HUGO BESSARD.MareMagnum
Hunter, Sam; Noguchi, IsamuMareMagnum
Isamu Noguchi
A clean, unmarked book with a tight binding. Slight wear to cover. 7 1/4"w x 10 1/4"h. Many color photos.
Bookshop Pistil Books Online · Seattle, US69,54 €
1 389 résultats
As New English Paperback. Pbo. Oblong large 8vo. In English and Turkish. 47, [1] p. Color and b/w ills. Hugo Besard. Original Print Art Exhibition.= Özgün Baski Resim Sergisi. April 30th - May 26th 2009, Marmara University Cumhuriyet Museumandd Art Gallery, Istanbul. [Exhibition catalogue].
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text block margins slightly yellowed. This catalog was prepared to accompany the exhibition at Whitechapel Art Gallery from November 1999 through January 2000. Essays by Adrian Searle and David Batchelor. Biographical sketch. Exhibition history. List of works. Illustrated in color. 11" high X 8" wide, 88 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light toning to the cover edges. Completely clean inside. This catalog was prepared to accompany the traveling exhibition that originated at the San Francisco Museum of Art from March 29 to May 12, 1974. Roy De Forest (1930- 2007) was an American painter, sculptor, and teacher. He was involved in both the Funk art and Nut art movements in the Bay Area of California. Illustrated in color and black & white. Essay by John Humphrey. Checklist with 83 catalogued works. Chronology. Exhibition history. Bibliography. 10" square, about 50 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Avanti Galleries in New York from mid April to mid May, 1993. Essay by Sam Hunter. Danish painter Carl-Henning Pedersen (1913-2007), most well known for his work in the COBRA movement. 17 color plates. Exhibition history. 8" square, about 30 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with almost no wear. Completely clean. This small catalog was prepared to accompany the exhibition at the Metropolitan State College in Denver, from February 16 to March 23, 1991. Essay by Sam Hunter. Illustrated in color with 7 plates. 6" high X 9" wide, 16 pages. This book will be securely wrapped and shipped with tracking.
A clean, unmarked book with a tight binding. Slight wear to cover. 7 1/4"w x 10 1/4"h. Many color photos.
This is a very good hardcover copy in illustrated boards, no dust jacket, as issued, with just light wear. Initialled in ink, on the half title-page, and dated July 23, 2008, Berlin, by the artist, Thorsten Brinkmann. Not inscribed to anyone, just signed by the artist. Otherwise completely clean inside and out. Text in German and English. Essays by Anette Husch and Matthias Harder. Profusely illustrated in color. 12" high X 9" wide, 167 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
32 pages. Colour plates. Oblong 9" x 12". Light wear. Unmarked. A quality copy. Book
Catalogue de l'exposition présentée en 1984 au Musée Jacquemart-André (Paris): 65 pièces avec illustrations en noir ou en couleurs, notices et commentaires, par Lydie HUYGUE, Isabelle DENIS, Jacqueline BOCCARA, Nicole de PAZZIS-CHEVALIER; précédé d'un historique par Jacqueline BOCCARA, experte; précisions techniques et informations sur la conservation et la restauration in fine; préface de René HUYGHE, directeur du musée; bibliographie. Français
New New English Original bdg. Dust wrapper. 4to. (26 x 21 cm). Edition in English. 416 p., 576 numerous ills. Hüseyin Bahri Alptekin: I am not a studio artist. Texts by Michel Foucault, Vasif Kortun, Michel Ören, Sabine B. Vogel, Tirdad Zolghadr. Edited by Duygu Demir. I am Not a Studio Artist features a selection of Alptekin's own writings, published and unpublished interviews, as well as texts by Michel Foucault, Vasif Kortun, Michel Oren, Sabine Vogel and Tirdad Zolghadr. Edited by Duygu Demir of Salt Research and Programs and reflecting the comprehensive archival research undertaken, the publication gives a sense of Alptekin's intellectual interests, his correspondence, and follows the themes that informed his artistic practice. The publication is rich in texts as well as in visual content. The graphic designer of the publication is Vahit Tuna, a close friend of Alptekin's, which also reflects the personal approach of the project. Contents: Hüseyin Bahri Alptekin; I am not a studio artist - Vasif Kortun; Foreword - Hüseyin Bahri Alptekin and Vasif Kortun; Last Interview - Hüseyin Bahri Alptekin; The Right to a Tezgah - Hüseyin Bahri Alptekin; Tabula Zimpara Hüseyin Bahri Alptekin - Hüseyin Bahri Alptekin; Popular Myths and Graphic Image Circulation: Crup Grip-in - Michel Foucault; Of Other Spaces, Heterotopias - Hüseyin Bahri Alptekin and Vasif Kortun; Hüseyin Bahri Alptekin - VIVA VAIA - Kriz VIVA VAIA: Interview Hüseyin Bahri Alptekin and Vasif Kortun - Duygu Demir; LOFT - Duygu Demir; B-Fact: Black Sea, Baltic Sea and the Barents Sea, Sea Elephant Travel Agency - Duygu Demir; B-Fact: Bunker Research Group - Hüseyin Bahri Alptekin; ah Odessa - Hüseyin Bahri Alptekin; Mutual Realities, Re-mapping Destinies - Tirdad Zolghadr; Tirdad Zolghadr - Hüseyin Bahri Alptekin; Traveler as Artist as Lost Luggage in the Wrong Airport - Hüseyin Bahri Alptekin; Gratis Jet Lag on a Charter Flight and Daydreaming in Zanzibar - Hüseyin Bahri Alptekin; Democratic Luxury - Conversation Between Hüseyin Bahri Alptekin and Vasif Kortun - Duygu Demir; B-Fact: Barn Research Group and Cheap Finnish Labour and V-Fact: Vaasa, Venice, Vasif - Hüseyin Bahri Alptekin and Evrim Altug; Hüseyin Alptekin: Enigmas that Don't Explain and Don't Complain - Sabine Vogel; Hüseyin Bahri Alptekin - Biography. 1000 copies were printed.
Catalogue de l'exposition présentée en 1997-1998 au Château-Musée de Dieppe, réalisé par Pierre ICKOWICZ, conservateur des musées: 139 n°s (cartes, gravures et peintures, objets de marine et divers, classés par grands thèmes présentés de rapides introductions: cartographie, instruments de mesure, navires et navigateurs, relations commerciales, guerre de course, traversées Transmanche, objets exotiques, pêche, grands froids) avec notices, commentaires et nombreuses photos en noir ou en couleurs; chronologie (1086-1839). Français
Slight edge wear. 104 pages. Many color photos. Text in English and Japanese. Arcing Ark; Water Market; Water Ark Harbor; Republic of Water Senders; Water Ekiden.
60 pages. Exhibition catalogue. Printed on glossy stock. Illustrated with colour and black and white photos. Clean and unmarked with light wear. Dust jacket now preserved in glossy new Brodart cover. A quality copy. Book
This is a very good softcover copy with just light wear. Completely clean inside and out. Text in Japanese. Essay by Yoshiaki Inui in English and Japanese, 'Yuzo Saheki and the Ecole de Paris'. 69 full-page color plates of Yuzo Saheki's work. 70 full-page color plates of School of Paris painters. 139 works in the show. Checklist in Japanese, with titles and occasional bibliographic references in English. 11" high X 9" wide, unpaginated but about 250 pages.
This is a fine softcover copy with no wear at all. Completely clean. Text in English and Polish. This catalog was prepared to accompany the exhibition in Warsaw at the Center for Contemporary Art, Ujazdowski Castle, from July 12, 1998 to January 24, 1999. Curator Milada Slizinska. Illustrated in black & white and color. Bibliography. Exhibition history. 10" high X 7" wide, 76 pages. Passport application form laid in. This book will be securely wrapped and shipped with tracking.
This is a very good softcover copy with a very good vellum dust jacket with just light wear. One small chip at the top of the spine of the jacket. Completely clean. Text in SPANISH. This catalog was prepared to accompany the traveling exhibition of Robert Irwin's work. This version of the catalog was for the exhibition at Museo Nacional Centro de Arte Reina Sofia, February to April 1995. Interview with Robert Irwin conducted by Lawrence Wechsler. Biographical sketch. Bibliography. Checklist with 129 works. Many illustrated in color or black & white. 11" high X 9" wide, 161 pages. This book will be securely packed and shipped with tracking.
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
This is a very good hardcover copy without dust jacket as issued, with just light cover wear. Completely clean inside and out. Text in English and Italian. Illustrated in color and black & white. This monograph was prepared to accompany the exhibition in London at the Cortesi Gallery, from May 26 to July 22, 2016. Exhibition curated by Ilaria Bignotti, who also edited the catalog and writes the title essay 'The Concrete Utopia: Ivan Picelj and New Tendencies 1961- 1973'. The exhibition explored the work of Ivan Picelj (1924- 2011) and his contributions to the 1960's art movement New Tendencies. Bibliography. 12" high X 8" wide, 150 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Catalogue of the exhibition displayed at Pinacoteca Nazionale di Bologna, 10 September - 10 November 1986 : National Gallery of Art, Washington, 19 December 1986-16 February 1987 : the Metropolitan Museum of Art, New York, 26 March - 24 May 1987].Overview :79 paintings created in the northern Italian province between 1500 and 1700 were shown. John Pope-Hennessy of the Metropolitan Museum in New York chose the 16th-century Emilian paintings, Sydney Freedberg of the National Gallery chose the 17th-century works, and Andrea Emiliani of the Pinacoteca Nazionale in Bologna oversaw negotiations and loans in Italy. Each venue showed a slight variation of the exhibition. 461p. An oversized [ 31x21x3.5 cm] and VERY heavy volume[2.6 Kg] Book
This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at Marlborough Graphics in London from May 17 to June 17, 2000. Interview with Jacklin by Jill Lloyd. Checklist with 26 works listed. 22 color plates + numerous black & white illustrations. Biographical sketch. Exhibition history. Bibliography. 12" high X 10" wide, 39 pages. This book will be securely packed and shipped with tracking.
New English Paperback. 4to. (29 x 23 cm). Edition in English. 192 p., 117 numerous photos. The photography of Jak Baruh: A narrative. Foreword by Engin Özendes. Edited by Bülent Erkmen. Jak Baruh is an open-air photographer as well. One can write long pages of speculations about how Baruh conceived and took these photographs without ever touching the reality in the mind of the artist. So I preferred to go along the photographs themselves. Instead of inventing a story for Baruh's photographs, I decided to tell my own stories that his works evoked in me as a viewer. Perusing pages of his book, first of all, a panorama of a city is revealed: an idiosyncratic New York. Strangely, so few cities of the world are recognized immediately just out of a small detail. New York, this so called global center of the economy has an incredible light creating different possibilities for photographs. Daylight seeping through the backs of skyscrapers soaring to the heaven projects shadows of big masses on the street. Overlapping building images on the mirroring glass surfaces of buildings where the light is projected create fascinating reflections. The permanent dance of the light on buildings' surfaces changes the aspect of streets together with the motion of the sun in the sky. The coexistence of geometrical forms resulting from shadows, the red building behind, and the perspective of an overpass on which two people chat, creates different visual effects.
This is a very good softcover copy with just light wear. Corners lightly bumped. Completely clean inside and out. Text in English and Hebrew. This catalog was prepared for the opening of the Janco Dada Museum in Haifa in the summer of 1983. There are two black & white publicity photographs of Marcel Janco at the opening laid in. Each photo has some identifying information written in ink on the back of rhe photo. Catalog illustrated in black on tan paper stock. 9" square. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with almost no wear. Signed by Horst Janssen with his typical monogram in red crayon on the title page. Completely clean inside and out. Spine not creased, binding firm. Text in German. Illustrated throughout in color with over 75 images. 12" high X 9" wide.
7 poèmes écrits entre 1970 et 1984 par Christian JAUREGUY illustrés de reproductions en noir; suivi de "Avignon - Catalogue de l'expositions juin-juillet 1989 - "Plusieurs vies" ou dialogue passé-présent" avec 4 planches couleurs et 1 photo. 1 des 100 exemplaires hors commerce, justifié n°34. Français
A clean, unmarked book with a tight binding. 288 pages. 6 1/2"w x 7 7/8"h.
