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NANTERRE, Sté industrielle de mécanique et carrosserie automobile - Juillet 1937 - In-4 - Broché - Couverture illustrée en couleurs - Publicités - Illustrations NB dans le texte et en couleurs hors texte - 46 pages - Propre
Catalogue de l'exposition présentée en 1983 à la galerie Maeght: 33 peintures de François Fiedler avec courtes notices et 33 reproductions couleurs, vignettes et pleines pages; précédé d'un texte du critique littéraire Octave NADAL (1904-1985); outre les 33 reproductions du catalogue proprement dit, 2 reproductions couleurs de taille douce à pleine page et 2 lithographies originales couleurs sur doubles pages; photo en frontispice. Français
This is a very good softcover copy with only light toning to the covers, Very clean inside. Text in Italian. Essay by Luigi Carluccio. 11 works in the exhibition. 4 black & white illustrations + 1 color plate + photo portrait of Leonora Fini as frontispiece. 10" high X 7" wide.
This is a very good softcover copy with almost no wear. This is a sale catalog for an auction held at Christie's New York on December 4, 1987. The sale consisted of 5 sculptures by Elie Nadelman. Hammer prices written in. Brief essays on Elie Nadelman and the School of American Ballet. All 5 sculptures illustrated in color. Bibliography. 10" high X 8" wide, 25 pages.
Catalogue de l'exposition présentée en 1991 au Musée du Luxembourg (Paris); 50 reproductions couleurs à pleine page de peintures de la peintre Flaure, rattachée à l'École de Paris; précédées d'un texte ("La puissance mystérieuse du rêve") de Marc RESTELLINI, commissaire de l'exposition; préface de Jean FAVIER; notice biographique et expositions (avec leurs traductions en anglais in fine); portrait en frontispice. Français
This is a very good hardcover copy with just light wear. The original softcover was rebound privately, with the softcover front cover laid down on the front board. The boards are dark green, with the title 'Florine Stettheimer' in gilt on the spine. Not x-library. Completely clean throughout, no marks. This catalog was prepared to accompany the exhibition at Low Library at Columbia University from February 8 to March 8, 1973. Introduction by Howard McP. Davis. Brief biographical sketch. Exhibition checklist with 70 works catalogued. 4 color plates + black & white illustrations. 11" high X 8" wide, 59 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy. Some wear to bottom edge of spine. One small handstamp from private collector on title-page. Otherwise completely clean. Text in French. This is a sale catalog for an auction held at Artcurial in Paris on November 30, 2010. Sale code: 1932. The sale consisted of items from Constantin Brancusi's studio and other objects in the collection of fellow Rumanian artists Alexandre Istrati and Natalia Dumitresco, who shared studio space with Brancusi in Paris at 8 impasse Ronsin. 137 lots in the sale. All illustrated in color. No prices realized sheets, just price estimates for each lot. 11" high X 8" wide, 124 pages.
This is a near fine softcover copy with almost no wear. Tan paper covers lightly toned. Completely clean. This catalog was prepared to accompany the exhibition at the Laurel Gallery on East 57th Street in New York from March 14 to April 1, 1949. Texts by Herbert Read, James Johnson Sweeney, Hyatt Mayor, Carl Zigrosser and Stanley William Hayter. Illustrated with 4 color plates + 26 black & white plates. 11" high X 8" wide, 31 pages. This book will be securely wrapped and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Signed and inscribed by the artist William DeRaymond to a New York poet, on the back cover. Poetry by Jeremy T.Monro and illustrations in black & white by William S. DeRaymond. 11" high X 9" wide, about 15 pages.
This is a fine hardcover copy with no wear at all. Completely clean inside and out. Text in English. This catalog was prepared to accompany the exhibition 'Greed a New Fragrance' by Francesco Vezzoli at La Conserva in Murcia, Spain in the spring of 2011, after first opening in Rome at the Gagosian Gallery in 2009. Essays by Cristiana Perrella and Nicholas Cullinan. Interview with Roman Polanski conducted by Vezzoli and Christopher Bollen in October 2009 just after Polanski finished shooting the faux fragrance commercial, Greed. Biographical sketch. Exhibition history. Checklist. Illustrated in color throughout. 11" high X 8" wide, 99 pages. This book will be securely packed and shipped with tracking.
Montauban, Musée Ingres, Toulouse Musée des Augustins, 1993. In-4 broché, XV-114 pages ; avec 159 illustrations en couleurs. Etat neuf. Catalogue de l'exposition qui a eu lieu du 5 mars au 2 mai 1989 au musée Ingres à Montauban pour les aquarelles et dessins et au musée des Augustins à Toulouse pour les huiles et pastels ; 159 oeuvres furent exposées.
Sm. Folio, First Edition, text in French, with numerous fine reproductions in colour, tint and monochrome; pictorial wrappers, a fine copy.
This is a very good softcover catalog with just light cover wear. Completely clean inside and out. This catalog was prepared to accompany the exhibition at Marlborough Gallery in New York from April 7-30, 1994. Introduction by Peter Ackroyd. Checklist with 44 works. 43 color plates + 1 black & white. Bibliography. Exhibition history. Public collections. 12" square, 44 pages. This book will be securely packed and shipped with tracking.
Oblong 4to., First Edition, with numerous photographs throughout; pictorial wrappers, a fine copy. SCARCE.
This is a very good softcover copy with light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at the Whitechapel Art Gallery in London in May through June, 1964. Preface by Bryan Robertson. Interview with Kline by Frank O'Hara. Checklist with 66 catalogued works. Illustrated in black & white. Exhibition history. Bibliography. 8" high X 7" wide, 24 pages. This book will be securely packed and shipped with tracking.
This is a near fine softcover copy with almost no wear. The spine is not creased. Completely clean inside and out. Text in German. English translations at the end. Essays by Eva Badura-Triska, Lorand Hegyi, Peter Gorsen, and Robert Flrck.Illustrated profusely in color and black & white. Exhibition history. Bibliography. 11" high X 9" wide, 326 pages. A beautiful copy. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Catalogue de l'exposition présentée en 1990-1991 à la Fondation de l'Hermitage à Lausanne, rétrospective de l'oeuvre du peintre suisse François Bocion (1828-1890) à l'occasion du 100è anniversaire de son décès, un sous-titre au faux-titre indiquant "Du Léman à Venise...": 167 peintures, aquarelles, dessins et lithographies, avec notices et vignettes en noir, précédés des reproductions couleurs à pleine page des oeuvres exposées; textes de Patrick SCHAEFER, conservateur à la Fondation de l'Hermitage, sur les principales périodes et les thèmes essentiels de l'oeuvre de l'artiste vaudois, le paysage suisse et le lac Léman, sa technique et sa fortune critique avec citations (dont fac-similé de 8 pages d'un poème manuscrit d'Eugène RAMBERT à son ami François Bocion; préface de François DAULTE, président de la Fondation); biographie; bibliographie; expositions. Exemplaire bien complet de ses jaquette et étui. Français
Catalogue de l'exposition consacrée au peintre François Boucher (1703-1770) présentée en 1986-1987 au Metropolitan Museum of Art, à New York, au Detroit Institute of Arts et aux Galeries nationales du Grand Palais, à Paris: 118 n°s dont 85 peintures et 7 tapisseries présentées avec notices, importants commentaires et reproductions en noir et en couleurs; accompagné de textes de Pierre ROSENBERG sur les "mystérieux débuts" du jeune artiste, d'Alastair LAING sur l'art de François Boucher, de J. Patrice MARANDEL sur "Boucher et l'Europe", d'Edith A. STANDEN sur "Boucher et l'art de la tapisserie"; les 26 derniers n°s étant consacrés aux porcelaines de la manufacture de Vincennes-Sèvres avec un texte d'Antoinette FAY-HALLE sur l'influence de l'artiste sur cette production; chronologie; index; bibliographie. Titre réduit en couverture en "Boucher". Français
Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
This is a fine softcover copy with no wear at all. Completely clean. Binding tight. This small catalog was prepared to accompany the exhibition at the Museum of Contemporary Art, in Denver, in 2011. Foreword by David Adjaye. Essay by Adam Lerner. Illustrated in black & white with installation photographs of Fred Sandbacks work. Checklist. Exhibition history. 8" high X 6" wide, 50 pages. This book will be securely wrapped and shipped with tracking.
This is a near fine softcover copy with just light cover wear. Completely clean. Includes CD at back of book in mylar pouch. This catalog was prepared to accompany the exhibition in Venice, Italy at the 50th Venice Biennale, with Fred Wilson representing the United States. Text in English and Italian at the end. Essays by Paul D. Kaplan and Salah Hassan. interview with artist conducted by Kathleen Goncharov. Illustrated in color. Exhibition history. Bibliography. 10" high X 7" wide, 66 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean inside and just a few faint tiny spots to the front cover, light scuffing to the rear cover and spine. This catalog was prepared to accompany the exhibition at the Grunwald Center for the Graphic Arts , Wight Art Gallery, UCLA, in the fall of 1988. Essays by James Cuno, Michel Melot, Lynn Hunt, Claude Langlois, Ronald Paulson, Albert Boime, and Klaus Herding. 190 works in the exhibition. All illustrated in black & white. Each work with extensive notes. Bibliography. 12" high X 9" wide, 280 pages.
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text in English, Spanish and German. Friedrich Vordemberge-Gildewart (1899- 1962) was a German Neo-plasticist painter. He was a member of De Stijl. He was also a member of a number of other artistic groups including: the Cercle et Carré, 1930, in Paris and was a founding member of Abstraction-Création started 1931, also in Paris. In 1954 he was appointed to the faculty of the Hochschule fur Gestaltung in Ulm by Max Bill. This retrospective of his work was shown at IVAM Centre Julio Gonzalez and then Museum Wiesbaden. Illustrated in color and black & white. Biographical sketch. Exhibition history. Bibliography. 11" high X 9" wide, 287 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. With a copy of the price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
