3 103 résultats
18431245891843 Lyon, Imprimerie de L. Boitel - M DCCC XLIII (1843) - In-4, reliure percaline à motifs floraux, dos lisse orné d'une pièce de titre en doré sur fond brun - 298 pages - Ouvrage illustré de lithographies, plans et carte en N&B hors-texte ainsi que de très belles lettrines
1884111972Paris, E. V. Camis 1884 In-16 15,5 x 12 cm. Cartonnage éditeur, dos muet toile marron, premier plat imprimé avec report du titre, 167 planches contenant de nombreuses figures de chattières, crapaudines, épis, faîtages, marquises, etc. Dos fragilisé, mouillures. En l’état. Album peu courant.
1890036828Portland Maine: Chisholm Brothers 1890. First Edition. Decorative Boards. Very Good. Contains 16 panels of Albertypes from photographs accordion-fold format including: Atlantic City from Lighthouse birdseye view; Pacific Avenue; Seaside Hotel; Bark Stafford Beached; The Elephant South Atlantic City; Hamilton Disston's Cottage; Beach View Showing Board Walk several; Hotel Brighton; The Traymore; Applegate Pier; Bathing in the Surf; &c. Folds into decorative embossed blue boards gilt cover title. 5" x 6" WorldCat finds six holdings of this attractive viewbook. Chisholm Brothers unknown
188810969Philadelphia: J. B. Lippincott. Good with no dust jacket. 1888. First Edition; First Printing. Hardcover. The textblock has separated from the covers. The pages were stapeled to cloth strips which were bound to the covers. The staples tore loose. The contents are very good with some surface soil from handling. 18 pages of nice plates plus 16 photos. The covers are rubbed at the corners & edges. ; 13 1/2x11"; 32 plates & photos pages . J. B. Lippincott hardcover
1890037923Portland Maine: Chas. Frey 1890. First Edition. Pictorial Stiff Wrappers. Very Good. Contains 12 panels of views based on photographs leporello accordion-fold format; b&w Quebec City map inside back cover. Views include: City of Quebec from the St. Lawrence River; Dufferin Terrace; Island of Orleans; Drill Hall; Lunatic Asylum Beauport; St. Louis Hotel; J.S. Laubert's Fur Establishment; St. John's Gate; Kent Gate; Grand Battery & Laval University; Caleche; Frontenac Hotel; &c. Bound in gilt-decorative red boards; spine cloth deteriorating otherwise bright and clean 7.5" x 5.75" OCLC locates only one physical holding of this viewbook at the University of Victoria B.C. Chas. Frey unknown
1897116287Paris, Atelier de dessin et de Lithographie Prodhomme, rue de Jarente, 6 1897 In-4 28,5 x 22 cm. Reliure de l’époque demi-percaline mastic, dos muet, 100 planches contenant contenant de nombreuses figures. Exemplaire bon état.
1880011864S.l.: s.n. 1880. Fine. 1 albumen print 5.25 x 8.5 inches on a mat 14 x 17 inches. Undated and uncaptioned photograph of the Courtyard of the Thorvaldsens Museum in Copenhagen which contains the grave of Danish Neoclassical sculptor Bertel Thorvaldsen 1770–1844. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good- Condition: corners lightly rubbed; upper edge sunned; a few light spots on the mat; solid. s.n. unknown
1880011867S.l.: s.n. 1880. Fine. 1 albumen print 8.5 x 11.5 inches on a mat 14 x 17 inches. Undated and uncaptioned photograph of an interior view of the Grand Kremlin Palace in Moscow. The upper edge of the print is curved. Albumen print is in Fine Condition: clean bright and intact. Mat is in Good Condition: dampstain along one edge; loss at one lower corner; solid. s.n. unknown
1870011860S.l.: s.n. 1870. Fine. 1 albumen print 10.5 x 8.25 inches on a mat 17 x 14 inches. Undated photograph of the Belfry of Bruges by an unidentified photographer. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good Condition: corners lightly rubbed; solid. s.n. unknown
1870011868S.l.: s.n. 1870. Fine. 1 albumen print 8.5 x 11 inches on a mat 14 x 17 inches. Undated and uncaptioned photograph of the Hotel de Ville the City Hall of Paris. Probably taken before the burning of the building in 1871 by the Paris Communards. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good Condition: minor loss at corners; solid. s.n. unknown
1870011866S.l.: s.n. 1870. Fine. 1 albumen print 7.5 x 11.5 inches on a mat 13 x 16 inches. Undated and uncaptioned photograph of York Minster Choir East. No. 18412. Possibly by James Valentine 1815-1879 who produced other albumen prints of York Minster. Albumen print is in Fine Condition: clean bright and intact. Mat is in Good Condition: dampstain at both lower corners; corners lightly rubbed; solid. s.n. unknown
1870011863Dundee Scotland: Valentine & Sons 1870. Fine. 1 albumen print 7.25 x 10.75 inches on a mat 14 x 17 inches. Undated and uncaptioned photograph of a room with a piano in Hatfield House possibly by James Valentine 1815-1879 who produced other albumen prints of Hatfield House. Inscription by former owner on back of mat. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good Condition: corners lightly rubbed; one edge slightly sunned; solid. Valentine & Sons unknown
1880011862Aberdeen Scotland: George Washington Wilson and Co 1880. Fine. 1 albumen print 8 x 11.5 inches on a mat 14 x 17 inches. Undated and uncaptioned photograph of the choir some of the organ pipes and the tomb of Bishop Redman in Ely Cathedral England possibly by George Washington Wilson 1823-1893 who produced a number of albumen prints of that cathedral. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good Condition: corners lightly rubbed; a few light spots on the mat; solid. George Washington Wilson and Co unknown
1880011861Aberdeen Scotland: George Washington Wilson and Co 1880. Fine. 1 albumen print 9.75 x 11.5 inches on a mat 9.75 x 17 inches. Undated and uncaptioned photograph of the organ pipes and surrounding area of Ely Cathedral England possibly by George Washington Wilson 1823-1893 who produced a number of albumen prints of that cathedral. Albumen print is in Fine Condition: clean bright and intact. Mat is in Very Good Condition: corners lightly rubbed; a few light spots on the mat; solid. George Washington Wilson and Co unknown
1870106543Wien, Waldheim/Förster, 1837-1870. 4°. M. zahlr. Abb. Hldr., Lwd., Hlwd. Einbde. beschabt u. bestoßen. Teils m. Rsign. bzw. St. a. Tit. OHNE Atlasbde.; Jg. 2 ohne Anz.-Bl. u. Beil.; Jg. 3 ohne Anz.-Bl. u. Beil.; Jg. 5 ohne Beil.; Jg. 6 ohne S. 169/170, Anz.-Bl.; Jg. 13 ohne Tit.-Bl zu Ephemeriden; Jg. 25 ohne Tit.-Bl. zu Lit.- u. Anz.-Bl. Bd. 6 u. ohne Tit.-Bl. zu Notizbl. Bd. 4; Jg. 30 ohne S. 7/8 (Zeichn.) u. 1 Zeichn. im Notizbl.; Jg. 32 one S. 277/288 (nicht erschien.);
1857160570Stuttgart, C. Mäcken, 1857. Fol. 25 doppelblattgr. Taf. in Strichlithographie auf Stegen. OBr. Umschl. angeschmutzt u. angerissen. sowie m. Sign. St. u. Sign. a. Tit.
183321005Kbhvn., Schultz, 1833. Orig. orange kartonnage. Titel med kobberstukket sigil. (8),64,18 pp. samt 5 kobberstukne foldede grundplaner. Foden af de første sider med brunpletter.
189564165Hamburg, Strumper & Co. [ca. 1895]. Bildgröße ca. 17,5 x 25,5 cm, Kartongröße 27 x 34 cm).
187077051[Kopenhagen], [ca. 1870]. Bildgröße 6,5 x 9,5 cm. Unter Feinkartonpassepartout.
187100284167Philadelphia 1871 Decorative paper normal wear. Engraved frontispiece of Academy of Natural Sciences Philadelphia. 32 pgs. 4 plates of building. Rare OCLC finds 17 copies . First Edition. Original Wraps. Good. paperback
1874018821London: Rimell and Son 1874. New Edition. . Decorated Green Cloth. Very Good. 2 volumes. Volume 1 - 4 118 2 pages 51 plates in-text illustrations. Volume 2 - 4 pages 107 plates. Publisher's blind empossed green cloth with gilt decoration and titling. Some bumping wear to boards spine taped reinforcement to front & rear hinges in both volumes some spotting to plates. 807 Size: 325mm. x 270mm. <br/> <br/> Rimell and Son hardcover
18605795243W. Kent and Co. 1860. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition suitable as a study copy. Re-bound by library. Large black cloth 8vo with black leather half binding. Gilt lettering and borders on backstrip. Bumped corners with shelf worn exteriors. Small tear in top of backstrip of Vol. II. Binding tight. Several pencil markings on the reverse of plates in vol II. Some foxing and grubbiness through out. A large number of plates per vol. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item4150grams ISBN: W. Kent and Co. hardcover
1847017759London: Pelham Richardson 1847. First Edition. . Half Morocco Marbled Boards. Very Good. 2 volumes. Title pages bound into wrong voumes. Volume 1 - 4 list of subscribers 118 2 pages 51 plates 2 in-text illustrations. Volume 2 - 4 pages 107 plates 2. Some bumping wear to extremities small tear to upper board of vol. 1 binder's ticket to front pastedowns corrigenda slip before p1 vol. 1some spotting to plates some offsetting from enclosure to 1 plate. 731 Size: 305mm. x 260mm. <br/> <br/> Pelham Richardson hardcover
1805025175London: T. Payne and J. White 1805. Second Edition . Hardcover. Good. 8 7/16" Tall. Xxiv 470. Ancient Blue Paper Apparently Over Earlier Full Calf Later Paper Spine Paper Label With Handwritten Author And Title And London 1805 Handwritten Below On Spine. A Few Short Pencil Notes On Endpapers No Other Names Or Marks. Quite Worn Frayed And Chipped At Corners. Pages With Light Foxing In Text Block A Few Tiny Spots Otherwise Clean And Crisp Edges Of Page Block Retain Original Polish. Per Wikipedia Richard Payne Knight 1751 - 1824 Of Downton Castle In Herefordshire And Of 5 Soho Square London England Was A Classical Scholar Connoisseur Archaeologist And Numismatist Best Known For His Theories Of Picturesque Beauty And For His Interest In Ancient Phallic Imagery. He Served As A Member Of Parliament For Leominster 1780-84 And For Ludlow 1784-1806. An Analytical Inquiry Into The Principles Of Taste 1805 Was Knight's Most Influential Work In His Lifetime. This Book Sought To Explain The Experience Of 'Taste' Within The Mind And To Clarify The Theorization Of The Concept Of The Picturesque Following From The Writings Of William Gilpin And Uvedale Price On The Subject. Knight's Views On The Aesthetics Of The Picturesque Are Also Formed In Engagement With Edmund Burke's Emphasis On The Importance Of Sensation Which Knight Partly Rejects In Favor Of A Modified Associationism. The Philosophical Basis Of Knight's Theories Have Implications For His Account Of The Relationship Between The 'Beautiful' And The 'Picturesque'. For Knight Aesthetic Concepts Cannot Be Formed Directly From Optical Sensations Because These Must Be Interpreted Within The Mind Before They Can Be Recognized As Beautiful. Thus A Classical Architecture Roman Temple Is Beautiful Because Of The Proportions Of Its Parts But These Proportions Can Never Be Perceived Directly By The Senses Which Will Simply Encounter A Mass Of Confused Impressions. 'Beauty' Is Thus A Product Of Internal Mental Acts. It Is Therefore Proper To Speak Of Moral Mathematical And Other Non-Sensuous Forms Of Beauty Contrary To Burke Hogarth And Others Who Claimed Such Usages Were Metaphorical. In All Cases 'The Particular Object E.G. Proportion Is An Abstract Idea.' <br/> <br/> T. Payne and J. White hardcover
1819016752London: J Barfield 1819. Half Bound. Fair. 1 2 261-913 x-xlvi. index pages 158 engraved plates as called for directions to binder after p913. Half bound over marbled boards. Upper board detached spine frayed detached previous owner's blind stamp to front endpaper some staining spotting offsetting. Colvin pp. 415/6. 16752/689 Size: 280mm. X 230mm. <br/> <br/> J Barfield unknown
