92 résultats
The catalogue raisonne of the prints. About 160 items described and reproduced, almost all in color. Folio. Original wraps. FINE AND BRIGHT.
Paris, Henri Leclerc, 1907. In-4 relié demi-cartonnage à coins facon vélin, titre doré en dos. 132 pages, 18 compositions à l'eau-forte, dont un frontispice, le tout sous serpentes, et 6 lettrines tirées en sanguine,Tirage limité à 325 exemplaires. Celui-ci sur vélin, non justifié. Edition originale. Légères piqûres sur les plats de la reliure. Bel exemplaire
The standard catalogue raisonne of Friedrich Ahlers-Hestermann's prints. 77 items illustrated and thoroughly described, usually one to a page. Edition limited to 400 copies. 8vo. Publisher's illustrated boards. AS NEW.
Volume four (of four) [Le monument du Costume; Suite de Larmessin pour les Contes de la Fontaine; The Illustrations of Moreau le Jeune for the Works of Jean Jacques Rousseau; Illustrations for the tales of La Fontaine. pp. 497- 641, [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $7000.00 today. This collection, originally formed by Albert Christophle, was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
Volume two (of four) [Drouais-Krantzinger]. pp. x, 172-331 [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $6000.00 today. This collection, originally formed by Albert Christophle (1830-1904), was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
FIRST AND ONLY EDITION in book form of the first systematic catalogue raisonne of Goya's etchings and lithographs. (It had initially appeared, in uncorrected form, in a series of articles in the Gazette des Beaux-Arts.) 2 leaves, 140 pp. plus frontispiece portrait of Goya. The catalogue raisonne of the prints occupies pp. 31-139. 278 items described. Large 8vo. Printed publisher's wraps. Wraps lightly worn. Internally clean. Very scarce, especially in original wraps.
Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 290 pages with b&w photos, prints and illustrations throughout.
196 p. Over 183 p. Most printed in colors. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
196 p. Over 188 p. 152 of the illustrations are printed in full color. Of special interest to us is the one illustration by Kevin Grey that shows a White English Bull Terrier. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
Lienart, 2021. Fort et grand in-4 relié plein cartonnage éditeur illustré de 627 pages. Très nombreuses reproductions dans et hors-texte. Bon état
Subervie, 1985. In-8 broché de 365 pages illustrées. 15 illustrations de Eugène Viala, une photo, un fac-similé. Introduction de Jean Adhemar, Conservateur en Chef honoraire du Cabinet des Estampes de la Bibliothèque Nationale. Bon état
Roy. 8vo., with facsimile title in colour, 14 facsimile plates and an illustrations in the text; decorative cloth gilt, gilt back, a fine copy. EDITION LIMITED TO 500 COPIES. Dallaway's scarce work was first published in 1821. Based on an original in the Surrey County Library, this sympathetic reprint was printed and bound at the Scolar Press.
4to (283 x 230 mm), 12 etched plates goats, cattle and landscapes, a little browned and spotted, stitched as issued, orig. yellow paper wrappers, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
4to (295 x 238 mm), 12 etched plates goats, cattle and landscapes, first plate lightly browned, orig. cloth-backed limp patterned cloth, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
The best catalogue raisonne of Barlach's prints. Hundreds of items exhaustively described and illustrated. Folio. Publisher's cloth, dustjacket. FINE AND BRIGHT, as new.
Club Français du Livre 1969, In-plano broché, couverture à rabats sous emboitage. Texte + 22 planches légendées. Présentation par jean BOURET suivie de "MERYON CHARLES, EAUX-FORTIER, EX-MARIN" et de "BREF HISTORIQUE DE LA GRAVURE EN CREUX" par Albert FLOCON. Bien complet et en trés bel état.
Club Français du Livre. 1969. In-Folio Carré. En feuillets, Sous emboîtage. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 23 pages de texte et 22 planches de reproductions en noir et blanc. Feuillets non brochés dans leur pochette et emboîtage. Présentation par Jean Bouret, suivie de 'Meryon Charles, Eau-fortier, Ex-marin', et de 'Bref historique de la gravure en creux' par ALbert Flocon.
Portfolio of 10 exquisite landscape etchings by Pierre Bazire, each of which is JUSTIFIED (10/15) AND SIGNED IN PENCIL. These etchings evoke the rustic, pastoral landscapes of southern France, bathed in soft sunlight. Additionally there is a title/justification leaf (signed by Gustave Arthur Dassonville, for whom the edition was printed) with an eleventh etching, and another signed proof of that etching (so 12 etchings in all, of which 11 are full-page, loose, signed, and justified). Printed on fine Arches wove paper. Folio. Loose as issued in cloth portfolio with paper label. FINE AND BRIGHT, with no defects. Very rare (only 20 sets were printed: 1-15 and I-V).
A portfolio of eleven stunning cubist / surrealist etchings (with drypoint) by Philippon, each numbered (15/15) and signed by the artist in pencil. Edition limited to 15 sets, all printed on fine wove paper. Philippon, although little known, was a very talented printmaker. The images include three female nudes, four town views, one interior, one portrait, and two depictions of the port of St-Tropez. 4to. Loose as issued in folding sheet. Cover a bit soiled and damaged, but the etchings are fine and bright, and have never been matted or framed. Extremely rare.
A Paris, Aux Dépens de la Compagnie des Bibliophiles Gastronome, 1949. Discours sur le souverain bien de Maître François Rabelais chinonais, dont le texte critique illustré par André Hebuterne a été établi et commenté par Jacques Saint-Germain. In-4 relié demi-maroquin bordeaux à coins, dos à nerfs,titre doré en dos et tête dorée, couverture conservée. Ilustré d'eaux-fortes originales sous serpentes d'André Hebuterne, tirées par G. Visat, pressier. Tirage limité numéroté à 265 exemplaires, celui-ci n°220 sur vélin d'Arches. La reliure est frottée sur le haut du dos, sinon bon état pour ce titre peu courant.
Rouquette, Paris. 1875. In-Folio Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Quelques rousseurs. 15 pages de texte + 31 planches volantes d'eaux-fortes en noir et blanc, dans une pochette rigide. Bandeaux, lettrines et culs-de-lampe noirs. Avec une Lettre-Préface de M. Victorien Sardou. 30 eaux-fortes de A. Guillaumot Fils. Avec un portrait de M. V. Sardou, dessiné et gravé par M. Guillaumot Père. Dessins de MM. Eugène Lacoste et Draner, d'après des estampes du temps, tirés chez Chardon Aîné.
Cercle Grolier 1956, In-4 en feuillets sous chemise et double emboitage. Illustré de 25 Eaux-fortes de Mario AVATI tirées sur les presses à bras de J.J.J. RIGAL. Tirage à 220 exemplaires numérotés sur Grand Vélin de Rives. Exemplaire enrichi d'une Suite sur Japon nacré, signé de l'artiste sur la chemise, d'un superbe tirage original d'une eau-forte, de la plaque de cuivre de cette même eau-forte, du menu illustré, signé et dédicacé par Mario AVATI, du Cercle Grolier (15 décembre 1956 au Pavillon Dauphine) organisé pour la présentation de l'ouvrage. Egalement joint, dans le menu, les étiquettes d'une bouteille de vin "MARQUIS DE TERME 1951" + un 2° menu. Très bel exemplaire.
Paris, V. Lecou - J. Hetzel sans date, 1852. In-4 relié demi-basane noire, dos lisse, motifs estampés à froid, titre et filet doré. Fx-titre, eaux-forte en frontispice, titre, 310 pages + table,. Trilby, Le songe d'or, Baptiste Mantauban, La fée aux miettes, la Come de l'homme mort, Inès de la Sierra, Smarra, La neuvaine de la chandeleur, La légende de la soeur Béatric. Illustré de 8 eaux-fortes tirées sur chine et de 2 vignettes gravées sur bois de Tony Johannot. Second tirage des illustrations (la première date de 1846). Reliure modeste, néanmoins exemplaire très frais.
Sans date - 1873. In-folio relié demi-chagrin bordeaux, dos à nerfs, titres dorés, reliure de Michon. Très bel ensemble regroupant les vignettes en plusieurs états dessinées et gravées par les frères Hillemacher pour le Théâtre de Racine, imprimé à Paris par D. Jouaust 1873 - 1874 et pour Le Lutrin de Boileau-Despreaux, publié en 1862. L'album regroupe, pour le Théâtre de Racine. 157 vignettes en deux formats 12,5 x 18,5cm et 6 x 10,5cm, en plusieurs états, de 1 à 4, des contre-épreuves et des vignettes de rebut. Pour Le Lutrin de Boileau-Despreaux : 31 vignettes en deux formats 15, 5 x 20, 5cm et 11 x 17cm, en plusieurs états, et avec des planches d'essais non publiées. Toutes les vignettes sont contrecollées sur des pages de beau papier dessin fort, montées sur onglets et cousues. En tête d'ouvrage deux grandes vignettes 12 x 18,5cm, gravures allégoriques, portant le nom d'Ernest Hillemacher. Les mentions d'état sont manuscrites. Ex-libris Bibliothèque Frédéric Hillemacher et deuxième ex-libris portant "nec ridendo vellicat" (Paul-Emile Daurand-Forgues connu sous le pseudonyme de Old Nick ou de Tim). Tout laisse à penser que cet album a été constitué par F. Hillemacher lui même. Joint : 3 lettres manuscrites signées de Frédéric Hillemacher et datées pour deux d'entre elles 1867 - 1879, contrecollées sur papier dessin libre. Destinataire non identifié mais texte bien en rapport avec la gravure et une lettre manuscrite d' Ernest Hillemacher à Monsieur Laugee, artiste peintre, à Paris dans laquelle il lui envoie deux couplets du vaudeville Lantara. Quelques frottements en dos, coiffe fragile avec mors détachés sur environ deux centimètres, coins un peu émoussés, rares rousseurs, une planche détachée. Exemplaire unique.
Features: Toronto Print Gallery - Old Etchings, Engravings & Watercolours, Ltd.; Collecting Antique Dolls Today; Steamboats and the China Collector; New Brunswick Sketches; Gingerbread - The Gilded Treat; The Documentary Tradition in Photography; The Humberstone Potteries of North York. Sound copy. Magazine
