Tentoonstelling - catalogus.MareMagnum
5 605 résultats
Paperback, 22 x 24 cm, 272 pp, geillustreerd. ISBN 9789072828019. Deze tentoonstelling is duidelijk kunsthistorisch van opzet en is opgebouwd rond pionierswerken van zesendertig kunstenaars die represantief zijn voor de ontwikkelingen die het aanzicht van de Britse sculpturale scene bepalen. Tekst in het Nederlands en Engels.
IN 4. REL TOILE EDIT [BE]. ENV 60 PP. ENV 50 ILL EN NOIR. [BE]
Inca, Malllorca, Gráficas García, 1992, 23 x 23 cm., cartolina editorial, retrato + 8 h. + 66 hojas con láminas en negro y color + 2 h.
ELSEVIER. 1948. In-4 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 66 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte - Frontispice - Jaquette défraichie - OUVRAGE EN ALLEMAND ET EN FRANCAIS.
contains blocks in colors. 28x25 cm. 136 pages. Softcover. In good condition.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean inside and out. Text in German. Illustrated in black & white and color. Bibliography. 12" high X 9" wide, 352 pages. A beautiful copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Softcover, 286 seiten , Deutsche sprache, 230 x 185 mm, .
IN 8. CART [MOY]. 30 PP. ENV 20 ILL EN NOIR. [BE]
IN 4. BR AVEC COUV REMPLIEE [BE]. 290 PP. ENV 200 ILL EN NOIR ET EN COULEURS. [BE]
Testi: Leering J., Livingstone Jane. F.to: 20x24; pagg. 168; BN; rileg. brossura. Editore: Van Abbemuseum, Eindhoven, 1973.
"From the beginning I was trying to see if I could make art that did that. Art that was just there all at once. Like getting hit in the face with a baseball bat. Or better yet, like getting hit in the back of the neck. You never see it coming; it just knocks you down. I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not."—Bruce Nauman "Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we suppress or dread... It's hard to feel indifferent to work like his."—Michael Kimmelman, New York Times One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s: sculpture, photography, performance, installation, sound, holography, film, and video. What has been a constant throughout his career, however, is his persistence in exploring both art as an investigation of the self and the power of language to define that self. The latest volume in the acclaimed Art + Performance series is the first book to combine the key critical writings on Nauman with the artist's own writings and interviews with him, as well as images of his work. Bruce Nauman offers a multifaceted portrait of an artist whose determination to experiment with style and form has created a body of work as eclectic and perhaps more influential than that of any other living American artist. — Testi: Halbreich Kathy, Simon Joan et al. pagg. 218; COL e BN; rileg. brossura. Editore: Walker Art Centre, Minneapolis, 1994.
Relie, couverture carton illustree en couleurs, format oblong : 260 x 220mm., pages ne sont pas numerotees, illustration tres profonde en couleurs. . ISBN 9782352760139. Nouveau livre.
Gebunden, Frontispiz, 170 x 250mm., 112S., 50 Abbildungen in Farbe. Der beeindruckende Vortrag des Kunstler aus dem Jahre 2005 bildet das Herzstuck der Publikation. Auf der Grundlage seiner Ausfuhrungen analysiert Ellen Maurer Zilioli das Werk und stellt es als Ganzes vor. Dabei folgt die Autorin den Spuren, Quellen und Anregungen Martinazzis und stellt die Zusammenhange zum zeitgenossischen Umfeld her sowie zu den antiken, religios-mythologischen Ursprungen seiner Sujets und ihrer Transformation in eine moderne Formensprache. Das Buch eroffnet somit neue Horizonte fur die Rezeption des internationalen Autorenschmucks und fur seine Verspannung mit andere Gestaltungsfeldern. Die wichtigsten Stationen seines Schmuckschaffens bis in die Gegenwart werden anhand ausgewahlter Objektabbildungen dem Leser eindrucksvoll prasentiert. Eine neue, sehr individuelle und personliche Publikation uber Bruno Martinazzi, eine der herausragendsten Kunstlerpersonlichkeiten Italiens des 20. Jahrhunderts, gleichzeitig eine neue analytische Auseinandersetzung mit dem schmuckkunstlerischen Werk Martinazzis. Text in Deutsch und Englisch. Neuer Zustand.
IN 4 CARRE. BR [BE]. ENV 30 PP. 15 ILL EN COULEURS. [BE]
121pp. of which 81pp. photographs of sculpture in Brussels, illustrated softcover, 20cm., good condition, S29533
IN 4. BR [BE]. 60 PP. 36 ILL DONT CERTAINES EN NOIR. [BE]
12mo in illus color wraps and orginal transparent plastic protector; 136 p. illus. 15 cm. Translation of: Butsuzo. Many high-quality color photo reprods. In this case "edition" refers most likley to printing. A lovely , near-mint copy and uncommon thus. // Sculpture -- Japan. Sculpture, Buddhist -- Japan.
Book shows very light shelf wear to edges with slightly cocked spine otherwise in excellent condition with sharp corners, solid binding, text/interior is clean, neat and free of marking of any kind, in clear plastic jacket, apparently as issued. Signed on half title page with "amen" and at end of Mr. Bufano's essay, post Miller's, with D.O.B. on publisher's page corrected, as was Mr. Bufano's habit. Very large format, the majority of the book are very large full color photos of mosaic work and sculpture of the artist.
Galerie Beaubourg / éd. de la Différence, 1995. Peit in-4 carré, broché,couverture à rabats, 213 pp. abondamment illustré en noir et blanc et en couleurs
