9 184 résultats
1984Q-029596197XUniv of Washington Pr 1984-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Univ of Washington Pr paperback
1983019072Tokyo Japan: The Shogun Age Exhibition Executive Committee 1983. First Edition First Thus . Soft cover. NEW - COLLECTIBLE/None as Issued. Ryoichi Takaku Exhibit Photographs; Sesshun Miyamoto Calligraphy Titles. BRAND NEW COPY & Collectible. Laminated softcover/NF w/trace surface soiling to back. Initial edition published in Tokyo Japan. Exhibition catalogue to travelling exhibition held first at the Los Angeles Country Museum of Art 1983 then Dallas Museum of Art 1984 Haus der Kunst Munich 1984 and finally at Espace Pierre Cardin Paris 1985. 198 pgs in 5 parts: I Valor; II Flamboyannce; III Taste; IV The Quest for Beauty; and V Splendor & Refinement. <br/> <br/> The Shogun Age Exhibition Executive Committee paperback
20032080502106914208Not Available 2003. Soft Cover. Fine. The book is in fine condition. Not Available paperback
37505Gloucester MA: Cape Anne Historical Association 1989. Softcover. 10.5" x 9". 75 1 pp. Several b&w photographic illustrations among text. Very minor scuffing and toning to wraps. Inscribed by Walter Hancock. Very Good. . VeryGood. Paperback . Cape Anne Historical Association 1989 paperback books
0260884715.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1330823958.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191660887San Francisco: Paul Elder & Co. March 1 1916. 8vo. xiii 1 79 5 pp. Tipped-in photo frontisp. 32 tipped-in photo plates. Original gray publisher’s boards w/ tan printed d.j. attached & spine and on flaps as issued minor chipping head of spine minor creasing couple very minor closed tears still VG/VG- copy from the library of Prof. Marvin Nathan. Second edition of this nicely illustrated Paul Elder title celebrating the continuation of the Panama-California International Exposition held in San Diego to celebrate the opening of the Panama Canal and San Diego as the first port-of-call. This Exposition was famed for its Mission Revival Style Architecture which over a decade later would inspire the architect Richard Requa. See: Paul Elder Two California Expositions 1915. Paul Elder & Co., hardcover
4259in 16 carré broché, titre, 36 pages, illustrations pleine page,texte de Marinetti etc..Catalogue d’exposition édition originale,très bon état,proche de l’état de neuf
191560914San Francisco CA: Rodman Wanamaker Dr. Dixon 1915. 16mo. 4.25 x 6.25 in. 4 pp unpaginated. printed in sepia-coloured ink on tinted paper. Self-printed photo-illustrated softcovers cover art photo of “The Last Outpost†very slight closed tear at fold still VG copy from the library of Prof. Marvin Nathan. First edition of this exceedingly scarce advertising brochure for the series of lectures delivered by Dr. Joseph Dixon at the 1915 Panama-Pacific International Exposition exposing the plight of the Native American tribes across the West and the deprivations of Reservation life. Sponsored by the Wanamaker Dept. Store heir and political advocate for Native American rights Dixon created over 8000 negatives and carried out lectures throughout the United States to raise awareness. The PPIE featured a cultural turning point for the popular conception of the Native Americans. Worldcat locates 1 copy Autry Museum of the American West; See: Abigail Markwyn Beyond the End of the Trail: Indians at San Francisco’s 1915 World’s Fair Ethnohistory 2016 Vol. 63 No. 2 pp. 273-300. Rodman Wanamaker, [Dr. Dixon], paperback
pp. xix, 332 + Numerous photographs, many in color. Text drawings. 8vo. Original full cloth binding. Hardbound. First Edition. Nice copy. PLANTS W135
0331978490.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. SCARCE, ESPECIALLY IN THIS CONDITION.
This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Ameringer Yohe Fine Art in New York from March 22 to April 21, 2007. Essay by David Elliott. Illustrated in color and black & white. Chronology. 11" high X 9" wide, 55 pages. This book will be securely packed and shipped with tracking.
1907245350London & New York: Wagnalls Company 1907. New Edition. Hardcover. Near fine copy in the original publisher's gilt-blocked and blind-bordered cloth edges very slightly toned. Corners sharp with an overall tight bright and clean impression. Physical description; two volumes. Subjects; St. Matthew. The Pulpit Commentary. Christian exegesis. Christian writings. London & New York: Wagnalls Company hardcover
0243262809.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
This is a near fine softcover copy with virtually no wear. (The back cover has a few small scrapes, hard to see), otherwise fine. Feels unread. Introduction and interview with the artist by Samantha Rippner. Bibliography. 41 color plates. 11" high X 8" wide, 56 pages. Scarce. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine softcover copy with almost no wear. Completely clean inside and out. This is a sale catalog for an auction that was held at Sotheby's London on June 27, 1989. Sale code: "HERCULES". The sale consisted of a single owner collection of prints by Hendrik Goltzius (1588- 1617) who was a Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, noted for his sophisticated technique and the "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". This sale of prints contained many examples not known even in the older large public collections at the Rijksmuseum or the British Museum. 83 lots in the sale. All illustrated, some in color. Auction Results sheet included. 11" high X 8" wide, 73 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with only light wear at the corners. Very clean outside and completely clean inside. Spine not creased, binding tight. This catalog documents 19 of Stubbs' prints, all illustrated in black & white + 13 black & white figures in the text. Text by Taylor. 8.5" high X 9.5" wide, 60 pages. This book will be securely packed and shipped with tracking.
0080280501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
38065Centro cultural de Belem, 1997. Format 24x28 cm, broche, couverture cartonnage souple a rabats, 278 pages. Ouvrage en 2 langues, portugais et anglais. Insolation partielle du dos. Bon etat.
New English Paperback. 4to. (29 x 23 cm). Edition in English. 192 p., 117 numerous photos. The photography of Jak Baruh: A narrative. Foreword by Engin Özendes. Edited by Bülent Erkmen. Jak Baruh is an open-air photographer as well. One can write long pages of speculations about how Baruh conceived and took these photographs without ever touching the reality in the mind of the artist. So I preferred to go along the photographs themselves. Instead of inventing a story for Baruh's photographs, I decided to tell my own stories that his works evoked in me as a viewer. Perusing pages of his book, first of all, a panorama of a city is revealed: an idiosyncratic New York. Strangely, so few cities of the world are recognized immediately just out of a small detail. New York, this so called global center of the economy has an incredible light creating different possibilities for photographs. Daylight seeping through the backs of skyscrapers soaring to the heaven projects shadows of big masses on the street. Overlapping building images on the mirroring glass surfaces of buildings where the light is projected create fascinating reflections. The permanent dance of the light on buildings' surfaces changes the aspect of streets together with the motion of the sun in the sky. The coexistence of geometrical forms resulting from shadows, the red building behind, and the perspective of an overpass on which two people chat, creates different visual effects.
This is a fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition circulated by the American Federation of Arts, in 1987. Venues included the Museum of Modern Art in New York, the Denver Art Museum, the Milwaukee Art Museum, the Des Moines Art Center, the Allen Memorial Art Museum, and the Montreal Museum of Fine Arts. Preface by Nicholas Fox Weber. Introduction by John Szarkowski. Illustrated in black & white. Checklist with 38 works catalogued. All illustrated. 10" high X 9" wide. This book will be securely wrapped and shipped with tracking.
54-1976San Francisco Calif.: Place of Fine Arts 1940. Exhibition announcement. 1 small stiff card measuring 5 1/2 x 3 1/4 inches. Exhibition held September 16-29 at the Palace of Fine Arts Golden Gate International Exhibition; no year is given but is presumed 1939 or 1940. Item is in near fine condition with handwritten address cancelled 1-cent stamp and some notes in ink. San Francisco, Calif.: Place of Fine Arts, 1940. unknown
189360192Chicago IL: C.D. Arnold World’s Columbian Exposition Department of Photography 1893. Oblong 4to. Seventeen albumen photographs mounted sized from 7 x 8 up to 7 x 8.5 in. on 9.5 x 8 in. printed studio board photographer’s imprint w/in negative of image and lower corners of board titles imprinted at lower blank board of each image Columbian Exposition medal stamped on versos minor edgewear slight rubbing very minor over-exposure on a few images still a VG bright set of original images. A group of very scarce mounted souvenir albumen photographs shot at the World’s Columbian Exposition in 1893 when patrons carrying small Kodak cameras were required to pay $ 2.00 license fee to bring a camera onto the grounds and no cameras or tripods able to shoot larger than 4 x 5 in. images were allowed. Most visitors bought the printed photo album versions wealthier ones would buy entire souvenir photo albums filled with Arnold images and yet others could buy them as individual mounted shots depicting their favorite or preferred venues. The 1893 Chicago World’s Fair ran almost six months featured grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris which could carry 2160 patrons when fully loaded. The “On the Midway†photo shows the Ferris wheel still under construction which much of the structure still clad in scaffolding. Others depict throngs of visitors individual exhibits and some Buildings just newly finished such as the U.S. Government Building featuring scaffolding off to the side for future installation to be completed. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be an excellent architectural photographer so so became the Chief of the Fair’s Dept. of Photography. See; Thomas Yanul Charles Dudley Arnold Photographer 1844-1927 Official Photographer Chicago Columbian & Pan-American Expositions 2001. C.D. Arnold, [World’s Columbian Exposition, Department of Photography], unknown
1994032548Thames & Hudson, Los Angeles County Museum of Art, New York, London 1994. Wie neu Hardcover Wie neu
