome etchings and engravings throughout.Very Good condition book with minor rubbing of the cloth along the spine. Good condition dust jacket with some damage. Not price clipped.Names stamped on First page. Dust wrapper supplied in archive acetate film protection. <br/> <br/> Land's End Press hardcover
1896013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover
200060889Knight Library Press; University of Oregon 2000. Limited Edition. SIGNED. Thin folio 33 cm Designed printed and bound by Sandy Tilcock. Printed letterpress on Heine paper. The etchings are hand-colored by the artist. Calligraphic title headings and ornaments by Marilyn Reaves. The cover was made by laminating two handmade papers: Moulin de Larroque's Brown and Twinrocker's Mica Rose. Binding tied together with a leather strap. With the instructions for the "Tying of Strap" laid in. Number 56 in an edition of 125 numbered copies. Signed by Barry Lopez and Robin Escher on the limitation page. Knight Library Press; University of Oregon unknown
2007046059Columbia SC: Sporting Classics 2007. Stated first edition number 159 of a limited deluxe edition of 300. Dark brown leather printed in gilt gray cloth slipcase. Fine condition looks and feels new and unread tight binding clean pages no other names or markings slipcase also in fine condition. Signed by the Author. First Limited Edition. Hard Cover. Fine/Fine Slipcase. 8vo - over 7¾" - 9¾" tall. Sporting Classics Hardcover
1987JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. <br/><br/> The Limited Editions Club hardcover
197771157Chatham NY: Sagarin Press 1977. Limited edition signed and hand-numbered #155 of 200 copies. Hardcover. Near Fine. Signed by the author and the illustrator in ink on the colophon. 48 pp. Quarto 27 cm; full tan colored cloth with title blind stamped on the front board and printed in brown on the spine. Forest green endpapers. No dust jacket as issued. Only hints of shelfwear and the boards are very subtly bowed at their fore-edges. A nice copy. With the signed and numbered etching by Brauer titled "Offering" and tissue guard laid-in at the front. Four etchings printed and bound within the text by Bauer alongside the twenty-four poems by Fox.<br /> <br /> The colophon reads: "This is the special limited edition of The Juggler by Siv Cedering Fox. It is printed on 70 lb. Mohawk Soft White Superfine text paper and set in Optima type. Printed at the Studley Press and bound by hand at the Bridgeport National Bindery. This edition is limited to 200 copies of which this is #155 hand-numbered Siv Cedering Fox signed Bill Brauer signed. Sagarin Press hardcover
18869854326John C. Nimmo 1886. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition suitable as a study copy. 8vo cloth binding. Gilt lettering on cover and backstrip. Some shelf-wear and scuffing. Hinge split. Light foxing. B/w illustrations. Frontispiece in good condition tissue guard with light foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1000grams ISBN: John C. Nimmo hardcover
196743562Maine: Anthoensen Press/Bowdoin College Museum of Art 1967. limited edition. Hardcover. Very good . 11 x 15 in. Folio. Not paginated. Limited edition of 30 copies this is number 29 signed by Stephens and Lent on the limitation pg. and numbered. Black cloth and marbled paper boards. Bound by Arno Werner. Hand-made rag paper. 6 etchings in all including the frontis each signed in pencil on the margin. Small etching on the limitation pg. Condition is VERY GOOD ; covers have light wear to the edges but are very clean with some dulling to the black cloth. Binding tight. Text and etchings are spotless and all tissue guards in excellent condition. Very scarce. Art. RGR. Anthoensen Press/Bowdoin College Museum of Art hardcover
2000CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. <br /> <br /> The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience.<br /> <br /> ___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side.<br /> <br /> ___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine.<br /> <br /> ___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover
63-2084Northampton MA: Gehenna Press 1994. Prospectus. Folio. Folded Sheet. Very Good with minor creasing. Letterpress on Laid Paper Ochre & black ink used for text. Color etchings. This is an advertisement for the book not the book itself. Northampton, MA: Gehenna Press, 1994. unknown
188419249London & New York: J. C. Nimmo and Bain 1884. hardcover in full black leather. Good. Thick quarto oversized. Some wear to edges and corners of boards. Gilt top edge. Corners bumped. Some wear to joints. 2 inch tear in leather joint at lower front board and a one inch tear at top joint. First and last hinge reinforced with green tape. Gift inscription on a card glued in on the first pastedown. Black leather with gilt boirder detailing at edges on both sisdes of the boards. though the title page notes 24 illustrations this is the extra illustrated edition with 50 attractive detailed b&w etchings by Delierre. <br/><br/> J. C. Nimmo and Bain hardcover
1884D11324London: J. C. Nimmo and Bain 1884. Hardcover. Very Good. Contemporary full morocco ornately gilt-stamped on boards and spine a.e.g.; 4to; pp. viii 304 plus frontispiece and 24 plates. Translated from the French. Spine and edges of boards scuffed and lightly bumped; small chip at fore-edge of upper board. Small ink scribble in margin of p. 3; some foxing here and there but overall internally nice and clean. A lavish production. <br/><br/> J. C. Nimmo and Bain hardcover
1883058370New York: Henry Holt and Company 1883. First American Edition . Green Stamped Cloth. Very Good /No Dust Jacket. 8" Tall. Xlvii 339 Pages . Green Cloth Lettered In Gilt Decorated In Red And Black And Gilt. First American Printing With 1883 Date On Title Page. Some Slight Foxing. Previous Owner's Bookplate On Front Pastedown "Young Folk's Library Of The New Jerusalem San Francisco #13 ". . Gilt Lettering And Stamped Cover Designs All Clean And Bright. An Attractive Copy. Contents Crisp A Little Light Foxing On Some Pages. The Two Etchings By Tadema Are Plates Without Plate Marks And Are The Frontispiece And Another Facing P. 49 As Called For In The Table Of Contents. <br/> <br/> Henry Holt and Company hardcover
1334109869.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
