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4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. SCARCE, ESPECIALLY IN THIS CONDITION.
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. SCARCE, ESPECIALLY IN THIS CONDITION.
Oblong 4to., First Edition, with very numerous coloured reproductions (a number folding) throughout; original pictorial wrappers, a fine copy.
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. With private view card and price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
Sm. 4to., First Edition, with numerous coloured reproductions throughout; pictorial wrappers, pictorial endpapers, a fine copy. With a copy of the price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
Roy. 8vo., First Edition, with a coloured frontispiece and numerous fine coloured and tinted full-page reproductions throughout; original pictorial wrappers, a near fine copy. With the separately printed price list loosely inserted. Includes chronology. Scarce.
Roy. 8vo., First Edition, with 25 fine full-page coloured reproductions; original pictorial wrappers, a near fine copy.
This is a very good softcover copy with just light wear. Completely clean. Text in English and Italian. This catalog was prepared to accompany the United States Pavilion at the Biennale di Venezia, in 1976. Essay by Hugh Davies. Illustrated in black & white. Essays by Sam Hunter, Rosalind Krauss, Marcia Tucker, 12" high X 8" wide, 63 pages. This catalog will be securely wrapped and shipped with tracking.
This is a very good hardcover copy with just light wear. The original softcover was rebound privately, with the softcover front cover laid down on the front board. The boards are dark green, with the title 'Florine Stettheimer' in gilt on the spine. Not x-library. Completely clean throughout, no marks. This catalog was prepared to accompany the exhibition at Low Library at Columbia University from February 8 to March 8, 1973. Introduction by Howard McP. Davis. Brief biographical sketch. Exhibition checklist with 70 works catalogued. 4 color plates + black & white illustrations. 11" high X 8" wide, 59 pages. This book will be securely packed and shipped with tracking.
This is a very good hardcover copy without dust jacket as issued. This large book has some wear: the corners are lightly bumped. Completely clean inside and out. Text in Portuguese with English translations at the end. This monograph was prepared to accompany the exhibition in Portugal at the Museu Serralves in 2004. This is the first comprehensive exhibition of the work of the Portuguese Homeoesthetics Group, active in the 1980's, since the period. The artists in the group included: Fernando Brito, Ivo, Manuel Vieira, Pedro Portugal, Pedro Proenca, and Xana. Essays by Jorge Ramos de O and Marta Moreira de Almeda. Reproductions of many of the group's manifestos and theoretical texts. Illustrated in color and black & white with vintage photographs of the artists. Bibliography. Errata slip inserted. 14" high X 10" wide, 303 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
[vi] + 214pp.+ frontispice gravé et 86 planches hors-texte dont des dépliantes, avec table de contenu, 22cm., reliure cart. d'époque (dos en cuir, qqs. traces d'usage aux coins et aux bords), peu de rousseurs, bon état, [L'auteur De Bast était sécretaire de la Société royale des Beaux-Arts de Gand. Cet ouvrage est une importante source sur les arts et les artistes de l'époque, dont la plupart a été présent(é) sur ce célèbre salon de Gand], S92591
Ouvrage publié à l'occasion de l'exposition organisée par le Centre international pour l'Etude du XIXe siècle et présentée en 1987 aux Musées royaux des Beaux-Arts de Belgique, à Bruxelles: catalogue sur "le rôle éminent" de Fernand Khnopff (1858-1921) à Vienne, "ses participations aux diverses Secessions", et "où il est prouvé [qu'il] est le principal inspirateur de l'oeuvre de Klimt", par les historiennes d'art Catherine DE CROËS et Gisèle OLLINGER-ZINQUE: 85 n°s (dessins, peintures, dessins d'architecture, portraits et paysages, illustrations) avec notices, commentaires et vignettes en noir; précédé de textes de Philippe ROBERTS-JONES, du poète Emile VERHAEREN ("Silhouettes d'artistes: Fernand Khnopff" et "Un peintre symboliste", articles publiés en 1886 et 1887 dans la revue "L'Art moderne"), de l'écrivain autrichien Hermann BAHR ("Secession", traduction de l'extrait d'un ouvrage publié sous ce titre en 1900, à Vienne), du critique viennois Ludwig HEVESI ("Fernand Khnopff, le super-mystique de Bruxelles", traductions d'extraits d'articles publiés en 1898 et 1900), du peintre Josef ENGELHART ("En visite chez Khnopff", traduction d'un extrait des Mémoires de l'artiste), illustrés de vignettes en noir (croquis extraits des carnets de l'artiste), et suivis de 36 reproductions couleurs à pleine page; notes et références; biographie; bibliographie; traduction en néerlandais des 5 textes liminaires in fine. Bilingue néerlandais / français
Light wear and spots to cover. Interior pages clean and unmarked; tight binding. 10"w x 8 1/2"h. For exhibition organized by Walker Art Center [held at] Walker Art Center, Minneapolis, March 10-April 21, 1974.
This is a fine softcover copy with no wear at all. Printed plastic dust jacket fine. Completely clean. Text in English and German. Essays by Marco De Michelis, Peter Pakesch and Martin Prinzhorn. photographs by Margherita Spiluttini. Large wall sculpture conceived by Sol Lewitt especially for this space at Kunsthaus Graz in Austria from February to May 2004. Bibliography. Illuistrated in color 11" high X 8" wide, 75 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Signed and inscribed by the artist William DeRaymond to a New York poet, on the back cover. Poetry by Jeremy T.Monro and illustrations in black & white by William S. DeRaymond. 11" high X 9" wide, about 15 pages.
This is a fine softcover copy with no wear at all, complete with the orange printed wrap-around band. This catalog was prepared to accompany the exhibition in London in 2010. Curated by Ellen Mara de Wachter. Illustrated in color. Limited edition. 9" high X 7" wide, 47 pages. This book will be securely packed and shipped with tracking.
23 cm, bross. ill; pp. 94, numerose ill, una tav. più volte ripiegata fuori testo
23 cm, bross. ill; pp. 94, numerose ill, una tav. più volte ripiegata fuori testo
23 cm, bross. ill; pp. 94, numerose ill, una tav. più volte ripiegata fuori testo
8vo., First Edition, with title in red and black, and numerous coloured reproductions throughout; original white wrappers, grey cloth back lettered in white, a near fine copy in unclipped dustwrapper.
This is a very good softcover copy with virtually no wear. Slight crease to front cover lower corner. Completely clean. The spine is not creased, the binding firm. This catalog was prepared to accompany the exhibition in Athens, Greece at the Deste Foundation for Contemporary Art on Kolonaki Square from June 20 to September 15, 1990. Text in English and Greek. The exhibition was curated by Jeffrey Deitch. Seventeen artists included in the exhibition: Ashley Bickerton, Clegg & Guttmann, Walter de Maria, Laura Grisi, Martin Kippenberger, Jeff Koons, Liz Larner, Tatsuo Miyajima, Peter Nagy, Pino Pascali, Edward Ruscha, Manuel Saiz, Robert Smithson, William Stone, Thanassis Totsikas, Meg Webster and Andy Warhol. Illustrated throughout in color. Catalog designed by Dan Friedman. 11" high X 8" wide, 152 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Ouvrage publié par Dominique DELALANDE, expert en objets du tabac et de l'opium, à l'occasion de l'exposition présentée en 1994-1995 au Trianon de Bagatelle, à Paris, organisée par la galerie Delalande: 348 objets (boîtes à priser, râpes, pipes, peintures, clystères, narguilés, publicités, briquets, boîtes à allumettes, coffrets à cigares, tabatières, etc...) décrits, insérés dans un texte de présentation historique; nombreuses illustrations couleurs; glossaire; bibliographie. (Ouvrage non encore interdit par nos hygiénistes contemporains...). Français
P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché, couverture rempliée, 229 pp.- hors-textes en sépia. points de rousseurs sur la tranche supérieure.
P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché, couverture rempliée, 240 pp.- X hors-textes. Non coupé. points de rousseurs sur la tranche supérieure et sur la partie haute de la marge supérieure.
Milano, 1939, stralcio con copertina posticcia muta, pp. 221/243 con numerose illustrazioni e tavole in nero e a colori. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
