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This is a very good softcover copy in the original illustrated wrappers with light toning to the white covers. Completely clean inside. Text in French. This catalog was prepared to accompany the exhibition Boltanski Monory, organized during the Festival d'Automne in Paris in the fall of 1974 and held at the Centre Beaubourg. Text by Alain Jouffroy. 35 works illustrated in light blue, including one fold-out. Exhibition history of Monory. 11" high X 7" wide.
This is a very good softcover copy in the original tan printed wrappers with light wear. Completely clean inside, very clean outside, a few small light marks to covers. Text in French. Illustrated in black & white. Preface by Andre Joubin. 10: high X 7" wide. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy bound in black cloth boards and wrapped in a fine printed vellum dustjacket. Completely clean inside and out. Essay by David Joselit. Prepared to accompany the exhibition held at Matthew Marks Gallery from November 2, 2012 to January 5, 2013. Illustrated throughout in color. One gatefold. 12" high X 9" wide, 86 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light cover wear. Lower right corner bumped. Completely clean inside and out. Text in Portuguese with English and French translations at the end. Essays by Jose Summer Ribeiro and Sune Nordgren. Texts from Max Ernst's diary. This catalog was prepared to accompany the exhibition at Fundacao Arpad Szenes- Vieira da Silva in Lisbon from November 1999 to January 2000. Illustrated in color with 66 color and some black & white plates. Chronology. 10" high X 8" wide, 100 pages. This book will be securely packed and shipped with tracking.
A cultural study of the social, political and intellectual movements of the period. With Index and bibliographical references. 545 pages. Dust jacket has some edgewear.
This is a fine softcover copy with no wear at all. Completely clean. Illustrated in color throughout. Essay by Morgan Falconer. 9" high X 12" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Moore College of Art and Design, Goldie Paley Gallery, from November 1 to December 15, 1991. Curators Phyllis Stigliano and Janis Parente. Checklist of the exhibition. Exhibition history. Illustrated in black & white + 2 color plates. 11" high X 8" wide, 30 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at Zwirner & Wirth in New York from February 16 to March 31, 2001. Essay by John Yau. Illustrated in color. 9" square. This book will be securely packed and shipped with tracking.
Roy. 8vo., duplicated typescript; original printed wrappers, wire-stitched as issued, a near fine copy. The catalogue lists 79 exhibits, from a fifteenth-century 'Theologia' to the Gregynog 'Aesop' of 1932. As the exhibition title implies, the valuable descriptions are contextual rather than bibliographical. SCARCE.
This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Cheim & Read in New York in 2015. Text by Louise Yellin 'Chantal Joffe: the Work of Self-Fashioning in the Age of the Selfie'. Also interview with the artist. Illustrated throughout in color with reproductions of Chantal Joffe's paintings. 14" high X 12" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New New English Paperback. Pbo. Large 8vo. (23 x 23 cm). In English, German, and Turkish. 39, [1] p., 3 huge designed specially folding color plates. 1000 copies were printed. Unearthed. Jochen Proehl. [Photographic Exhibition Catalogue]. 13 April - 10 May 2002, Cda Projects. Texts by Hubertus v. Amelunxen.
This is a very good softcover copy with only light wear. Completely clean. Binding firm. This catalog was prepared to accompany the exhibition at the Drawing Center in New York from April to July 2009. Illustrated throughout in black & white. 11" high X 8" wide, 182 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean inside and out. Text in English. Introduction by Martin Mullin. Essays by Barbara Rose. Illustrated mostly in color with about 100 color plates, including 5 fold-outs, and some black & white vintage photographs. Biographical sketch. Exhibition history. 12" high X 9" wide, 189 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
A clean, unmarked book with a tight binding. 288 pages. 6 1/2"w x 7 7/8"h.
7 poèmes écrits entre 1970 et 1984 par Christian JAUREGUY illustrés de reproductions en noir; suivi de "Avignon - Catalogue de l'expositions juin-juillet 1989 - "Plusieurs vies" ou dialogue passé-présent" avec 4 planches couleurs et 1 photo. 1 des 100 exemplaires hors commerce, justifié n°34. Français
This is a very good softcover copy with almost no wear. Signed by Horst Janssen with his typical monogram in red crayon on the title page. Completely clean inside and out. Spine not creased, binding firm. Text in German. Illustrated throughout in color with over 75 images. 12" high X 9" wide.
This is a very good softcover copy with just light wear. Corners lightly bumped. Completely clean inside and out. Text in English and Hebrew. This catalog was prepared for the opening of the Janco Dada Museum in Haifa in the summer of 1983. There are two black & white publicity photographs of Marcel Janco at the opening laid in. Each photo has some identifying information written in ink on the back of rhe photo. Catalog illustrated in black on tan paper stock. 9" square. This book will be securely packed and shipped with tracking.
New English Paperback. 4to. (29 x 23 cm). Edition in English. 192 p., 117 numerous photos. The photography of Jak Baruh: A narrative. Foreword by Engin Özendes. Edited by Bülent Erkmen. Jak Baruh is an open-air photographer as well. One can write long pages of speculations about how Baruh conceived and took these photographs without ever touching the reality in the mind of the artist. So I preferred to go along the photographs themselves. Instead of inventing a story for Baruh's photographs, I decided to tell my own stories that his works evoked in me as a viewer. Perusing pages of his book, first of all, a panorama of a city is revealed: an idiosyncratic New York. Strangely, so few cities of the world are recognized immediately just out of a small detail. New York, this so called global center of the economy has an incredible light creating different possibilities for photographs. Daylight seeping through the backs of skyscrapers soaring to the heaven projects shadows of big masses on the street. Overlapping building images on the mirroring glass surfaces of buildings where the light is projected create fascinating reflections. The permanent dance of the light on buildings' surfaces changes the aspect of streets together with the motion of the sun in the sky. The coexistence of geometrical forms resulting from shadows, the red building behind, and the perspective of an overpass on which two people chat, creates different visual effects.
This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at Marlborough Graphics in London from May 17 to June 17, 2000. Interview with Jacklin by Jill Lloyd. Checklist with 26 works listed. 22 color plates + numerous black & white illustrations. Biographical sketch. Exhibition history. Bibliography. 12" high X 10" wide, 39 pages. This book will be securely packed and shipped with tracking.
Catalogue of the exhibition displayed at Pinacoteca Nazionale di Bologna, 10 September - 10 November 1986 : National Gallery of Art, Washington, 19 December 1986-16 February 1987 : the Metropolitan Museum of Art, New York, 26 March - 24 May 1987].Overview :79 paintings created in the northern Italian province between 1500 and 1700 were shown. John Pope-Hennessy of the Metropolitan Museum in New York chose the 16th-century Emilian paintings, Sydney Freedberg of the National Gallery chose the 17th-century works, and Andrea Emiliani of the Pinacoteca Nazionale in Bologna oversaw negotiations and loans in Italy. Each venue showed a slight variation of the exhibition. 461p. An oversized [ 31x21x3.5 cm] and VERY heavy volume[2.6 Kg] Book
This is a very good hardcover copy without dust jacket as issued, with just light cover wear. Completely clean inside and out. Text in English and Italian. Illustrated in color and black & white. This monograph was prepared to accompany the exhibition in London at the Cortesi Gallery, from May 26 to July 22, 2016. Exhibition curated by Ilaria Bignotti, who also edited the catalog and writes the title essay 'The Concrete Utopia: Ivan Picelj and New Tendencies 1961- 1973'. The exhibition explored the work of Ivan Picelj (1924- 2011) and his contributions to the 1960's art movement New Tendencies. Bibliography. 12" high X 8" wide, 150 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
This is a very good softcover copy with a very good vellum dust jacket with just light wear. One small chip at the top of the spine of the jacket. Completely clean. Text in SPANISH. This catalog was prepared to accompany the traveling exhibition of Robert Irwin's work. This version of the catalog was for the exhibition at Museo Nacional Centro de Arte Reina Sofia, February to April 1995. Interview with Robert Irwin conducted by Lawrence Wechsler. Biographical sketch. Bibliography. Checklist with 129 works. Many illustrated in color or black & white. 11" high X 9" wide, 161 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. Text in English and Polish. This catalog was prepared to accompany the exhibition in Warsaw at the Center for Contemporary Art, Ujazdowski Castle, from July 12, 1998 to January 24, 1999. Curator Milada Slizinska. Illustrated in black & white and color. Bibliography. Exhibition history. 10" high X 7" wide, 76 pages. Passport application form laid in. This book will be securely wrapped and shipped with tracking.
