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PETIT IN 4. BR [BE]. 24 PP. 14 PPL EN COULEURS. [BE]
A clean, unmarked book with a tight binding. Black cloth spine and bronze colored paper-covered boards. Color photographs throughout. 9 5/8"w x 10 1/2"h.
Testi: Bechtler Cristina, Szeemann Harald et al. F.to: 21x29,5; pagg. 92; 7 ill. BN e 44 Col; rileg. rigida. Editore: Hatje Cantz Verlag, Ostfildern, 1992.
Hardcover with dusjacket, V+394 pages ., 200 colour ill., 216 x 280 mm, Languages: English. ISBN 9782503584898. Willem Van den Blocke was one of the most accomplished sculptors of the late sixteenth century in the Baltic Region and in Central Europe. His career perfectly exemplifies the challenges encountered by Netherlandish sculptors abroad in the sixteenth century. Although entirely forgotten until the beginning of the nineteenth century, Van den Blocke was one of the most accomplished sculptors of the late sixteenth century in the Baltic Region and in Central Europe. Willem van den Blocke?s activities in the Baltic region provide an excellent basis for a case study, since his career perfectly exemplifies challenges encountered by Netherlandish sculptors abroad in the sixteenth century. Born in Mechelen around 1550 and most probably apprenticed to the studio of Cornelis Floris, he was dispatched to Königsberg (Kaliningrad) in Prussia to erect the grand tomb of Duke Albrecht Hohenzollern in 1569. After completing this task, he settled in Königsberg. In 1582, Van den Blocke moved to Danzig (Gda?sk) and remained there until around 1620. In the Baltic region, he created sumptuous tombs and epitaphs, commemorating e.g. the Swedish King Johan III Vasa. He worked for members of the Báthory family and the Polish, Swedish, and Prussian nobility, as well as for the urban elites of Danzig, Elbl?g (Elbing), and Toru? (Thorn). Despite his importance for the artistic development in the Baltic region, knowledge about Van den Blocke?s life and activities has nonetheless remained limited. Only in recent years the artist began to feature in discussions about the impact made by Netherlandish sculptors in sixteenth-century Northern Europe. This book offers a detailed investigation of the origins of his art and design strategies, of his workshop practice, his relationship to other artists, his adaptation to the requirements encountered abroad and his patronage. In addition, a thorough analysis of Van den Blocke?s work, following these new avenues of research, allows for a better understanding of the dynamic processes shaping art and architecture during a period of profound transformation of the European artistic landscape. A study of Netherlandish sculptors working abroad is important precisely because it may extend our understanding of the process of dissemination and redefinition of new artistic languages as a dynamic and multilayered phenomenon that involved interaction and exchange among artists of diverse backgrounds. Furthermore, the transfer of artistic models and ideas into a new cultural situation required their adaptation to the requirements of another culture and in turn influenced that culture as well. Only an extended study of the cultural, social, and political context of their activities, combined with a traditional analysis of artistic forms, can reveal the significance of Netherlandish artists and their work.
This is a fine hardcover copy in a very good dust jacket with light wear to the edges. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Matthew Marks Gallery in New York in May through June 1996. Texts by Andrew Forge, David Sylvester and William Tucker. This is the complete catalogue of Willem de Kooning's sculptures. Photographs by Adam Bartos. Illustrated in color and black & white. 12" high X 9" wide, 76 pages. This book will be securely packed and shipped with tracking.
IN 8. BR AVEC COUV REMPLIEE [BE]. 176 PP. ENV 500 ILL DONT QQS EN COULEURS. [BE]
IN 8. BR AVEC JAQ [BE]. ENV 20 PP. 27 ILL EN NOIR. [BE]
240x225mm. 140 pages & 50 b&w plates. Softcover. Cover slightly yellowing. Spine slightly worn. First twenty pages and three plates detached from binding. Else in good condition
Gebonden, 31×25 cm, 99 pagina's meertalig: nederlands, duits, engels. ISBN 9789085690177. Dit aquarel kunstboek van Renso Tamse toont meer dan 100 bladzijdes tekeningen en schilderijen van Renso Tamse en vertelt over zijn reizen door Europa en inspiratie. Zijn unieke aquarel techniek
Bound, black cloth, illustrated dustjacket, 195 x 270mm., 189pp., profoundely illustrated in colour and b/w. ISBN 9781905711468. To accompany the exhibition 'Wild Thing: Epstein, Gaudier-Brzeska, Gill'. Jacob Epstein, Henri Gaudier-Brzeska and Eric Gill were pioneers of modern British sculpture. In a sustained burst of daring creativity before the First World War they revolutionised their field. The award-winning art critic and curator, Richard Cork, tells the fascinating story of these remarkable figures, exploring the idea of wildness that lay at the centre of their artistic creed. Spectacular examples of their works, whose sexual explicitness and boldness of form shocked contemporary viewers, illustrate Cork's compelling text, including Epstein's robotic masterpiece, Rock Drill, Gill's Ecstasy and Gaudier-Brzeska's Birds Erect. New book.
originele uitgeversomslag, in-4°, beschrijvende tekst ingenaaid, 32pp + 46 platen van zijn werken beperkte oplage. s.d no date . fine condition First Edition. 32p text and 46 loose plates in b/w compleet.
vi + 124pp., 21cm., softcover, G, (doctoral dissertation, Universität zu Köln)
F.to: 21X21; pagg. 94; BN; rileg. brossura. Editore: Whitney Museum , New York, 1967.
Basel. Edit. Museum für Gegenwartskunst Basel, 1999. Numerosas ilustraciones en color y b/n. 339 p. Gran 4º. Book in german. Rústica editorial ilustrada. Muy buen ejemplar.
Fine Fine English Original bdg. Dust wrapper. In special publisher's box. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
Book is in excellent condition, brand new, still in shrinkwrap from publisher. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. The engineer, Werner Sobek understands better than most how to unite the demands of structural engineering with the design of the building. His work with steel, titanium, glass, fabric, wood or concrete exceeds the boundaries of what is usual, whilst at the same time, his structures are sensible, logical, simple in ther construction and outstanding in form. Werner Sobek has worked with his team throughout the world, building in Lima, Chicago, Limoges, Bangkok and Shanghai, and working together with architects such as Hans Hollein, Helmut Jahn, Christoph Ingenhoven, Finn Geipel and This book provides the first fundamental overview of Werner Sobek's work, examining the most important projects of the last ten years. The technical innovation of his constructions is documented in precise plans and drawings, large format duotone photographs convey an extraordinary aesthetic impression.
Reichlich in Schwarzweiß und Farbe illustriert.
Gebonden, linnen, vergulde bandstempel, rug versierd met vergulde titel, 26,5x30cm, 334pp, rijkelijk geillustreerd met 177 platen z/w.in perfecte staat !! Laatgotische koorbanken in Vlaanderen. Volgende kerken worden besproken: Sint-Salvatorkerk te Brugge, geillustreerd met 19 platen; Sint-Pieterskerk te Leuven, geillustreerd met 19 platen, Sint-Sulpitiuskerk te Diest, geillustreerd met 34 platen; O.-L.-Vrouwekerk te Aarschot, geillustreerd met 38 platen; Sint-Katherinakerk te Hoogstraten, geillustreerd met 46 platen; Sint-Gertrudiskerk te Leuven, geillustreerd met 21 platen
Large Octavo in red cloth boards; 494, [2] p. incl. front., illus. (some in color; many b/w); 28 cm. Text in German. // Art -- History. Art -- Philosophy.
Large folio in a illustrated light blue DJ ; 255 p : illus (some color) ; 34 cm Lord Wedgewood signed and inscribed front free endpaper; Lord Wedgewood's title card laid in // Wedgwood ware -- Handcrafts -- Ceramics -- Art -- Collection -- Lord Wedgewood
New English Paperback. 4to. (30 x 21 cm). In English and Turkish. 119, [2] p., color and b/w ills. Weapons of the protohistoric age.= Protohistorik çag silahlari.
Fine English Paperback. 4to. (30 x 21 cm). In English and Turkish. 119, [2] p., color and b/w ills. Weapons of the protohistoric age.= Protohistorik çag silahlari.
New English Paperback. 4to. (29 x 23 cm). In English and Turkish. 179 p., color ills. Water paintings: Water colours in Turkish art from Süleyman Seyyid up untill the present day.= Su resimleri: Süleyman Seyyid'den günümüze Türk resminde suluboya. [Exhibition catalogue]. This catalogue has been prepared by Yapi Kredi Cultural Activities, Arts and Publishing, for Yapi ve Kredi Bankasi A.S., on the occasion of the exhibition 'Water Paintings, Water Colours in Turkish Art from Süleyman Seyyid up until the Present Day' held between 9th November - 29th December 2001 at Yapi Kredi Kazim Taskent Art Gallery.
