Shaw, CameronMareMagnum
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A clean, unmarked book with a tight binding. Wear and creases to cover. Staple-bound. 8 1/2"w x 11"h. Black and white photos; list of works.
IN 4. BR AVEC COUV REMPLIEE [BE]. 70 PP. ENV 70 ILL EN COULEURS. [BE]
Paris, Musée Rodin / Poitiers, Musée Sainte-Croix, 1984 - In-8, 21,4 x 14,9 x 1,9 cm - Broché - + de 120 illustrations en texte, certaines PP - bibliographie en fin d'ouvrage - 144 pages - bon exemplaire - Envoi rapide et soigné Textes de Monique Laurent, Bruno Gaudichon, Anne Rivière, catalogue raisonné de l'oeuvre sculpté, peint, dessiné et gravé de Camille Claudel - Catalogue de l'exposition tenue à Paris et Poitiers durant l'année 1984.
Paris, Gallimard, 2008. In-4 relié pleine cartonnage éditeur illustré de 424 pages. Nombreuses reproductions. Très bon état
Musée Rodin, 1984. In-8 broché de 144 pages illustrées. Très bon état.
plaquette in-8°, illustrations en noir, broche, couverture illustree. Tres bel exemplaire. [MI-9vf] Language: French
Relie, toile, sous jacquette originale d'editeur en couleurs, 28.8x22.5 cm., 358 pp. + 2, illustre en couleur et n/b. ISBN 9782876602861. Grace a une approche sensible de la photographe Anne Schaefer, familiere de l' oeuvre, cet ouvrage de reference permet a chacun de penetrer l' univers artistique de Camille Claudel.
Broche, couverture souple, 402pp., 14x22.5cm., ills. n/b et en coul., neuf. ISBN 9782246706618. Fievre, passion, genie. C'est sous les signes de feu de la creation et de la destruction qu'ont vecu les Claudel sueur et frere Camille le sculpteur, Paul le poete. Cette biographie raconte pour la premiere foi, leurs rapports fusionnels. Deux temperaments exaltes mais sensibles jusqu'a l'extreme fragilite Camille, intransigeante, affronte les incertitudes de l'art et de la vie de boheme ; Paul trompe son mal de vivre dans le voyage et l'exotisme, en Chine, au Bresil, au Japon. Ces destins qu'on pouvait croire separes se sont nourris l'un de l'autre. La s?ur et le frere vont connaitre les memes passions funestes. Paul tombe amoureux de Rosalie Vetch, une femme mariee qui l'abandonnera ; Camille subit l'envoutement de Rodin jusqu'a la folie. Drame de la famille. Lourdeurs et conventions alliees contre les exigences du c?ur. Dominique Bona retrace les episodes de leurs vies tourmentees. Elle revele les liens profond de ces deux artistes lumineux et dechires : unis au-dela de l'adversite, par une fraternite indestructible.
Vie et oeuvre de Camille Soccorsi (1919 -2007) par Daniel-J VALADE; texte suivi de "Au fil de l'oeuvre", fac-similés de coupures de presse illustrées, entre autres à propos de quelques-unes de ses célèbres sculptures: son "Cheval de Mollégès", "Goya" et "Clairon", les taureaux cocardiers à Beaucaire, le mémorial des raseteurs, etc; préface de Jean-Marie ANDRE, alors député-maire de Beaucaire, et "message" du manadier de Henri LAURENT; très nombreuses photos, dont 4 planches couleurs. Exemplaire avec dédicace manuscrite de l'artiste. Français
Paris, Vda. de C. Bouret, sin fecha (hacia 1930), 20 x 15,5 cm., cartoné editorial algo deteriorado por la unión del lomo, 80 págs. + X láminas en papel couché.
IN 4. CART [BE]. 56 PP. 29 ILL DONT 3 EN COULEURS. [BE]
- Edition La Boétie, Paris 1946, in 8, Un Vol. broché, couverture rempliée. - Edition originale. Broché, couvertures rempliées. Capacci : peintre surréaliste. Edition limitée à 1500 exemplaires numérotés. N°420. Textes de Paul Colinet, Marcel et gabriel Piqueray, Marcel Lecomte. Textes sur Alfa, repros sur Papier couché. Expositions et Bibliographie du peintre. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures. [ENGLISH DESCRIPTION ON DEMAND]
cm. 22 x 31, x-100 pp. con 8 figg. e 11 piante n.t. e 146 ill. f.t. Fondazione Carlo Marchi - Studi Per la prima volta questi capitelli sono studiati come opere significative in s? e non solo come indizi per la cronologia di singoli edifici. Vengono identificati i diversi schemi secondo cui la decorazione si distribuisce sul capitello e i vari tipi di motivi vegetali; di ciascuno sono ricostruite le radici e gli sviluppi, viene precisata la nomenclatura e recuperato, quando possibile, il giudizio dei contemporanei. For the first time these capitals have been examined as significant works of art in their own right and not just as an indication of the chronology of single buildings. The various schemes according to which decoration spreads over the capital and the plant motifs used are also illustrated; the origin and development of each one is reconstructed, the nomenclature is stated and, when possible, the opinion of the contemporaries is recovered. 1025 gr. x-100 p.
- I.A.C., Lyon & Paris 1961, 20,5x26,cm, reliure de l'éditeur. - Edition originale, un des exemplaires numérotés sur alfa, seuls grands papiers. Envoi autographe signé de René Jullian. Reliure de l'éditeur en plein cartonnage, dos lisse, premier plat illustré. Iconographie et illustrations. Deux mors pincés, sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
Paperback, 68 pagina's / pages, NL / ENG, 270 x 210 mm, illustrated in b/w.
Catalogue raisonné published in conjunction with show held at the Haags Gemeentemuseum, The Hague, Netherlands, January 9 - March 3, 1987, and the Stedelijk Van Abbemuseum, Eindhoven, Netherlands, January 11 - March 1, 1987. Includes a brief preface by the artist, numerous black-and-white photographs of Andre's work along with a list of works included in the shows. Also includes solo exhibition history, selected group exhibition history, and bibliography. — F.to: 21,5X28,5; pagg. 178; COL e BN; rileg. brossura. Editore: Haags Gemeentemuseum, Den Haag, 1987.
Testi: Bourdon David, Rose Barbara. pagg. 88; BN; rileg. brossura. Editore: Paula Cooper, Inc., New York, 1978.
Hardcover, 400 seiten , Deutsch, 285 x 225 mm, Neu, Schutzumschlag, mit abbildungen in Farbe und s/w. ISBN 3863359291. Carl Andre born 1935 American Minimal sculptor and poet. Born in Quincy, Massachusetts. In 1954 worked for Boston Gear Works and travelled to England and France. Served in the US Army 1955-6. In 1957 moved to New York and worked for a publisher. Wrote poetry and made drawings and some abstract sculptures in perspex and wood, with geometric forms. Influenced by Brancusi and by Stella, his close friend. 1960-4 worked as railroad freight brakesman and conductor on the Pennsylvania Railroad; made few sculptures, but these show move away from carving to works constructed out of simple blocks of material. His sculpture first exhibited in a group show in 1964, followed by his first one-man exhibition at the Tibor de Nagy Gallery, New York, 1965; major retrospective exhibition at the Guggenheim Museum, New York, 1970. Made floor sculptures out of standard industrial units such as bricks or metal plates in simple arithmetic combinations; also experimented with scattered blocks and pieces of bent pipe, etc. Lives in New York.
<p> Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre’s creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years.<br><br> In this stunning catalogue, which accompanies the first retrospective of Andre’s work since 1970, the artist’s legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre’s emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre’s previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.</p><br> — Testi: Raymond Yasmil, Yoshitake Mika et al. pagg. 400; rileg. rigida. Editore: Yale University Press, New Haven, 2014.
softcover, Italienisch, Deutsch. 256 Seiten, 200 Abb. (davon 200 farbig). 22 x 29 cm. 1,1 kg. Paperback with flaps. . ISBN 9783952471241. . Exhib'publication. Kunstmuseum Basel. Der Basler Bildhauer Carl Burckhardt (Lindau 1878 ? Ligornetto 1923) gilt als Vater der modernen Schweizer Plastik. Obgleich er beachtliche Skulpturen im öffentlichen Raum hinterliess und sich auch auf kunsttheoretischer Ebene für eine Erneuerung der Bildhauerei in der Schweiz einsetzte, wurden ihm bisher nur wenige Studien gewidmet. Diese Publikation begleitet und ergänzt eine Ausstellung, des Museo Vincenzo Vela in Ligornetto, welche später in veränderter Form auch im Kunstmuseum Basel gezeigt wird. Ziel der Publikation ist es, den vielseitigen Künstler, der gleichermassen als Maler und Bildhauer tätig war, einem breiteren Publikum zugänglich zu machen. Näher beleuchtet werden unter anderem sein Verhältnis zur antiken Kunst sowie sein Interesse für die Plastik seiner Zeit.
IN 4. BR [BE]. 52 PP. ENV 60 ILL EN NOIR. [BE]
This is a very good two volume set bound in dark red polished cloth ruled and titled in gilt on the spines. Formerly in the collection of a small reference library at a private academy, each volume bears their bookplate on the inside front cover. No other marks whatsoever to text, plates or preliminaries. Covers very clean, just a little rubbing to the spine tips and one edge. Vol. I: 162 pp. + illustrations in the text; Vol. II: 128 plates. Text in French. 11" high X 8 1/2" wide. A beautiful hardcover set. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
IN 8. BR [MOY]. 12 PP. 15 ILL EN NOIR. [MOY]. DEDICACE DE L' ARTISTE
pagg. 12; BN; Editore: Galleria dell' Ariete, Milano, 1972.
IN 4. BR [MOY]. 20 PP.10 PPL EN NOIR. [BE]
