Miller, JudithBiblio.com
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200317746New York: Firefly Books Ltd. Fine with no dust jacket. 2003. Revised Edition. First Printing. Hard Cover. 1552977919 . Publisher's full orange moire silver lettering on spine gilt and silver lettering on cover beige endpapers. Profusely illustrated with color photographs. . The volume is in excellent condition unmarked tight square and clean. FINE. Color Photographs. 4to 11" - 13" tall. 416 pp . Firefly Books Ltd. hardcover
2013101002Santa Barbara CA: Art Design & Architecture Museum University of California Santa Barbara 2013. 144 pages illustrations; 23 cm. Catalogue of the exhibition organized by Elyse A. Gonzales curator of exhibitions and held October 13 2012 to January 20 2013 at the Art Design & Architecture Museum University of California Santa Barbara. Firm binding clean inside copy. Participating artists: Lara Almarcegui - Carlos Bunga - Nigel Cooke - Adam Cvijanovic - Carlos Garaicoa - Simryn Gill - Valerie Hegarty - Kristen Morgin - Melanie Smith - Rob Voerman. 1st. Hardcover. Fine. 8vo. Collectible. Art, Design & Architecture Museum, University of California, Santa Barbara Hardcover
18689724547Henry Sotheran and Co. 1868. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Re-bound by library. Large 4to. Rebound red cloth binding. Gilt lettering on backstrip. Pages are clean and binding is tight throughout. Please note the Image in this listing is a stock photo and may not match the covers of the actual item3100grams ISBN: Henry Sotheran and Co. hardcover
192762138New York NY: The Pencil Points Press Inc. 1927. Revised Edition . Oversized Hardcover. Poor/No Jacket as Issued. 4to - over 9¾" - 12" tall. 310pp. Index. Original blue cloth with gilt lettering. Forword by Lloyd Page sare clean no writing underlining or highlighting but yellowing with age. Binding is cracked and text block is pulling away from boards but pages are secure. 1" split to inner front endpaper at hinge. Boards are heavily scuffed/dust soiled with a few faint stains gilt titles rubbed/faded. Shelfwear slight denting to edges heavuly rubbing to extremities head/heel of spine and corners frayed. Outer page edges scuffed/finger soiled. This is not a remainde ror ex-library. Nice reading copy. <br/> <br/> The Pencil Points Press, Inc. hardcover
1910BOOKS075292ILondon Paris New York: The Studio" Ltd 1910. HC. good olive green cloth hardcover light wear and staining. B&W and color illustrations. A Review of the Latest Developments in the Artistic Construction Decoration and Furnishing of the House." Wear to cloth staining bottom corners of some pages old hinge repairs. Images available on our website - ask for link. 258pp. The Studio" Ltd unknown
1925008606London: The Studio Ltd. First edition in original wrappers. Published London: The Studio Ltd. 1925. 4to. printed wrappers with color pictorial cover inset 8 1/4" x 11 1/8" 194pp. text and hundreds of b/w plate illustrations 8 color plates. Architecture: Exteriors and Interiors - American British Canadian and Continental; Fireplaces: British and Continental; Furniture: British and Continental; Pottery: British American and Continental; Glassware: Continental; Metalwork: British and Continental; Miscellaneous: British and Continental; Gardens: American British Continental and Japanese; and Garden Furniture. Bump to top corner otherwise very good pages clean and bright binding tight. . Very Good. Soft cover. 1st. 1925. The Studio Ltd paperback
2003034875New York: Universe Publishing / Rizzoli 2003. 1st Edition 1st Printing. Hardcover. Fine/Fine. 287 Pp. Black Cloth. First Printing 2003. Several Pages Each On Exceptionally Well Designed Modernist Residences/Studios Of Artists Architects Designers Writers Musicians Etc. Fine In Fine Dust Jacket With Tiny Tear At Top Of Front Spine Edge. <br/> <br/> Universe Publishing / Rizzoli hardcover
36959LONDON M. TAYLOR 1837. 7TH EDITION. A VERY GOOD COPY IN BROWN BOARDS - REBOUND. 41 PLATES. FULLY EXPLAINING THE BEST METHODS FOR STRIKING REGULAR AND QUIRKED MOULDINGS; FOR DIMINISHING AND GLUEING OF COLUMNS AND CAPITALS; FOR FINDING THE TRUE DIAMETER OF AN ORDER TO ANY GIVEN HEIGHT; FOR STRIKING THE IONIC VOLUTE CIRCULAR OR ELLIPTICAL WITH FINISHED EXAMPLES ON A LARGE SCALE OF THE ORDERS THEIR PLANCEERS AND SOME DESIGN FOR DOOR-CASES. LONDON, M. TAYLOR, 1837 hardcover
43312LONDON CROSBY LOCKWOOD 1899. SEVENTH EDITION. A VERY GOOD COPY IN DARK BROWN BOARDS. CONTAINING DIRECTIONS FOR TAKING DIMENSIONS ABSTRACTING THE SAME AND BRINGING THE QUANTITIES INTO BILL; WITH TABLES OF CONSTANTS FOR VALUATION OF LABOUR AND FOR THE CALCULATION OF AREAS AND SOLIDITES. PRIZE LABEL TO FRONT PASTEDOWN. LONDON, CROSBY LOCKWOOD, 1899 hardcover
2005663G2612Saskatchewan Canada: The Structurist 2005. Book. Fine. Paperback. First Edition. 4to - over 9¾" - 12" tall. 156 pages. Features: Interview with Christopher Alexander; Four Reviews and an overview of Christopher Alexander's 'The Nature of Order' - an essay on the art of building and the nature of the universe; Going after the avant-garde - architectural aesthetics and the spirit of advertising; Architecture - biological form and artificial intelligence; Urban superconscious and the return of the garden myth; On the early sketches of Eric Mendelsohn; A view of berlin holocaust memorials; A treasure of Sullivan architectural ornament; Charles Biederman 1906-2004; Why Charles Biederman matters to me; An imaginary dialogue between Kandinsky and Klee on Abstract art and nature; Florida Everglades; The color of art in nature's landscape; book reviews. Clean bright and unmarked with very light wear. An excellent copy. The Structurist Paperback
2001663G2615Saskatchewan Canada: The Structurist 2001. Book. Fine. Paperback. First Edition. 4to - over 9¾" - 12" tall. 160 pages. Features: Altruism and artistic apprehension in the ancient world - Plato Aristotle Plotinus; Earth Awareness - the integration of ecological aesthetic and ethical consciousness; The mother lode of culture - ethics and aesthetics; 'Tat Tvam Asi' - a feedback model of goodness and beauty; On aesthetic value and the ethical; art and ethics; Reflections on ethics and art; Heroic altruism; Orpheus on 66th street - the muses and the markets; For a dialogue on the future of abstract art; The mind's momentum is toward abstraction; Altruism and egoism - the garden and the citadel; Marxism architectural aesthetics and practical ethics; Re/design; book reviews. Clean bright and unmarked with very light wear. An excellent copy. The Structurist Paperback
1995663G2609Saskatchewan Canada: The Structurist 1995. Book. Very Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 160 pages. Features: Organic and mechanical form principles; Virtual reality and nature;Goethe and Alberti; Footnote on Rome - impoverished land emptied of farmers; Alfred Caldwell's idea of the organic at Eagle Point Park; Frank Lloyd Wright's Allen House; New Translations of ancient Chinese Poems; Notes on the Mechanical and the organic in art and nature; Morphology of art and the machine in Russian Avant-garde theory and practice; El Lissitzky; John Ernest 1922-1994; Musical analogies in architecture; The power of Metaphor; Architectural space and artifact; Towards an holistic vision of architecture; Mirroring the planet; In the eye of the elk; Selected excerpts from international Zermatt Symposia on creativity - 1994 1995; book reviews. Clean bright and unmarked with very light wear. A quality copy. The Structurist Paperback
2007663G2611Saskatchewan Canada: The Structurist 2007. Book. Fine. Paperback. First Edition. 4to - over 9¾" - 12" tall. 144 pages. Features: A new biology for a new century; Sustainability and Morphogenesis - the rebirth of a living world; Gaining liberty to save the planet; Walking and thinking in urban design; Leberecht Migge and everyman's garden; Organic - a brief history of the concept; Biology and art; The biological roots of meaning in the visual arts; The logic of abstract art; Frantisek Kupka - creation in nature and art; Excerpts from Frantisek Kupka - Creation in the Plastic Arts 1923; An imaginary trialogue on the nature of nature with Klee Kupka and Henri Bergson; Art and Healing; Art and Healing - a few thoughts; book reviews. Clean bright and unmarked with very light wear. An excellent copy. The Structurist Paperback
2003663G2613Saskatchewan Canada: The Structurist 2003. Book. Fine. Paperback. First Edition. 4to - over 9¾" - 12" tall. 152 pages. Features: A Manifesto for Earth; Return of the Plains Bison to the prairies and the return of honor; An ecological ethos in presocratic thinking - can we really learn anything new from the past; The reflecting pool - place of the ten thousand things; Can universities promote an ecological ethos; Archtiecture and the global ecological crisis - from Heidegger to Christopher Alexander; Art and the Big Picture; The Road past the selfish landscape; Philosophical urbanism and deconstruction in city-form - an environmental ethos for the twenty-first century; Biocentrism and the Bauhaus; An imaginary trialogue on abstract art - Kandinsky Kupka and Mondrian in conversation; For a dialogue on the future of abstract art; book reviews. Clean bright and unmarked with very light wear. An excellent copy. The Structurist Paperback
1995008668Göteborg Sweden: Chalmers University Press 1995. Presumed First Edition . Soft cover. Good Plus. 4to - over 9¾ - 12" tall. An English language publication with ancillary text in simplified Chinese. Presumed first edition. Printed and bound in Sweden. 11.5 x 8.25 inches. A paperback with beige matte wrappers with black-stamped lettering and design to front wrapper. Wrappers are somewhat age-toned and very lightly soiled. With xii and 268 numbered pages. Chapters include: General aspects of Chinese carpentry; Units of measurement and puzuo; Structural types; Cai-fen modulor types and proportions; Roof patterns. Catalogue features 110 numbered illustrations a few of which consist of multiple figures. Most figures are line drawings. Pages 238-264 entirely in Chinese. The index is bilingual in Chinese and in English. Reasonably clean inside and out with a hint of age-yellowing to the pages. A Good Plus copy. 1 lb. 15 oz. This publication was originally a doctoral dissertation submitted to the School of Architecture Chalmers University of Technology. <br/> <br/> Chalmers University Press paperback
1989663G2614Saskatchewan Canada: The Structurist 1989. Book. Fine. Paperback. First Edition. 4to - over 9¾" - 12" tall. 160 pages. Features: Connectedness with nature; The ecological imperative; Waste land; Landscape and abstraction - continuities and connections; Ambiguity as continuity and connectedness in art; Seeing nature whole; Art in search of an environment; The search for continuity in art and connectedness with nature; Truth and continuity in the nature of things; Continuity in modern architecture; The Bauhaus- Avant-Garde or tradition; The Avant-garde in Yugoslavia 1921-1927; Symposium on systematic and constructive art; The social significance of constructive concrete art today; Differences between European and North American constructivism; Naum Gabo - some reminiscences and an unpublished interview; book reviews. Clean bright and unmarked with very light wear. An excellent copy. The Structurist Paperback
1997663G2607Saskatchewan Canada: The Structurist 1997. Book. Very Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 150 pages. Features: The role of oral tradition and archeology in cultural survival; Joseph Brodsky; Ways of seeing John Berger; Building Memory - An apologia for the senses; The discipline of memory - and of forgetting; The Trenton Bath House from Auschwitz; Sir Joshua Reynolds; Remembering Mary Hambidge; Memory and progress; Progress and connectedness; Dialogue on art and ecology; Book reviews. lean bright and unmarked with very light wear. A high-quality copy. The Structurist Paperback
1981015115Cardiff: National Museum of Wales 1981. Very Good condition. Softcover. 7.25" wide by 9.5" tall. Bright shiny clean and tight. The spine is square and flat. Previous owner's name on front endpaper. Otherwise all pages are clean and crisp. NO underlining. NO highlighting. NO margin notes. A catalogue to a Centenary Exhibition organised jointly by the National Museum of Wales Cardiff and the Victoria and Albert Museum London. Catalogue entries written by Mary Axon and Virginia Glenn. Illustrated throughout with photographs and reproductions of drawings. Bound in the original black pictorial wrappers. 1st ed No additional printings listed. Softcover. Very Good condition. 155pp. National Museum of Wales Paperback
1934456081London: Raphael Tuck & Sons 1934. Hardcover with protective plastic jacket in good condition; first edition; rear board is slightly warped; leading corners are shelfworn; spine is mildly discoloured and cocked with minor bump on its head and foot; two letters from author and explanation note from previous owner attached to FEP; page block and some pages are foxed; text remains clean throughout. AE. First Edition. Hardcover. Good/No Dust Jacket. Used. Raphael Tuck & Sons Hardcover
1994032050Studio Publications 1994. Book and wrapper have light shelf wear o/w fine. First Edition. Hard Back. Near Fine/Near Fine. Studio Publications Hardcover
2091502135500792Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1959056732Worcester UK: Harcourt Brace 1959. 1st Edition . Hardcover. Near Fine/Near Fine. 130 Pp. Peach Cloth Gilt. Black Endpapers. First Edition First Printing With Hb Logo On Copyright Page; Undated. Printed In Zurich. Near Fine No Marks. Dust Jacket Price Clipped Light Wear Small Fray At Top Of Rear Spine Edge. Later Reprinted In 1963 Without The Illustrations Present In This Edition. <br/> <br/> Harcourt, Brace hardcover
185129819London: Smith Elder & Company. Very Good with No dust jacket as issued. 1851. 1st Edition. First Printing. Leather. Custom full burgundy morocco spine in six compartments separated by raised bands and gilt borders gilt title in one compartment triple gilt borders on covers gilt dentelles with floral and triple gilt borders marbled endpapers t.e.g. fore-edge deckle. Generously illustrated with some 72 in-text drawings and 21 full-page plates by the author who had this to say about the illustrations: ". I have used any kind of engraving which seemed suited to the subjects - lime and mezzotint on steel with mixed lithographs and woodcuts at considerable loss of uniformity in the appearance of the volume but I hope with advantage in rendering the character of the architecture it describes." Bound in near the end of the volume is an original hand-written and signed four-page letter from William Challinor to John Sleigh Esq. concerning the deaths of Mary Elizabeth Challinor and William Edward Challinor. At the end of the volume is a two-page prospectus regarding the potential publication of a volume two which would contain a set of illustrations by Ruskin in Imperial Folio size. . Former owner's printed armorial bookplate "Sapere Aude - SLEIGH" on fep former owner's name and date Jan. 19 1892 on reverse of ffep hand-written dedication on a red bound-in page Mary Elizabeth Challinor 1880 by John Sleigh else fine; otherwise unmarked tight square bright and clean. A large heavy book five pounds - additional shipping charges may apply. VERY GOOD. . Drawings Lithographs and Woodcuts. 4to 11" - 13" tall. xii ii 413 4 2 pp. Signed by Associated . Smith, Elder & Company hardcover
1858413398London U.K.: Smith Elder and Co. 1858. No dust jacket. Hardcover. Second edition. Three-volume set. Volumes II and III were published in 1867. Leather binding. Boards are somewhat rubbed around edges and have several scorings scratches and minor cracks. However boards are in good condition for their age. Ridged spines with gilt lettering and decoration. One or two slight chips and creases to the leather surrounding author and title information on spines. Marbled page block pastedowns and endpapers. Personal bookplate on front pastedowns of Volumes I and III. Pages 231-234 of Volume I have come loose. Rear endpaper of Volume I is partially torn and there is a little pencilled marginalia near upper inner corner. Binding is sound in Volumes II and III. Some very minor age-spotting and fading at a few points. Text and illustrations remain clear. AF. Hardcover. Good/No Dust Jacket. Used. Smith, Elder and Co. Hardcover
1899002588Philadelphia PA: Reuwee Wattley & Walsh 1899. Approx 1220pp/illus - This three-volume set is arguably the pinnacle of Ruskin's 1819-1900 work. He was recognised from an early age as a prodigy and became one of the leading art critics and social commentators of his day. "In The Stones of Venice " according to The Armitt Gallery Museum and Library website's biography of him "he recorded in lyrical prose the architectural decoration that he felt was in danger of extinction. Ruskin believed that the beauty of medieval architecture arose from the pleasure the workman took in his craft a view which William Morris and the Arts and Crafts movement took up and developed." Copy #186 of 250. Cloth. Very Good/No Jacket Issued. 8vo - over 7¾" - 9¾" tall. Limited Numbered Copy. Reuwee, Wattley & Walsh hardcover
