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1985372557Rine: Sage Therfait 1985. First Edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands worn and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 292 pages. Notes: Text is all in Hebrew. Subjects: 20th century Religious texts. Hebrew texts. Rine: Sage Therfait hardcover
365976941X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
54842Nice: Centre d'Art Total 1963. Quarto 31.4 × 22.5 cm. Original printed wrappers consisting of two sections; 52 individual leaves with collages multiples hectographs on different types of paper. Due to age and material some glue is partially loose; else very good or perfectly preserved. First edition of the exceptionally uncommon artist's book the second edition of which is also very rare. Because of its rarity it is not listed in Jon Hendrick's "Fluxus Codex" but is mentioned in the foreword as a "landmark publication" of the Fluxus movement p. 22. With "Ben Dieu" Vautier documents his early Fluxus works on paper. He first met his Fluxus mentor George Maciunas in 1962 in London at the "Misfits Fair" organized by Daniel Spoerri. Vautier took part in the event as did Robert Filliou for example. Maciunas was passing through and a conversation ensued between the two which ultimately led Vautier to start Fluxus in Nice under the label "Total Art". Cf. Ben Vautier in: 1962 Wiesbaden Fluxus 1982 Wiesbaden Kassel Berlin 1983 p. 148ff. A lively exchange and close collaboration developed between the two. The catalog of the Sohm Archive states that Vautier was the only artist among all Europeans whom Maciunas liked to supervise extensively in the production of his artist's books. Thomas Klein "Fröhliche Wissenschaft". Das Archiv Sohm Stuttgart 1986 p 99. <br /> <br /> Vautier seems not only to have sent the artist's books individually to colleagues friends collectors and critics but also compiled them individually. Thus the copies known to us repeatedly reveal differences. A detailed documentation of all pages and supplements of the artist's book can be viewed on the website of the Fondazione Bonotto under the following link: fondazionebonotto. org/it/collection/fluxus/vautierben/2158.h tml as of January 2025 The copy offered by us differs in the following points: The following leaves are not in our copy: "Absolument n'importe quoi est art" - 2 leaves of "Partie du Tout a Ben" - "Jalousie". In comparison to the copy owned by the Fondazione Bonotto the copy we are offering has the following additional leaves and multiples: Poster "France Dimanche. L'illustre de Paris. Les enfants de Joséphine Baker a L'assistance" signed by Ben. - Sticker in the shape of a blue circle "15 compositions"<br /> <br /> Only 100 copies were produced.<br /> <br /> Sohm Happening & Fluxus Materialien Vautier.<br /> <br /> Cf. Fondazione Bonotto Code FX1263. <br /> <br /> As of January 2025 OCLC lists only three copies of the first edition in North America. unknown
2738468942.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6207882245.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6207882296.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6207882229.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
4083214like new. unknown
4083214-nnew. unknown
2000mon0004112393University of Illinois Press 12/11/2006 12:00:01. hardcover. Very Good. 0.9843 9.3307 6.2598. University of Illinois Press hardcover
0252030982.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2006SONG0252030982University of Illinois Press 2006-12-11. First Edition. hardcover. Used: Good. 9.26x6.36x1.16. Buy with confidence. Excellent Customer Service & Return policy. University of Illinois Press hardcover
2006DADAX0252030982University of Illinois Press 2006-12-11. First Edition. hardcover. New. 9.26x6.36x1.16. Buy with confidence. Excellent Customer Service & Return policy. University of Illinois Press hardcover
0252086716.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0349133743.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198297359New York: Omni Publications International Ltd. circa 1982. 1982. Good. - Quarto 11 inches high by 9-1/4 inches wide. Softcover spiral bound silver wraps titled in blind and white on the front cover. The front edges of the covers are slightly chipped and the front cover is heavily creased. 52 pages each printed on one side only consisting of 3 pages printed on light gray stock with the first being on Omni letterhead and with Omni embossed in silver at top left of the next 2 pages. These first 3 pages of the prospectus introduce the concept behind the idea together with the "Marketing Advantages Which Omni Will Provide". These are followed by 49 pages mechanically reproduced from the periodicals in which they were originally published of the stories which Bova hopes to include in the book. These pages include reproductions of the illustrations which accompanied the stories. There is some light creasing to the first page else an internally bright and near fine prospectus in good covers. <p>In his introduction to the prospectus Ben Bova writes: "In the ten years I have been editing science fiction first at Analog and now at Omni dozens of stories I bought have won Hugo Nebula and other awards. I have been fortunate enought sic to 'discover' many major new writers such as Orson Scott Card Spider Robinson George R. R. Martin Robert Forward and others. Yet there have been some stories and writers which I liked as much as any prize-winner yet for some reason or another never attracted the attention they deserved from the science fiction audience."<p>The prospectus includes excerpts from Walter Tevis' "Rent Control" Alfred Bester's "MS Found in a Coconut" James Gunn's "Fault" Paul J. Nahin's "The Reunion" John Morressy's "The Last Jerry Fagin Show" etc. New York: Omni Publications International, Ltd., circa [1982]. paperback
2001DADAX041524630XRoutledge 2001-06-28. 1. paperback. New. 8.27x0.57x11.69. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
069214921X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781623967956Paperback / softback. New. Social media and digital tools permeate the everyday lives of young people. In the early stages of commentary about the impact of the digital age on civic life debates revolved around whether the Internet enhanced or discouraged civic and political action. Since then we have seen new media move to center stage in politics and activism--from the 2008 US election to the 2011 Arab Spring to the Occupy movement. We have also seen new patterns in how different sub-groups make use of digital media. These developments have pushed people to move beyond questions about whether new media are good or bad for civic life to ask instead: how under what conditions and for whom do new digital tools become resources for political critique and action by the young This book will provide a platform for a new wave of scholarship about young people's political participation in the digital age. We define "youth" or "young people" as roughly between the ages of 12 and 25. We include perspectives from political science education cultural studies learning sciences and youth development. We draw on the framework developed by the MacArthur Research Network on Youth and Participatory Politics Cohen Kahne Bowyer Middaugh & Rogowski 2012 which defines participatory politics as "interactive peer-based acts through which individuals and groups seek to exert both voice and influence on issues of public concern." paperback
A9781623967963Hardback. New. Social media and digital tools permeate the everyday lives of young people. In the early stages of commentary about the impact of the digital age on civic life debates revolved around whether the Internet enhanced or discouraged civic and political action. Since then we have seen new media move to center stage in politics and activism--from the 2008 US election to the 2011 Arab Spring to the Occupy movement. We have also seen new patterns in how different sub-groups make use of digital media. These developments have pushed people to move beyond questions about whether new media are good or bad for civic life to ask instead: how under what conditions and for whom do new digital tools become resources for political critique and action by the young This book will provide a platform for a new wave of scholarship about young people's political participation in the digital age. We define "youth" or "young people" as roughly between the ages of 12 and 25. We include perspectives from political science education cultural studies learning sciences and youth development. We draw on the framework developed by the MacArthur Research Network on Youth and Participatory Politics Cohen Kahne Bowyer Middaugh & Rogowski 2012 which defines participatory politics as "interactive peer-based acts through which individuals and groups seek to exert both voice and influence on issues of public concern." hardcover
20624One from 20 Buckingham Street WC London on letterhead of 'The Ben Greet Players' 14 July no year. The other from 2 The Terrace Camden Square. 17 August no year. ONE: On letterhead of 'The Ben Greet Company' addressed from 20 Buckingham Street WC London . 14 July no year . 2pp. 8vo. In fair condition aged and worn with the first page carrying pencil scorings and a short note by Forsyth. The first paragraph reads: 'If business will permit can I have one of the small boxes for Monday night. You generally let me have something during the Season. I've been a very regular Gallery & Amphitheatre and stallite this season.' He continues: 'You've got a genius in Frau <Temina> & you sd keep her. Everyone is raving about her. I saw her as K<> last Bayreuth & I've heard her every night since she's sung here except Thursday when I unfortunately had some Pastorals at Ramsgate.' He realises that there is not likely to be 'an off night' but if there is he should like a seat adding: 'Please remember I am an ardent opera goer'. He ends with some illuminating comments on the state of Covent Garden thanking him for having 'those shutters opened – the difference was marvellous' and expressing a wish that 'the Syndicate wd only remove the awful spangles of fire or “electrify†them & back the 2/6 gallery'. These changes would be welcomed by 'their grateful public'. He concludes: 'Dont laugh at my managerial requirements!' TWO: 2 The Terrace Camden Square. 17 August no year. 2pp. 12mo. In good condition lightly aged and worn. Headed with recipient's name: 'Neil Forsyth Esq'. Having just returned from America he asks to be presented with four seats for that night: 'I want much to hear “Armidaâ€. If full up never mind & I'm glad.' He announces that he is 'going to produce shortly in Chicago almost the earliest known opera one of Cesti's circ 1606 sic Musical and Dramatic.' The letter concludes referring to America: 'Things out there are very very faddy – the Covent Garden Opera season seems to go on very steadily'. One from 20 Buckingham Street WC [ London ], on letterhead of 'The Ben Greet Players', 14 July [no year]. The other from 2 The T unknown
1241352186.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1178567621.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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2013005453South Africa: Human & Rousseau 2013 Afrikaans text. An excellent clean and tightly bound book. Human & Rousseau paperback
