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This is a near fine hardcover copy in illustrated boards with almost no wear. Completely clean inside and out. Text in English and Italian. This catalog was prepared to accompany the exhibition at the Galleria Cardi in Milan in the spring of 2001. Essay by Robert Evren. Illustrated in color. Biographical sketch. Bibliography. Exhibition history. 10" high X 8" wide. This book will be securely packed and shipped with tracking.
pp. xx, 293. Profusely illustrated with photographs. 4to. Original full cloth binding, spine lettered in silver. Original slipcase, slightly worn. Hardbound. Very good. Covers: Paterson Pistols; Walker Pistols; Holster Pistols; Old Model Pocket Pistols; Longarms; Presentation Arms; Belt Pistols; & etc. SCARCE. **PRICE JUST REDUCED! W8
This is a very good softcover copy with just light cover wear. Covers yellowed. Completely clean inside. This catalog was prepared to accompany the retrospective of Marcel Broodthaers's work at the Tate in London from April 16 to May 26, 1980. Essays by Michael Compton and Barbara Reise. Illustrated in color and black & white. Checklist with 174 works catalogued. Exhibition history. Filmography. Bibliography. 10" high X 7" wide, 126 pages. This book will be securely packed and shipped with tracking.
304 pages. Index. Selected bibliography. Colour and black and white photography. "Catalogues the commemorative exhibition at the Royal Academy of Arts, and brings together a remarkable range of the artist's work... Each of the 239 works is fully illustrated and is discussed at length in notes that incorporate extensive quotations from Moore's own writings on art." - from dust jacket. Clean and unmarked with light wear. Tight and square. Dust jacket preserved in Brodart. Modest sunning to dust jacket and lower edge of front board. A sound copy. Book
Sm. 4to., First Edition, original printed wrappers, fine coloured facsimile mounted on upper cover. This is the English language issue of a scarce catalogue detailing work by Moreau le Jeuene, Eisen, Cochin, Delacroix and others. SCARCE.
This is a fine hardcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at White Cube in London from September 27 to October 26, 2002. Essay by Angus Cook. Illustrated in color throughout. 8" high X 6" wide, 11 text pages + plates. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Very clean outside, completely clean inside. Essay by Angus Fairhurst. Stated first edition. Limited edition of 2000 copies. Text in English. Illustrated in color and black & white with photographs of Sarah Lucas' soft biomorphic sculpture. Catalogue raisonne for Sarah Luicas sculpture from 2005 to 2012. 12" high X 9" wide, 175 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at the Fine Art Society in London from September 20 to October 20, 2006. Essay by Judith Legrove. 31 black & white (1 color) illustrations of Geoffrey Clarke's (1924-2014) prints. 8" square, about thirty-five pages. This book will be securely packed and shipped with tracking.
This is a near fine softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Paul Kasmin Gallery from January 26 to March 11, 2017. Essays by William Copley and his daughter Claire Copley. Illustrated in color. Exhibitiion history. 11" high X 8" wide, 116 pages. This book will be securely packed and shipped with tracking.
This is a very good hardcover copy in illustrated glazed boards. Completely clean inside and out. This is a sale catalog for an auction held at Cornette de Saint Cyr, at the Drouot in Paris on October 15, 2007. Text in French. The sale consisted of Alain Delon's collection of mid 20th century paintings and included Alechinsky, Appel, Atlan, Bazaine, Bryen, Calder, Corneille, Debre, Degottex, Dubuffet, Esteve, Gauthier, Germain, Goetz, Hartung, Jorn, Lanskoy, Lucebert, Manessier, Riopelle, Schneider, Soulages, de Stael, Bram van Velde, Geer van Velde, Viera da Silva and Zao Wou-ki. 40 lots in the sale. All illustrated in color, several with fold-outs. No prices realized sheet, just price estimates for each lot. 11" high X 8" wide, 96 pages. This book will be securely packed and shipped with tracking.
This is a very good hardcover copy bound in black moire cloth boards and pink cloth spine. The spine and edges of the black cloth front board are sunned. Completely clean inside. Text in Basque and Spanish, with English summaries at the end. This catalog was prepared to accompany the exhibition in Spain in 1997. The title of the exhibition translated to English would be: "The Veiled Face: Transvestism and Identity in Art". Artists included in the exhibition: Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. Illustrated in black & white and color. Bibliography. Filmography. 10" high X 8" wide, 341 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Mm 235x285 Catalogo della mostra di Verona, Galleria dello Scudo, 15 dicembre 2012 - 31 marzo 2013. Volume rilegato in tela con immagine applicata al piatto, 143 pagine illustrate con immagini a colori nel testo redatto in lingua inglese - english text. Copia in condizioni di nuovo - brand-new.
8vo., First Edition, with numerous coloured reproductions (many full-page) in the text; original pictorial wrappers, a near fine copy. With a copy of the room guide loosely inserted.
Ex-library book with the usual stamps and markings. Tears on dust jacket and blemish on first pastedown endpaper from sticker removal. Full black cloth boards. 11 1/8"w x 11 1/4"h. 76 pages.
This is a very good hardcover copy in a very good dustwrapper with only light cover wear, and sunned spine. Completely clean inside and out. Text in French. Illustrated in black & white with over 40 full-page reproductions of the artist's drawings. Letter from the artist Matta to Jeannette Leroy reproduced. Biographical sketch. Exhibition history and collections. 12" high X 9" wide, 94 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all, still bearing the red printed banner 'Premio Ferronia 2004 per la critica militante'. Completely clean. Text in Italian. This monograph was prepared to accompany the exhibition of Lucio Fontana's work at the Galleria Amedeo Porro arte moderna e contemporanea in Milan from November 18, 2004 to January 21, 2005. Edited by Enrico Crispolti. Illustrated in color and black & white. 10" high X 6" wide, 432 pages. Large heavy book, foreign shipping will be extra. This book will be securely packed and shipped with tracking.
This is an almost very good softcover copy with light wear. An erased pencil inscription on the front cover black and white photograph of Viani. Very clean inside. Text in Italian. Poems by Jean Arp. Essay by Enrico Crispolti. Illustrated throughout in black & white. 9" high X 7" wide, about 20 pages.
This is a very good softcover copy with light cover wear. Front cover lower right corner creased. Completely clean inside and out. The covers are a folder contaiining 76 folded sheets arranged alphabetically by artist, after the introductory material. Illustrated in black & white. This catalog was prepared to accompany the exhibition at the Hayward Gallery in London from September 25 to November 22, 1970. Introduction by Theo Crosby. Essay on Kinetics by Frank Popper. Bibliography of Kinetics by Caroline Tisdall. Catalog designed by Theo Crosby and two colleagues. 9" high X 5" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Catalogue de l'exposition présentée en 1988-1989 au Museum of Modern Art d'Oxford: vies et oeuvres de 9 artistes (peintres et 2 sculpteuurs) morts pendant la 1ère guerre mondiale - Geoffrey S. Allfree, Henri Gaudier-Brzeska, Raymond Duchamp-Villon, Vladimir Burliuk, August Macke, Franz Marc, Wilhelm Morgner, Hermann Stenner, Albert Weisgerber - photos et reproductions en noir et en couleurs; bibliographies; texte d'introduction de Tim CROSS orné de vignettes en noir. Anglais
This is a very good or better softcover copy with virtually no wear. Completely clean inside and out. The Wexner Center invited artists Albert Oehlen and Christopher Williams to assume a curatorial guise in which they selected, edited, and designed an installation of each others most recent works. This comprehensive catalogue of the resulting exhibition features both Oehlens semi-abstract and computer-generated paintings and Williamss conceptual photographs. Illustrated mostly in black & white, some color plates. Essays by Thomas Crow, Diedrich Diedrichsen, Timothy Martin, Stephen Melville and Friedrich Petzel. Biographical sketches. Bibliography. 10" high X 8" wide, 172 pages. This book will be securely wrapped and shipped with tracking.
Large and elaborate coloured engraved plan measuring approx. 1270mm x 1010mm (50.0 ins x 39.75 ins), folding in 20 panels to approx. 320mm x 210mm (12.5 ins x 8.0 ins); housed in original printed cartridge envelope with self-sealing flap (short tear in flap), A REMARKABLY CLEAN, NEAR FINE COPY. This is an engraved and coloured plan of the Crystal Palace prepared for the intended sale at auction of the buildings and grounds in 1911 (see below). The retaining envelope is printed 'PLAN OF THE CRYSTAL PALACE 1851-1911. Solicitors: Messrs Janson Cobb, Pearson & Company, 22 College Hill, E.C.; Receiver and Manager: Mr. Ernest I Husey (Messrs Jackson, Pixley & Co., Chartered Accountants, 58 Coleman Street, E.C; Auctioneers: Mr. Howard Frank (Messrs Knight, Frank & Rutley), 20 Hanover Sq, London W; and Mr. John Roy Lancaster (Messrs Horne & Co), 85 Gresham Street, E.C.' The plan in well executed and colour-coded to indicate the various leases and tenancies involved. It shows the scale and local context of the magnificent building, together with its world-famous gardens and grounds, including the tiered sculptural terraces, the patios, and the renowned lakes and fountains. Key features such as the Flying Machine, the Maze, Brunel's Polygonal Water Towers, the Lower Lake area housing Waterhouse Hawkins' recreations of dinosaurs (still present today) and the Sports Grounds are clearly highlighted. HISTORICAL CONTEXT. After the Great Exhibition of 1851, the Crystal Palace was re-erected in a considerably enlarged form in 1854 at Sydenham in South London. During the next half century it continued as a major metropolitan tourist attraction attracting visitors from all over the world to marvel at the building, its contents and gardens, and to witness a wide variety of entertainment including music, acrobatics, circuses and fireworks. By the turn of the century, however, the novelty was wearing thin and the number of visitors declined to the point where in 1911 the Palace was declared bankrupt and placed in the hands of a receiver. 'On 28 November it was to be sold by auction, to be offered in one lot as a going concern. This was a fateful period in its history. There was grave danger that it would pass into the hands of the developers. Every jerry builder within striking distance was eager for the moment when he might be in a position to swoop down on the beautiful grounds and reduce them to terms of bricks and mortar. But that ultimate indignity was not to be. The Earl of Plymouth produced £230,000 to buy the Palace as a going concern; at the same time the Lord Mayor of London opened a fund to purchase the Crystal Palace for the nation, and to reimburse Lord Plymouth. This was completed in 1913 and the Crystal Palace was saved.' [A.R. Warwick: The Phoenix Suburb (1972)]. During the Great War the revitalised Palace served as a Royal Naval base (HMS VICTORY VI). At the end of hostilities it became for a short time the home of the Imperial War Museum and then reverted to tourism with exhibitions of early flying, pioneer television, dirt-track racing, music festivals, dog and cat shows, dancing and fireworks. In this way it continued until completely destroyed by the tragic fire of 30 November 1936 - the end of a great era. IT IS UNCERTAIN HOW MANY OF THESE ELABORATE PLANS WERE PRODUCED, BUT THE NUMBER CANNOT HAVE BEEN GREAT. GIVEN THAT £230,000 (VERY APPROXIMATELY £7M BY TODAY'S STANDARDS) WAS REQUIRED TO OBVIATE THE NEED FOR SALE, THE NUMBER OF INTENDING BIDDERS MUST HAVE BEEN FEW INDEED. IN ANY CASE IT IS UNLIKELY THAT MANY COPIES SURVIVE, ESPECIALLY IN THIS VIRTUALLY UNOPENED STATE COMPLETE WITH ORIGINAL ENVELOPE. A DOCUMENT OF CONSIDERABLE SIGNIFICANCE IN THE HISTORY OF SOUTH LONDON, AND A VIVID REMINDER OF ONE OF LONDON'S GREATEST HISTORIC ATTRACTIONS.
This is a very good softcover copy with just light cover wear. a few stray tiny spots to the covers, otherwise completely clean inside and out. Text in English and German. Statement by the artist. 19 sets of etchings illustrated with technical details of the edition + information on 2 bound in etchings for periodicals. Illustrated in color and black & white. One fold-out. 11" high X 7" wide. This book will be securely packed and shipped with tracking.
A clean, unmarked book with a tight binding. Full brown cloth boards with gilt illustration. Previous owner's name label inside. Price-clipped dust jacket. 8 1/4"w x 11 1/4"h. 140 pages. Many photos and illustrations.
This is a very good softcover copy with just light wear. Completely clean inside and just a few faint tiny spots to the front cover, light scuffing to the rear cover and spine. This catalog was prepared to accompany the exhibition at the Grunwald Center for the Graphic Arts , Wight Art Gallery, UCLA, in the fall of 1988. Essays by James Cuno, Michel Melot, Lynn Hunt, Claude Langlois, Ronald Paulson, Albert Boime, and Klaus Herding. 190 works in the exhibition. All illustrated in black & white. Each work with extensive notes. Bibliography. 12" high X 9" wide, 280 pages.
This is a very good softcover copy with a very good dust wrapper with just light wear. The back panel of the jacket is a little scuffed. Completely clean. All die cut pages intact. The last page is creased. Essay by Pedro Cuperman. Text in English and Spanish. This catalog was prepared to accompany the exhibition at the Holly Solomon Gallery in December 1988. 8" high X 5" wide, 108 pages. This book will be securely packed and shipped with tracking.