U. BAHADIR ALKIM.MareMagnum
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Fine Fine English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. [xx], 125, [1] p., Lvi b/w plts., 3 huge folding maps. Yesemek. Tasocagi ve heykel atelyesinde yapilan kazi ve arastirmalar.
Fine English Paperback. Pbo. [ix], 175 p. Small 4to. (23 x 21.5 cm). In Turkish. Color and b/w ills. The autobiography and memoirs of painter Nuzhet Islimyeli. Yasam öyküm.
IN 4. BR [BAD]. 12 PP. 7 ILL EN COULEURS. [BE]
Textes autobiographiques et de réflexions sur son travail de YANKEL, géologue puis artiste-peintre et sculpteur, enseignant à l'Ecole des Beaux-arts, précédés et suivis de textes du critique et historien de l'art Gérard XURIGUERA ("Incarner le vivant") et du critique d'art Pierre RESTANY, spécialiste du XXe siècle (1930-2003), sur sa vie et son oeuvre; très nombreuses reproductions couleurs et photos; biographie; bibliographie; expositions. Exemplaire bien complet de sa jaquette. Français
New New English Original bdg. Dust wrapper. Large Roy. 8vo. Color and b/w ills. 206 p. In English and Turkish. 1000 copies printed. OBJE'CT is the first book of Book for Artists Series of the Zorlu Center Art Collection, curated by Basak Senova. OBJE'CT is also a humble attempt to address the specific characteristics, unfolding issues, and the line of the Zorlu Center Art Collection through Calovski's line of thinking and working. Concurrently, it is the first comprehensive publication focusing on the work of artist Yane Calovski, who produced an object for this collection in 2011. Calovski's conceptual work renders the incompleteness and lapsing of narratives and history. Therefore, in the same manner of an archaeologist, he is obsessed with researching and processing archives. His work is nurtured by the findings and missing links in an archive of any kind; sometimes the work is embodied in personal archives and narratives, and sometimes the work is set up in the public realm. Archives reveal and conceal personal and collective processes. Calovski's research resonates between these acts of concealing and revealing; thus, his work enchants with the alchemy of turning lapses of memory and missing links into ephemeral sequences of events, situations, feelings, and objects. Research is the key process for Calovski's working methodology. His artistic practice covers diverse works that range from drawings, objects, photographs, video, site-specific installations to performance. Accordingly, his work contextualizes and addresses the function of ideas in various forms of presentation, production, research, and analysis. OBJE'CT presents Yane Calovski in conversation with the editor, accompanied by an extended critical article on Calovski's work by Astrid Wege and a fictional scenario by Sebastian Cichocki that aims to emphasize the unrecorded aspects of documenting art. The book introduces Calovski's selected multilayered works since 1998 that have been exhibited at various venues and events, including Tate Britain, Manifesta 7, European Kunsthalle, Kunshallen Brands, Baltic Art Center, Museum of Contemporary Art Skopje, and AR/GE Kunst Galleria Museo.
New New English Original bdg. Dust wrapper. Large Roy. 8vo. Color and b/w ills. 206 p. In English and Turkish. 1000 copies printed. OBJE'CT is the first book of Book for Artists Series of the Zorlu Center Art Collection, curated by Basak Senova. OBJE'CT is also a humble attempt to address the specific characteristics, unfolding issues, and the line of the Zorlu Center Art Collection through Calovski's line of thinking and working. Concurrently, it is the first comprehensive publication focusing on the work of artist Yane Calovski, who produced an object for this collection in 2011. Calovski's conceptual work renders the incompleteness and lapsing of narratives and history. Therefore, in the same manner of an archaeologist, he is obsessed with researching and processing archives. His work is nurtured by the findings and missing links in an archive of any kind; sometimes the work is embodied in personal archives and narratives, and sometimes the work is set up in the public realm. Archives reveal and conceal personal and collective processes. Calovski's research resonates between these acts of concealing and revealing; thus, his work enchants with the alchemy of turning lapses of memory and missing links into ephemeral sequences of events, situations, feelings, and objects. Research is the key process for Calovski's working methodology. His artistic practice covers diverse works that range from drawings, objects, photographs, video, site-specific installations to performance. Accordingly, his work contextualizes and addresses the function of ideas in various forms of presentation, production, research, and analysis. OBJE'CT presents Yane Calovski in conversation with the editor, accompanied by an extended critical article on Calovski's work by Astrid Wege and a fictional scenario by Sebastian Cichocki that aims to emphasize the unrecorded aspects of documenting art. The book introduces Calovski's selected multilayered works since 1998 that have been exhibited at various venues and events, including Tate Britain, Manifesta 7, European Kunsthalle, Kunshallen Brands, Baltic Art Center, Museum of Contemporary Art Skopje, and AR/GE Kunst Galleria Museo.
70 planches de photos d'oeuvres du grand sculpteur verrier slovaque Yan Zoritchak, présentées par Helmut RICKE, conservateur du Kunstmuseum Düsseldorf; préface trilingue - texte français avec traductions en anglais et japonais - d'Annie DUCREUX, conservatrice au musée d'Annecy; expositions; bibliographie. Dans la collection dirigée par Michèle et Yves Di Folco. Exemplaire bien complet de sa jaquette, au titre réduit en "Zoritchak". Trilingue français / anglais / japonais
IN 4. BR [BE]. 8 PP. 6 ILL EN NOIR ET EN COULEURS. [BE]
IN 4. BR AVEC COUV REMPLIEE (BE). 22 PP. 11 ILL EN COULEURS (BE)
25x32.5 cm. 83 pages. Gilt hardcover in dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
210x300mm. 128 pages. Hardcover with dust-jacket. Jacket slightly stained and worn at edges. Cover slightly yellowing. Spine slightly worn at edges. Inner cover and first whitepages age-stained. Pages slightly yellowing. Else in good condition.
IN HEBREW AND ENGLISH. Contains plates in color and black and white. 22.5X22 cm. Unnumbered pages. Softcover. Pen writing on title pages. Several pages slightly age stained. Library copy with usual signs. Else in good condition.
20x22 cm. Unnumbered pages. Softcover. Cover slightly chafed. Spine slightly chafed. Else in good condition.
20x22 cm. 78 pages. Softcover. Inner cover pages slightly stained. Library copy with the usual signs. Else in good condition.
P., XX° siecle, n° 45, 1975. In-4 cartonné, plats illustrés, 160 pages.-6 ff. n. c. Excellent état. Plusieurs pages en quadrichromie.
P., XX° siecle, n° 38, 1972. In-4 cartonné, plats illustrés, 182 pages-6 ff. n. c.. Excellent état. Avec une lithographie originale d'A. Masson et une lithographie originale de Graham Sutherland imprimées par Mourlot. Plusieurs pages en quadrichromie.
P., XX° siecle, n° 36, 1971. In-4 cartonné, plats illustrés, 165 pages-5 ff. n. c.. Accroc en haut du dos avec petit manque de papier. La lithographie est imprimée par Mourlot. Plusieurs pages en quadrichromie.
P., XX° siecle, n° 33, 1969. In-4 cartonné, plats illustrés, 184 pages. Excellent état. Les lithographies sont imprimées par Mourlot. Plusieurs pages en quadrichromie.
P., XX° siecle, n° 30, 1968. In-4 cartonné, plats illustrés, 152 pages-6 ff. n. c.. Excellent état. Les lithographies sont imprimées par Mourlot. Plusieurs pages en quadrichromie.
32x25 cm. 182 pages. Hardcover. Back cover slightly faded. Spine slightly detached. Binding visible on several pages. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Madrid, Edit. Círculo de Bellas Artes, 1997. Catalogo de la exposición en Círculo de Bellas Artes, Madrid 13 diciembre 1996 - 7 enero 1997. Miguel Fernández-Cid (textos). Elena Vozmediano (coord.). Numerosas ilustraciones en color. 206 p. Apaisado. Holandesa editorial ilustrada algo deslucida. Buen ejemplar. Artistas: Salvador Cidrás, Alejandro Corujeira, Oriol Font, Ricardo Horcajada, Alejandra Icaza, Abraham Lacalle, Julián López, Alicia Martín, Ángel Mateo Charris, Santiago Mayo, Juan Mercado, Teresa Moro, Roberto Ruiz Ortega, Gonzalo Sicre, Montserrat Soto, Daniel G. Verbis
This is a very good softcover copy with almost no wear. Completely clean inside and out. Spine not creased, binding firm. Text in Spanish. No text. 12 pages of listing the painters and sculptors who participated in this year's Salon. About 70 illustrations in black & white of modern Uruguayan paintings and sculptures. The exhibition was held from October 20th to November 18th 1959 at the Salon de Exposiciones del Subterraneo Municipal. 8" high X 5 1/2" wide.
IN 4. CART [BE]. 80 PP. 60 PPL EN NOIR. [BE]