Campbell, ColenBiblio.com
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1731W2375London: Colen Campbell 1731. Original 18th Century Architectural Engraving. Folio engraving by Dutch engraver Henry Hulsbergh from the drawing by Scottish architect Colen Campbell. From the 1731 edition of Vitruvius Britannicus or the British Architect. Daniel Campbell was a member of Parliament from Glasgow. His home Shawfield Mansion pictured in this engraving was designed by Colen Campbell and was the architect's first commission coming before the architect came under the influence of Palladio. Built in 1712 Shawfield Mansion was attacked in 1725 by a mob protesting the passage of a tariff on Scottish malt. Image size of the engraving is 14 3/4 inches by 9 3/4 inches on a sheet of laid paper that measures 17 5/8 inches by 10 7/8 inches. The engraving is in near fine condition: clean and bright free of foxing. Three edges have some residue from red stain that was applied to the edges of the volume's textblock. Single Sheet. Near Fine. Illus. by Henry Hulsbergh and Colen Campbell. Folio - over 12" - 15" tall. Fine Art Print. Colen Campbell
1800100845Boston: Printed for the proprietors by Samuel Etheridge 1800. 8vo. 34 pp. Contemporary sheep; upper board detached ffep removed in a custom chemise and slipcase. Scarce American price book for Boston carpenters in contemporary sheep. Signed as usual by Thomas Stutson secretary of the committee that drew up the rules which were devised to establish a fair system of charges for services rendered. Prices are an early example of the use of dollars and cents. Rink lists previous editions from 1774 1 copy 1794 no copy known & 1795 2 copies.PROVENANCE: William Reese book-label on chemiseREFERENCE: Evans 37003; Rink 1760 Printed for the proprietors [by Samuel Etheridge] unknown
17972604Dublin: P. Wogan 1797. First Edition . Cloth. Very Good. 8vo - over 7¾" - 9¾" tall. Light blue boards.34-489p17. Uncut pages. Thin split on spine Very minor age spotting interior First edition has no map Second edition calls for maps <br/> <br/> P. Wogan hardcover
1731W2383London: Colen Campbell 1731. Folio engraving by Dutch engraver Henry Hulsbergh from the drawing by Scottish architect Colen Campbell. From the 1731 edition of Vitruvius Britannicus or the British Architect. Cholmondeley the First Earl of Cholmondeley commissioned the architect William Smith to add the details columns statues etc. that can be seen in this engraving. Image size of the engraving is 9 1/2 inches by 14 3/8 inches on a sheet of laid paper that measures 10 7/8 inches by17 5/8 inches. The engraving is in near fine condition: clean and bright free of foxing. Three edges have some residue from red stain that was applied to the edges of the volume's textblock. First Edition. Single Sheet. Near Fine. Illus. by Colen Campbell and Henry Hulsbergh. Folio - over 12" - 15" tall. Fine Art Print. Colen Campbell
1731W2384London: Colen Campbell 1731. Folio engraving by Dutch engraver Henry Hulsbergh from the drawing by Scottish architect Colen Campbell. From the 1731 edition of Vitruvius Britannicus or the British Architect. Cholmondeley the First Earl of Cholmondeley commissioned the architect William Smith to add the details columns statues etc. that can be seen in this engraving. Image size of the engraving is 9 1/2 inches by 14 3/8 inches on a sheet of laid paper that measures 10 7/8 inches by17 5/8 inches. The engraving is in near fine condition: clean and bright free of foxing. Three edges have some residue from red stain that was applied to the edges of the volume's textblock. First Edition. Single Sheet. Near Fine. Illus. by Colen Campbell and Henry Hulsbergh. Folio - over 12" - 15" tall. Fine Art Print. Colen Campbell
17264924Das ist: Eine deutliche Anweisung, Wie man nicht nur auf mancherley Arth über Gräben, Bäche und Flüsse gelangen... kan(n)... Mit 60 ausfaltbaren Kupfertafeln. Leipzig, Selbstverlag u. Gledi(t)sch Erben, gedruckt bey Chr. Zunkel, 1726. Folio (36,0 x 23,6 cm). 7 (statt 8; ohne Vortitel) Bl., 153 S., 2 Bl. Halbpergamentband d. Zt. mit handschriftl. Rückentitel (Deckel, Bezüge u. Ecken erneuert).
17930150-B1793. Radierung, Rom 1793, auf Velin. 28,5:37,8 cm. Literatur: Andresen 10, I (von II) mit der gerissenen Schrift. - Brillanter Abdruck des 1. Zustandes mit Rand um die Plattenkante. Aus der in Zusammenarbeit mit J.Chr. Reinhart (1761-1847) und J. Mechau (1745-1808) entstandenen Folge ?Mahlerisch radirte Prospecte von Italien?, zu der jeder Künstler 24 Blätter beitrug. Provenienz: Sammlung J.N. Seiler, München, nicht bei Lugt.
1714178398Paris, Giffart, 1714. 4°. M. 2 gest. Tit.-Vign., 2 gest. Tit., 182 Kpfr.-Taf. (61 doppelt gezählt; 79 als Zwischentitel). 4 Bl., 194 S., 1 Bl. Ldr. d. Zt. m. Rsch. u. Rverg. a. 5 Bünden sowie marmor. Vorsätzen. Einbd. beschabt u. bestoßen. Rücken beidseitig durchgeh. angerissen. Durchg. gebräunt u. braunfl. (teils auch stärker).
17536171Avec une Tarif général de Bois de toutes sortes de longueurs & grosseurs, dans un goût nouveau, & un dictionnaire des termes de la Charpenterie. 2 Bände. Mit 23 gefalt. gest. Tafeln von F. Baillieul. Paris, Ch. A. Jombert, 1753. 8vo. (20,1 x 12,2 cm). 1: XII, 463 S. 2: (12), 569, (7) S. Gefleckte Lederbände d. Zt. mit reicher Rückenvergoldung u. roten Kleisterpapiervorsätzen.
177916095London, Elmsly, 1779. XV, 427 SS., 13 (3 gefalt.) Kupfertafeln, marmorierte Vorsätze 4°, Ganzleder der Zeit mit Rückenschild und reicher Rückenvergoldung
1712623586Augsburg, J. Wolff, 1712. Quer-Folio. 12 Kupfertafeln. Marmorierte Kartonage d. Zeit in moderner Halbleder-Kassette (Umschlag etwas fleckig u. beschabt, Rücken erneuert).
1718187062Augsburg, Wolff, 1718. Fol. M. 24 (st. 38) Kpfr.-Taf. u. 7 Textholzschn. 84 S. Ohne Einbd. Lose. Gebräunt, teils m. Nässespur. M. etlichen Randbermerk. von alter Hd.
17740234-B1774. Radierung, 1774, auf Bütten mit Wasserzeichen. 29:37,4 cm. Literatur: Le Blanc 80; Perez 74, I-III (von III), vor den Veränderungen im Himmel und am Baum rechts sowie vor den rund geschliffenen Ecken. - Sehr guter Abdruck, mit zwei kleinen Randeinrissen oben.
1787ST17496-043Rome: Bouchard et Gravier 1787. 525 x 375 mm. 20 3/4 x 14 3/4". <br/> Near contemporary half calf over marbled boards smooth spine divided by gilt rules into panels with blind-stamped centerpiece red morocco label hinges reinforced with buckram marbled endpapers and edges. Engraved vignette on title page and 99 COPPER-ENGRAVINGS ON 60 PLATES. A 1911 letter from the editor of "Hobbies" magazine in response to a previous owner's questions about the contents of this volume laid in at front. The plate numbered 92 with an 18th century cemetery scene pasted to the verso; rear flyleaf with two engravings pasted on. Cicognara 3595; Brunet I 646. Spine label partly missing front joint cracked from tail edge to midpoint head and tail of spine chipped boards a bit chafed and with a drizzle of white paint to front cover but the binding still solid. Occasional mild marginal foxing or finger smudges but an excellent copy internally fresh and clean throughout and with pleasing impressions of engravings. Not an external beauty as is often the case with architectural tomes but quite attractive inside.<br/> <br/> This is a collection of beautifully engraved plates drawn from the work of a painter and engraver who made engravings for Piranesi's 1748 "Varie vedute di Roma antica e moderna" and collaborated with him on the majestic "Le antichità Romane" 1756. Inspired by his work with the master Barbault drew and engraved his own series of Roman views issued in "Les plus beau monumens de Rome ancienne" 1761 and "Recueil de divers monumens anciens" 1770. The plates in the present volume are drawn from those works. Barbault's picturesque scenes are characterized by a sense of romantic decay: in some the landscape is open and generally free from human intrusion the once-grand ruins rising proudly from the encroaching vegetation. One has the sense of being among the first to stumble across these hidden wonders. In others the artist juxtaposes temple remains with the shed of a contemporary farmer a humbling contrast between past grandeur and present poverty. Jean Barbault 1718-62 had studied painting in Paris with John Restout II before receiving a scholarship from the Académie des Beaux-Arts for travel to Rome in 1721. Once there he stayed building a career as engraver and establishing himself with Piranesi and his circle. Bouchard et Gravier unknown
17795690Verlegermarke u. 6 gefalt. gest. Tafeln von Rosmäsler. Breslau, J. F. Korn d. Ä., 1779. 8vo. (20,5 x 11,4 cm). 8 Bl., 398 S. Marmorierter Halblederband d. Zt. mit Rückenschild u. etwas Rückenvergoldung.
174529755-zf6Augspurg [Augsburg]: Johann Andreas Pfeffel, gedruckt von Christoph Peter Delefssen 1745. Frontispiz und 11 Blatt sowie 182 Seiten nebst 8 Blatt und 70 Tafeln. Neuerer Pappband (ein Riß im Frontispiz unterlegt, vier Tafeln mit Randläsuren, die Tafeln 70 lose, eine Tafeln mit einem Einriß, sonst gutes und sauberes Exemplar). 2° (35,2 x 22,4 cm). fest gebunden
