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This is a very good softcover copy with almost no wear. Completely clean inside and out. Text block margins slightly yellowed. This catalog was prepared to accompany the exhibition at Whitechapel Art Gallery from November 1999 through January 2000. Essays by Adrian Searle and David Batchelor. Biographical sketch. Exhibition history. List of works. Illustrated in color. 11" high X 8" wide, 88 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with almost no wear. Signed by the author, George Quasha on the title-page and inscribed to a well known New York artist. Also a small drawing above Gary Hill's name, probably his drawing. Otherwise clean throughout. Illustrated in color. This catalog was prepared to accompany the exhibition at the Boise Art Museum in Idaho from December 2002 through February 2003. Essay by George Quasha. Biographical sketch of the artist. Exhibition history. 7" high X 8" wide, 61 pages. This book will be securely packed and shipped with tracking.
12pp. (i.e. les pages 97 à 108) + 4pp. de publicité, brochure originale, 37cm., bon état, B95369
12pp. (i.e. les pages 157 à 168) + 4pp. de publicité, brochure originale, 37cm., bon état, B95370
12pp. (i.e. les pages 169 à 180) + 4pp. de publicité, brochure originale, 37cm., bon état, B95371
12pp. (i.e. les pages 193 à 204) + 4pp. de publicité, brochure originale, 37cm., bon état, B95372
16pp. (i.e. les pages 297 à 312) + 4pp. de publicité, brochure originale, 37cm., bon état, B95373
16pp. (i.e. les pages 281 à 296) + 4pp. de publicité, brochure originale, 37cm., bon état, B95374
16pp. (i.e. les pages 313 à 328) + 4pp. de publicité, brochure originale, 37cm., bon état, B95375
This is a near fine softcover copy with almost no wear. Completely clean inside and out. Spine not creased. Text in Italian. Exhibition curated by Precerutti-Garberi. Preface by Rodolfo Pallucchini. 70 works in the exhibition, all illustrated in black & white, except for 4 in color. Bibliography. 9" high X 8" wide. A very nice copy. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean. Text in French. This is a sale catalog for an auction held at Sotheby's Monaco on June 17, 1990. Sale code: "PAROLE". The sale consisted of 195 lots of Futurist broadsides, pamphlets, etc. Includes Fortunato Depero's famous 'bolted book' and metal books by Marinetti and Tullio Albisolo. Illustrated mostly in black & white, with color plates for the Depero, Marinetti and Albisola books. Bibliography. Index of artists. 11" high X 8" wide, 101 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean. Text in Catalan, Spanish and English. This catalog was prepared to accompany the exhibition in Barcelona at the Centre Cultural Metropolita Tecla Sala from April 20 to July 16, 2006. Monograph on the Spanish modernist painter Eduardo Arranz-Bravo (1941- ), born in Barcelona, where he still lives and works. Illustrated throughout in color and black & white with reproductions of the artists' paintings, works of art on paper and sculptures on almost every page. Exhibition history. Brief bibliography. 12" high X 9" wide, 263 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just some wear to the front cover transparent wrapper, which is creased. Completely clean inside and out. Texts from Tzvetan Todorov, Jorge Luis Borges, William Gibson and Italo Calvino among others accompany images of the natural, supernatural, and paranormal. Illustrated in black & white and silver. 11" high X 9" wide. Limited edition of 300 copies.
New English Paperback. 4to. (32 x 24 cm). In English, Montenegrin, and Turkish. 95 p., color ills. Mehmet Çebi Koleksiyonu'ndan ask-i nebi sanat olunca.= From the Collection of Mehmet Çebi when love for the prophet becomes art.= Iz kolekcije Mehmeta Cebija Kada Ljubav prema poslaniku postane umjetnost. [Exhibition catalogue]. TURKISH & ISLAMIC ARTS Ottoman calligraphy Calligrapher Contemporary / Modern art Prophet Mohammad.
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. With a copy of the price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
This is a very good softcover copy with almost no wear. Completely clean inside and out. Text in English, Spanish and German. Friedrich Vordemberge-Gildewart (1899- 1962) was a German Neo-plasticist painter. He was a member of De Stijl. He was also a member of a number of other artistic groups including: the Cercle et Carré, 1930, in Paris and was a founding member of Abstraction-Création started 1931, also in Paris. In 1954 he was appointed to the faculty of the Hochschule fur Gestaltung in Ulm by Max Bill. This retrospective of his work was shown at IVAM Centre Julio Gonzalez and then Museum Wiesbaden. Illustrated in color and black & white. Biographical sketch. Exhibition history. Bibliography. 11" high X 9" wide, 287 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean inside and just a few faint tiny spots to the front cover, light scuffing to the rear cover and spine. This catalog was prepared to accompany the exhibition at the Grunwald Center for the Graphic Arts , Wight Art Gallery, UCLA, in the fall of 1988. Essays by James Cuno, Michel Melot, Lynn Hunt, Claude Langlois, Ronald Paulson, Albert Boime, and Klaus Herding. 190 works in the exhibition. All illustrated in black & white. Each work with extensive notes. Bibliography. 12" high X 9" wide, 280 pages.
This is a near fine softcover copy with just light cover wear. Completely clean. Includes CD at back of book in mylar pouch. This catalog was prepared to accompany the exhibition in Venice, Italy at the 50th Venice Biennale, with Fred Wilson representing the United States. Text in English and Italian at the end. Essays by Paul D. Kaplan and Salah Hassan. interview with artist conducted by Kathleen Goncharov. Illustrated in color. Exhibition history. Bibliography. 10" high X 7" wide, 66 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. Binding tight. This small catalog was prepared to accompany the exhibition at the Museum of Contemporary Art, in Denver, in 2011. Foreword by David Adjaye. Essay by Adam Lerner. Illustrated in black & white with installation photographs of Fred Sandbacks work. Checklist. Exhibition history. 8" high X 6" wide, 50 pages. This book will be securely wrapped and shipped with tracking.
Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
Catalogue de l'exposition consacrée au peintre François Boucher (1703-1770) présentée en 1986-1987 au Metropolitan Museum of Art, à New York, au Detroit Institute of Arts et aux Galeries nationales du Grand Palais, à Paris: 118 n°s dont 85 peintures et 7 tapisseries présentées avec notices, importants commentaires et reproductions en noir et en couleurs; accompagné de textes de Pierre ROSENBERG sur les "mystérieux débuts" du jeune artiste, d'Alastair LAING sur l'art de François Boucher, de J. Patrice MARANDEL sur "Boucher et l'Europe", d'Edith A. STANDEN sur "Boucher et l'art de la tapisserie"; les 26 derniers n°s étant consacrés aux porcelaines de la manufacture de Vincennes-Sèvres avec un texte d'Antoinette FAY-HALLE sur l'influence de l'artiste sur cette production; chronologie; index; bibliographie. Titre réduit en couverture en "Boucher". Français
Catalogue de l'exposition présentée en 1990-1991 à la Fondation de l'Hermitage à Lausanne, rétrospective de l'oeuvre du peintre suisse François Bocion (1828-1890) à l'occasion du 100è anniversaire de son décès, un sous-titre au faux-titre indiquant "Du Léman à Venise...": 167 peintures, aquarelles, dessins et lithographies, avec notices et vignettes en noir, précédés des reproductions couleurs à pleine page des oeuvres exposées; textes de Patrick SCHAEFER, conservateur à la Fondation de l'Hermitage, sur les principales périodes et les thèmes essentiels de l'oeuvre de l'artiste vaudois, le paysage suisse et le lac Léman, sa technique et sa fortune critique avec citations (dont fac-similé de 8 pages d'un poème manuscrit d'Eugène RAMBERT à son ami François Bocion; préface de François DAULTE, président de la Fondation); biographie; bibliographie; expositions. Exemplaire bien complet de ses jaquette et étui. Français
This is a near fine softcover copy with almost no wear. The spine is not creased. Completely clean inside and out. Text in German. English translations at the end. Essays by Eva Badura-Triska, Lorand Hegyi, Peter Gorsen, and Robert Flrck.Illustrated profusely in color and black & white. Exhibition history. Bibliography. 11" high X 9" wide, 326 pages. A beautiful copy. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at the Whitechapel Art Gallery in London in May through June, 1964. Preface by Bryan Robertson. Interview with Kline by Frank O'Hara. Checklist with 66 catalogued works. Illustrated in black & white. Exhibition history. Bibliography. 8" high X 7" wide, 24 pages. This book will be securely packed and shipped with tracking.
Oblong 4to., First Edition, with numerous photographs throughout; pictorial wrappers, a fine copy. SCARCE.