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This is a very good softcover copy with almost no wear. Completely clean. Text in English and German. Illustrated mostly in color. Essays by Peter Gorsen, Hubert Klocker, Robert Fleck, and Michaela Poschl. Interview with Kurt Kren conducted by Paul McCarthy. Bibliography. 12" high X 8" wide, 63 pages.This book will be securely packed and shipped with tracking.
This is a fine softcover copy still in the publisher's shrinkwrap. As new. This catalog was prepared to accompany the exhibition at the Museum of Modern Art in New York in 1978. Edited by Alicia Legg, With essays by Lucy R. Lippard, Robert Rosenblum and Bernice Rose. 274 illustrations including 16 color plates. 11" high X 8" wide, 184 pages. A fine unopened copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued, with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition 'Urs Fischer: Marguerite de Ponty' at the the New Museum.in 2009. Essays by Bice Curiger, Jessica Morgan, and Massimiliano Gioni. Illustrated lavishly in color. Bibliography. Stated first edition. 12" high X 10" wide, 480 pages. Large very heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket. Completely clean. Edited by Olaf Peters. This monograph was prepared to accompany the exhibition at the Neue Galerie in New York from March 13 to June 30, 2014. Essays by Olaf Peters, Mario-Andreas von Luttichau, Ines Schlenker, Ernst Ploil, Karsten Muller, Bernhard Fulda and Aya Soika, Karl Stamm, Ruth Heftrig, and Jonathan Petropoulos. Checklist. Bibliography. 11" high X 9" wide, 320 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is an about very good softcover copy with light wear. Very clean inside and out, some handling wear at the spine. A Galerie Stadler label, perhaps clipped from a mailing envelope, is tipped-in to the inside front cover. Text in French and English. Text by Francois Pluchart. Artists in the exhibition included: Duchamp, Manzoni, Klein, Brus, Muehl, Nitsch, Rainer, Schwarzkogler, Rinke, Nauman, Journiac, Oppenheim, Acconci, Pane, Lüthi, Gilbert & George, Terry Fox, Lucas Samaras, Joan Jonas, Burden, Sieverding. Illustrated in black & white. 12" high X 8" wide. about 50 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Full Title: NOUVELLE ENCYCLOPEDIE DES MENAGES, OU RESUME DES SCIENCES ET DES ARTS, Contenant les Meilleures Recettes Connues jusqu'a ce jour, Redigee par une Societe d'hommes savants, Chimistes, Manufacturiers et Artistes de tous les etats et tous les pays. d'apres l'Exposition de 1844, les journaux industriels, les brevets dinvention, les recueils des Societes dencoragement, les ouvrages les plus recents et les mieux estimes. Dedie aux Artistes et a l'Industrie. Par MM. D. R. J. Quartieme Edition. 254 p. + Two large folding charts. Certification on the verso of the title page signed by the publisher. Edges uncut. 18 mo. 150 mm. Original printed wraps. A wonderful collection of recipes and formulas for: scientists; artists; manufacturers; doctors; and pharmacists. The author mentions that he took some of these from the enormously successful French Industrial Exposition of 1844, held in a temporary structure on the Champs-Elysees in Paris. This ephemeral pamphlet is extremely scarce. We have been unable to locate a copy in any U.S. library, and in Europe only the French National Library has a copy (of the 5th edition). **PRICE JUST REDUCED! FR-VOYAGE 3RD FL
This is a fine softcover copy with no wear at all. Signed in ink, by the artist, James Rosenquist, and briefly inscribed, on the title-page just above his printed name. Otherwise completely clean. This catalog was prepared to accompany the exhibition at Acquavella Galleries in New York from February to March 2010. Essay by Sarah Celeste Bancroft. Exhibition checklist with 21 works. All illustrated in color. 10" high X 9" wide, 47 pages. A fine signed copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine softcover copy with no wear at all. Small mark on front cover in red pencil, otherwise completely clean. The spine is not creased, binding firm. This catalog was prepared to accompany the exhibition: Nicolas de Stael - Peintures et dessins, at the Hotel de ville de Paris from March 15 to June 19, 1994. Text in FRENCH. Illustrated mostly in color, some black & white. Chronology and exhibition history. 11" high X 9" wide, 239 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Oblong 4to., First Edition, with numerous fine coloured reproductions; blue wrappers, upper wrapper with mounted coloured illustrations (repeated from text) and lettered in gilt, wire-stitched as issued, a near fine copy. With Private View card loosely inserted.
8vo., First Edition, with a plan in the text; newly and strongly bound in blue cloth gilt, a near fine copy. The catalogue lists 206 notable works, together with 72 water-colours by Turner. With indexes of painters and contributors. SCARCE, ESPECIALLY IN THIS CONDITION.
71pp. + 13 planches hors-texte & une épreuve originale sur papier "Mattalbumin" de Trapp & Münch à Friedberg représentant une vue dans le temple de Philae en Egypte (photographie prise par S.M. la Reine Elisabeth de Belgique), + [12] pp. de publicité, 22cm., brochure originale, 2e édition, bon état, [contient une liste 769 photos exposées], S95537
Saint-Cloud, Imprimerie Belin Frères, 1906. In-8 relié demi chagrin bleu à coins, dos à nerfs, couvertures conservées38 pages accompagnées de nombreuses photographies hors texte. Bel exemplaire
In4° grande; pp. XV, (3), 352, molte ilustrazioni nel testo. legtaura originale in cartonato rigido rigido con titolo impresso in oro al piatto superiore. ex libris John Francis Bricca. Original blue cloth gilt decorations and title. First edition.
v, 109 pages. Glossary. Index. Black and white illustrations. "In this manual, the techniques used to create the 32 different species in the Open Ocean exhibit have been presented in 10 groups, ranging from the simplest to the most complex. These techniques can be adapted for many uses such as reproducing archaeological artifacts as well as biological specimens." - Preface. Clean, bright and unmarked with very light wear. A nice copy. Book
pp. [2], 3-48. Chronology. Bibliography (to 1971). Catalogue of on exhibition held at the Art Gallery of Greater Victoria, September 19-November 24, 1985, and the Vancouver Art Gallery, January 25-March 23, 1986. Includes essay by David MacWilliam. Printed upon glossy stock illustrated in colour and black and white. "The paintings of Michael Morris from the late 1960s epitomize all that I have come to associate with what was vital in Vancouver at the time. They are original, inventive, eccentric art works which comment with wry humour, intense colour, aggressive compoistion and intellectual detachment on their times." - p.7. Clean and unmarked with moderate wear. A sound and attractive copy. Book
20 pages. Oblong 9" x 6". Diagrams and black and white reproductions of photos. "The decorative arts, as epitomized by bark biting, reflect in their motifs an environment in constant flux, an interdependence of plant/animal/human lives, a nature of continuing beauty and mystery." - page 3. Includes biographical information about Merasty and information about bark biting and birch bark. Unmarked with somewhat above-average wear. A sound copy. Book
Features: Ichiyo School; Ikenobo School; Koryu Shohtoh-kai School; Sogetsu School; Kasumi's Exhibition at Westminster Abbey; Tankin-Transfiguration of Metals; Sakai Hoitsu; Seifu Enshu School; Saga School; Soami School; Ohara School; Chiko School; Ryusei-ha School; Ryusei-ha's Exhibition Presents 'Composition of Leaves'. Writing at bottom of front cover. Average wear. A sound copy. Book
A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. 176 p. Color ills. Hüsn-i hat bulusmasi. 28 Ekim - 3 Kasim 2007.
This is a very good softcover copy with just light wear. Completely clean inside, a bit of light soil to covers. Also a small art library handstamp on the inside front cover, no other marks. This monograph was prepared to accompany the exhibition at the Whitney Museum in 1979. Essay by Roland Barth. Contributions by Heiner Bastian and David White. Chronology. Bibliography. Exhibition checklist with 85 works catalogued. Illustrated in black & white, some color. 10" high X 9" wide, 118 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
A clean, unmarked book with a tight binding. 38 pages. 8 7/8"w x 10 7/8"h. The catalogue for the exhibition titled Insound/Instructure. Essays by Yoko Ono, artworks from the sixties and the seventies, many film scripts with the film stills and instruction pieces. An essay by Ina Blom in Finnish and in English. Black and white photographs of Yoko Ono's films and works
A clean, unmarked book with a tight binding. Very large format: 11 3/4"w x 11 3/4"h. 394 pages. Exhibition catalog for the Guggenheim Museum's second Lichtenstein retrospective of his paintings, sculptures, and works on paper.
In 8°(19,7x13,5 cm); (8 pubblicitarie), 60, (16 di pubblictà editoriale) pp. e 14 c. di tav. fuori testo con belle immagini di Genova, New York, Chicago. 38 illustrazioni nel testo e fuori testo, varie a piena pagina. Brossura editoriale illustrata, dorso anticamente ed abilemente rifatto dello stesso colore della brossura e per il resto buono stato di conservazione. Prima rara edizione di questa guida di Chicago che contiene oltre una descrizione del viaggio da intraprendere (con costi, orari, hotel, ristoranti, mezzi di trasporto, monumenti da visitare lungo il tragitto) per andare da Geova, attraverso New York fino a Chicago e visitare i luoghi "Colombiani" e l'esposizione Colombiana di Chicago, contiene due brevi capitoli dedicati il primo alla descrizione del porto di Genova e il secondo alla città di Genova (20 pagine). Segue una breve descrizione di New York con una tavola che a doppia pagina riproduce una veduta aerea della "Grande Mela" così come appariva alla fine del XX secolo. Segue la descrizione di Chicago e della celebre "Columbian Exposition". Prima edizione, non comune.
P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché avec couverture à rabats, 38-64-68 pp.- hors-textes photographiques. Petit manque de papier en bas du dos.
