Bardy, MargitMareMagnum
1 389 résultats
This is a fine softcover copy with virtually no wear. Completely clean. Text in Hungarian, German and English. Foreword by Beke Laszlo. Illustrated throughout in color, some black & white photpgraph's of the artists' collages. Bibliography. 11" high X 9" wide, 147 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean inside and out. Signed by Larry Bell on the title page, to a friend. This catalog was prepared to accompany the exhibition at Art et Industrie in the fall of 1996. Essay by David L. Witt. Long text by Larry Bell explaining the narrative context of these bronze sculptures. Illustrated in black & white. 8" high X 9" wide, 24 pages.
This is a very good softcover copy. Signed by the artist, Donald Sultan, in ink, vertically on the front cover near the spine. Completely clean inside, and very clean outside, but some handling soil to covers. This catalog was prepared to accompany the exhibition at Blum Helman during the month of April, 1985. 8 color plates. Biographical sketch. Exhibition history. Bibliography. 9" square.
This is a fine as new hardcover copy without dust jacket as issued, and with the white banner, missing a piece at the spine. Completely clean inside and out. Text in English and Italian. Texts by Maurizio Marrone, and Marc Scheps. This catalog was prepared to accompany the exhibition at the Palazzo delle Papesse, Centro Arte Contemporanea in Siena, Italy from December 7, 2002 to March 2, 2003. Illustrated in color and black & white. Biography/Chronology illustrated with small color photographs. Bibliography. 9" high X 7" wide, 115 pages. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued, with no wear at all. Completely clean. Text in German and English. This catalog was prepared to accompany the exhibition held at Museum Pfalzgalerie Kaiserslautern, from May 5 to September 9, 2018. Illustrated in color and black & white. 11" high X 9" wide, 208 pages.Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text in Italian. Illustrated throughout in color. Essays by Giovanni Spadolini, Giuliano Matteucci, Raffaele Monti, Erich Steingraber and Carlo Sisi. This catalog was prepared to accompamy the exhibition at the Uffizi in the fall of 1991. Bibliography. 11" high X 8" wide, 229 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good hardcover copy in a very good slipcase. Very clean inside and out. Text in Italian. Massive documentation of 1960's Italian painting and sculpture. Illustrated profusely in color and black & white. This annual publication was curated by Luigi Carluccio with collaboration by Ornella and Marcello Levi, Sandra Reberschak, Umberto Allemandi and Alberto Bolaffi, Jr. This publication was international in scope and covered developments in the arts and publishing world every season. So there are sections on artists from a number of countries and there are mini-reviews of art books published during this season (1962-63). 10" high X 8 1/2" wide, 482 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. The spine is not creased, binding firm. Text in English and German. Essay by Prudence Carlson. Illustrated in color and black & white. Exhibition history. Bibliography. 9" high X 7" wide, 107 pages. This book will be securely packed and shipped with tracking.
This is a near fine softcover copy with almost no wear. Completely clean inside and out. Text in Italian and German. Curated by Rudy Chiappini, Director of the Museo d' Arte Moderna, Città di Lugano. Essays by Chiappini, Luigi Cavadini and Xavier Tricot. Illustrated in black & white with 138 plates + 60 color plates. The etchings are reproduced in b/w, the lithographs in color (red). Biographical sketch by Barbara Paltenghi. Exhibition history. Bibliography. 11" high X 10" wide, 297 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light cover wear. Signed by the artist, Abraham David Christian, and briefly inscribed, right on the frontispiece portrait of the artist, and dated 2008. Otherwise completely clean inside. Text in German. Illustrated in color and black & white. 12" high X 9" wide, 175 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean inside and out. This is a sale catalog for an auction held at Christie's New York on April 25, 2003. Sale code: ANTOINE- 1296. The sale featured bronzes by Antoine-Louis Barye and modeles from the sculptor's atelier sale in 1876. Essay. 160 lots in the sale. All illustrated in color, including several fold-outs. Bibliography. Exhibition history. Prices realized sheets included. 11" high X 8" wide, 152 pages. This book will be securely packed and shipped with tracking.
New English Paperback. 4to. (26 x 20 cm). In English and Turkish. 127 p., color ills. 13th International Traditional Meeting of Artists.= 13. Uluslararasi Geleneksel Sanatçilar Bulusmasi. [Exhibition catalogue]. May 24, June 04, 2017.
This is a very good or better softcover copy with virtually no wear. Completely clean inside and out. The Wexner Center invited artists Albert Oehlen and Christopher Williams to assume a curatorial guise in which they selected, edited, and designed an installation of each others most recent works. This comprehensive catalogue of the resulting exhibition features both Oehlens semi-abstract and computer-generated paintings and Williamss conceptual photographs. Illustrated mostly in black & white, some color plates. Essays by Thomas Crow, Diedrich Diedrichsen, Timothy Martin, Stephen Melville and Friedrich Petzel. Biographical sketches. Bibliography. 10" high X 8" wide, 172 pages. This book will be securely wrapped and shipped with tracking.
The 25th Council of Europe Art Exhibition of 1998-2000 took the form of a major exhibit of Bronze Age artifacts from all the countries in the European Community. A collection of essays on life during the Bronze Age which cover society, climate, crafts, religion, and cults, in order to explain its significance to the development of European culture which was displayed at various locations : Copenhagen (December 19th,1989 - April 5.1999) Bonn (May7 - August 8th 1999) Paris (September 28, 1999- January 9, 2000) Athens (February 11 -May 7, 2000) A handsome illustrated volume 296p. bibliography.N0TE : A very large [25x28x3] and heavy [2kg] volume Book
This is a very good hardcover copy without dustjacket as issued. Almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at Bowdoin College in the summer of 2014. Catalog edited by Christina von Rotenhan. Essays by Chris Dercon and Joachim Homann. Illustrated in color. Bibliography. 11" square, 140 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Slight bump to back lower corner of the book. Completely clean inside and out. Spine not creased, binding firm. Text in Italian. A handwritten note by Ida Reina to Leo Castelli discussing an exhibition of Miela Reina's work and this catalog is laid in. Miela Reina was born in 1935 and died in 1972. She produced paintings, sculpture, graphic designs and comics during the late 1950's and 60's. This catalog is a testimonial to her, with contributions by many Italian artists and critics including Aldo Rossi, Giuliana Roli, Gillo Dorfles, Carlo de Incontrera and Alberto Farassina. Illustrated in color and black & white with reproductions of her art and vintage photographs of Reina working or installing her works. Both Dorfles and de Incontreara have long essays about Reina here. Chronology. 9 1/2" high X 8 1/2" wide, 142 pages.
This is a very good softcover copy with almost no wear. Completely clean. Text in Spanish. This catalog was prepared to accompany the exhbition at the Reina Sofia in Madrid in 1996. Exhibition directed by Jacques Dupin. Essays by Dupin, Susanne Borova, Raoul-Jean Moulin, and Jose-Miguel Ullan. Illustrated throughout in color. Biographical sketch. Exhibition history. Bibliography. 11" high X 9" wide, 237 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy in the publisher's original illustrated wrappers with light wear. Opaque glassine dust wrapper missing. Completely clean inside and out. Text in French. Modern sculpture by Rudolf Belling, Jacob Epstein, Henry Moore, Oscar Jespers, John B. Flanagan, Gaston Lachaise, Constantin Brancusi, Charles Despiau, Pablo Gargallo, Henri Laurens, Jacques Lipchitz, Aristide Maillol, Ossip Zadkine, Hildo Krop and Arturo Martini. Illustrated in black & white photogravure with 53 full-page plates. 10" high X 9" wide, 23 pages text + plates. This book will be securely wrapped and sent with tracking.
This is a very good softcover copy with light wear. Covers a bit sunned. Completely clean inside. Text in French. This massive catalog was prepared to accompany the exhibition at the Centre Pompidou from mid March to mid June 2001. Exhibition curated by Mark Francis. Essays by Mark Francis, Catherine Grenier, Jean-Michel Bouhours, Martine Lobjoy and Chantal Beret. Checklist. Bibliography. Illustrated in color and black & white, hundreds of illustrations. 11" square. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Frederick R. Weisman Museum of Art in Malibu, California during the winter of 1992-93. Exhibition organized by Nora Halpern. Artists' Chronologies, Biographies and Bibliographies by Kathleen de Leon Watt. This exhibition explored the art publication 'Dynaton' which was published in San Francisco during the 1950's. Illustrated in color and black & white.11" high X 8" wide, 48 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy bound in stiff but flexible yellow plasticized boards printed in black. Slight tiny nick to the rear edge of the spine, otherwise fine. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Contemporary Arts Museum in Houston, Texas from December 2003 to March 2004. Edited by Lynn M. Herbert. Essays by Herbert, Laura Steward Heon, and Jenelle Porter. Interview with the artist conducted by Thyrza Nichols Goodeve. Illustrated with 55 four-color and 40 black-and-white plates. Illustrated chronology. Biographical sketch. Bibliography. 9" high X 11" wide, 134 pages. This book will be securely packed and shipped with tracking.
This is an about very good softcover copy with light creasing to front cover and first white page. Paper clip impression to top page edges of first few pages. Completely clean. Text in German. Essay by Hannelore Kersting. This catalog was prepared to accompany the exhibition at the Stadtisches Museum Abtieberg in Monchengladbach from November 5, 1989 to January 21, 1990. Illustrated thoughout in black & white, some color. Biographical sketch. Bibliography. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued with no wear at all. Signed by the artist, Kristin Baker, in black marker on the title-page just bekow her printed name. Not inscribed to anyone, just signed. Essay by Suzanne Hudson. Illustrated throughout in color. 11" high X 9" wide, 68 pages. This book will be securely packed and shipped with tracking.
This is a very good hardcover copy in illustrated boards, no dust jacket, as issued, with just light wear. Initialled in ink, on the half title-page, and dated July 23, 2008, Berlin, by the artist, Thorsten Brinkmann. Not inscribed to anyone, just signed by the artist. Otherwise completely clean inside and out. Text in German and English. Essays by Anette Husch and Matthias Harder. Profusely illustrated in color. 12" high X 9" wide, 167 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.