Francis, MarkMareMagnum
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This is a very good softcover copy with light wear. Covers a bit sunned. Completely clean inside. Text in French. This massive catalog was prepared to accompany the exhibition at the Centre Pompidou from mid March to mid June 2001. Exhibition curated by Mark Francis. Essays by Mark Francis, Catherine Grenier, Jean-Michel Bouhours, Martine Lobjoy and Chantal Beret. Checklist. Bibliography. Illustrated in color and black & white, hundreds of illustrations. 11" square. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Frederick R. Weisman Museum of Art in Malibu, California during the winter of 1992-93. Exhibition organized by Nora Halpern. Artists' Chronologies, Biographies and Bibliographies by Kathleen de Leon Watt. This exhibition explored the art publication 'Dynaton' which was published in San Francisco during the 1950's. Illustrated in color and black & white.11" high X 8" wide, 48 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy bound in stiff but flexible yellow plasticized boards printed in black. Slight tiny nick to the rear edge of the spine, otherwise fine. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Contemporary Arts Museum in Houston, Texas from December 2003 to March 2004. Edited by Lynn M. Herbert. Essays by Herbert, Laura Steward Heon, and Jenelle Porter. Interview with the artist conducted by Thyrza Nichols Goodeve. Illustrated with 55 four-color and 40 black-and-white plates. Illustrated chronology. Biographical sketch. Bibliography. 9" high X 11" wide, 134 pages. This book will be securely packed and shipped with tracking.
This is an about very good softcover copy with light creasing to front cover and first white page. Paper clip impression to top page edges of first few pages. Completely clean. Text in German. Essay by Hannelore Kersting. This catalog was prepared to accompany the exhibition at the Stadtisches Museum Abtieberg in Monchengladbach from November 5, 1989 to January 21, 1990. Illustrated thoughout in black & white, some color. Biographical sketch. Bibliography. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued with no wear at all. Signed by the artist, Kristin Baker, in black marker on the title-page just bekow her printed name. Not inscribed to anyone, just signed. Essay by Suzanne Hudson. Illustrated throughout in color. 11" high X 9" wide, 68 pages. This book will be securely packed and shipped with tracking.
This is a very good hardcover copy in illustrated boards, no dust jacket, as issued, with just light wear. Initialled in ink, on the half title-page, and dated July 23, 2008, Berlin, by the artist, Thorsten Brinkmann. Not inscribed to anyone, just signed by the artist. Otherwise completely clean inside and out. Text in German and English. Essays by Anette Husch and Matthias Harder. Profusely illustrated in color. 12" high X 9" wide, 167 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
This is a very good hardcover copy without dust jacket as issued, with just light cover wear. Completely clean inside and out. Text in English and Italian. Illustrated in color and black & white. This monograph was prepared to accompany the exhibition in London at the Cortesi Gallery, from May 26 to July 22, 2016. Exhibition curated by Ilaria Bignotti, who also edited the catalog and writes the title essay 'The Concrete Utopia: Ivan Picelj and New Tendencies 1961- 1973'. The exhibition explored the work of Ivan Picelj (1924- 2011) and his contributions to the 1960's art movement New Tendencies. Bibliography. 12" high X 8" wide, 150 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. Illustrated in color throughout. Essay by Morgan Falconer. 9" high X 12" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with light wear. Completely clean inside and out. Bottom of spine bumped.. Text in Spanish with English summary at the end. This catalog was prepared to accompany the exhibition at the Museo Nacional Centro de Arte Reina Sofía from April 25 to June 23, 1996. The artists in the exhibition included: Bianchi, Bleckner, Broto, Davenport, Dorner, Dunham, Ellis, Forg, Frize, Garcia-Sevilla, Gordillo, Grau, Halley, Heilmann, Jenssen, Kirkeby, Lasker, Merkel, McKeever, Pradas, Rae, Reed, Richter, Scully, Steir, Taaffe, Urzay, Usle and Winters. Illustrated in color. Essays by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni. Bibliography. 11" high X 9" wide, 175 pages. This book will be securely packed in a sturdy box and shipped with tracking.
Portfolio containing two packs of cards - one English, one French- relating to the publications included in a 1989 National Library of Canada exhibition called "Let us compare mythologies". The exhibition was based on items held in the Library's Literary Manuscripts Collection and other special collections, demonstrating, decade by decade, the range and diversity and development of Canadian poetry in English.102 leaves which can be interfiled into a single parallel text. In original folded card envelope , slightly scuffed but complete. Ephemera
This is a very good softcover copy with almost no wear. Completely clean inside and out. Binding firm. Text in German. Illustrated throughout with black & white photographs. Full title 'Skulpturen fur Krefeld I: Richard Long, David Rabinowitch, Claes Oldenburg, Ulrich Ruckriem, Lawrence Wiener, Richard Serra'. 12" high X 9" wide, 72 pages.
This is a very good softcover copy printed on white sheets simply stapled at the left side. Recently de-accessioned from a major New York art museum and so bearing one small handstamp on the front cover. Otherwise very clean throughout. Not illustrated, just a checklist and an essay by Alfred Leslie. 8" high X 11" wide, 15 pages.
This is a near fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition in Houston at the Contemporary Arts Museum from April 27 to June 30, 1996. Essays by Dana Friis-Hansen and Richard Brettell. Biographical sketch. Publications by the artist. Exhibition checklist. Illustrated mostly in color. 9" high X 11" wide, 63 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean inside and out. No date of publication, but in WorldCat: 1988. Staple bound artists' book, 14 pages. Illustrated in color and black & white. Presented like a scrapbook. Brief preface by Edit de Ak. 12" high X 16" wide. This book will be securely wrapped and shipped with tracking.
Catalogue of an exhibit at the Art Institute of Chicago from December 22nd.1989 to February 24th 1980.. xx,231p.+8 colour 7 illus, glossary, bibliography,index. Book
This is a very good softcover copy with just light wear at the base of the spine. Completely clean inside and out. Text in Italian. This catalog was prepared to accompany the exhibition in Bergamo from September 22 to October 20, 1995. This exhibition showcases paintings by 42 artists from the late 19th to mid 20th centuries, living and working in Bergamo. Includes works by Cesare Tallone and Ponziano Loverini. Essay by Cesare Morali. Illustrated in color with 145 color plates. Many vintage black & white photographs. Bibliography. 12" high X 8" wide, 372 pages. Large heavy book, foreign shipping will be extra. This book will be securely packed and shipped with tracking.
This is a very good softcover copy of the press clippings and notices for the exhibition: Francis Bacon Le Sacre et le Profane, which was shown in Paris in 2004 at Fondation Dina Vierny/ Musee Maillol. This is NOT the catalog for the exhibition. LIght soil to page edges. Text in French. About 250 pages, illustrated in color and black & white. The Revue de Presse is divided into 9 sections: daily papers, weeklies, monthlies, bi-monthlies, quarterlies, 'medias etrangers' radios- televisions, and sites-web. 12" high X 8" wide. Large heavy book. Foreign shipping will be extra. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Gagosian Gallery, Beverly Hills, from April 21 to May 26, 2007. Essay by Darcey Steinke 'Vanitas: the Art of Richard Phillips'. Illustrated in color. Bibliography. 12" high X 10" wide, 59 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.
This is a very good softcover copy with just light cover wear. Signed and briefly inscribed by the artist, in Italian, to a friend, on the front endpaper. Otherwise completely clean inside, the covers are just a bit toned. Text in Italian. This catalog was prepared to accompany the exhibition of Agostino Pinelli (1898- 1961), an artist from Genoa, who did watercolors and still lifes. Essay by Romano Broggini. Biographical sketch. Exhibition history. Bibliography. Illustrated with 90 plates, including 11 color plates, + frontispiece photograph of the artist and several black & white illustrations in the text. 9" high X 8" wide, about 80 pages.
This is a fine hardcover copy with no wear at all. Completely clean. This caralog was prepared to accompany the exhibition at Gagosian in Beverly Hills in November and December 2014. Essay by Joachim Pissarro. List of Works with 25 pieces. Illustrated throughout in color. Four fold-outs. 12" high X 9" wide. A beautiful copy. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with a fine dust wrapper with virtually no wear. Completely clean. The spine is not creased. Text is in French and English. Catalogue of "Gravitational Vehicles" compiled by Catrina Neiman. 116 black and white illustrations. Biographical sketch. Exhibitions history. Bibliography. 12" high X 8" wide, 131 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine hardcover copy with almost no wear. Completely clean inside and out. Text in Swedish. Sheet with biographical sketch on one side and notes by CFR on Laser on the other side, laid in. One paragraph of text and then two pages with a line or two as caption for each hologram. Illustrated throughout in black & white with photographs of the holograms. 8" square.
This is a very good softcover copy with just light wear. Completely clean. This catalog was prepared to accompany the exhibition at Hunter College Art Gallery from May 16 to June 20, 1984. Essay by Maurice Berger. Artists included Robert Morris, Laurie Anderson, and Robert Longo. Checklist. Illustrated in black & white. 8" square, 20 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at the Whitechapel Art Gallery in London in May through June, 1964. Preface by Bryan Robertson. Interview with Kline by Frank O'Hara. Checklist with 66 catalogued works. Illustrated in black & white. Exhibition history. Bibliography. 8" high X 7" wide, 24 pages. This book will be securely packed and shipped with tracking.