291 résultats
20042111902158502813Pan Rolling Manga Shop 2004. Soft Cover. Fine. Number of pages: 3 Size: 19 cm Number of books: 3 Pan Rolling Manga Shop paperback
19922090502113710008Not Available 1992. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1932D37241932. Hardcover. Fine. Half brown cloth and morocco with gilt-stamped lettering on spine. Fine. Contains 21 grey heavy cardstock leaves each with a tipped-on drawing 6-by-7-inches colored by hand usually in watercolor and pencil. Osborn holds forth in 19 cartoons on the subjects of hair and California. Also includes 2 more serious drawings both concerned with landscape and the human figure. <br/><br/>Early original cartoons by the noted caricaturist cartoonist and satiric commentator Robert Osborn who died in 1994 at age 90. Educated at the University of Wisconsin and Yale University where he was art editor of the Yale Record Osborn studied painting in Rome and Paris before returning to teach art and philosophy at the Hotchkiss School in Lakeville Connecticut. At the outbreak of World War II he enlisted in the Navy with the hope of becoming an aviator. He was assigned to an information unit under the command of the photographer Edward Steichen. As a Navy officer he learned the art of speed drawing and over his military career produced some 40000 drawings for training manuals -- many of them featuring a cartoon character named Dilbert a blunderer who violated rules of military safety. In 1946 he achieved his first public recognition for "War Is No Damn Good" said to be the first antiwar book of the nuclear age. He went on to draw for Harper's Fortune Life and Look and became a regular contributor to The New Republic. Garry Trudeau creator of the "Doonesbury" strip called Mr. Osborn "one of the very few masters of illustrative cartooning." hardcover
Large Folio, measuring 56cm x 39cm (15.5 inches x 22 inches). Original printed wrappers. Text is in Italian. [6], 72, [2] pages, plus 7 engraved plates, 5 of which are double-page. Wrappers chipped at extremities, occasional foxing, otherwise in very good condition. Scarce valuable resource on Ptolemaic Egypt. A scarce account, rarely seen in original wrappers, Pieralisi's treatise is a noteworthy study of the late Hellenistic Nile Mosaic of Palestrina, which depicts Ptolemaic Egypt and dates to circa 100 B.C. The author, Don Sante Pieralisi, was a librarian of the Barberini Library in Rome with access to many early scholars' works. The mosaic's history and construction are described, followed by a presentation of some early and compelling theories of interpretation and dating, by such scholars as Barthelemy, Antonio Nibby, Carlo Fea, and Cassiano dal Pozzo (secretary to Francesco Barberini who was largely responsible for its restoration). Much history of ancient Egyptian life can be drawn from the mosaic scenes, including the Nile's yearly flooding, Nubian hunters, mythical or extinct creatures, Egyptian-Roman trade, contrasts between peasant dwellings and palatial life, the rise of magnificent walled cities guarded by Egyptian soldiers, etc. Remarkable engravings reproduce details of the historic masterpiece. The celebrated Nile mosaic dates to circa 100 B.C. during rule of the Ptolemaic Dynasty, the last dynasty of Ancient Egypt (305 BC to 30 BC) and forms an interesting connections between ancient Egyptian and Roman civilizations, and the its essence of its design has, for several centuries, been the center of much speculation. Shortly after publication, the observations by Don Sante Pieralisi accompanied the mosaic on display in the Palazzo Barberini, where it had been placed by Prince Barberini after restoration mid-seventeenth century. Equally interesting is a chapter dedicated to the Rosetta Stone, the ancient stele decree issued at Memphis, also during the Ptolemaic dynasty. The author relates details of the French expedition to Egypt which uncovered it in 1799, and the controversial repossession and transfer to England following the Capitulation of Alexandria. He further presents important details of the temples of Apis, Serapis, and Venus at Memphis, other hidden tombs of Memphis, and pertinent Egyptian rulers.
1989Alibris.0046838Lannoo Publishers. 1989. Hard cover. Very good in very good dust jacket. inscription on half-title page. 248 p. Contains: Unspecified. Includes Unspecified. Audience: General/trade. Lannoo Publishers hardcover
197184564New York: Harper & Row Publishers 1971. First Edition. First Printing. Square octavo 16cm; pictorial cloth boards; dustjacket; 100pp; illus. Slight forward lean else a clean Near Fine copy. Dustjacket is unclipped priced $3.95 gently spine-sunned lightly shelfworn with a few small tears and creases and a longer 1.25" tear to upper rear panel; Very Good. The last in a trilogy of collaborative works between Joseph Pintauro and Sister Mary Corita Kent preceded by To Believe in God and To Believe in Man. 84565. Harper & Row, Publishers unknown
1971ABE-1691264150715Promethean Enterprises 1971 Staple-bound periodical. 4to. 1st edition. Unpaginated. Illustrated wraps. Profusely illustrated. R. Crumb centerfold & "Rocking the Boat" insert attached. Contributions by Crumb Rick Griffin Victor Miscosso and others. Scarce. 1st Edition. Soft cover. Very Good. Promethean Enterprises paperback
Book is in excellent condition with slight age-toning to cover edges as the only blemish. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Publisher's page shows N.A.P.
1989ABE-1636755489458Blacksburg Tactical Research Center 1989 Softcover 4to. 1st ed. 9pp. 1st Edition. Soft cover. As New. Blacksburg Tactical Research Center paperback
Two reports in one issue, altogether 44 pages, including black and white plates, sketch maps. Plus a double-sided fold-out chart, and a large fold-out colour map measuring approximately 23 inches by 24 inches. Original condition with blue wrappers, titles to front, and containing all the ads. This is a complete issue, seldom found in such good and original condition. British North Greenland expedition is an enlightening report on the work and findings of the expedition. With contributions by several other valuable members of the expedition team, such as Lieutenant F. R. Brooke, K. C. Arnold, and Flight-Lieutenant S. Bowater in charge of air photography. Details comprise every aspect of this remarkable journey, from planning, equipment, methods, surveys, vertical air photography, seismic investigations, atmospheric pressure. With graphs, tables, appendixes, plates for illustration, a fold out chart, and colour map of the areas explored and surveyed. A Most Comprehensive Arctic Survey - Scientifically Recorded and with a Folding Map! Plus a brief report on the geographical characteristic of the coast of South-East Iceland and the main factors causing those features, such as the wave and wind, nature of the sand, the character of the rock of the area, the situation of the rocky island of Ingólfshöfði, and the proximity of the large and active outlet glaciers of Vatnajokull.
1970130102San Francisco: Hoddypoll Press 1970. Paperback. unpaginated 8.5x11 inches illustrations stapled foil wraps with plastic spine. Hoddypoll Press paperback
195953819Paris: André Sauret 1959. First edition. Softcover. Very good to fine condition. Small Folio. 157 6pp. Original heavy gray wraps in original color-illustrated dustjacket with original mylar jacket. Original color lithograph frontispiece. Title page printed lithographically in blue and black. Beautifully illustrate with six original color lithographs including dustjacket some forty b/w high quality reproductions of paintings and watercolors by Carzou and additional color reproductions of his work several of them double-page. The paintings and watercolors were reproduced under the direction of the artist in collaboration with Louis Duval and Charles Solier. The lithographs were produced by the artist and printed at the Mourlot Frères Press. Contains several pages of press write-ups of Carzou's art at rear with table listing the fifty artworks presented in this volume. Text in French. Light age-toning of block mostly along edges and not affecting artwork. "Jean Carzou was an Armenian-French painter and illustrator recognized for his illustrations that graced the pages of the novels by Ernest Hemingway and Albert Camus. Born in Syria in 1907 as Karnik Zouloumian into an Armenian family the artist was first educated in Cairo Egypt before moving to Paris where he studied art and architecture. Carzou like his contemporaries Dali and Picasso was part of a generation that witnessed many wars. Haunted to the point of obsession by the horrors he had witnessed Carzou's style went through a period where the artist seemed to be desperate to remind the world of the horrors of the past. Today his works have permanent homes in America Great Britain Egypt Japan and his adopted homeland France." Mourlot Editions. André Sauret unknown
19915497Easton Press 1991. HBNODJ Issued1991 1st edition thus Red Tooled Genuine Leather with Gold Gilt decorations & Titles bookplate ribbon bkmrk NF/F- AS-IS NODJ. First Thus. Hard Cover. Easton Press,, hardcover
Japan: Suharaya, and others, Kaei 7 (1854). Fascinating and scarce account of a samurai's son whose personal determination led him to rise above the family's financial poverty, to properly care for his horse, build his own stables, and breed additional horses, all by learning the ancient long-forgotten ways of the ancient samurai. 8vo. 1 volume, 78 pages, including 9 full-page illustrations, two of which are hand coloured. Woodblock print. All text is in Japanese. Postscript records the first edition being published in 1806. Traditional karitoji paper binding string-stitched at spine, fukurotoji style ("bound-pocket" with folded leafs bound into spine), and opening from left to right. Natural paper covers, with manuscript title label to front. Together the volumes measure approximately 18 x 25,5 x 1 cm. Negligible creasing to boards and age-toning to upper margins, otherwise in very good and original condition, a pleasing and uncommon work. Based primarily on contemporary descriptions of the financial distress felt by the long-standing prestigious samurai class, such as the present account, it is accepted, without dissent that the ruling samurai class suffered increasing poverty during the Tokugawa (Edo) period. Seifu Murata (1746-1811) wrote: "For years now, the samurai have suffered from poverty and their minds have been occupied by making a living. ‘Buy this, sell that’ and ‘pawn this to pay for that’ has become all of their lives. Even for those dedicated to their duties, it was inevitable to debase themselves and to engage in unsavory conduct (i.e., engage in trading)". Even the wives of those who were earning as much as 200 koku busied themselves in trading and in shops. This is the hero's journey, imparted firsthand, of a brilliant young samurai born into poverty but wide-eyed and unrelentingly in pursuit of mastering the skills of a samurai and honouring his destined status in this class of nobility. Young Ryuzando Shujin began by learning the equestrian warrior traditions with a borrowed horse, and was eventually able to convince his father to buy him a horse of his own, despite of the family's economic situation. When the cost of caring for the horse became a burden no longer bearable, and he was told the horse would be sold, he fixated on finding a solution. Immediately, he began conducting extensive research into the ancient methods employed when most samurai were farmers who held the role of warrior in the event of a battle. The solution to combating the costs was breeding and selling. He began the process, while being scrutinized, mocked and judged by others, in particular jeering his rudimentary (cost-effective) hand-made stables. But he did not let any outside opinions pierce his confidence. After repeated trial and error, it was not long that he possessed six horses. Surely too, he had solved the challenges of the household finances. Shujin championed horsemanship as a duty of all samurai. With the belief that all samurai should therefore possess their own horse, in part to best perform archery, spearmanship, and swordsmanship, and owing to the fact that this was an era where some samurai families were poor, he published his methods for others to follow, and ultimately uphold their rights and responsibilities that their title suggests. The volume includes instructions for building horse stables by hand, without incurring high costs. He describes the breeding process, his training methodology, and proper feeding. His own experiences with horses falling to sickness and how he treated them back to health are also shared. Clearly a man with a charitable and honest heart, he concludes by stating that all of this aside, the single most important thing for a healthy and happy horse is "aishin" (affection).
2003122411Jonathan Cape Publishers in Association with the Saatchi Gallery, London, 2003. 222 S. ; 26,5 x 23,5 cm ; Pp. ;
1959007581Haessler Feature Service 1959. Framed. Near Fine. Sandburg wrote four lines in red ink to the right of his portrait: "Poetry is a sliver of the moon lost in the belly of a golden frog." If ever there were a quote for the ages . . . The poster itself is done virtually entirely by hand. In other words a manuscript! Measuring 42 by 34 cm the exposed part at least and with frame and matting 56 by 48 cm. We have found no evidence that this poster was ever printed. Haessler Feature Service unknown
199541421New York: Max Protetch Gallery 1995. Near Fine. New York: Max Protetch Gallery 1995. First Edition. Slim square quarto 24cm; publisher's cream staplebound printed wrappers; 20pp.; halftone photographic illus. A hint of wear and dust-soil else a Fine example. Max Protetch Gallery unknown