1 389 résultats
Catalogue de l'exposition présentée en 1979 à la Galerie Adrien Maeght, consacrée à ces peintures "entomologiques" que réalisait le peintre et graveur Jacques Poli (1938-2002) à partir de 1976: 8 reproductions à pleine page en noir et 6 en couleurs, deux lithographies originales: couverture et double page intérieure; accompagnées de 4 textes écrits par l'oulipien Georges PEREC (1936-1982) pour cette publication: "au départ, il n'y aurait qu'un accident minuscule [...]", "Tentative d'inventaire provisoire de quelques uns des mots évoqués par la vision des tableaux de Jacques Poli", "Enumérations, 2", "11 x (11 + 11) + 11" et d'un court extrait des "Souvenirs entomologiques" de Jean-Henri FABRE sur la mante religieuse; liste des 20 oeuvres exposées. Français
This is a very good softcover copy with only light wear. Very clean inside and out. Spine not creased, binding firm. Text in Italian. This catalog was prepared to accompany the exhibition of etchings by Jacques Callot and Stefano della Bella, in Siena at the Palazzo Publico, during the summer and early fall of 1976. Extensive bibliography. Many black & white illustrations. Introduction by Aldo Cairola. 9" high X 8" wide, 309 pages.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the The Museum of Modern Art from April 3 to September 7, 2015. It was then shown in Washington D.C. at the Phillips Collection from September 10, 2016 to January 17, 2017. The exhibition was curated by Leah Dickerman and Elsa Smithgall. With contributions by Elizabeth Alexander, Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Jodi Roberts, Patricia Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams, and Kevin Young. Illustrated throughout in color. 12" high X 10" wide, 191 pages. A fine unused copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Catalogue bilingue français-anglais de l'exposition d'aquarelles et dessins de Joseph Mallord William Turner (1775-1851) présentée en 1994 au Palais des beaux-arts de Charleroi, réalisée par la Tate Gallery, le British council et le Palais des beaux-arts de Charleroi: 85 oeuvres provenant de l'important legs fait à l'Etat par l'artiste, avec descriptions, commentaires et reproductions couleurs; préfaces de Nicholas SEROTA, directeur de la Tate Gallery, et du conservateur Laurent BUSINE; introduction de Ian WARRELL, spécialiste de l'artiste; chronologie; bibliographie. Exemplaire avec photo originale d'un monsieur (Laurent Busine ?) devant l'affiche de l'exposition. Bilingue anglais / français
Fine English Paperback. Pbo. 4to. Fully color ills. 40 p. In Turkish. Istanbul. [=Istanbul Paintings Exhibition].
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
8vo., First Edition, with numerous plates; original pictorial wrappers, crease-mark on upper cover else a very good, clean copy. Scarce catalogue of an important loan exhibition that ran from 7 December 1968 to 26 January 1969.
New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. 120 p., b/w and color ills. Isiga tutunmak.
A clean, unmarked book with a tight binding. Slight wear to cover. 7 1/4"w x 10 1/4"h. Many color photos.
This is a fine softcover copy with no wear at all. Completely clean. Text in English and Polish. This catalog was prepared to accompany the exhibition in Warsaw at the Center for Contemporary Art, Ujazdowski Castle, from July 12, 1998 to January 24, 1999. Curator Milada Slizinska. Illustrated in black & white and color. Bibliography. Exhibition history. 10" high X 7" wide, 76 pages. Passport application form laid in. This book will be securely wrapped and shipped with tracking.
This is a very good hardcover copy bound in black moire cloth boards and pink cloth spine. The spine and edges of the black cloth front board are sunned. Completely clean inside. Text in Basque and Spanish, with English summaries at the end. This catalog was prepared to accompany the exhibition in Spain in 1997. The title of the exhibition translated to English would be: "The Veiled Face: Transvestism and Identity in Art". Artists included in the exhibition: Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. Illustrated in black & white and color. Bibliography. Filmography. 10" high X 8" wide, 341 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover set of the catalogues for the Second and Third International Sculpture Symposiums of Baltimore, the second one in 1976 and the third one in 1980. Generally clean, but a small tan stain to the edges of a few pages of the first catalog. Statements by Robert du Bourg, Director of the symposium. Illustrated in black & white. Lists of symposium participants. 8" high X 11" wide, 43 & 68 pages. These books will be securely wrapped and shipped with tracking.
Paris, Éditions de la Réunion des Musées nationaux, 1967; in-8 carré (211 x 236 mm), 360 pp., broché, couverture illustrée. Catalogue d'exposition, Ministère d'État Affaires Culturelles, Ville de Paris. Paris, 27 octobre 1967-29 janvier 1968. Très nombreuses illustrations en noir et blanc.
P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché avec couverture à rabats, 215 pp.- XII hors-textes. Non coupé. Petit manque de papier en bas du dos.
This is an about very good softcover copy, the covers sunned near the spine. Essay by Andrea Fraser. Illustrated in black & white with 52 plates. Exhibition history. Bibliography. 6" square. This catalog will be securely wrapped and shipped with tracking.
New Turkish Paperback. 12mo. (16 x 11 cm). In Turkish. 62 p., 30 photographs. Incognito.
Catalogue de l'exposition présentée en 1990 aux Musées royaux d'art et d'histoire de Bruxelles, en 2 volumes: 1/ Textes sur le Pérou ancien: de Sergio PURIN sur ses civilisations, de Luis Guillermo LUMBRERAS sur l'archéologie, d'Aldo BOLAÑOS, Carmen Rosa CARDOZA, Duccio BANAVIA sur l'agriculture, la mine, la domestication des animaux, celle des plantes, de Roasa FUNG PINEDA, Danièle LAVALLEE et Ramiro MATOS MENDIETA sur les périodes précéramique et céramique, de Rogger RAVINES, Sarah MASSEY, Elias MUJICA B., Ponciano PAREDES BOTONI sur différents sites (Garagay, Paracas, altiplano du Titicaca, Pachacamac) de Denis POZZI-ESCOT sur l'empire Wari, de Theresa LANDE TOPIC et John R. TOPIC sur les recherches à Huamachuco, de Claudio CAVATRUNCI sur Cajamarquila, d'Inge SCHJELLERUP sur les recherches au Chachapoyas, de Duccio BONAVIA sur les ruines de l'Abiseo, de Federico KAUFFMANN DOIG et Giancarlo LIGABUE sur les Andes amazoniennes; puis textes sur les arts et techniques: céramique nasca par Patrick H. CARMICHAEL, travail du métal par Warwick BRAY, art et techniques textiles par Lara LAURENCICH-MINELLI, de la plume par Maria LONGHENA, iconographies du centre de Chavin par Marco CURATOLA, mochica par Christopher B. DONNAN, nasca par Donald A. PROULX, représentation de la sexualité par Enrique VERGARA, peinture murale par Duccio BONAVIA; puis textes sur l'empire inca: la royauté par Michel GRAULICH, la société par Maria ROSTWOROWSKI, le système économique par Franklin PEASE, la cohérence mathématique dans l'art andin par Edward K. DE BOCK et Tom R. ZUIDEMA, l'architecture par Jean-François BOUCHARD; 390 illustrations: photos, schémas, plans, cartes, dessins; importante bibliographie; 2/ Catalogue de 378 pièces (de pierre, terre cuite, bois, orfèvrerie, etc) avec photos couleurs, notices et commentaires. Exemplaire bien complet en 2 volumes Français
Ex-library book with the usual stamps and markings. 84 pages. 7"w x 9 5/8"h. Includes exhibition postcard advertisement. Color illustrations.
This is a near fine hardcover copy in white glazed boards with black titles printed on the spine and covers. Completely clean inside and out. Text in English, Italian and French. Essay by Mussa. This catalog accompanied an exhibition of the work of six Italian artists: Luciano Bartolini, Domenico Bianchi, Marcello Camorani, Marco Del Re, Michele Parisi and Lucia Romualdi. Illustrated in black & white, with 1 color plate. 4to, 9" high X 6" wide, 67 pages. A very nice copy. This book will be securely packed and shipped with tracking.
Book is in excellent condition with reversed binding: text spine is where the page ends would usually be. A few very small indications of use; bumped upper corner, otherwise Fine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Heavily illustrated with a great many full page, full color illustations, prints, photos of the exhibition the book is derived from, lots of blasphemous material, mocking of authorities, especially the Shaw of Iran, re-creation of persian miniatures, photos from the Iranian revolution. Contributors to the exhibition include: Yasmin Sinai, Reza Mafi, Siah Armajani, Ali Akbar Sadeghi, Shoja Azari, Arviz Tanavoli, Abbas, Shirin Neshat, Hussien Qular Aqasi, Antonin Sevruguin, Herbert rose Barraud, Luigi Pesce, Fataneh Dadkhan, Shazedeh Ehtejab, Nicky Nodjoumi, Kaveh Golestan, Kimon Evan Marengo, etc.
New English Paperback. Pbo. Mint. 4to. (29 x 22 cm). In English and Turkish. 56, [1] p. Color ills. In search for the new.= Yeniyi aramak. January 18 - March 13, 2013. [Exhibition catalogue].
A clean, unmarked book with a tight binding. 160 pages. Slight wear to cover.
This is a very good softcover copy of this unusually bound two volume set with just light wear. Completely clean. Text in German. This catalog was prepared to accompany the exhbition in Munich at Kunsthandel Sabine Helms and in Bremen, Germany at the Graphisches Kabinett Kunsthandel Wolfgang Werner from November 17, 1977 to the end of the year. The catalog is comprised of two volumes: one is bound to the outer wrapper or portfolio, the second volume is loose inside. This exhibition was an hommage to Alfred Walter Heymel (1878- 1914) a writer and publisher who died in battle in World War I. Both volumes are illustrated in color and black & white. 100 works are catalogued in the list of works. 9" high X 8" wide, unpaginated. This book will be securely packed and shipped with tracking.
8vo., First Edition, text in Italian, with numerous reproductions throughout; original printed wrappers, wire-stitched as issued, a near fine copy. VERY SCARCE.
64 pages. Exhibition presented by the Assembly of BC Arts Councils at the BC Festival of the Arts, Campbell River, BC. Printed upon glossy stock. Illustrated in black and white. Clean and unmarked with light wear. A quality copy. Book
