15 454 résultats
1946190881946 Paris, Galerie Louis Carré, 1946, in-12, broché, couverture illustrée d'une photographie en noir et blanc, titre en rouge, 44 pp., 1 f.
62018BBo.J. (Rudolf Scheurer, geboren am 18. Juli 1931 in Hauingen, gestorben am 4. Juni 2020. Deutscher Bildhauer). [3 Warenabbildungen]
36499Paris - New-York Nouvelle Revue Française / Stora Art Gallery, sans date (1931) 1931 in 8 (28x19) 1 volume broché en faux-feuillets sous chemise à lacets de l'éditeur (chemise défraichie), 31 pages de texte, suivies de 46 planches hors-texte de reproductions photographiques. Rare. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1962804-2Paris, Maeght éditeur, 1962. In-folio (380 x 280 mm) en feuilles, 32 pages + couverture illustrée, chemise et étui cartonnés recouvert de papier gris portant une étiquette titrée contrecollée sur le premier plat. 5 LITHOGRAPHIES ORIGINALES EN COULEURS EN DOUBLE-PAGE. Texte de Charles Estienne "Le Pays de Tal Coat". 1 DES 150 EXEMPLAIRES NUMÉROTÉS SUR VÉLIN D'ARCHES ET SIGNÉS AU CRAYON PAR L'ARTISTE. DLM publié pour l'exposition de 25 peintures récentes de TAL-COAT à la Galerie Maeght en mai 1962. Édition originale, premier tirage. First edition, first printing.
1932019175CIrca 1930 / 1935 1932. Original Oil Painting . No Binding. Near Fine. 9" x 12. Interesting Oil Portrait In Color On Weber Artist Canvas Board No. 11 Roman Drill Surface 18" X 24" Apparently Cut To This Size Manufactured By F. Weber Co. Philadelphia All According To The Yellow Label Mounted On The Very Worn Black Backing. An Attractive Portrait Apparently Of Geirge Orwel Circa 1932L Leaning On His Left Hand And Staring Somewhat Belligerently But Resignedly At Viewer Left Hand Has Not Been Finished. This Appears To Be A Portrait Of A Younger Orwell Than Usually Seen Circa Early 1930'S An Intense Young Man With A Small Mustache Eyebrows Thinner And Higher Than Usually Seen But With His Distinctive Right Ear Present. The Portrait Is Not Clearly Orwell In The 1920'S Or 1940'S But Compares Favorably With The Few Early 1930'S Photographs Of Him That We Have Seen. Unmarked As To Subject Not Clearly Identified As Orwell. Provenance Murky; From A California Estate Circa 1998 With Much Other Art And Intellectual Literature. <br/> <br/> CIrca 1930 / 1935 unknown
1970015914San Diego Circa 1960 / 1980 1970. Original Artwork . Unframed. Very Good. Charming Informal Painting Possibly A Book Illustration. Hatfield 1921-2014 Was A China Painter And A Member Of The California Art Club. 16" X 20 <br/> <br/> unknown
1924038761San Antonio Circa 1965 1924. Original Art Work . No Binding. Fine. Original Ink Drawing Image 35.4 Cm X 24.3 Cm Without The Fritz Lang 1924 Movie Information At Upper Right In Apparently Original Simple Black Mat Signed On The Reverse By Estes In Ink Dated 1965 With His San Antonio Address. He Adds On The Reverse The Title "The Burning Of Attila's Etzel's Fortress- The End Of The Nibelungs". The Board On Which It Is Drawn Has The Manufacturer's Information "Hi Art Illustration Board No. 61 Medium Weight Hot Pressed 30 X 40 Approved For Fluorographic Process". The Fluorographic Process Was Patented In 1938 So We Assume This Is A Later Hand-Inked Copy Of The Original 1924 Painting Done Circa 1965 By Estes For Forrest Ackerman. Estes Also Did The Illustrations For E. E. Smith's "The Skylark Of Space". <br/> <br/> unknown
1909016844Paris: Jack Okey 1909. Original Letter and Art . No Binding. Very Good/No Jacket. Nice Four Page Letter By Okey Discussing And Including His Only Etching A Self Portrait Which He Made In Paris. John Clark "Jack" Okey June 3 1889 - January 8 1963 Was An American Art Director. He Was Raised In Los Angeles And Attended The Harvard School For Boys. After Leaving He Was Given Instruction In Art By His Uncle The California Artist J. Bond Francisco. While He Was In His Early 20S He Traveled To Paris With His Friend Stanton Macdonald Wright And Spent Several Years There Studying Art. Around The Time Of His Marriage In 1913 He Became Involved In The Nascent Film Industry In The Los Angeles Area And Was Involved In The Design And Construction Of Some Of The Earliest Studios There. He Continued In The Film Industry As An Art Director Until His Retirement In 1959. In The Mid-1930S He Spent Several Years In England Working For Alexander Korda Designing Studios For Him. After His Return To The United States He Spent The Remainder Of His Active Career Working For Rko. He Was Nominated For Two Academy Awards For Art Direction 1929 And 1944 But His Best Known Film Is "It'S A Wonderful Life". <br/> <br/> Jack Okey unknown
18000356771800. Original Painting . No Binding. Very Good. Antique Painting On Paper Almost Certainly Nineteenth Century Or Earlier Depicting Blue Skinned Hindi God And His White Skinned Consort Shooting Each Other With Colored Water Using Water Guns Pichtari: Tubes With Plungers In The Hindu Indian Festival Of Holi. The Guns Were Made Of Brass And Most Date From The Mughal Period. Well Preserved Slight Edgewear 3/4" Faint Waterspot Near Center. Mounted On White Card Markedon The Verso With Signature And Stamps Of California Artist Pasquale Giovanni Napolitano 1901-2001 And From His Estate. <br/> <br/> unknown
Jens Erik Sørensen, edIn Pristine Condition. unknown
33577Paris Musée d'Aquitaine / Somogy, Editions d'Art 1997 in 4 (29x23) 1 volume reliure cartonnée noire de l'éditeur sous jaquette rempliée illustrée en couleurs, 237 pages [1], avec de nombreuses photographies en couleurs. Catalogue édité à l'occasion de l'exposition organisée au Musée d'Aquitaine à Bordeaux de décembre 1997 à mai 1998. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bencard, Ernst Jonas, LuiIn Pristine Condition. unknown
2009223313UNKNO 2009. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. Signed by Author on title page. Oversize hardcover 706 pp. Significant survey on domestic zinc sculpture discusses fabrication producers and purveyors and conservation. 500 page catalog organized by sculpture subject includes locations and photograph of each design which is frequently done by multiple firms. Multiple cross referenced indices. Book Condition : Near Fine; no text marks; two small smudges to top text block; minimal wear. Dust Jacket Condition : Very Good; light shelf wear along edges; light rubbing. UNKNO Hardcover
191297237Paris, Galerie Georges Petit 1912 3 volumes.In-4 32 x 24 cm. Reliures demi-percaline grise, dos lisses ornés de filets à froid avec report du titre doré, 95-88-111 pp., 345 planches en noir & blanc hors-texte en numérotation continue, index alphabétique. Ensemble en bon état.
386 planches en 4 porte-folio. 31x41 cm.
- Gallimard, Paris 1952, 11x17cm, broché. - Nouvelle édition, il n'est pas fait mention de grands papiers, un des exemplaires du service de presse. Envoi autographe signé de Jean Paulhan à Paulette et René Wolfromm. Une petite mouillure sur le deuxième plat affectant marginalement les deux derniers feuillets. [ENGLISH DESCRIPTION ON DEMAND]
- Galerie Georges Bernheim, Paris 1930, 11,5x15,5cm, agrafé. - Edition originale de ce catalogue d'exposition présentant 140 oeuvres à la galerie Georges Bernheim du 12 au 28 Février 1930. Rare et agréable exemplaire en dépit de deux petites taches sans gravité en marges du premier plat. Parmi les artistes exposés : Pablo Picasso avec 5 oeuvres, Paul Valéry avec 10 oeuvres, Pascin avec 7 oeuvres, Marie Laurencin avec 2 oeuvres, Jean-Emile Laboureur avec 6 oeuvres, Henri Matisse avec 4 oeuvres, Kiyoshi Hasewaga avec 6 oeuvres, Jean Frélaut avec 5 oeuvres, Othon Coubine avec 4 oeuvres... En préface de ce catalogue, un hommage à Florentin Linaret. [ENGLISH DESCRIPTION ON DEMAND]
- Henri Laurens, Paris s.d. ( circa 1890), 22x28,5cm, 2 volumes en reliures de l'éditeur. - Edition originale. Reliures de l'éditeur en demi cartonnage façon vélin, dos lisses, plats de papier marbré, coins légèrement émoussés. Une petite déchirure marginale sans gravité sur la première garde intérieure d'un volume, agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1887131960Paris, E. Plon, Nourrit et Cie 1887 In-4 32,5 x 22,5 cm. Reliure demi-maroquin grenat à coins, filets dorés, dos à nerfs, tête dorée, couvertures conservées, IV-439 pp., IV-439 pp., notes en bas de page,illustré de 7 eaux-fortes et 15 dessins de Paul Le Rat, 18 héliogravures de Dujardin, 16 héliotypies de A. Quinsac, 3 fac-similés d’autographes, appendices, index alphabétique des noms d’artistes, d’écrivains et de personnes, table des gravures, table des matières. Exemplaire enrichi d’un envoi autographe de l’auteur. Bon exemplaire avec petit accroc en tête de dos et menus frottements.
2010276777Centro Di Italy 2010. First Edition. Hardcover. Very Good Condition. Richard Anuszkiewicz is now considered America's 'foremost colourist and geometric abstractionist'. In this lavishly illustrated catalogue David Madden and Nicholas Spike document the chronology series provenance publications and exhibitions of the artist's more than 1000 paintings and sculptures in museums and private collections. Prepared in collaboration with Richard and Sally Anuszkiewicz and using the artist's personal archive this comprehensive book is a fundamental resource on this major artistic personality and on post-war geometric abstraction in general. Among the artists referenced are Josef Albers Ellsworth Kelly Roy Lichtenstein Frank Stella and Sol Lewitt. In the introductory essay John T. Spike covers the artist's formative studies with Josef Albers at Yale his discovery by Alfred Barnes Jr. and the Museum of Modern Art and his status in the early Sixties as the 'New Wizard of Op'. The essay proceeds through the Sidney Janis years and the development of such signature series such as the Temples and Centered Squares in the 1980s and his Translumina sculptures in the 1990s. 240 pages. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art; Art & Design; Art::Sculpture. ISBN/EAN: 9788870384833. Inventory No: 276777. 9788870384833 Centro Di hardcover
Testi: Tatehata Akira. F.to: 23,5x32; pagg. 56; BN; rileg. brossura con scatola. Editore: The Japan Fondation, , 1990.
47212La Maison Du Livre Paris 1919 In-12 ( 195 X 125 mm ) de 231 pages, demi-chagrin lavallière à coins, dos lisse orné de filets dorés. Bon exemplaire, rare.
1970700Paris, Maeght éditeur, 1970. In-folio (380 x 280 mm) en feuilles, 36 pages. 2 LITHOGRAPHIES ORIGINALES EN NOIR dont 1 en double page, 3 lithographies en noir et 3 reproductions en couleurs dont 1 en double page, 27 reproductions en noir et blanc : documents et photographies. Textes d'Eduardo Chillida "L'Espace, la limite" et de Franz Meyer "Notes sur les dessins de Chillida". Exposition de reliefs, collages et dessins de CHILLIDA à la Galerie Maeght. Édition originale, premier tirage. First edition, first printing.
1968699Paris, Maeght éditeur, 1968. In-folio (380 x 280 mm) en feuilles, 28 pages. 6 ILLUSTRATIONS À PLEINE PAGE D'APRÈS DES BOIS ORIGINAUX et 17 pages de reproductions en noir et blanc. Texte de Juan Daniel Fullaondo ""Le Pari de Chillida". Exposition de 15 sculptures en fer, acier, granit et albâtre de 1965 à 1968. Tirage original.
