1 477 résultats
16401299690London: Richard Bishop 1640. Second Edition. Other. Title page only from 'The Alchemist' part of the second folio of Ben Johnson measuring 11.25" x 7.25"; JG consignment; shelved case 0. 1299690. Shelved Dupont Bookstore. Richard Bishop unknown books
18111260273London: John Stockdale 1811. Later edition. Thick quarto in 3/4 brown marble and leather with six-band embossed spine; VG; gold letters on spine; some rubbing on boards and tiny bumps on corners from shelving; open gutter in front; marbled end pages; frontispiece portrait; paper age-toned and clean; text clean in very tight print; includes a biography; pp. 721; shelved in Alcove # 1; please contact us for shipping costs; GP consignment. 1260273. Shelved Dupont Bookstore. John Stockdale unknown books
192815412London: Lanston Monotype Corp 1928. Small 8vo pp. vi-viii 93-96; folding type specimen at the back yapp edges; fine in original art-vellum decorated in blind glassine jacket and publisher's marbled slipcase. Nicely printed throughout in Baldo italic and Polyphilus roman on laid paper. A verbatim reprint of the original edition of 1640 with variant readings from the imperfect 1692 edition. This copy with a presentation in pencil on the flyleaf from the president of the Langston Monotype Co. dated 1928. <br/><br/> Lanston Monotype Corp hardcover books
190942328New York: Sturgis & Walton Company 1909. First edition thus small 8vo pp. xii 2 149; original blue cloth gilt-lettered spine; light wear to spine ends else fine. <br/><br/> Sturgis & Walton Company hardcover books
1930005602London: The King's Printers 1930. "The King's Printers' edition of The Masque of the Queenes is limited to 350 copies of which 188 only numbered 1 to 188 are for sale in the British Empire and 150 only numbered i to cl are for sale in the United States of America. The type has been distributed and the plates destroyed. This copy is No. XCIIII." The American copies much the scarcer currently. In the original red vellum with gilt decorations Near Fine faint soiling to boards.slight bowing to boards. . Limited and Numbered First Edition. Vellum. Near Fine/Poor. Illus. by Inigo Jones . Folio - over 12" - 15" tall. The King's Printers Hardcover books
193025-090London: King's Printers 1930. Slightly bowed else fine. Performing arts Folio handsome gilt-lettered and ornamented red vellum. One of 350 copies printed on handmade paper. Twenty plates after drawings by I nigo Jones: the complete apparatus scenery and costume for a great Jacobean masque. Jonson's manuscript is reproduced. Inigo Jones was the stage designer for the Stuart monarchy and introduced Roman and Renaissance archtiecture to England. Vellum. Fine. Illus. by Inigo Jones. Folio. King's Printers Hardcover books
16401315045London: Printed by Richard Bishop and Robert Young and are to be sold by Andrew Crooke in St. Paules Church-yard 1640/1641. Second Folio Printing. Hardcover. Folios 2 volumes; VG; rebacked with new calf spines burgundy labels with gilt lettering previous boards preserved; marbled endpapers; both volumes have previous owners name and information on sfep; <br /> <br><br /> <br><br /> For volume 1 the subsidiary plays each have separate dated title pages. That to "Poëtaster" has imprint "London printed by Robert Young. M.DC.XL.". "Epigrammes" begins new pagination and register; otherwise pagination and register are continuous. Most of the parts have special title page with imprint: London Printed by R. Bishop 1640. "Poëtaster" has title page with imprint: "London Printed by Robert Young M.DC.XL.".; The title page is engraved and signed "Gulielmus Hole fecit".; Signatures: A-Kkk6 Lll4; 2A-2T6.; <br /> <br><br /> <br><br /> For volume 2 it consists of two volumes 2 and 3 the former intended as a continuation of the first volume published in 1615. Vol. 2 was edited by the author vol. 3 by Sir Kenelm Digby. The three plays comprising volume 2 "Bartholmew sic Fayre" "The Diuell is an asse" and "The staple of nevves" each have separate title page with imprint ". printed by Iohn. Beale. for Robert Allot . 1631"; "; Signatures: A6 B-M4 Aa-Cc4 2D-H4 2I6 N-Y4 Vol. 3 B-Q4 R2 S-X4 Y2 Z4 Aa-Oo4 Pp2 Qq4 2A-K4 2L2 2M-R4 3A-P4 3Q2 3R-V4. Closed tear to L4;<br /> <br><br /> <br><br /> CK consignment; shelved case 0. The first printed by Richard Bishop for Andrew Crooke was a 1640 reprint of the 1616 folio with corrections and emendations; it has sometimes been termed "the second edition of the first folio." The second volume was printed by James Dawson for Thomas Walkley in 1641 lacks a general title page and the order of the parts varies in published editions. This volume contains later works most of them unpublished or uncollected previously.;<br /> <br><br /> <br><br /> ESTC Citation No. S112456 ESTC Citation No. S111824. 1315045. Shelved Dupont Bookstore. Printed by Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, in St. Paules, Church-yard hardcover books
16412403London: Printed by William Stansby and Printed for Richard Meighen 1641. First edition. First volume printed 1616 second volume printed 1640 but dated 1631 1640 and 1641. Three folio volumes in two 290 x 190 mm. Contemporary brown calf with black and red morocco gilt lettered labels. Both volumes expertly rebacked retaining original spines. Collates complete according to Pforzheimer with the exception of initial and final blanks lacking in Volume I. Volume II with The Staple Newes bound before The Divell is an Asse Part IV bound before Part III and D3 bound before D2. Moderate soiling wear and signs of use throughout. Title page and first two leaves of Vol I with slight loss of upper corner slightly affecting image on title page lower corners absent from 401 439 539 and 779 not affecting text. Long marginal tears to C3 and D3 of Volume II. Cosmetic blemishes aside a very good and well margined copy in a contemporary binding.<br/><br/>"This book. is a handsome specimen of typography. It reflects great credit upon its printer Stansby who was an apprentice and then successor to John Windet and himself a master printer. Such work entitles him to a front rank among the printers of the reign of James I. Jonson is said to have prepared the plays for the press himself and one or two matters of editing. certainly appear to show the author's hand. At the end of each play for instance is a statement telling when it was first acted and by whom whether the king's or the queen's servants. The names of the actors are also given. All of the works not included in the first were intended for a second volume which however did not appear until after Jonson's death in 1640" Grolier 100 English.<br/><br/>Grolier 100 English 17. Pforzheimer 559. Pforzheimer 560. STC 14751. Printed by William Stansby [and] Printed for Richard Meighen unknown books
1756140939597London: Printed for D. Midwinter 1756. First Edition Thus. Very Good. First edition thus complete in 7 volumes. Bound in full contemporary calf with morocco title labels and raised bands to spine. Very Good. Lightly marked with joints worn with several starting to split wear to edges heavier at spine ends. Title label missing on Volume III and partially perished on Volume I. Damage affecting the first 20 or so pages of Volume 7. A handsome set. Printed for D. Midwinter unknown books
181658689London: Printed for G. and W. Nicol.by W. Bulmer & Co. Cleveland-row St. James 1816. With portrait frontispiece in volume One. 9 vols. Royal 8vo 24.2 x 15 cm. Bound in near contemporary purple pebbled cloth with paper labels on spines. Very Good. With portrait frontispiece in volume One. 9 vols. Royal 8vo 24.2 x 15 cm. UNCUT. Printed for G. and W. Nicol...by W. Bulmer & Co. Cleveland-row, St. James unknown books
1692WRCLIT70282London: Printed by Thomas Hodgkin . 1692. 12264281-368371-2371-382393-7444pp. Folio signed in 4s; 14.5 x 9.25"; 368 x 237mm. Modern paneled dark brown calf raised bands gilt spine labels with earlier gilding to all edges. Engraved portrait of Jonson engraved by Elder after Vaughn. Portrait and title a bit foxed inky marginal smear to E31r; some old spotting to C2-4 3A4 and 4C4-4D4; 3C1-2 on inferior paper and tanned as usual; top edge of 3Y3 shows a bit of slight fraying; other occasional marginal smudges dusting or trivial spotting; otherwise generally a very good crisp copy. Third and last folio edition but the first in one volume adding "The New Inn" and "Leges Convivales" which were not included in the collected editions of 1616 and 1640. The characteristic poor paper and tanning of 3C1-2 often extend to 2Z2-3 which are here relatively unblemished. The final two leaves are turned over to the "Leges Convivales" with its own title and imprint. This copy although in a modern binding measures somewhat larger than the Hagen-Pforzheimer copy which is noted as in original calf. ESTC R15282. PFORZHEIMER 561. Printed by Thomas Hodgkin ... hardcover books
1903179564New York: Ribert Grier Cooke 1903. hardcover. fine. Frontispiece 58pp. untrimmed tall slim 8vo white boards. New York: Robert Grier Cooke 1903. Limited Edition.Fine.<br/><br/> One of 126 numbered copies.<br/><br/> Ribert Grier Cooke unknown books
1970UJONVOL00afWashington Square Press 1970. Very Good. Jonson Ben. Volpone. NY: Washington Square Press 1970. 160pp. 12mo. Mass Market. Book condition: Very good with lightly soiled wraps. Large bookplate with penned name inside front cover. Washington Square Press paperback books
2003UJONVOL02LRA & C Black 2003. Very Good. Jonson Ben. Volpone. London: A & C Black 2003. 171pp. 12mo. Paperback. Book condition: Very good. Old inventory labels on rear cover. A & C Black paperback books
1952WB17120Oxford: The Limited Editions Club 1952. Limited Edition. Hardcover. Fine. Copy 81 of a total edition of 1500. 4to. Signed by illustrator Rene ben Sussan. Designed by Francis Meynell with an introduction by Louis Kronenberger. Excellent copy in slipcase. <br/><br/> The Limited Editions Club hardcover books
1999027318Manchester and New York: Manchester University Press 1999. Revised Edition. Edited by Brian Parker. xv 358p. b/w illus. stiff wrappers The revels plays. Manchester University Press unknown books
195283301Oxford: Limited Editions Club 1952. Limited. hardcover. fine/fine. Sussan Rene. With a new introduction by Louis Kronenberger and color illustrations by Rene Ben Sussan. 163pp. 4to brown cloth-backed patterned boards plain brown d.w. matching patterned board slipcase; uncut edges. Oxford: The Limited Editions Club 1952. A fine copy unread with unopened leaves.<br/><br/> One of 1500 copies signed by the illustrator.<br/><br/> Limited Editions Club unknown books
1898218058London: Leonard Smithers 1898. Limited. hardcover. Beardsley Aubrey. A New Edition with a critical essay on the author by Vincent O'Sullivan and a frontispiece five initial letters and a cover design by Aubrey Beardsley. Rubricated title. 193pp. 4to original blue cloth with ornate Beardsley design in gilt just slightly rubbed; inner paper hinges neatly strengthened pages uncut and unopened. Housed in a custom cloth folder and 1/2 morocco slipcase well-worn but solid and attractive; dampstains on bottom corners. London: Leonard Smithers 1898. First edition with these illustrations. A near fine copy in a good slipcase.<br/><br/> Number 44 of 1000 numbered copies on Art Paper. This work includes the last illustrations produced by Beardsley before his death a fraction of the illustrations which the artist had originally intended for this volume.<br/><br/> Leonard Smithers unknown books
1898WN35815ANew York: John Lane 1898. Illustrated with 8 drawings by Beardsley who also did the upper cover gilt design which has his initials. Additional illustrations were planned but Beardsley died before completing them. The pages are unopened. This is number 307 of 1000 copies. Limited/Numbered. Decorative Cloth. Very Good/No Jacket. Illus. by Aubrey Beardsley. 4to - over 9¾" - 12" tall. Trade. John Lane Hardcover books
386LONDON SMITHERS 1898. #33/1000; BEARDSLEY ILLUSTRATIONS FIRST "BEARDSLEY" EDITION VERY GOOD. 1st Edition. LONDON, SMITHERS, 1898 unknown books
1966235034Oxford: Clarendon 1966. hardcover. very good. Edited by C.H. Herford Percy and Evelyn Simpson. Volume 5 and 6 only. Thick 8vo green cloth; faint damp stain to upper rear corner of volume 6 cover. Oxford: Clarendon Press 1937 and 1966. Very good.<br/><br/> Volume 5 is from the 1937 edition. volume 6 the 1966.<br/><br/> Clarendon unknown books
1811029047London: For John Stockdale 1811. Thick Quarto. . xliv 721 pages. When Sarah Weaver wrote "Word Hoard" on Tennyson's use of the classics for the Tennyson Research Bulletin she noted that this was the edition he read at Trinity College Cambridge for the work of 17th century language in plays. Closed tear of text ix-xii otherwise very good copy of a scarce work bound in 3/4black-brown straight grained morocco over green linen raised bands gilt red morocco spine label gilt some light chipping to lower corner of upper board occasional spots of scattered foxing. A handsome copy. For John Stockdale unknown books
190642593London: E. Grant Richards 1906. 16mo pp. xvii 3 170 1; publisher's full vellum soiling yapp edges double leather ties t.e.g.; spine darkened; contemporary gift inscription on ffep else very good and sound. Vol. IV of the publisher's Chapbooks. <br/><br/> E. Grant Richards hardcover books
179191406London:: John Bell. Very Good. 1791-1792. Hardcover. Three complete plays bound in one volume. Six illustrated plates. First edition thus. Duodecimo half bound in green leather with gilt lettering and design along the spine marbled boards top edge gilt marbled endpapers. Light edge wear leather portions are mostly faded to brown occasional foxing throughout text block else very good. Binding is sound and tight. . John Bell, hardcover books
196332373Providence: Brown University Press 1963. SABOL Andrew J. ed. Brown University Press unknown books