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This is a very good hardcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at Annely Juda Fine Art in London in the spring of 1998. Conversation with the artist by Kirsten Glass. Essay by Sylvia Ackling. Biographical sketch. Exhibition history. 12 color plates. 9" high X 6" wide. This book will be securely packed and shipped with tracking.
Octavo pamphlet in glossy illus wraps; 40 p. : ill. ; 21 cm. Text in German. // Photography -- Museums -- Germany (West) -- Catalogs. Fotomuseum Burghausen -- Catalogs.
This is a good softcover reference copy with worn, chipped and stained covers. Completely clean inside. This catalog was prepared to accompany the exhibition at the Whitney Museum of American Art in New York from April 3 to May 2, 1940. Foreword by Herbert Adams. Checklist has 185 works catalogued. Many illustrated in black & white with photographs. Cover design by Paul Manship. Limited edition of 3000 copies. 10" high X 7" wide. This book will be securely packed and shipped with tracking.
New English Paperback. Pbo. 176 p. Mint. Roy. 8vo. In English and Turkish. The publication that accompanies "The Move" features Basak Senova's conceptual framework text along with essays by Mia Jankowicz, Kerstin Stakemeier and Didem Yazici. The book also includes dialogues between the curator and each artist, Adel Abidin, Rosa Barba and Runa Islam as well as stills from and photos of the works in the exhibition.
- Somogy, Paris 1967, 14,5x21cm, broché. - Edition originale dont il n'a pas été tiré de grands papiers. Riche iconographie, bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
Adrian Schlag, 2006, in/4 reliure éditeur et jaquette en couleurs, 63 pages de photographies en couleurs pleine page, texte en anglais. Afrique - Océanie et Indonésie.
IN 8 CARRE. BR [BE]. 36 PP. 16 ILL DONT QQS EN COULEURS. [BE]
IN HEBREW AND ENGLISH. Contains plates in color and black and white. 22.5X22 cm. Unnumbered pages. Softcover. Pen writing on title pages. Several pages slightly age stained. Library copy with usual signs. Else in good condition.
210x300mm. 128 pages. Hardcover with dust-jacket. Jacket slightly stained and worn at edges. Cover slightly yellowing. Spine slightly worn at edges. Inner cover and first whitepages age-stained. Pages slightly yellowing. Else in good condition.
SIGNED BY YAACOV AGAM WITH DEDICATION. Yaacov Agam, an Israeli artist and sculptor is known mainly for his works in the field of optical and kinetic art. This book includes many color photographs of Agam's works and an interview with the artist. 295x260mm. 184 pages. Hardcover with illustrated dust jacket laid in cardboard slipcase. Box edges slightly worn. Slipcase edge bumped and torn (30mm). Spine edges slightly bumped. [SUMMARY]: This rare album of Agam's work and texts, artistically signed by him, is otherwise in very good condition!
Contains plates in color and b&w. 320X250 mm. 159 pages. Gilt hardcover with dust jacket. Jacket edges slightly worn. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. Color and b/w ills. 48 p. 800 copies were printed. Agnieszka Cieslinska. Figuratio. 6-31 Ocak 2014, Galeri Isik, Tesvikiye, Istanbul. [Exhibition catalogue]. Texts by Ryszard Otreba, Akira Kurosaki.
New English Original bdg. HC. 4to. (27.5 x 25.5 cm). 288, [2] p. Color ills. In Turkish and English. 2000 copies were printed. With Dvd. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
As New English Paperback. Pbo. Mint. Large 8vo. (24 x 25 cm). In Turkish. 32 p. Color ills. Ahmet Ogras. Eskihisar'dan Beyoglu'na Dört Mevsim Resim Sergisi. 25 Kasim - 13 Aralik 2013, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].
28x22 cm. 100 pages. Softcover. In good condition.
- Plon, Paris 196, 14,5x21cm, broché. - Edition originale dont il n'a pas été tiré de grands papiers, un des ex du service de presse. Bel envoi de l'auteur. Ouvrage illustré de 26 illustrations hors-texte. Agréable exemplaire bien complet de sa jaquette illustrée qui comporte de petites déchirures marginales sans gravité. [ENGLISH DESCRIPTION ON DEMAND]
- Editions du dimanche & Au divan, Paris 1949, 24,5x31,5cm, broché. - Edition originale. Texte de Alain. Riche iconographie. Dos et plats très légèrement et marginalement insolés sans gravité, sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
Cartonnage sous jaquette illustree en couleurs, 165 pp., bon etat, avec de nombreuses illustrations ISBN 2904632204. Text en francais and in englisch. Signed by the artist.
Hardcover, 560pp., 23.5x31cm., ills. in col., good copy. (frontcover slightly bumped) ISBN 9782841052110.
Hardcover, 408 pages, ENG, 315 x 250 mm, New, dustjacket, 800 illustrations in colour, . ISBN 9780500239483. This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as 'Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.
- Editions Duchartre, Paris 1933, 24,5x33cm, 2 volumes brochés. - Edition originale, un des 992 ex numérotés sur simili-Art, seul tirage avec 8 Japon. Riche iconographie. Petites déchirures sans gravité en pied des dos, gardes légèrement ombrées, sinon agréable exemplaire bien complet en 2 volumes. [ENGLISH DESCRIPTION ON DEMAND]
Fernand Hazan. 1954. In-12 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. 15 pages de texte et 76 planches de photos en noir et blanc hors texte. 'Bobliothèque Aldine des Arts', n° 9, sous la dir. de rené Ben Sussan.
Fernand HAZAN. 1965. In-16 Carré. Broché. Etat d'usage. Tâchée. Dos frotté. Intérieur bon état. Texte plus 24 planches de photos en noir et blanc, pour chaque vol. Petite encyclopédie de l'art ABC, 69, 70.
Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 25,5x26cm, 156pp, rijkelijk geillustreerd in kleur en z/w. Met opdracht en gesigneerd door de kunstenaar.
