9 183 résultats
20174135Paris Somogy 2017 In-4 (h. 31 cm.) 480 pp. couverture cartonnée. Nombreuses illustrations en couleurs.
74694Coll. "Histoire", Bruxelles, éd. Racine - RTBF, 2008, EDITION ORIGINALE, gd. in-8, cartonnage souple à rabats éd., 160 pp., très nb. photos et reproductions de documents de l'époque en noir, 1 carte du site en noir, Le Livre sur l'exposition universelle à Brucelles en 1958. Très RARE Très bon état, comme neuf
1953325Paris, Maeght éditeur, 1953. In-folio (380 x 280 mm) en feuilles, 28 pages. 22 reproductions en couleurs dont 4 en double page. Première exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 2ème édition. Carte "Hommage de l'éditeur jointe".
1954802Paris, Maeght éditeur, 1954. In-folio (380 x 280 mm) en feuilles, 24 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS en double page. 7 dessins inédits reproduits en fac-similé. Avec un texte de Henri Maldiney et un poème d'André du Bouchet. Première exposition Tal-Coat à la Galerie Maeght: 25 peintures de 1952 à 1954. Tirage original.
v, 109 pages. Glossary. Index. Black and white illustrations. "In this manual, the techniques used to create the 32 different species in the Open Ocean exhibit have been presented in 10 groups, ranging from the simplest to the most complex. These techniques can be adapted for many uses such as reproducing archaeological artifacts as well as biological specimens." - Preface. Clean, bright and unmarked with very light wear. A nice copy. Book
pp. [2], 3-48. Chronology. Bibliography (to 1971). Catalogue of on exhibition held at the Art Gallery of Greater Victoria, September 19-November 24, 1985, and the Vancouver Art Gallery, January 25-March 23, 1986. Includes essay by David MacWilliam. Printed upon glossy stock illustrated in colour and black and white. "The paintings of Michael Morris from the late 1960s epitomize all that I have come to associate with what was vital in Vancouver at the time. They are original, inventive, eccentric art works which comment with wry humour, intense colour, aggressive compoistion and intellectual detachment on their times." - p.7. Clean and unmarked with moderate wear. A sound and attractive copy. Book
2009BN27038Scheidegger & Spiess 2009. 2009. Hardcover. 25 x 217 x 25 cm. 1834 brach der Zürcher Karl Bodmer mit dem deutschen Naturforscher Maximilian Prinz zu Wied und dessen Gefolge zur legendär gewordenen "Reise in das innere Nord-America" auf. Die Expedition dauerte 28 Monate. Während Maximilian sein Tagebuch schrieb Naturalien zusammensuchte und Gegenstände von Indianern erwarb zeichnete Bodmer mehr als 400 Indianer- Landschafts- und Tierbilder. Seine detailgetreuen Skizzen und Aquarelle die später als Vorlagen für die druckgrafischen Illustrationen des Reiseberichts dienten gelten als Höhepunkt in der bildnerischen Darstellung fremder Völker. Und sie zählen zu den wichtigsten Dokumenten über die Indianerkulturen am oberen Missouri. Dieses reich illustrierte Buch ist die Hommage seiner Geburtsstadt Zürich an den grossen Maler dem wir viele Einsichten in die Lebensweise und das Aussehen der Natives in den Plains und Prärien verdanken. Es verbindet biografische Erzählung und analytische Essays und beleuchtet den eigenwilligen Stellenwert dieser Zeichnungen Aquarelle und Stiche zwischen exakter Wissenschaft und Kunst. - Karl Bodmer born in Zurich in 1809 is well known in the present day for the magnificent illustrations he made in 1832-34 on an extensive expedition led by the German aristocrat and scientist Prinz Maximilian zu Neuwied along the upper Missouri and Ohio rivers. Bodmer's more than 400 detailed sketches and watercolours are unsurpassed until the present day and still recognised as an epitome in depicting alien culture and they are among the most important documents of Native American culture. This book marks Bodmer's 200th anniversary and is an homage to the painter who gave so many detailed and lively insights into the way of life and appearance of the native people in the North American plains and prairies. It presents all 81 engravings after his watercolours used to illustrate Prince Maximilian's travels in the interiors of North America besides of many of his original watercolours and sketches and also photographs of artefacts collected during the expedition.The illustrations are complemented by essays on Bodmer's life and investigating key aspects of his oeuvre as well as the particular nature of his work between scientific illustration and art. Autor: Hartwig Isernhagen born 1940 has been professor of American literature at the University of Basel Switzerland from 1981-2004. He is an expert of Karl Bodmer and his work and curator of an exhibition marking Bodmer's 200th anniversary at the North American Native Museum in Zurich in 2009. Karl Bodmer - Maler der amerikanischen Urvölker: A Swiss Artist in America Ein Schweizer Künstler in Amerika 18091893 Englisch Gebundene Ausgabe Hartwig Isernhagen Herausgeber Professor of American literature University Basel Switzerland curator exhibition marking Bodmer's 200th anniversary North American Native Museum Zurich 2009 Peter Bolz Denise Daenzer Hartwig Isernhagen Gerold Lauber Sonja Schierle Ausstellungskataloge Bildende Kunst Indianer Indianermaler Motiv in der bildenden Kunst Literatur Nordamerika Native Museum Zürich North American Native Zurich Museen Naturforscher Maximilian Prinz zu Wied Reise in das innere Nord-America Tagebuch Naturalien Indianerbilder Landschaftsbilder Tierbilder detailgetreuen Skizzen Aquarelle bildnerische Darstellung fremder Völker Indianerkulturen am oberen Missouri Hommage Einsichten in die Lebensweise und das Aussehen der Natives in den Plains und Prärien Zeichnungen Stiche upper Missouri and Ohio rivers sketches watercolours documents of Native American culture painter native people in the North American plains and prairies engravings Prince Maximilian's travels in the interiors of North America photographs of artefacts collected during the expedition illustrations oeuvre Kunst Musik Theater Malerei Plastik Ausstellungskataloge Bodmer Karl Bildende Kunst Indianer Indianermaler Motiv in der bildenden Kunst Literatur Nordamerika Native Museum Zürich North American Native Museen ISBN-10 3-85881-236-6 / 3858812366 ISBN-13 978-3-85881-236-0 / 9783858812360 Painter of the Native Americans: Europe Encounters America Depicting the Native North Americans A Swiss Artist in America 1809-1893 Karl Bodmer - Maler der amerikanischen Urvölker: A Swiss Artist in America Ein Schweizer Künstler in Amerika 18091893 English Hardcover Hartwig Isernhagen Herausgeber <br/><br/>Ausstellungskataloge Bodmer Karl Bildende Kunst Indianer Indianermaler Motiv in der bildenden Kunst Literatur Nordamerika Native Museum Zürich North American Native Museen ISBN-10 3-85881-236-6 / 3858812366 ISBN-13 978-3-85881-236-0 / 9783858812360 Painter of the Native Americans: Europe Encounters America Depicting the Native North Americans A Swiss Artist in America 1809-1893 Karl Bodmer - Maler der amerikanischen Urvölker: A Swiss Artist in America Ein Schweizer Künstler in Amerika 18091893 English Hardcover Hartwig Isernhagen Herausgeber 1834 brach der Zürcher Karl Bodmer mit dem deutschen Naturforscher Maximilian Prinz zu Wied und dessen Gefolge zur legendär gewordenen "Reise in das innere Nord-America" auf. Die Expedition dauerte 28 Monate. Während Maximilian sein Tagebuch schrieb Naturalien zusammensuchte und Gegenstände von Indianern erwarb zeichnete Bodmer mehr als 400 Indianer- Landschafts- und Tierbilder. Seine detailgetreuen Skizzen und Aquarelle die später als Vorlagen für die druckgrafischen Illustrationen des Reiseberichts dienten gelten als Höhepunkt in der bildnerischen Darstellung fremder Völker. Und sie zählen zu den wichtigsten Dokumenten über die Indianerkulturen am oberen Missouri. Dieses reich illustrierte Buch ist die Hommage seiner Geburtsstadt Zürich an den grossen Maler dem wir viele Einsichten in die Lebensweise und das Aussehen der Natives in den Plains und Prärien verdanken. Es verbindet biografische Erzählung und analytische Essays und beleuchtet den eigenwilligen Stellenwert dieser Zeichnungen Aquarelle und Stiche zwischen exakter Wissenschaft und Kunst. - Karl Bodmer born in Zurich in 1809 is well known in the present day for the magnificent illustrations he made in 1832-34 on an extensive expedition led by the German aristocrat and scientist Prinz Maximilian zu Neuwied along the upper Missouri and Ohio rivers. Bodmer's more than 400 detailed sketches and watercolours are unsurpassed until the present day and still recognised as an epitome in depicting alien culture and they are among the most important documents of Native American culture. This book marks Bodmer's 200th anniversary and is an homage to the painter who gave so many detailed and lively insights into the way of life and appearance of the native people in the North American plains and prairies. It presents all 81 engravings after his watercolours used to illustrate Prince Maximilian's travels in the interiors of North America besides of many of his original watercolours and sketches and also photographs of artefacts collected during the expedition.The illustrations are complemented by essays on Bodmer's life and investigating key aspects of his oeuvre as well as the particular nature of his work between scientific illustration and art. Autor: Hartwig Isernhagen born 1940 has been professor of American literature at the University of Basel Switzerland from 1981-2004. He is an expert of Karl Bodmer and his work and curator of an exhibition marking Bodmer's 200th anniversary at the North American Native Museum in Zurich in 2009. Karl Bodmer - Maler der amerikanischen Urvölker: A Swiss Artist in America Ein Schweizer Künstler in Amerika 18091893 Englisch Gebundene Ausgabe Hartwig Isernhagen Herausgeber Professor of American literature University Basel Switzerland curator exhibition marking Bodmer's 200th anniversary North American Native Museum Zurich 2009 Peter Bolz Denise Daenzer Hartwig Isernhagen Gerold Lauber Sonja Schierle Ausstellungskataloge Bildende Kunst Indianer Indianermaler Motiv in der bildenden Kunst Literatur Nordamerika Native Museum Zürich North American Native Zurich Museen Naturforscher Maximilian Prinz zu Wied Reise in das innere Nord-America Tagebuch Naturalien Indianerbilder Landschaftsbilder Tierbilder detailgetreuen Skizzen Aquarelle bildnerische Darstellung fremder Völker Indianerkulturen am oberen Missouri Hommage Einsichten in die Lebensweise und das Aussehen der Natives in den Plains und Prärien Zeichnungen Stiche upper Missouri and Ohio rivers sketches watercolours documents of Native American culture painter native people in the North American plains and prairies engravings Prince Maximilian's travels in the interiors of North America photographs of artefacts collected during the expedition illustrations oeuvre Kunst Musik Theater Malerei Plastik Scheidegger & Spiess hardcover
20 pages. Oblong 9" x 6". Diagrams and black and white reproductions of photos. "The decorative arts, as epitomized by bark biting, reflect in their motifs an environment in constant flux, an interdependence of plant/animal/human lives, a nature of continuing beauty and mystery." - page 3. Includes biographical information about Merasty and information about bark biting and birch bark. Unmarked with somewhat above-average wear. A sound copy. Book
Features: Ichiyo School; Ikenobo School; Koryu Shohtoh-kai School; Sogetsu School; Kasumi's Exhibition at Westminster Abbey; Tankin-Transfiguration of Metals; Sakai Hoitsu; Seifu Enshu School; Saga School; Soami School; Ohara School; Chiko School; Ryusei-ha School; Ryusei-ha's Exhibition Presents 'Composition of Leaves'. Writing at bottom of front cover. Average wear. A sound copy. Book
19362091502135705993Takumi-gei-sha 1936. Soft Cover. Fine. The book is in fine condition. Takumi-gei-sha paperback
19712090502126900715Not Available 1971. Soft Cover. Fine. The book is in fine condition. Not Available paperback
30970Christchurch NZ : s.n. July 1906. Small quarto 255 x 175 mm original thick grey paper covers the front with printed greeting in MÄori and English in silver lettering at head and foot with a shaped chromolithograph onlay 155 x 110 mm irregular at the centre depicting the welcoming figures of a MÄori woman and a European woman draped in the New Zealand flag standing before a MÄori carved gateway the rear with a printed silver fern and small shaped chromolithograph of the Exhibition seal onlaid; inside is the tipped-in lithograph printed invitation itself embellished with a MÄori motif at each corner and two bands of silver ribbon across the top and bottom with the name of the invitee in manuscript W. Lamb-Smith Esq. William Lamb Smith 1846-1910 Consul-General for Paraguay in Melbourne; a pristine example of this beautifully designed invitation. Other examples are held in the Alexander Turnbull Library and the Christchurch City Libraries. unknown
2881247911.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1982229086Venezia : Albrizzi 1982. First Edition. Hardcover. Fine cloth copy in an equally fine dust wrapper. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Physical description; 327 p. : ill. Subjects; Italian glassware - Venetian glassware - to date - Catalogues. Genre; Catalogue. Venezia : Albrizzi hardcover
1984Q-0671507125Simon & Schuster 1984-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Simon & Schuster hardcover
69684aafsans nom et sans lieu, s. d., env. 1965, in-8vo, reliures en toile originales. Parfait état.
74056aafParis, Impr. Vauthrin Frères, 1897, in-8vo, 96 p., rich. ill., brochure originale.
76471aafEdition und Galerie Hoffmann, 1988, in-4to, 382 S., reich ill. in S/W + 31 S. Werbung, Original-Pappband.
117481Genève, Le Comité du Groupe 25 1896, 410x305mm, 19pages, en feuille sous chemise demi-percaline rouge à coins et avec 3 lacets. Avec le feuillet publicitaire, prospectus en couleurs. Bel exemplaire.
116738Madrid et Saint-Rémy-de-Provende, Ayuntamiento de Madrid et Conde Duque Centro Cultural 2002, 300x235mm, 205pages, broché. Couverture à rabats. Très bel exemplaire.
75891aafDüsseldorf, Zentraldruckerei Wust & Co., 1974, gr. in-8vo, 34 S., + 60 photogr. Tafeln + 10 Farb-Tafeln + Tafel mit Fotogr. Abb. von Robin & Carol + 13 S. Werbung, Wasserwellig, Signiert vom Autor "Hey Jean...........Robin", original wrappers., illustrated.
11745Hambourg. In-4 broché, 3 ill. photos en noir sur couv. (+ 1 au verso). 555 photos en noir, oeuvres de 264 photographes de 30 pays sur le thème : Qu'est-ce que l'homme ? Bon état. Catalogue mis en page par Peter Jürgen Wilhelm.
M1743bNational Gallery of Canada Ottawa 1994. First edition. Large in-4 606 pages. Orange softcover. Small bump on top left front cover otherwise in excellent condition. djh Language: English. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Egypt: Catalogue Sculpture Painting Music & Art. unknown
196915995Galerie Felix Handschin, Basel, 1969. 20 Blatt und 11 Transparentfolien, quer, ca. 20x31 cm, Spiralbindung m. bedrucktem, transparente Deckblatt. Auflage: 500 Exemplare. Durchgehend mit farblich gestalteten Seiten (überwiegend Lithographien). Interessantes Buchobjekt im Stil der Pop-Art. Very interessing object. Limited. Hommage à Pop Art.
25171<meta charset="utf-8"><span data-mce-fragment="1">Danseuse et chorégraphe, Loïe Fuller (1862-1928) révolutionna par ses recherches avant-gardistes sur la lumière, la couleur et le mouvement, les arts scéniques à la fin du XIXe siècle. Plus que son nom, c'est l'image irréelle d'une silhouette enveloppée de voiles virevoltants qui a marqué les mémoires. Dans ses célèbres spectacles, souvent imités, elle évoquait, à force d'inventivité et de maîtrise technique, le lys, l'orchidée, le papillon... Initiatrice d'une nouvelle esthétique, Loïe Fuller suscita l'admiration des milieux littéraires et artistiques, qui virent s'incarner en elle le mythe de l'idéal féminin. Son imagination puisée au répertoire de la nature, la gestuelle ondoyante de sa danse serpentine, son goût pour les effets colorés recherchés et les métamorphoses oniriques inspirèrent aux créateurs de l'Art nouveau quelques-unes de leurs réalisations les plus originales.</span> Paris, 2002 RMN 183 pages, très nombreuses illustrations couleur, broché. 20,5 x 28