1 389 résultats
pp. [2], 3-48. Chronology. Bibliography (to 1971). Catalogue of on exhibition held at the Art Gallery of Greater Victoria, September 19-November 24, 1985, and the Vancouver Art Gallery, January 25-March 23, 1986. Includes essay by David MacWilliam. Printed upon glossy stock illustrated in colour and black and white. "The paintings of Michael Morris from the late 1960s epitomize all that I have come to associate with what was vital in Vancouver at the time. They are original, inventive, eccentric art works which comment with wry humour, intense colour, aggressive compoistion and intellectual detachment on their times." - p.7. Clean and unmarked with moderate wear. A sound and attractive copy. Book
This is a fine softcover copy with virtually no wear. Completely clean inside and out. Text in English. Illustrated mainly in color with reproductions of paintings, watercolors, drawings, collages, sculptures, and tapestries. Chronology. Bibliography. 10" high X 8" wide, 238 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light cover wear. Spine sunned. Completely clean. Text in French with English translation at the end. This catalog was prepared to accompany the exhibition in Lyon at the Musee des Beaux Arts from October 10, 2002 to January 6, 2003. Essays by Dominique Brachlianoff, Vincent Pomarède, MaryAnne Stevens, and Ann Dumas. Illustrated with 73 color plates + black & white vintage photographs of the artist. Biographical sketch. Bibliography. 12" high X 9" wide, 415 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Folio, First Edition, with numerous coloured and monochrome reproductions throughout; grey wrappers printed in black, covers mildly dust-soiled else a very good, bright, clean copy. Catalogue designed by Diana Allen.
pp.96. Generously illustrated in black and white and colour. "The first exhibition devoted to all aspects of the work of both Arthur and Georgie Gaskin and the first covering Arthur's artistic output since the Memorial Exhibition in 1929". - Introduction. Unmarked with moderate wear. A sound copy of this beautiful and informative Gaskin reference. Book
8vo., First Edition, with coloured and monochrome reproductions throughout; printed wrappers, a very good, bright, clean copy. Catalogue 65.
This is a near fine softcover copy with almost no wear. The spine has two soft creases, but binding firm. Text in Spanish. This catalog was prepared to accompany the exhibition at the Museo Nacional Centro De Arte Reina Sofia during the fall of 1991. Chronology. Bibliography. Hundreds of illustrations in color and black & white. 12" high X 8" wide, 466 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Guggenheim Museum in New York from October 25, 2013 to January 22, 2014. Curator Katherine Brinson. Contributions by Suzanne Hudson, James Rondeau, and Richard Prince. Illustrated in color. Bibliography. Exhibition history. 11" high X 8" wide, 270 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Oblong. 4to., First Edition, with coloured reproductions; pictorial wrappers, wire-stitched as issued, covers lightly marked else a very good copy. SCARCE.
A clean, unmarked book with a tight binding. 20 pages. 8 3/8"w x 10"h. Discoloration to edges of cover.
This is a fine softcover copy with no wear at all. Completely clean.. SIGNED by the artist, Leonard Brooks, in ink on the first white page, the front endpaper. Briefly inscribed to a fellow painter and dated 2008. Text in English and Spanish. Illustrated throughout in color. Limited Edition 1000 Copies. Leonard Brooks (1911- 2011) was a British born Canadian artist, who after teaching and painting for years in Toronto, emigrated to Mexico, where he and his wife Riva lived and worked as artists in San Miguel de Allende. 11" high X 9" wide, 141 pages. Scarce signed. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Drawing Center in New York in 2016. Curated by Claire Gilman. Essays by Gilman and David Salle. Illustrated throughout in color with 80 plates + smaller illus. in the text. Drawing Center bookmark designed by Cecily Brown laid in. 9" high X 6" wide, 140 pages. This book will be securely packed and shipped with tracking.
in-12 oblong, 63 vues en couleurs pleine page, broché. Bel exemplaire. [BU-11]
48p. Illustrated with numerous photographs, some in color. Oblong 8vo. Original color pictorial wraps. PA PAMPH 20_12 BX7
This is a fine hardcover copy without dust jacket as issued, with no wear at all. Completely clean. Text in German and English. This catalog was prepared to accompany the exhibition held at Museum Pfalzgalerie Kaiserslautern, from May 5 to September 9, 2018. Illustrated in color and black & white. 11" high X 9" wide, 208 pages.Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
A clean, unmarked book with a tight binding. Clean, sharp edges. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
A clean, unmarked copy with a tight binding. 68 pages. Exhibition catalog for Vancouver Art Gallery, July 8 to October 13, 1986 .
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text in Italian. Illustrated throughout in color. Essays by Giovanni Spadolini, Giuliano Matteucci, Raffaele Monti, Erich Steingraber and Carlo Sisi. This catalog was prepared to accompamy the exhibition at the Uffizi in the fall of 1991. Bibliography. 11" high X 8" wide, 229 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a near fine dust jacket with light wear at the lower corners. Completely clean inside and out. Text in English and French. Illustrated with color plates including fold-outs. Essay by Jean-Pierre Criqui, 'Fatal Preparations'. This book was prepared to accompany the traveling exhibition which started at the Neus Kunstmuseum in Luzern from December 2000 to April 2001. 11" high X 9" wide, 46 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine softcover copy with almost no wear. This catalog was prepared to accompany the 1985 exhibition at Michael Werner Gallery. This softcover volume includes the dense four-page The Diary of Izumi Shikibu plus nine color tipped on plates. 12" high X 8" wide, about 30 pages. This book will be securely wrapped and shipped with tracking.
New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. 120 p., b/w and color ills. Isiga tutunmak.
This is a very good softcover copy in stiff pictorial card covers with almost no wear. Completely clean inside and very clean outside. Spine not creased, binding firm and tight. Text in French. Essay by Laure C.-Starcky. Pierre Van der Meulen was born in Brussels in 1632. By the 1650's he was already an accomplished artist and had formed an ateleir in Brussels. This exhibition surveys a cache of 239 drawings at the Mobilier National and attempts to define Van der Meulen's style and to make comparisons with the other artists in his atelier, all making landscapes, architecture and fortifications of the principal towns of Holland and France. 229 works in the exhibition. All illustrated in black & white with 10 color plates. Bibliography. 9.5" high X 7" wide, 243 pages.
This is a very good softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition and sale at C.G. Boerner in Dusseldorf in 1993. Text in German. Essay. The sale consisted of artworks by Palezieux. Gerard de Palezieux (1919- 2012) was a Swiss painter and printmaker who was very influenced by Giorgio Morandi. 101 works in the sale. All illustrated, a number in color. No price list. 11" high X 8" wide, about 35 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy in the original stiff pictorial card covers and red cloth spine with just light wear. Completely clean inside and out. Signed and briefly inscribed by Corrado Cagli on the front endpaper and dated Rome, 1972. Text in Italian. This was a major retrospective for Corrado Cagli, held at the Palazzo Strozzi in Firenze, Italy from January 15 through February 28, 1972. Corrado Cagli (1910 - 1976) was born in Ancona but grew up in Rome. Illustrated in black & white throughout with several hundred reproductions of Cagli's paintings and drawings. Introductory essay by Carlo Ragghianti. Many statements by Cagli's Italian contemporaries including Ernesto Rogers, Massimo Bontempelli, poet Charles Olsen, Giuseppe Marchiori, Renato Guttuso, Giovanni Carandente, Raffaele Carrieri, Aldo Palazzeschi, Enrico Crispolti, Franco Russoli, Rafael Alberti, Giuseppe Ungaretti, among others. 11" high X 8" wide, 46 text pages + 606 black & white plates. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
