Caricatures de JJ J JBiblio.com
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1818BOSTONVB20<br /><br /><b>AN INCUNABLE OF LITHOGRAPHY</b><br /><br />ISABEY Jean-Baptiste 1767-1855 -- Caricatures de J.J. Paris: Chez l'auteur et chez Alphonse Giroux 1818. Album in oblong folio 250 x 335 mm. 19th century green textured cloth and calf spine handsomely titled in gilt. FIRST EDITION. Complete set of 12 lithographed plates the first signed in autograph by Isabey in the l.r. corner othesr signed in plate by Charles Etienne Pierre Motte the French lithographer and printer. Some plates with some foxing but delicately and attractively printed. An incunable of lithography. "Cette suite de caricatures est interessante pour les modes de l'epoque" Colas . An important and rare set with several libertine subjects as plates. Colas 1519; Bibliotheque Esmerian IV lot 62<br /><br /><b>This is one of the earliest known individual artist portfolios in the new medium of lthography </b>"Isabey a respected painter though not an academician clearly did not want to be publicly identified with caricature. The same year he published a portfolio of "serious" lithographic drawings that displayed his full name.A parallel could be drawn to the literary history of the novel which despite its success with the public was not considered a respectable art form; early novelists too often concealed their identity. " Ref: Mainardi P .Another World: Nineteenth-Century Illustrated Print Culture p. 46<br /><br />
elala3637France: c1850. A combination of domestic social and street scenes including a number of caricatures i.e. a group of goat-headed soldiers with caption 'Vive La RÈforme Mil Huit Cent 48' 'Au Patron Des Ivognes Bon Vin De Bourgone sic' 'boire manger digÈrer voil‡ ma devise' 'Ces gueux de locataires si l'on pouvait se passer d'eux' 'L'Avocat du Gibier' &c. 307 x 236 mm. original cloth rebacked corners worn France: c1850 hardcover
15837Nibelungen Verlag Berlin 1943. In/4 à litalienne reliure demi-toile titre sur une étiquette contrecollée sur le plat supérieur. Deux petites taches claires en plat supérieur sinon très bon état. 48 planches en noir. Caricature politique anti-britanique par les allemands durant la seconde guerre mondiale. unknown
004379<p>Various: Various A collection of thirty-two posters all but a couple advertising displays of political caricatures at various places including the National Portrait Gallery the Fitzwilliam and Sir John Soanes Museum and the other two are adverts for books of caricatures. Various sizes thirteen are roughly 305mm x 425mm in size with the others larger often 490mm x 780mm with a couple even larger various dates but mainly 1980-2001. Twenty are printed in colour. Generally in decent order one or two slightly creased with small closed tears a few with small nicks and tears a couple with blu-tack staining to corners. Several artists are represented including Gerald Scarfe Steve Bell Gillray Ralph Steadman David Low Vicky and Giles. First Edition. Unbound. Good. Illus. by Various. Various. Posters.</p> Various paperback
194040629London: NP 1940. Original photographs. Loose_leaf. g to vg. Striking collection of 11 silver gelatin prints of Vicky's Victor Weisz caricatures of Hitler in his series: "Hitler as seen by." <br /> <br /> This humorous series portrays the Führer as seen by some of the most famous personalities of the period such as: Pablo Picasso Franklin Delano Roosevelt Albert Einstein Neville Chamberlain .and himself! Hitler is also portrayed as seen by women; by the German Reichswehr; by one part of the German nation Hitler is idealized as one of Richard Wagner's valkyries!; by the other part of the German nation here Hitler is portrayed as a tyrant holding a long whip; by the French military staff and by the inhabitants of ex-German colonies.<br /> <br /> The photographs' size varies from 7 1/2 x 10 1/2" to 8 1/8 x 11 1/4". Each silver gelatin print has a typed captioned label pasted at verso.<br /> <br /> Minor and sporadic creasing and tiny chipping along edges not affecting illustrations. Photographs in overall good to very good condition. Born in Berlin of Hungarian-Jewish parents Victor Weisz 1913-1966 began art studies at the Berlin Kunstschule but had to leave when his father killed himself in 1928. In order to make a living he began having his cartoons published in German newspapers. As a member of the Jewish community with socialist political opinions Weisz decided to leave Germany after Adolf Hitler gained power. He arrived in London in 1935 and found work as a political cartoonist with a variety of newspapers and journals including the "News Chronicle" "the Daily Mirror" the "Daily Mail" the "New Statesman" and the "Evening Standard." By the 1940s Weisz who signed his work Vicky had established himself as Britain's leading left-wing cartoonist. Like his father he took his own life in 1966. NP unknown
56183Paris: chez Noel c.1810. A hand-coloured engraving on laid paper mounted on heavy stock. It measures 27.5cm x 23.5cm. Old marginal repairs some wrinkled and soiling but generally very good. Imprint at the bottom: "Se vend in Paris chez Noel. Graveur Rue des Noyers No. 49. / et chez les Marchands de Nouvaute's." An amusing image of five folks sitting around a table drinking and laughing. This identical engraving exists with the imprint of chez Basset in the place of chez Noel. Scarce. <br/><br/> Paris: chez Noel, [c.1810]. unknown
21936<p>GREAT CONDITION SIGNED IN PERSON enlarged magazine picture to 8 x 10" on cardstock paper SIGNATURE GUARANTEED AUTHENTIC. Signed by Author. Unbound.</p>
190000039DISPLAY AD MEASURING 15" BY 12" for R. Faerch's Tobaksfabrik Holstebro ca. 1900. This black & White advertisement for this Danish Chewing Tobacco Company depicts a donkey pulling a cart with 2 Africans one of which is holding a long stick dangling a pack of chewing tobacco in front of the donkey. A typical but highly stylized and quite good bit of the racist art of the times. RARE. R. Faerch's Tobaksfabrik 1900 unknown
0364611162.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390660567.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
028225756X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197059530New York New York: Whitney Museum of American Art; Et Al. As New. 1970. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 24 pp. With 12 ills. 5 col. Foldout. 20 x 25 cm. -- with a bonus offer-- . Whitney Museum of American Art; Et Al paperback
19692111902156001271Kodansha 1969. Soft Cover. Fine. The book is in fine condition. Kodansha paperback
03524: 1840. A Unique and Complete Album of 121 Grotesque Watercolors<br /> An Extraordinary Satirical Cycle Concluding with "Finis"<br /> <br /> CARICATURE. Grotesque Sketches by Uncle Walpole. Taken down from the walls of his late dwelling The Hermitage. 1840. Veluti in Speculum As in a mirror. England ca. 1840-1847.<br /> <br /> Large folio 21 1/8 x 13 inches; 536 x 330 mm. Title and eighty-seven leaves of which thirty-four carry colored images on both recto and verso comprising in total 121 original watercolor caricatures.<br /> <br /> Album worn and defective; spine perished covers detached gatherings exposed; plates generally good but a few with marginal tears occasional stains creasing to lower blank corners and title-page worn and torn at margins.<br /> <br /> A unique complete and unpublished satirical album conceived from the outset as a self-contained cycle of grotesque invention and brought to a formal close with a final sheet boldly inscribed "Finis." <br /> <br /> The suite encompasses an extraordinary range of imagery - from miniature comic vignettes to fully realized grotesque tableaux - all executed with wit invention and a distinctively theatrical presence. The subjects are social caricature grotesque physiognomy phrenological satire anthropomorphic beasts drinking and domestic quarrels hybrid demons and burlesque "scientific" scenes.<br /> <br /> The title-leaf and fifty-four watercolors are painted directly on single sheets; many of the earlier examples are cut to shape and mounted some on both recto and verso of the same support while the later sequence plates 40-121 consists largely of full single-sheet compositions. This mixture lends the album a dynamic collage-like quality while also underscoring the compiler's intention to preserve the entirety as a coherent anthology.<br /> <br /> Technically accomplished and often striking in palette - washes occasionally heightened with gum arabic - the drawings show affinities with the satirical traditions of Rowlandson Woodward Gillray and Cruikshank and with the anthropomorphic grotesqueries of Grandville though always refracted through a more private eccentric and at times fantastical imagination.<br /> <br /> Rich in humor fantasy and biting caricature this album is a rare survival of early nineteenth-century satirical art outside the published print trade. Its scale completeness and the emphatic "Finis" at its conclusion mark it as a deliberately conceived satirical masterpiece - a testament to the vigor of the grotesque tradition at the threshold of the Victorian age.<br /> <br /> Several sheets introduce demons grotesques and animals behaving as humans e.g. a devil playing drums a fantasy orchestra of beasts hybrid figures on pedestals. This echoes the satirical tradition of Grandville's later anthropomorphic works though here much earlier aligning stylistically with ca. 1780-1820 English caricature practice.<br /> <br /> The repeated presence of figures handling skulls and engaged in speculative discussion suggests parody of early phrenological study which began circulating in Britain in the late 18th century and became a fashionable topic by the 1810s-20s.<br /> <br /> The grotesque tradition in British and Continental art stretches from the Renaissance to the caricatures of Hogarth and his successors but works of this scope and completeness in watercolor are exceptionally rare. This series appears to have been conceived as a private album not intended for publication though it shares affinities with satirical caricature suites circulating in London and Paris during the 1820s-1840s.<br /> The careful numbering of plates and the emphatic "Finis" suggest a deliberate almost book-like conception - a private "volume" of grotesques. Such albums are seldom encountered in so complete and internally consistent a state.<br /> <br /> To our knowledge no other record of this album exists in bibliographies institutional catalogs or auction histories. Its playful title-page ascribes authorship to "Uncle Walpole" tying it suggestively if perhaps jokingly to the Walpolean tradition of grotesque collecting and satire.<br /> <br /> A unique and complete visual manuscript comprising title and 121 grotesque watercolors forming a finished cycle of satirical invention. With its mixture of mounted cut-outs recto/verso compositions and full-sheet watercolors culminating in the artist's explicit conclusion this album stands as a rare survival of private grotesque satire worthy of institutional acquisition or inclusion in a major private collection of caricature and illustration.<br /> <br /> List of Watercolors:<br /> <br /> Title: Illustrated title-leaf with grotesque framing figures inscribed as above.<br /> Plates 1-10 earlier sequence many cut to shape and mounted<br /> Grotesque heads in profile exaggerated physiognomy.<br /> Rustic figure with staff flanked by grotesques.<br /> Demon tormenting a sleeping man nightmare scene.<br /> Donkey-headed musician playing drum.<br /> Two grotesque clowns quarreling.<br /> Group of hybrid birds with human bodies.<br /> Drinker with long pipe tavern scene.<br /> Monk with devil whispering at shoulder.<br /> Grotesque family group caricature of domestic life.<br /> Bird-headed figure addressing a crowd.<br /> Plates 11-20<br /> Carnival mask and puppet-show figures.<br /> Hybrid demon playing fiddle.<br /> Physiognomic caricature of a scholar with spectacles.<br /> Group of women in quarrel grotesquely exaggerated.<br /> Pair of grotesque dancers.<br /> Satirical quack-doctor examining a bottle.<br /> Animal-headed musicians in concert.<br /> Devil prodding a cleric with a fork.<br /> Group at table with grotesque expressions.<br /> Bird-headed lovers conversing.<br /> Plates 21-30<br /> Figure with skull parody of phrenological study.<br /> Group of grotesques carrying banners.<br /> Drinking bout rustic grotesques with tankards.<br /> Masked devil leaping in theatrical pose.<br /> Bird-headed man astride a grotesque beast.<br /> Pair of grotesques playing cards.<br /> Domestic quarrel - man and woman gesturing wildly.<br /> Procession of hybrid figures.<br /> Clownish grotesque with exaggerated smile.<br /> Orchestra of animals parody of concert performance.<br /> Plates 31-40<br /> Grotesque portrait head with massive nose.<br /> Rustic couple grotesquely caricatured.<br /> Scholar with long beard peering into book.<br /> Donkey-headed fiddler.<br /> Hybrid grotesques climbing a pedestal.<br /> Allegorical grotesque with staff and orb.<br /> Phrenological satire: man measuring another's skull.<br /> Caricatured monk with grotesque features.<br /> Pair of grotesques at a tavern bench.<br /> Mounted composition: several grotesque vignettes.<br /> Plates 41-60 largely full-sheet watercolors<br /> Jack Sheppard's gravestone literary reference.<br /> Two grotesques in heated debate.<br /> Hybrid animal figure with exaggerated tail.<br /> Devil drumming grotesque band scene.<br /> Rustic grotesque in long coat comic profile.<br /> Procession of grotesques with banner.<br /> Family group at table distorted expressions.<br /> Pair of grotesque dancers in theatrical setting.<br /> Phrenological scene figures handling skulls.<br /> Bird-headed man reading from a lectern.<br /> Grotesque doctor and patient.<br /> Large grotesque portrait bust.<br /> Drinking scene with grotesque peasants.<br /> Animal-headed grotesques in conversation.<br /> Devil and monk contending over a book.<br /> Carnival procession of grotesques.<br /> Rustic grotesque with exaggerated hat.<br /> Pair of grotesques embracing.<br /> Hybrid demon climbing.<br /> Orchestra of beasts parody of philharmonic.<br /> Plates 61-90<br /> Group of grotesques at long table.<br /> Bird-headed grotesque holding staff.<br /> Scholar with open book distorted face.<br /> Quack apothecary with vials.<br /> Hybrid grotesque fiddler.<br /> Caricature of rustic couple in quarrel.<br /> Devil whispering into scholar's ear.<br /> Grotesque portrait of corpulent man.<br /> Drinking and smoking scene.<br /> Hybrid grotesques riding beasts.<br /> Procession of grotesques in carnival.<br /> Man holding skull phrenological parody.<br /> Group of grotesque musicians.<br /> Donkey-headed man with pipe.<br /> Comic rustic grotesque in profile.<br /> Pair of grotesques dancing.<br /> Scholar with exaggerated spectacles.<br /> Demon tormenting a sleeper.<br /> Bird-headed grotesque at pulpit.<br /> Hybrid grotesques cavorting.<br /> Domestic quarrel scene.<br /> Large grotesque head.<br /> Family at supper grotesquely caricatured.<br /> Hybrid grotesque with banner.<br /> Carnival parade with demons.<br /> Drinking grotesques in tavern.<br /> Hybrid grotesques playing instruments.<br /> Rustic grotesque in hat.<br /> Quarrelling grotesques in dialogue.<br /> Caricature of doctor bleeding a patient.<br /> Plates 91-121 final sequence<br /> Large grotesque head with absurdly long nose.<br /> Group of grotesque musicians.<br /> Hybrid grotesque preacher.<br /> Procession of grotesques in mask-like profiles.<br /> Pair of grotesque dancers.<br /> Animal-headed grotesques in quarrel.<br /> Phrenological parody with skulls.<br /> Rustic grotesques at tavern.<br /> Demon whispering into man's ear.<br /> Grotesque fiddler.<br /> Carnival scene with grotesques.<br /> Bird-headed grotesque with banner.<br /> Hybrid grotesques wrestling.<br /> Pair of grotesques in comic pose.<br /> Large grotesque portrait.<br /> Donkey-headed grotesque.<br /> Phrenological scene with book and skull.<br /> Drinking grotesques with tankards.<br /> Family group caricature.<br /> Hybrid grotesque on pedestal.<br /> Group of grotesque musicians.<br /> Domestic quarrel.<br /> Demon tormenting grotesque.<br /> Bird-headed grotesque.<br /> Hybrid grotesques in procession.<br /> Doctor with grotesque patient.<br /> Large grotesque bust.<br /> Carnival grotesques.<br /> Rustic grotesque with pipe.<br /> Two grotesques in confrontation.<br /> Final plate: two grotesque figures with inscription "Finis" below. : , 1840 unknown
036572842X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1959N5154Tel Aviv: Published By the Artist 1959. PRIVATE PRESS. Original plastic Boards. Very Good/Very Good. 8vo. YONEL LUIGI. Album of some 300 unnumbered caricature plates of Israeli personalities ministers politicians etc. drawn by the artist with English and Hebrew note on each.Bound in handmade synthetic covers. Bound in are 2 facsimile letters to the artist by Abba Even Legendary Foreign Minister and Zalman Shazar later President of Israel. Back cover with some wearalso on the inner part otherwise very good copy. - A fine rather unseen collection of cartoons of Israeli personalities in the early stage of the Jewish state PRIVATELY PUBLISHED IN BY THE ARTIST. <br/> <br/> Published By the Artist hardcover
a88712Berlin. 1877 first edition. Full year of this weekly German Journal. Hardcover. Folio illustrated with drawings and political caricatures 3/4 dark brown cloth with brown paper covered boards. Old library label at base of spine and a few tiny stamps on initial pages. Good cover wowrn light toning in text. Binding secure. . hardcover
a66314Berlin 1904 first edition. Hardcover. Full year of this weekly German Journal. Folio illustrated with drawings and political caricatures half leather with maroon paper covered boards. Owner stamp of Wilhelm von Zitzewitz. Good plus cover worn with a few chips and scratches. Binding secure. . hardcover
194511744AB1945. Grenoble and Paris Arthaud 1945 295 : 24 cm. 60 pages 1 leaf With 50 partly coloured full-page illustrations by Samivel. Original illustrated boards. First edition. - Numbered copy of a small edition with the wonderful caricatures of mountain climing skiing and the alpine live. - Edges a bit puped otherwise fine. - Ecrivain poète humoriste graphiste dessinateur. on retrouve tous les talents de Samivel dans ce touchant album avec en plus la philosophie de l'observateur et l'humilité du pratiquant de la montagne. hardcover
1870253BB1870. Paris Gabillaud 1870 50 : 32 cm. Lithographie coloriée à la main sur papier. Journal avec texte et illustration montrant Napoléon III et les généraux français signant les termes de la capitulation après la bataille de Sedan. L'Empereur est assis à une table au centre de la scène tourné et tourné vers la gauche et signe un morceau de papier. Un général allemand se penche sur lui et observe. Derrière la table se trouve un général français qui regarde. Debout devant une fenêtre à gauche et dos au spectateur se trouve un homme de petite taille ; il regarde par la fenêtre les destructions causées par la bataille. Imprimer à partir d'un ensemble de caricatures. unknown
183116982AB1831. No. 27 - 52 in 1 volume. Paris Aubert 1831. 33 : 26 cm Pages 208 to 414. Cloth. La Caricature was a satirical weekly published in Paris between 1830 and 1843 during the July Monarchy. 251 issues appeared between 1830 and 1835. The journal was increasingly vocal in its oppossition to Louis-Philippe and was seized more than twelve times. The publisher was prosecuted and Phillipon was jailed for a year. - WITHOUT THE PLATES!! hardcover
05941Paris: Chez Aubert 1830-1832. The Journal That Initiated the Golden Age of French Caricature<br /> <br /> LA CARICATURE. PHILIPON Charles founder publisher editor. La Caricature. Morale Religieuse Littéraire et Scénique. Nos. 1 - 86 first three volumes of ten. Paris: Chez Aubert Nov 4 1830 - April 18 1833. <br /> <br /> Three large quarto volumes 13 1/2 x 10 1/8 in; 342 x 257 mm. Containing the first five volumes 128 of 129 issues bound without issue 129 each with four pages of text and lithographed plates numbered 1-18 19-163 166-266 plus four unnumbered or bis plates 121 153 181a & 181b. A total of 267 of 528 plates some of which are double-page folding including eighty-eight hand-colored and four with movable flaps/panels. Almost all issues bearing the Timbre Royal Seine 5 centime tax stamp to upper or lower right corner of front page. <br /> <br /> Including the four bis or unnumbered plates. Also this set has been bound as is quite common without plate 19 Un Ami du peuple par H. Monnier. "It is missing in the La Bedoyère copy as in most copies." Vicaire II p. 52.<br /> <br /> Handsomely bound by Thivet ca. 1880 in three-quarter red morocco over marbled boards ruled in gilt. Spines with five raised bands elaborately decorated and lettered in gilt in compartments marbled endpapers. <br /> <br /> Some plates with light to moderate foxing. A couple with foxed spots generally to margins and not intruding upon image. While some of the wrappers/text have toned as expected but are not brittle others - miraculously - remain as fresh as the day they were printed. An excellent run of the first five volumes.<br /> <br /> Edited by Philipon in the few years that censorship was relaxed La Caricature is the most evocative revue of the Romantic period taking an important role in the fight of the liberals against Louis-Philippe and his ministers. Although a courageous editor Philipon with the literary help of Desnoyers Hugo and Balzac was not a great artist and needed the inspiration of Daumier and Grandville to bring alive his satirical magazine. <br /> <br /> Issued over only five years La Caricature is the most famous of all nineteenth century satirical magazines. The major contributors were Daumier and Grandville but there are contributions by Monnier Lami Descamps Raffet Gavarni Deveria Bouquet Traviès Desperet Forest Roubaud and others.<br /> <br /> Ray The Art of the French Illustrated Book 160. Vicaire II cols. 46-81. Paris: Chez Aubert, 1830-1832 unknown
1966Biblio821Place Victoria Montréal: Ville de Montréal 1966. 81/2x11" 65p couv imprimée ill n&b catalogue de compétition de 210 caricatures provenant de 37 pays Couverture jaunies avec légers frottements et tache sur la tranche Intérieur frais Rareté Ville de Montréal unknown
0365890634.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1871264BB1871. Paris Saillant 1871 555 : 455 cm. Lithographie originale en couleurs. Au Maréchal Bazaine la France Reconnaissante. Un Cordon s'il vous Plait. - Il y a des déchirures plus longues sur le côté mais elles ne sont pas visibles. A été plié en deux. unknown
