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Octavo in color-illus wrappers; 32 full-color postcards bound as a single volume. Surprisingly uncommon. / Antique Toys, Old toys; Design, Children, Play; postcards
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.
240x225 mm. 147 pages. Hardcover with dust jacket. Pen inscription on title page. In good condition.
240x225 mm. 147 pages. Hardcover. Cover slightly yellowing. Else in good condition.
Octavo in a full and heavy vellum with a.e.g; gilt ornamentation to spine, frnt & rear wrps. Marbled end papers and paste-downs. A very handsome production and unique thus. Fifth edition. A lovely presentation binding. Book plate and gilted emblem (to front board) of Dulwich (sp?) College. A prize copy: "Anstic Memorial Prize for Reading awarded to G.T.H. clarke Midsummer 1897 by A.H. Gilkes" || Fine bindings. Full vellum bindings.
Drouot Richelieu. 1989. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Env. 15 pages. Plaquette illustrée de photos en couleur. Maîtres Audap, Godeau, Solanet. France. Colonies françaises. Etranger...
IN 8. BR [BE]. 24 PP. 14 ILL DONT QQS EN COULEURS. [BE]
Brosschiert, Original - Umschlagg illustriert koloriert, 20x20cm, 392pp, illustriert koloriert und s/w. ISBN 3791707248. Mainfrankisches Museum, Wurzburg.
EA. Aufnahmen von Helga Schmidt-Glassner.
Illustr.
Quarto in white color illus dust jacket, 70 p. : col. ill. ; 27 cm. Full page full color reproductions. In Spanish & English. Native AMmerican art of South America. Indian painting -- Ecuador. Quechua painting. Primitivism in art -- Ecuador. Indians of South America -- Ecuador -- Social life and customs. Quechua Indians -- Social life and customs. Naive painting. Folk art.
Reichlich in Schwarzweiß illustriert.
Vitoria. Edit. Oriel Gallery, 1997. Numerosas ilustraciones en color fuera texto. 42 p. Apaisado. Rústica editorial ilustrada. Muy buen ejemplar. Christopher Evans, Duncan Hamilton, Imanol Marrodan, Koko Rico.
- Seuil, Paris 1972, 14x20,5cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers. Iconographie en fin de volume. Envoi autographe signé d'Hubert Damisch au professeur Georges Blin. [ENGLISH DESCRIPTION ON DEMAND]
- C. Delagrave, Paris 1896, 11,5x18,5cm, relié. - Cinquième édition. Reliure en demi cartonnage noir, dos muet orné de caissons à froid, traces de frottements sur les tranches. Ouvrage illustré de figures, bel état intérieur. [ENGLISH DESCRIPTION ON DEMAND]
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 112 p., ills. Thresholds.= Esikler. [Exhibition catalogue]. 16 May - 29 July 2018. Translated into English by Süreyyya Evren. Curated by Mine Haydaroglu. Thresholds is an ongoing touring exhibition that restages the world's first major exhibition of photography. Visitors travel back in time to 1839, when British scientist William Henry Fox Talbot first presented his photographic prints to the public at King Edward's School in Birmingham. The experience is a fully immersive portal to the past; visitors can walk freely throughout a digitally reconstructed room, and are able to touch the bespoke vitrines, fixtures and mouldings; even the heat and scent of a coal fire is recreated. Infrared sensors track visitors movements, creating ghostly avatars that indicate their position and enhance the feeling of travelling through time. Collishaw has also created a soundscape to accompany the exhibition: the demonstrations of the Chartist protesters who rioted in 1839 on the streets of Birmingham, and who can be glimpsed through the digital windows.
This is a very good hardcover copy bound in navy blue cloth with gilt titles bright. Signed by the author, G. M. A. Richter and inscribed to a colleague, on the front endpaper, dated January 1952. Otherwise completely clean inside and out. 142 black & white illustrations. 11" high X 9" wide, 86 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
IN 4. CART [BE].104 PP. ENV 100 ILL DONT QQS EN COULEURS. [BE]
Thomas Schütte is a catalog of works by this contemporary German artist. Schütte studied under Gerhard Richter, Benjamin Buchloh, and Bernd and Hilla Becher at the Düsseldorf Academy in the 1970s. He comes from that strong conceptual background, but as his career matured the emotional content of his work evolved and became much more potent. Schütte's work is incredibly eclectic: ceramic figures, architectural models, drawings, outdoor sculptures, photographs, and installations. A recent work, Big Spirits (1996), is a collection of larger-than-life-size aluminum figures that seem to be morphing before one's eyes. They are at once ghost, human, and machine. Also riveting is The Innocents (1994), a series of photographs of the heads of handmade figurines, and United Enemies, A Play in Ten Scenes (1993)--offset lithographs, also of figurines wrapped in Schütte's clothes. His watercolors are beautiful, ranging from drawings of fruit to portraits of women. Whatever the project, Schütte is tapped in to a particular humanity. Included in the book are essays by Julian Heynen and Angela Vettese, an interview with James Lingwood, and an essay by Roman philosopher Seneca, chosen by the artist. There is also a story by Schütte--printed in English for the first time. — Testi: Cooke Lynne, Schütte Thomas et al. F.to: 28x24; pagg. 160; 174 COL 4 bicromie 6 BN; rileg. rigida con sovracoperta. Editore: Dia Foundation, New York, 2001.
Hardcover, Couverture reliee sous jaquette, HB, 270 x 205 mm, 192 p, 100 illustrations, E/ F edition. ISBN 9789461615428. La Monnaie de Paris organise la première rétrospective parisienne de l'artiste allemand Thomas Schütte qui se déploiera dans les cours et dans les espaces intérieurs. Depuis les années 80, l'artiste apparait comme l'un des principaux réinventeurs de la sculpture. Il est aujourd'hui un artiste majeur et inclassable. À la pluralité des mediums employés par Thomas Schütte (sculpture, installation, photographie, peinture, dessin) correspond un ensemble de genres, celui de du portrait, de la nature morte et du paysage. L'exposition en trois actes - femmes, hommes et architecture - témoigne de la troublante et grinçante analyse que fait Thomas Schütte de l'organisation de la société et de son impact sur les individus. "Mes oeuvres ont pour but d'introduire un point d'intérrogation tordu dans le monde". Après des études à l'Académie des Beaux-Arts de Dusseldorf où il fut élève de Gerhard Richter et Fritz Schwegler, Thomas Schütte émerge au début des années 1980 comme l'un des principaux initiateurs de la nouvelle sculpture allemande, à l'instar d'artistes comme Isa Genzken ou Hubert Kiecol. Plusieurs expositions marquantes ou retrospectives, ont permis à Thomas Schütte d'être révélé au grand public, comme en 1990, au Musée d'Art Moderne de la Ville de Paris, et en 1988 à la White Chapel Art Galery à Londres. Schütte trouve une traduction originale de sa réflexion sur la representation du pouvoir et la responsabilité sociale de l'art dans des maquettes d'architecture conçues comme des "modèles à penser". L'idée de monument est centrale à sa réflexion. L'oeuvre de Schütte s'exprime alors de manière plus apaisée dans les gravures, des aquarelles de fleurs et des portraits, certains intimes. Le questionnement sur l'échelle, issu du monument, demeure dans des representations de personnages, silhouttes plus grandes que nature, distantes et absorbées en ells-mêmes.
Madrid, Edit. Galeria Fucares, 1989. Algunas ilustraciones en color y b/n. S.N. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Testi: Bürgi Bernhard, Morgan Stuart. F.to: 41x26; pagg. 40; 13 COL e 4 BN; rileg. rigida. Editore: Kunsthalle Zürich, Zürich, 1998.
IN 4. EN FEUILLES AVEC CHEMISE [BE]. 18 PP. 14 ILL EN NOIR. [BE]
27x19. 54p. Fotogr.
