72 690 résultats
200660051Southern Illinois University Press 2006 Livre en anglais. In-8 broché 28 cm sur 21,7. 152 pages. Très bon état d’occasion.
63452, Brepols, 2023 Hardback, x + 190 pages, Size:156 x 234 mm, Language(s):English, Arabic. ISBN 9782503600536.
66711Cambridge, Cambridge University Press, 1999 Hardcover with illustrated dustjacket, 232 pages, 26 x 18.5 cm. English text. As new. ISBN 9780521632393.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 32pp. History and description of the stately home and gardens in Bedfordshire. Value added with two attached colour photographs.
Beautifully printed and bound volume describing the transformation of Londonafter the Great Fire of 1666. " De Mare explores the time before the fire .the fire itself and the devastation it wrought, the realities of reconstruction, the fifty-one new churches built, by Wren, the new St Paul's Cathedral, and a final view of the city as it looked at Wren's death. 128p.Illustrated with contemporary pictures.including endpapers with plans of the city before and after the fire. [Would make a nice gift] Book
A clean, unmarked book with a tight binding. Full blue cloth boards. No slipcase. 128 pages. Many illustrations.
a62586Oxford 1941. Hardcover. Designs and drawings by Sir Christopher Wren. English architecture. Lg.4to. about 200pp. photo illustrations 1/2 cloth with printed paper boards. Near Fine. . hardcover
a62588Oxford 1940. Hardcover. Designs and drawings by Sir Christopher Wren. English architecture. Lg.4to. about 200pp. photo illustrations 1/2 cloth with printed paper boards. Near Fine. . hardcover
a62585Oxford 1943. Hardcover. Designs and drawings by Sir Christopher Wren. English architecture. Lg.4to. about 200pp. photo illustrations 1/2 cloth with printed paper boards. Near Fine. . hardcover
a30227Oxford 1936. Hardcover. Designs and drawings by Sir Christopher Wren. English architecture. Lg.4to. about 200pp. photo illustration 1/2 cloth with printed paper boards. VG plus . hardcover
Paperback, worn at edges, label mark on rear, rather creased spine. Previous owner's name on half - title; contents otherwise a little browned but clean and sound. 166 black and white photographs. TPW Used
1 estampe (format 40 x 30 cm) avec échantillon de tissu sous encadrement vitré, format 34 x 44 cm (taille du cadre), Schumacher Editions Fils, Düsseldorf, 1994 Bel exemplaire bien encadré. As explained by the artist, "after a struggle spanning the seventies, eighties and nineties, the wrapping of the Reichstag was completed on June 24, 1995 by a work force of 90 professional climbers and 120 installation workers. The Reichstag remained wrapped for 14 days and all materials were recycled.100,000 square meters (1,076,390 square feet) of thick woven polypropylene fabric with an aluminum surface and 15,6 kilometers (9.7 miles) of blue polypropylene rope, diameter 3.2 cm (1.26 inch), were used for the wrapping of the Reichstag. The façades, the towers and the roof were covered by 70 tailor-made fabric panels, twice as much fabric as the surface of the building.The work of art was entirely financed by the artists, as have all their projects, through the sale of preparatory studies, drawings, collages, scale models as well as early works and original lithographs". Anglais
65190Amsterdam, Wereldbibliotheek, 2004 Softcover, 153 pagina's, 21 x 13 x 1.5 cm, gesigneerd met opdracht. .
65030, Brepols, 2022 Hardback, 251 pages, Size:178 x 254 mm, Illustrations:15 b/w, 13 tables b/w., 1 maps b/w, Language: English. ISBN 9782503594552.
66740Kemzeke, Verbeke Foundation, 2011 Hardcover, 166 pagina's, 25 x 25 cm. Nederlandstalig. Goede staat.
65583, Torch Books,, 2007 Hardcover with dusjacket, Second Edition ****Signed by photographer Wouter Deruytter . ISBN 9789073920248.
67250Antwerpen, Persona, 1995 Oorspronkelijk uitgevers omslag-doos met originele zeefdrukken (zeefdrukpers Frank J.M.A.Castelyns) . ISBN 9789080036840.
No marks or inscriptions to contents. Light creasing to covers adjacent to spine. A very clean very tight copy with slightly marked boards and no bumping to corners. 42pp. Starting with a list of Wortley churches in 1939, this study gives concise histories and details of many of them alongside photgraphs. Extremely scarce.
Very heavy book; 11.7 X 8.9 X 1.0 inches; 367 pages
Minor shelfwear. From the library of Jenifer Neils. ; The foremost religious festival of ancient Athens—the city dedicated to Athena, goddess of war, fertility, arts, and wisdom—was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon. Editor Jenifer Neils and the contributors—eminent classicists, archaeologists, and art historians—explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia’s mythical origins, the phenomenon of the festival’s valuable prizes (oil-filled amphoras, rather than the customary laurel wreath) , and the architecture, sculpture, and painting related to the festival. ; Wisconsin Studies in Classics; 224 pages
Very light shelfwear. ; The foremost religious festival of ancient Athens—the city dedicated to Athena, goddess of war, fertility, arts, and wisdom—was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon. Editor Jenifer Neils and the contributors—eminent classicists, archaeologists, and art historians—explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia’s mythical origins, the phenomenon of the festival’s valuable prizes (oil-filled amphoras, rather than the customary laurel wreath) , and the architecture, sculpture, and painting related to the festival. ; Wisconsin Studies in Classics; 224 pages
9.3 X 6.2 X 0.8 inches; 212 pages
IN 4. CART AVEC JAQ [BE]. 88 PP. ENV 150 ILL EN NOIR. [BE]
IN 4. CART AVEC JAQ [BE]. 88 PP. ENV 150 ILL EN NOIR. [BE]
IN 4. CART AVEC JAQ [MOY]. 82 PP. ENV 150 ILL EN NOIR. [BE]
