15 448 résultats
61013BBo.J. (Hanno Edelmann, geboren am 18. November 1923 in Hamburg, gestorben am 13. Juli 2013. Deutscher Maler, Grafiker und Bildhauer. Kunststudium ab 1948 an der Hamburger Hochschule für Bildende Künste in der Grafikklasse von Professor Krubeck, später Malklasse von Willem Grimm). [7 Warenabbildungen]
1961720Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 32 pages. ÉDITION ORIGINALE. 14 LITHOGRAPHIES ORIGINALES EN NOIR dont 3 en double page. Texte de Olivier Larronde, Léna Leclercq et Isaku Yanaihara. Exposition de peintures et sculptures de GIACOMETTI à la Galerie Maeght. Tirage original sur Canson devenu très rare.
61941BBo.J. [3 Warenabbildungen] (Ludwig Gies, geboren am 3. September 1887 in München, gestorben am 27. Januar 1966 in Köln. Deutscher Bildhauer, Medail
61093BBo.J. [6 Warenabbildungen] (Hermann Hubacher, geboren am 1. August 1885 in Biel, gestorben am 18. November 1976 in Zürich. Schweizer Bildhauer und
16640PARIS LIBRAIRIE DE FRANCE 1 IN-8 Orné de 48 reproductions hors-texte en phototypie. Paris, Librairie de France, sans date, grand in-8 broché, couverture crème imprimée en rouge et noir, et illustrée d'une photographie en noir et blanc, dos titré en long, 39 pp. - 48 ff.
61090BBo.J. [4 Warenabbildungen] (Magdalena Jetelová, geboren am 4. Juni 1946 in Semily. Tschechische Bildhauerin und Fotografin. Studium ab 1964 an der
Complete in 2 volumes, I: xxi,315,[2] pp. (text), II: 116 bl/w plates with over 700 ills., 35cm., in the series "Monumenti Vaticani di Archeologia e d'Arte" volume IV, text in Italian, publisher's hardcover bindings in blue cloth (corners and spine's edges slightly used), text and plates clean and bright, good condition, weight: 3.8kg., S102111
1936S102111Citta del Vaticano, 1936-1937 Complete in 2 volumes, I: xxi,315,[2] pp. (text), II: 116 bl/w plates with over 700 ills., 35cm., in the series "Monumenti Vaticani di Archeologia e d'Arte" volume IV, text in Italian, publisher's hardcover bindings in blue cloth (corners and spine's edges slightly used), text and plates clean and bright, good condition, weight: 3.8kg., S102111
61829BBo.J. (Thomas Klein, geboren 1946 in Mönchengladbach. Deutscher Glaskünstler. 1966-1969 Studium der Glasmalerei an der Werkkunstschule Krefeld bei Prof. G. Fünders). [4 Warenabbildungen]
14444DBo.J. Karl Kluth, geboren 1920 in Düsseldorf, gestorben 2012 ebenda. [5 Warenabbildungen]
20014406FBWorms, Wernersche Verlagsgesellschaft, 2001. 4°. 33 x 25 cm. 335 Seiten. Original-Leinenband mit farbig illustriertem Original-Schutzumschlag.
3 ouvrages de J. Maes reliés en 1 volume et constituant le Tome I (fascs.1-3) des "Annales du Musée du Congo belge. Ethographie série VI: Catalogues illustrés des collections ethnographiques du Musée du Congo belge", ensemble 140pp. (pagination continuée) avec illustrations dans le texte + 17 planches hors-texte & 3 cartes dépliantes hors-texte, 35cm., reliure cart., dos en toile bleue, cachet sur la page de titre, texte et planches en très bon état, C99857
1929C99857Tervueren, Musée du Congo belge 1929-1933 3 ouvrages de J. Maes reliés en 1 volume et constituant le Tome I (fascs.1-3) des "Annales du Musée du Congo belge. Ethographie série VI: Catalogues illustrés des collections ethnographiques du Musée du Congo belge", ensemble 140pp. (pagination continuée) avec illustrations dans le texte + 17 planches hors-texte & 3 cartes dépliantes hors-texte, 35cm., reliure cart., dos en toile bleue, cachet sur la page de titre, texte et planches en très bon état, C99857
IN 8. REL 1/2 BASANE DOS A NERFS [MOY]. 582 PP. [BE]
19671475DLM n° 163. REBEYROLLE. Mars 1967: 8 LITHOGRAPHIES ORIGINALES EN COULEURS DONT 4 EN DOUBLE PAGE et 1 lithographie originale en noir. - DLM n° 177. REBEYROLLE. "GUERILLEROS". Mars 1969: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double-page. - DLM n° 187. REBEYROLLE. "COEXISTENCES". Octobre 1970: 5 LITHOGRAPHIES ORIGINALES EN COULEURS EN DOUBLE PAGE. - DLM n° 202. REBEYROLLE. Mars 1973: 2 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double-page et 4 LITHOGRAPHIES ORIGINALES EN NOIR dont 2 en double-page. - DLM n° 219. REBEYROLLE. "NATURES MORTES ET POUVOIR". Mai 1976: 5 LITHOGRAPHIES ORIGINALES DONT 3 EN COULEURS et 1 en double-page. Nombreuses œuvres reproduites en noir et en couleurs. Textes de Claude Roy, Jean-Paul Sartre , Carlos Franqui, Michel Foucault, Ricardo Porro en édition originale. Premier tirage pour tous les numéros. Paris, Maeght éditeur. Volumes in-folio (380 x 280 mm) en feuilles.
61827BBo.J. (Herbert Rosner, geboren 1950 in Bernburg/Saale. Deutscher Künstler. Studium an den Kölner Werkschulen). [7 Warenabbildungen]
18501Autun Chez l'auteur 1925 in folio 2 volumes brochés, couverture rempliées, exemplaire sur beau papier d'Arches. Tome 1: frontispice, VIII et 129 pages, avec 61 planches hors-texte en phototypie. Tome 2: frontispice, 78 pages, avec 87 planches hors-texte en phototypie. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
197824494Tokyo, Kodansha, 1977-1978. 5 volumes from a total of 6 published (volume 2 is missing): Vol. 1: Jomon doki = Jomon pottery. - Vol. 3: Dogu, haniwa = Clay Figurines, Haniwa. - Vol. 4: Taku, tsurugi, kagami = Bronze Objects. - Vol. 5: Buki, soshingu = Arms, Ornaments. - Vol. 6: Hekiga, sekizobutsu = Mural Paintings, Stone Structures. - Text, table of contents and list of plates in Japanese and English. Captions in Japanese only. 217; 219; 215; 217; 227 pages with numerous illustrations in colour and black and white. Fol. (37 x 27 cm), Illustrated original cloth bindings with spine titles debossed in red and black in the illustrated original half-linen slipcases. [9 Warenabbildungen]
19501471DLM n° 34. UBAC. Décembre 1950: 3 LITHOGRAPHIES ORIGINALES en couleurs. - DLM n° 74/75/76. UBAC. Avril-mai-juin 1955: 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page et 1 en quadruple page. - DLM n° 105/106. UBAC. Mai-juin 1958: 9 LITHOGRAPHIES ORIGINALES en couleurs dont 1 en double page. - DLM n° 130. UBAC. Novembre 1961: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 142. UBAC. Mars 1964: 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page. - DLM n° 161. UBAC. Octobre 1966: 5 LITHOGRAPHIES ORIGINALES EN COULEURS. 2 LITHOGRAPHIES ORIGINALES EN NOIR en double page. - DLM n° 195. "MAEGHT ÉDITEUR". Décembre 1971: 1 lithographie originale en couleurs de Ubac et lithographies en couleurs de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. - DLM n° 196. UBAC. Mars 1972: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page, 3 lithographies en noir. - DLM n° 251. UBAC. Février 1982: 2 LITHOGRAPHIES ORIGINALES. Très nombreuses reproductions photographiques d'œuvres (sculptures, pierres et ardoises gravées, peintures, dessins, etc.) en noir et en couleurs. Textes d' André Frénaud, Yves Bonnefoy, Georges Limbour, Jean Bazaine, Francis Ponge, Pierre Volboudt, Yves Bonnefoy, Gaëtan Picon, Claude Esteban. Premières éditions. Paris, Maeght éditeur. 9 volumes in-folio (380 x 280 mm) en feuilles.
185251900J.B. Dumoulin | Paris 1852 | 13.50 x 22 cm | 2 volumes reliés en 1
Very Good Turkish Edition of 48/125. Original print. 87x70 cm. Signed and dated on the lower right, edition number is on the lower left. An attractive original print, privately published in 1998, of a female portrait in golden with black contours on a red background with black veins. Untitled. Bezeyis graduated from the Painting Department of Mimar Sinan Fine Arts University in 1951. In 1954 he graduated from the Architectural Arts Higher Decoration Department of the Rome Academy of Fine Arts and was awarded a doctoral degree. Later he obtained a doctorate degree in Italy. He returned back to the homeland in 1955 with merits he received in almost all branches of Fine Arts. In parallel with Painting and Sculpture works he made Independent professional applications also in the architectural decoration area then in 1956 he was nominated as assistant to ITU, Faculty of Architecture. In 1958 he represented Turkey at International Venice Biennial and Lugano International Competition. He participated in numerous national exhibitions and represented Turkey in International exhibitions, held several personal exhibitions, and was decorated with a lot of awards. He was the President of the ITU Presidency Fine Arts Department.
Very Good Turkish Edition of 79/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
Fine Turkish Edition of 51/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impresses almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that allegation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally different participants and it was the first of all in the art history of spas commentary.
- Somogy éditions d'Art, Paris 2010, 30x30cm, broché. - Edition originale illustrée de nombreuses reproductions d'oeuvres de Ben. Agréable exemplaire en dépit d'une minuscule déchirure en pied du dos. Envoi autographe signé de Ben enrichi d'un dessin représentant une tête de bonhomme à la Ben. [ENGLISH DESCRIPTION ON DEMAND]
- Le mot et le reste, Marseille 2007, 15x21cm, broché. - Edition originale. Agréable exemplaire. Envoi autographe signé de Ben à un monsieur prénommé Christophe enrichi d'un dessin représentant une tête de bonhomme à la Ben. [ENGLISH DESCRIPTION ON DEMAND]