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1722166811722 Reliure éditeur avec jaquette sous emboitage - 17 x 22 - 252 pp - année 1974 - Collection La Nuit des Temps n° 1 - 6 ème éditions - Editions Zodiaque - illustrations
17863523Drey Stücke. Nebst sechs Kupferabdrücken, worunter der erste den Plan der Stadt Potsdam im Jahre 1683 und hundert Jahre danach 1783 enthält. 3 Teile in 1 Band. Mit gefalt. teilkol. gest. Plan von Frentzel nach Schadow u. 5 gefalt. gest. Tafeln. Potsdam, bey Carl Christian Horvath, 1786. 8vo. (19,9 x 11,5 cm). Gesamttitel (hier nach S. 207), 2 Bl., 92 S.; Zwischentitel (Zweytes Stück), (93)-206 S. (189-190 auf gefalt. Bl.); (207)-332 S., 8 Bl. Tafelerläuterungen. Pappband d. Zt. [4 Warenabbildungen]
175320154Augsburg, Andreas Pfeffel, 1753. Small folio. Cont.full calf. Raised bands. Gilt titlelabel. A paperlabel pasted on upper compartment. Engraved frontispiece, title with large engraved vignette. (8),204 pp. and 17 large folded engraved plates. The 6 first plates a little dampstained in upper right margin, otherwise fine and clean, printed on good paper. 2 rubberstamps on title.
1786108211786 un prospectus de deux feuillets : le premier feuillet est imprimé des deux côtés, sur le deuxième feuillet seule l'adresse est pré-imprimée côté extérieur, format in-quarto carré, non rempli, daté de 1786 sans lieu ni éditeur (Nantes).
17940156-B1794. Radierung, Rom 1794, auf Bütten. 28:37,8 cm.-Leicht braunfleckig. Literatur: Andresen 19, II (von II) mit der endgültigen Schrift. Sehr guter Abdruck mit Rändchen um die Plattenkante. Aus der in Zusammenarbeit mit J.Chr. Reinhart (1761-1847) und J. Mechau (1745-1808) entstandenen Folge ?Mahlerisch radirte Prospecte von Italien?, zu der jeder Künstler 24 Blätter beitrug. Provenienz: Sammlung J.N. Seiler, München, nicht bei Lugt.
175951780Augsburg, Johann Georg Hertel, 1759. 4to. Bound in 2 contemp. full calf. Gilt spines, raised bands. Richly gilt spines. Titlelabels with gilt lettering. A paperlabel pasted on upper part of both spines. Stamps on title-pages. Title-pages in red/black. Engraved frontispiece. (30),402,(26)23 pp., 152 engraved plates (many double-page and folding, some with text on verso) - Anhang with 33 folded engraved plates. A few leaves with a faint dampstain in upper right corner. Internally clean and fine.
172534249Augsburg: Jeremias Wolffens seel. Erben. 1725. German edition of the "Cours d'architecture" with additional copperplate engravings not included in the edition of 1699 printed in Amsterdam. Engraved frontispiece 84 full-page 37 double-page plates19 folded multipage copperplate engravings and 12 including 2 double-page copperplate engravings in the appendix. Collated complete. Quarto 22.5 x 17 cm. bound in full contemporary mottled calf the back sometime renewed to style with raised bands gilt ruled central ornamental pieces gilt red morocco lettering label gilt retaining original free-flies new endleaves added. 30 402 25 1 pp. A pleasing copy well preserved the text and copperplate engravings all in crisp and clean condition the binding strong very little evidence of overuse some expected rubbing to the binding's extremities as to be expected. RARE AND "THE BEST WORK OF ITS KIND YET OFFERED" Fowler. First published in French in 1691 the work was long considered the basis for the architectural history of France. The decorative plates depict buildings by Michelangelo and Vignola.<br> As D’Aviler’s book went through the printers it grew wings – more large folding plates which he inserted at the last minute including plans of gardens palaces and details of ironwork. What had started as an attractive and accessible guide to the Orders intended to inform clients artisans and fellow architects now became a platform for D’Aviler’s own architectural ambitions. Further plates were engraved but there was no room in the first edition or a second in 1694 and so alongside them D’Aviler prepared drawings for an enlarged edition.<br> Work on the new edition was continued by his son Nicholas Langlois II who had ‘acquired a very large quantity of new Drawings & Explanations both from the Author and from several other excellent Architects Painters & Draftsmen… with which to increase & embellish this Work.’ The death of the younger Langlois and the sale of the business to a cousin Jean Mariette delayed the larger edition of the Cours until 1710.<br> Mariette admired D’Aviler and compiled his biography. He mounted D’Aviler’s designs Boulogne’s frontispiece and other architects’ drawings for the Cours on sheets in a portfolio which joined more than 100 others to make up one of history’s greatest collections of drawings.<br> The frontispiece by Louis de Boulogne’s shows Architecture appearing as a young woman. She sits leaning on an altar with a Corinthian capital at her feet compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. Louis de Boulogne was the King’s Premier peintre but he was also D’Aviler’s close friend and the architect has corrected the painter’s perspective at the foot of the altar. Drawing Matter Richard Emerson<br> Vignola one of the great Italian architects of 16th century Mannerism was one of three architects along with Serlio and Palladio who spread the Italian Renaissance style throughout Western Europe. He is often considered the most important architect in Rome in the Mannerist era. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesů in Rome. Tutto Rinascimento De Agostini. 2011<br> His two published books helped formulate the canon of classical architectural style. The earliest Regola delli cinque ordini d'architettura "Canon of the five orders of architecture" first published in 1562 probably in Rome presented Vignola's practical system for constructing columns in the five classical orders Tuscan Doric Ionic Corinthian and Composite utilising proportions which Vignola derived from his own measurements of classical Roman monuments. The clarity and ease of use of Vignola's treatise caused it to become in succeeding centuries the most published book in architectural history. See Palladio's Literary Predecessors 2018.<br> Jeremias Wolffens seel. Erben. hardcover
17404004Augsburg:: Andreas Pfeffel 1740. FIRST EDITION. Folio:. 39.5 x 30 cm. 5 folding lvs. 1 letterpress leaf 4 engraved lvs. title dedication frontis. and portrait 50 engraved plates divided into 5 series of 10 plates each. Bound in contemporary German quarter vellum with label “Kupferbuchâ€. The binding has minor wear and there is evidence that these 5 suites of plates were once bound with another work. This is a fine complete copy with only very minor cosmetic blemishes: some light dust soiling to the folds of a few plates scattered finger-soiling to some plate margins blank versos of some plates dusty a few minor marginal tears or marginal creases not affecting the images. Very nice. Bibiena. First edition of this richly illustrated work on architecture and perspective. The finely engraved plates show brilliant baroque compositions for catafalques theatrical scenes a series for the Passion of Christ in elaborate architectural settings and the decoration of the Riding School at Vienna for the marriage of the Archduchess Mariana with Prince Charles of Lorraine. The publication of “Architetture e prospettive†made a major contribution to the modernization of the theater establishing the so-called ‘scena ad angolo’ curved backdrops on Europe’s stages. The second son of the Italian architect Ferdinando Galli Bibiena Giuseppe Galli da Bibiena was to become a distinguished artist and designer of elaborate festivals parties funerals open-air theatrical performances and all manner of ceremony for the Habsburg rulers. He proved himself an excellent illusionistic painter with a deep theoretical understanding of perspective. These attributes coupled with an extraordinary imagination allowed Giuseppe to produce innovative often fantastic imagery. Among his early independent works were decorations for the festivities celebrating the birth of Archduke Leopold of Austria 1716 and an imperial wedding in Munich 1722. In 1727 Emperor Charles V appointed Giuseppe to be “His Majesty's First Theatrical Engineerâ€. Galli Bibiena also designed altars and pulpits for churches constructed a decorative arch in Prague and with his younger brother Antonio designed decorations for theaters. After Charles V’s death Giuseppe served the late monarch’s daughter Maria Theresia. Among his notable achievements in this period Giuseppe transformed the stables at the Hofburg in Vienna into a ballroom for the wedding of Charles Alexander of Lorraine to Marianna of Austria. In 1747 he was commissioned to design Margrave Frederick of Bayreuth’s opera house considered his magnum opus. At the time of his death at Berlin in 1757 Galli Bibiena was in the employ of Peter the Great. “Architetture e prospettive†dedicated to and with a portrait of Charles V was printed in the year of Emperor’s death and at the height of Galli Bibiena’s career. The work is comprised of five series of plates with ten plates each depicting funerary apparatus religious scenery “teatri sacri†and fantastic architectural views. “The range of motifs and views embraces topics that were of great interest at the end of the baroque era such as fantasy-laden reconstructions of classical ruins. In his designs the artist made use of various methods to make the architecture monumental working above all with views from below and cropped sections. In many designs he used the ‘scena ad angolo’ technique and in others in particular for the depiction of festive decorations for imperial ceremonies he used a central perspective as a dignified form… “One of the sets of engravings shows the decoration of the Cavallerizia the riding arena which was transformed in 1744 into a ballroom. The plates were made by Lorenzo Zucchi the engraver at the court of the Elector of Saxony in Dresden. The ‘theatro sacro’ and the stage decorations for the theater festival to mark the marriage of the future Elector of Saxon Frederick Augustus II are also his work. However most of the copperplates are by the imperial printer Andreas Pfeffel d. 1748… “The fusion of architecture and decoration in the two-dimensional medium of drawing is characteristic of Giuseppe Galli Bibiena’s designs… Giuseppe’s father Ferdinando in his book on architecture had also made an attempt to unite painting and architecture from the point of view of perspective using the special art form of scenography. In ‘Architettura e Prospettive’ Galli Bibiena elevated this synthesis of painting architecture and scenography to a form of art in its own right which had its greatest effect in the ‘staging’ of architecture in the service of absolutist power.†Biermann Grönert Jobst and Stewering “Giuseppe Galli Bibiena†in “Architectural Theory from the Renaissance to the Present†p. 156 ff. Fowler 136; Kat. Berlin 4152; not in Millard; not in Vagnetti Andreas Pfeffel, unknown books
1789086-D1789. Feder in Schwarz, auf Velin, auf Bütten aufgezogen, verso signiert und datiert ?S. Warnberger del 1789?. 21:16,5 cm. Provenienz: Sammlung Blucke, Dresden, nicht bei Lugt. Vermutlich Vorzeichnung für eine Graphik.
17981064AGO.O., T. Holloway and the other Proprietors, 1798. Kupferstich von Thomas Holloway nach Gottfried Kniller (Brustbild). Bildgrösse: 19,5 x 17 cm. Blattgrösse: 21,6 x 17,3 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
17981064AGO.O., T. Holloway and the other Proprietors, 1798. Kupferstich von Thomas Holloway nach Gottfried Kniller (Brustbild). Bildgrösse: 19,5 x 17 cm. Blattgrösse: 21,6 x 17,3 cm.
172641686À La Haye, chez Pierre Gosse, 1726. 4 livres dont un en deux parties, imprimés en 2 tomes et reliés en un volume in-folio, (8)-115-(1 blanche)-(2)-46-(2)-38-(2)-20- (4 dont la dernière blanche) pp., 2 des 3 titres particuliers étant compris dans la pagination, veau brun moucheté, dos à nerfs cloisonné et fleuronné, pièce de titre grenat, coupes filetées, tranches rouges (reliure de l'époque).
1788135241Didot 1788 Fort in-12 pleine basane brune, dos à nerfs, caissons ornés, XL - 699 pp. Index.16 planches hors-texte 4 déreliées, figures dans le texte. Reliure frottée et fragile, coiffes et coins usés. Légère humidité angulaire aux 6 premiers feuillets, dont le frontispice. La pièce de titre manque. En l’état.
176222979J-T Herissant 1762 In-8, pleine basane marbrée de l'époque, dos à nerfs, caissons ornés, XXX- 624 pp. Frontispice, 2 tableaux dépliants et 12 planches dont 4 dépliantes, nombreuses figures dans le texte, une à pleine page. Reliure ternie, coiffes et coins usés, mors fendillés en tête. Bon intérieur.
178018625Architecture pratique qui comprend la construction générale et particulière des batimens; le détail, les toisé et devis de chaque partie; savoir, maçonnerie, charpenterie, couverture, menuiserie, serrurerie, vitrerie, plomberie, peinture d'impression, dorure, sculpture, marbrerie, miroiterie, poelerie, etc. avec une explication et une conférence de trente-six articles de la coutume de Paris, sur le titre des servitudes et rapports qui concernent les batimens, de l'ordonnance de 1673. Par M. Pierre Bullet (1639-1716), architecte du roi, et de l'académie royale d'architecture.Revue et corrigée avec soin, considérablement augmentée, surtout des détails essentiels à l'usage actuel du toisé des batimens, aux us et coutumes de Paris, et aux règlemens des mémoires; et à laquelle on a joint un tarif et des comptes faits de toute sorte d'ouvrages en batimens, et un autre tarif pour connoitre le poids du pied de fer, suivant ses différentes grosseurs.Nouvelle édition. A Paris, Chez Alexandre Jombert jeune - 1780 - xxxij et 608 pages. 1 frontispice, 1 tableau dépliant, et 13 hors-texte dont 4 dépliants.Reliure plein veau marbré de l'époque. Dos à nerfs orné et doré, avec pièce de titre maroquin rouge. Tranches rouges. Coiffe inférieure manquante. Mouillure en marge d'une dizaine de pages. Accident en marge du frontispice. Tampons sur la page de garde sur le frontispice et sur le titre. Rares rousseurs. Bon état. Format in-8°(20x13).
1762M1646921762 Libraires Associés 1762 M Bullet. ARCHITECTURE PRATIQUE, qui comprend la construction générale et particulière des Bâtiments; le Détail, les Toises et Devis de chaque partie; savoir, Maçonnerie, Charpenterie, Couverture, Menuiserie, Serrurerie, Vitrerie, Plomberie, Peinture dimpression, Dorure, Sculpture, Marbrerie, Miroiterie, Poëlerie, etc, etc Avec une explication et une Conférence de trente-six Articles de la Coutume de Paris sur le Titre des Servitudes et Rapports qui concernent les Bâtiments et de lOrdonnance de 1673. Par M. Bullet, Architecte du Roi et de lAcadémie Royale dArchitecture. Edition nouvelle, revue et corrigée avec soin: considérablement augmentée, surtout des détails essentiels à lusage actuel du Toisé des Bâtiments, aux Us et Coutunmes de Paris, et aux Règlemens des Mémoires; et à laquelle on a joint un Tarif et Comptes-faits de toute sorte douvrages en Bâtiments, et un autre Tarif pour connaître le poids du pied de Fer, suivant ses différentes grosseurs. Par M***, Architecte, ancien Inspecteur-Toiseur de Bâtiment. Ouvrage très utile aux Architectes et Entrepreneurs, à tous Propriétaires de Maisons, et à ceux qui veulent bâtir. Paris, Libraires associés, 1762. In8 plein veau, XXX-622 pp , 13 planches hors texte, 2 tableaux dépliants .Nombreuses gravures dans le texte. Les planches dépliantes sont parfois effangées et salies aux plis. Manque les pages de garde ,un frontipisce ( ??). La dernière page( approbation) est en mauvais état. Reliure et corps d'ouvrage en bon état. Suivant le poids et la destination les envois sont expédiés par transporteur ou par la poste . Si toutefois vous désirez la Poste, merci de nous contacter.
172851781Paris, Claude Jombert, 1728-29. Large 4to. (28,5 x 20,5 cm.). Contemp. hcalf. Richly gilt spine. Title- and tomelabel with gilt lettering. A paperlabel pasted on upper part of spine. Stamps on first title-page. Engraved folded frontispiece. Title to vol. 2 engraved and folded. (10),96(2),59,(1)446074,(2) pp. and 3 + 144 large folded engraved plates. Internally clean, printed on good paper.
1728300516A Paris Chez Claude Jombert. 1728 2 volumes IN4. Reliures d'époque en plein veau. Dos à nerfs ornés avec pièces de titres. Tranches colorées.1-De la construction & de l'employ des materiaux.2-De la distribution de toutes sortes de places.3-De la manière de faire les devis.4- Du toisé des
175255471Paris, Charles-Antoine Jombert, 1752. Folio. (47,5 x 32 cm.). Bound uncut in 2 contemp. hcalf. (Text and plates bound separately). Gilt spines. Titlelabels with gilt lettering. Light wear to spine-ends. A few small nicks and minor scratches. A paperlabel pasted on upper part of spines. Stamps on title-page. 2 engraved title-vignettes, 2 large engraved textvignettes. (IV) V-IX,(3),298,(2)"(4),164 pp., 307 engravings on 302 engraved sheets (152 and 148 +), many double-page and folding. Some engraved textillustrations. Wide-margined. A few quires with light browning. A few plates with light marginal brownspotting. Printed on good paper.
175023631Sans lieu, sans nom, (vers 1750) In-4 (20 x 26 cm) demi basane havane marbrée moderne, dos lisse, filets dorés, tirage or, tranches rouges. 47 pages de texte sur deux colonnes et 63 planches, certaines sur double page ou dépliantes. (Reliure XXe, petite galerie de ver dans la marge supérieure).
172055384Leipzig, Cörnerischen Erben, 1720. Folio. Contemp. blank stiff wrappers. Stamp on title-page. Title-page in red and black. (4),8 pp. and 6 folded engraved plates. A wormtract on lower margin, not reaching the text.
173654993Nürnberg, P.C. Monath, 1736. 4to. Contemp. hvellum. Some minor scratches to marbled paper-covers. Stamps on title-page. Engraved portrait. Engraved titlevignette. (16),144,23,(1) pp. and 79 engravings on 42 engraved plates (some folded and double-page). Upper margins with faint dampstaining.
1770198931Augsburg, Mertz, 1769-1770. Fol. M. 34 gef. Kpfr.-Taf. 3 Bl., 52 S.; 1 Bl., 40 S.; 1 Bl., 70 S. Ldr. d. Zt. Einbd. stark beschabt u. m. Nässeschaden (etwas verzogen). Exlibris a. Innendeckel. Gebräunt u. braunfl. M. (teils stärkerer) Nässespur. Papier teilw. etwas wellig. M. zahlr. St. (auch auf den Tafelrändern).
1745198929Augsburg, Mertz, 1743-1745. Fol. M. 32 gef. Kpfr.-Taf. 5 Bl., 104 S., 1 Bl.; 61 S.; 1 Bl., 22 S., 1 Bl. Ldr. d. Zt. Einbd. stark beschabt u. m. Nässeschaden. Exlibris a. Innendeckel. Gebräunt u. braunfl. Anfangs m. Nässespur. Papier teils etwas wellig. M. zahlr. St. (auch auf den Tafelrändern). Erstes Titelbl. in Rot u. Schwarz.
170360242(Architectura civilis:) Nuremberg, Paul Fürst, (no year) (Theatrum Machinarum Novum:) Nuremberg, 1703. Folio (345 x 240). In contemporary full calf with six raised bands. Extremities with wear. Boards with scratches, front board missing leather in lower margin. Frontiespiece of vol. 1 missing paper in outer margin. A few plates with tears but overall internally fine. (Architectura civilis:) (Frontiespiece), 5 ff. + 43 engraved plates" (Frontiespiece), 5 ff. + 30 engraved plates. (Theatrum Machinarum Novum:) (Frontiespiece), (10), 40 pp. + 153 engraved plates, wanting plate no. 8.