129 résultats
251280Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1850–80. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
251279Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1850–80. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
251277Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1850–80. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
251278Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1850–80. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
51-4815Paris: Charles Bance 1818. Handcolored aquatint on laid paper 37 x 27.1 cm. sheet size. Subdued colors; foxing verso. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:A street with a woman wearing green blouse and brown striped skirt seated on a bench and stirring embers in an earthen pot placed between her legs; nearby wine bottles and bread on a trestle table; on the left a man in blue jacket lighting a pipe. 1818.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 382IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 72Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.6 Paris: Charles Bance, [1818] unknown
51-4814Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper 37.5 x 28.3 cm. sheet size. Subdued colors. Small stains in left marge and slightly défraîchi. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:Coalman seated on a chair and woman standing before him and shaving him.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1 [Paris: Charles Bance (Bance jeune), 1818] unknown
51-4813Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper. 36.6 x 27.3 cm. sheet size. Bright colors. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:Coalman seated on a chair and woman standing before him and shaving him.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1 [Paris: Charles Bance (Bance jeune), 1818] unknown
51-4816Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper 38 x 27.5 cm. sheet size. Subdued colors. Small tear in lower margin. Series: Series: Collection de costumes dessinés d'après nature.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1; Fenaille 381; Beraldi XII.288 [Paris: Charles Bance (Bance jeune), 1818] unknown
51-4817Paris: Charles Bance 1818. Handcolored aquatint on laid paper 37.6 x 28.8 cm. sheet size. Subdued colors. Stains and défraîchi. Series: Series: Collection de costumes dessinés d'après nature.Scène de rue. Métier. Balayeur. Homme tendant son bras à une dame pour l'aider à passer une rue inondée sur une planche à deux roues. Homme marchant tenant un parapluie de la main droite et enjambant de l'eau. Mode 19e siècle. En arrière-plan paysage urbain.Fenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1 Paris: Charles Bance, [1818] unknown
51-1937Paris: Basset circa 1820. Aquatine on rag paper. 27 x 42 cm. on sheet size 38.5 x 46 cm. Dayot 99b. 2nd state of 2 with lettering. Paris: Basset, circa 1820. unknown
71-6693Paris: Charles Bance 1828. Hand-colored aquatint. 39 x 29 cm sheet. Very Good sheet toned in the margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Charles Bance, 1828. unknown
71-6691Paris: Charles Bance 1816. Hand-colored aquatint. 38.5 x 28.5 cm sheet. Very Good short tear in left sheet edge.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Charles Bance, 1816. unknown
71-6692Paris: French Publisher circa 1815. Hand-colored etching. 30 x 40.5 cm sheet. Very Good minor surface soiling in the margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1815. unknown
1820015887Paris Circa 1820 1820. Early Printing . Single Sheet. Near Fine. Color Engraving. Nineteenth Century Engraving 25 5/8" X 19 3/4" On Laid Paper Watermarked Mbm Produced In Color. Complete With Full Margins As Issued With Title In French Below The Image Which Is Approximately 39.5 X 30 Cm. The Engraver's Name Is Also Present At Lower Right. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
181718811Paris: chez l'Auteur & chez Ch. Bance 1817. Oblong folio. 15 3/8 x 20 1/2 inches. 4 hand-coloured aquatint plates by Debucourt after Vernet. Light foxing to one plate. Provenance: A. B. contemporary ink initials in the upper right corner of each plate<br/> <br/> A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print.<br/> <br/> The series consists of four views of scenes glimpsed "on the road." As usual with Vernet the human figures are slightly caricatured whilst the horses in three of the prints are beautifully observed. The plates are titled: Les Aveugles The Beggars. Fenaille 407; Route de St. Cloud The St. Cloud Road. Fenaille 405; Route de Poissy The Poissy Road. Fenaille 404; and Route de Poste The Post Road. Fenaille 406. According to Fenaille the series was eventually extended to include 12 large caricatures published by Bance & Aumont between 1816 and 1823.<br/> <br/> Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407. chez l'Auteur & chez Ch. Bance unknown
1820240991820. A Paris chez Rolland s.d. circa 1800. Dimensions ˆ vue : 444 x 328 mm passe-partout cadre. Rare et superbe ÂŽpreuve gravÂŽe par Louis-Philibert Debucour sic d'aprÂs un dessin de Carle Vernet ; ici proposÂŽe en premier tirage. Etiquette d'exposition contrecollÂŽe au revers L'Art et l'ÂŽquitation en 1936 ˆ Bruxelles. ''Fils de Joseph Vernet Carle montra trÂs t™t de grandes aptitudes pour le dessin et la peinture. Pour utiliser sa connaissance profonde des chevaux il va devenir peintre de batailles. Ses oeuvres sont vivantes et exactes. La plus cÂŽlÂbre d'entre elles est La Bataille de Marengo dans laquelle le dessein du peintre est de reprÂŽsenter une bataille vraisemblable o chacun des personnages participent ˆ une action logique et ordonnÂŽe suivant un plan stratÂŽgique rigoureux .''. in BÂŽnÂŽzit. ''Debucour renonÂa dÂs 1785 ˆ la peinture pour se consacrer exclusivement ˆ la gravure ˆ l'aquatinte. Sa vogue fut considÂŽrable en ce genre et lui valut une rÂŽputation ÂŽnorme ˆ son ÂŽpoque. MomentanÂŽment oubliÂŽ au cours du XIXÂme Debucourt a reconquis aujourd'hui toute sa gloire d'antan'' in BÂŽnÂŽzit. PrÂŽsentÂŽe sous cadre. BÂŽnÂŽzit X Dictionnaire des peintres p. 464 puis III p. 409 - Osterwalder I Dictionnaire des illustrateurs p. 1086. Papier lÂŽgÂrement oxydÂŽ. Claires rousseurs affectant la composition. Laquelle prÂŽsente en outre une petite dÂŽchirure en marge gauche sans doute restaurÂŽe au revers. AltÂŽrations ÂŽparses affectant le cadre. b42961 unknown
181718811Paris: chez l'Auteur & chez Ch. Bance 1817. Oblong folio. 15 3/8 x 20 1/2 inches. 4 hand-coloured aquatint plates by Debucourt after Vernet. Light foxing to one plate. Provenance: A. B. contemporary ink initials in the upper right corner of each plate<br/> <br/>A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print.<br/> <br/>The series consists of four views of scenes glimpsed "on the road." As usual with Vernet the human figures are slightly caricatured whilst the horses in three of the prints are beautifully observed. The plates are titled: Les Aveugles The Beggars. Fenaille 407; Route de St. Cloud The St. Cloud Road. Fenaille 405; Route de Poissy The Poissy Road. Fenaille 404; and Route de Poste The Post Road. Fenaille 406. According to Fenaille the series was eventually extended to include 12 large caricatures published by Bance & Aumont between 1816 and 1823.<br/> <br/>Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407. chez l'Auteur & chez Ch. Bance unknown books
182024099A Paris, chez Rolland, s.d. [circa 1800]. Dimensions à vue : 444 x 328 mm + passe-partout + cadre.
181717910Précédés d'un Discours sur l'élégie héroïque, par M. Treneuil (1763-1818). Ses élégies héroïques sont d'inspiration religieuse et monarchique.Sommaire : Discours sur l'Élégie héroïque. Poêmes Élégiaques : Les Tombeaux de l'abbaye royale de Saint-Denis - L'Orpheline du Temple - L'Héroïsme de la piété fraternelle, ou l'Oratoire de la Barrière du Trône - La Captivité de Pie VI - Le Martyre de Louis XVI.Édition originale. A Paris, chez Firmin Didot, Imprimeur du Roi, et de l'Institut Royale de France - 1817 - 319 pages. Frontispice de Deveze et Debucourt. Envoi autographe de l'auteur sur la page du faux titre "offert à Monsieur Audry(?) par l'auteur".Reliure plein veau blond glacé de l'époque. Dos lisse orné et doré avec pièce de titre maroquin rouge. Roulette dorée sur les coupes. Tranches jaspées bleues. Pas de rousseur. Très bon état. Format in-8°(21x13).
0366628119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366628127.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
179887502A Paris: Au Bureau du Journal des Dames Rue Montmartre N° 183 au coin du Boulevart 1798. Fine. Au Bureau du Journal des Dames Rue Montmartre N° 183 au coin du Boulevart A Paris s.d. 1798-1808 10.80 x 17.60 cm 52 planches en feuilles montées sous marie-louise en étui Set of 52 original plates etched and enhanced with watercolours at the time numbered 1 to 52 mounted in pairs under mats. Leaves in red half calf slipcase early 20th century red shagreen boards. The plates vary in size 10.8 x 17.6 cm to 28.1 x 18.8 cm and paper stock as was often the case with La Mésangère's publications. Unbound engraved title on a bifolium printed separately absent from most copies. It is replaced here by its identical reprint by Gosselin 1893-1903 on antique watermarked paper and bears the publisher's 'G' mark characteristic of this reprint a century later. All the plates however are in their first edition without the G mark added by Gosselin to the lower corners of the engravings in the figure or the bowl occasionally accompanied by a date. Some foxing a few rare engravings showing traces of pasted tabs on the reverse. Plate 42 restored without missing. A green stain in plate 11 probably due to the watercolour of the landscape. Twelve plates are trimmed to the plate mark: pl. 12 12.7 x 19.2 cm pl. 15 12.4 x 18.7 cm pl. 19 11.9 x 19.8 cm pl. 29 11.9 x 19 cm pl. 30 12.5 x 19 cm pl. 39 12.1 x 18.4 cm pl. 41 12.5 x 19.1 cm pl. 42 12.5 x 19.1 cm pl. 48 11.9 x 18.3 cm pl. 49 12.9 x 19.9 cm pl. 51 12.5 x 18.4 cm and pl. 52 12 x 18.1 cm. Plate 37 is trimmed around the black border 10.8 x 17.6 cm. More pronounced foxing in the margins of plates 4 28 30 31 35 44 45 and 47. A rare and precious complete suite of 52 original costume prints from the Directoire and First Empire periods. Deemed ""unfindable"" by Gaudriault in his study of women's fashion engravings in France this is the only complete set of first editions currently available. This series of elegant silhouettes was published on the initiative of the bookseller Sellèque and Pierre La Mésangère a clergyman who returned to the press after the turmoil of the Revolution. In 1800 La Mésangère took over the management of the renowned Journal des Dames et des Modes a pioneering publication in the history of the women's press and produced a few standalone series such as this one aimed at 'a category of connoisseurs with an interest in a more refined and luxurious interpretation of fashion than that offered by the plates in the newspapers' Philippe Séguy Histoire des modes sous l'Empire. The plates are the work of Philippe-Louis Debucourt a painter of French elegance since 1787 and a regular contributor to the Journal des Modes. The first 38 date from Year VIII the next 12 from Year IX and the last two from 1808. Through these 52 costumes unfolds a veritable grammar of dress a precious alphabet of the gown and hat - a language in which Parisian women were particularly well versed. Shepherdesses sultanas Etruscan princesses. the trend leaned towards exoticism even eroticism with the occasional bare breast. We find the fashions brought to the fore by the Merveilleuses following the Revolution inspired by Antiquity and mythology - gowns of iridescent muslin light and form-fitting alongside coats bandeau hairstyles and Grecian tunics. The captions accompanying the etchings often provide detailed descriptions of the attire hairstyles and headwear meticulously enhanced with watercolour. Some figures even double as biting social commentary verging on caricature featuring characters such as the ludicrously pretentious Turcaret a recurring theatrical figure since the early 18th century or genre scenes teeming with amorous intrigues. The significance of this series in the history of colour engraving is noteworthy albeit underappreciated by bibliographers. Some plates bear tiny black dots in the margins indicating the process of colour engraving by superimposing intaglio plates. These mark Au Bureau du Journal des Dames, Rue Montmartre, N° 183, au coin du Boulevart hardcover
178821161788. Aquatints printed in colours. 390mm by 290mm platemark 545mm by 440mm mounted. <p>'Le Compliment ou La Matinee du Jour de L'an Dediee aux Peres de Famille' The Compliment or New Year's Morning Dedicated to the Fathers of the Family and it's pair 'Les Bouquets ou La Fete de la Grand-Maman Dedies aux Meres de Famille' The Bouquets or Grandmother's Party Dedicated to the Mothers of The Family. Published by the artist in Paris 1787 and 1788. Debucourt was a true peintre-graveur a painter who turned to making colour prints following the methods of Janinet and Descourtis but unlike them he made many prints from his own designs. He started making colour prints using multiple - methods and later turned to stipple engraving with single plates inked a la poupee. A pair of separately issued Louis XVI period portrait scenes depicting wealthy French families spending time together dressed in period clothing. One is dedicated to fathers the other to mothers. Each scene is set within an oval rendered in a wash manner. These prints were both exhibited at the National Gallery of Art Washington D.C. in the show Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France 2003 - 2004. Acid free mounts.</p> <br /> <p> </p> unknown
16965Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
16967Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
