299 résultats
140944240San Francisco: Damaged Goods Company 1981. Complete run of an important San Francisco punk magazine. Issues 1-12/13 plus "October 1980 Special Free Edition" about a show at The Western Front. All issues in large tabloid format 11.5" x 17.5" the third being slightly smaller dimensions. Very Good overall with most issues having a horizontal fold in the middle some more distinct than others toning light wear and occasional edge-chipping. Foxing to wraps of third issue. Notes in ink on rear wrap of #7. Very rare as a run.<br /> <br /> <p>Dubbing itself "The Magazine That's Not for Everyone " Damage was a calendar of events for San Francisco with interviews reviews and features showcasing the tail end of punk's first wave and its splitting into post-punk new wave no wave and hardcore scenes. This would prove very eventful as the city was a hotbed of creativity during this period with a number of acts that were sonically ahead of everywhere else even New York and London. Highlights include a collage by Flipper's Will Shatter a list of "Items" by Jello Biafra and an article on his campaign for SF mayor photos of punk fashion at the Society for Mandatory Modern Dress Show updates on performance art in the city an article on the Tokyo punk scene interviews with Crime X The Dead Boys Flipper The Mo-dettes Circle Jerks DNA Gang of Four Flipper The Undertones Public Image Limited Bruce Conner in two parts the Dils Black Flag The Cramps Magazine the Go-Gos Lydia Lunch Adam and the Ants Stiff Little Fingers Madness The Specials Tuxedomoon the dB's The Bags and the Bush Tetras. Damaged Goods Company unknown
197830054Melano: Caos Press 1978. First edition. Paperback. Near Fine. Stiff illustrated stapled wrappers. 14 unnumbered pages. Poems by Kyger in English with side by side translations into Italian by Beltrametti. One of 330 copies printed. Near fine condition. The first copy we have handled. Caos Press paperback books
ANAIS-0525623043Scholastic Book Services by arr. w/ Simon & Schuster. paperback. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Scholastic Book Services by arr. w/ Simon & Schuster paperback
Korea's most prestigious Yi Dynasty paintings reproduced and thus preserved in a most elegant single presentation, this is an exceedingly scare work. The famous original paintings are held in private and museum collections throughout Korea. Each painting here is illustrated in colour, most also being the same size as the original artworks. Some of the larger ones are foldout plates. Each is tipped to its own printed carrier folder with a descriptive text printed adjacent on the same large leaf. These four portfolios weigh 30 kg and we will provide free shipping anywhere in the world.
2090502113716921Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19472110502150900526Rokumei-sha 1947. Soft Cover. Fine. Volume: 1 Rokumei-sha paperback
19472110502150900628Rokumei-sha 1947. Soft Cover. Fine. Volume: 1 Rokumei-sha paperback
193671681London: John Hamilton 1936. 1st edition. Very Good. octavo. orig. cloth 209pp. frontis. b/w pls. Neat ownership inscription & occasional browning to some pages o/w a very good copy. Scarce John Hamilton hardcover
2015158336Torino: Lo Scarabeo 2015. 1st edition. Very nice copy. octavo. pictorial wrappers 191pp. colour plates cards In folding decorated box inc. full set of cards. Original Italian printing not the Llewellyn reprint. Scarce Lo Scarabeo unknown
1940140944630New York: Simon and Schuster 1940. First edition. First edition. First printing with title page dated 1940 and no additional printings indicated on copyright page. xiv 380 1 pp. Bound in publisher's red cloth with gilt lettering. Near Fine with light rubbing along edges and to gilt in Very Good price-clipped dust jacket with thin closed tear near head small stain to rear panel toning along edges of flaps. Nice shape overall. Rare as a first printing.<p>An engaging and accessible volume on mathematics. This first edition lays claim to the first published use of the now era-defining term "google" or as it was originally the "Googolplex". Kasner describes with good humor both the immense breadth of the number the Googolplex represents and the coinage of the term itself from the mouth of his nine-year-old nephew. Simon and Schuster unknown
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 64pp. Generations of artists have depicted angels as divine messengers, spiritual guides or heavenly musicians. This study shows some of these images with lengthy descriptions of each.
19700039281970 A unique and original artwork from the celebrated political satirist John Kent. This is a magnificent large drawing created for the issue of 21st December 1970. It measures 30" x 20" and is signed by John Kent. The episode depicts the then PM Edward Heath and one of the worst rogues in Tory history the racist Enoch Powell. Beautiful clean artwork with no sign of a correction. Varoomshka was the blonde bombshell who appeared for many years in The Guardian. 0.0 0.0 0.0. Illus. by John Kent. Soft cover. Fine. paperback
ABE-4450566152A unique and original artwork from the celebrated political satirist John Kent. This is a magnificent large drawing created for the issue of 15th December 1975. It measures 30" x 20" and is signed by John Kent. The episode depicts the then PM Harold Wilson and it was done in the style of a Tiger Tim comic strip. Beautiful clean artwork with no sign of a correction. Varoomshka was the blonde bombshell who appeared for many years in The Guardian. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Illustrator. Soft cover. Fine. paperback
19012111902160200411Not Available 1901. Soft Cover. Fine. Volume: 1 Not Available paperback
Archive of London Artist, featuring a tribute to king of Belgium; comprises 5 published book dustjackets for notable authors, 2 bookplate designs, 11 heraldic arms of the British monarchy and the Royal Armed Forces, 30 hand-drawn and coloured Oxford coat of arms, 21 unique greeting cards, 7 photographs, and a few other items pertaining to publications and to colleges. Artworks and photographs range in size, the smallest measuring approximately 8 x 11 cm and the largest measuring 20 x 25 cm. With the exception of the greeting cards and bookplates, all other works are mounted to large cardstock leafs measuring approximately 29 x 35 cm. Two series of works are accompanied by typescript descriptions; one is accompanied by a facsimile letter from the College of Arms in London. The lot in very good condition, providing insight into the works of an all but forgotten London-based commercial artist who was active before and during the Second World War. Norman Walker James (1886-1963) was a commercial artist and designer established in London from about 1910-1911. He is listed as a Decorative Designer residing at a boarding house in Kensington, in the 1911 census. Although little-known today, he evidently rose to some acclaim in his trade, as he was selected to design a memorial tablet for Belgian King Albert I. Born in Leicester, he was the son of a congregational minister. The present archive consists of an artist's own retained copies of his work, which form a fascinating portfolio of a man who was notable and active, not long ago from the 1920s into at least the 1940s, and yet seems to be vanished into obscurity. His undertakings and contracts connected him to Belgian royalty, notable publishers, and administrators of renowned college institutions. Especially interesting are the items pertaining to his contribution to a memorial located in the Sint-Maartenskathedraal in Ypres [St Martin's Cathedral re-built in 1930] , including a photograph of the tablet designed by James and accompanied by his design description, two coats of arms printed true-to-size as they would be on the tablet, as well as two rare large press photographs of its unveiling on 21 May 1938. The tablet served to honour Albert I King of Belgium together with the British Armed Forces for the gift of the exquisite rose stained glass window mounted above the south transept door. James designed the nine-foot tall tablet, on which he hand painted the inscription, and which was unveiled by King Leopold III. It featured the coat of arms of Albert I, as well as the Arms of the British Army, the RAF and the Dragoon Guards. Some of James' dustjacket designs retained here include: Commodore Anson's Voyage Into the South Seas and Around the World, by Boyle T. Somerville, published in 1934; The Recollections of Sir Henry Dickens, published in 1934; The Daughters of George III, by Dorothy Margaret Stuart, published in 1939; War & Peace, by Leo Tolstoy, published in 1942 (Also with original book boards); The Heart of Jade, by Salvador de Madariaga, published in 1944. Other book and publishing related designs include: Four photographs showing the dedication leafs and front boards of a book issued by Great Britain's Postal Administration to commemorate the tricentennial anniversary of Norway's postal service and to celebrate the two nations' collaboration in a Universal Postal Union; A front wrapper for a 1934 issue of "Paris Salon Illustrated" magazine for artists. On two leafs are mounted 30 hand coloured drawings of heraldic shields, being the Arms of the University of Oxford, and twenty-nine of its colleges or halls, some examples of which include Pembroke College, St. John's College, Jesus College, Queens College, Magdalen College, and Campion Hall. A ticket of R. P. Gossop Limited stamped "Norman James" reveals a connection to the agency. [Reginald Percy Gossop (1876-1951) was a commercial artist specializing in graphic and landscape art, and is best remembered for designing posters for the Underground Group from 1925 to 1932. He started an agency for artists circa 1920. He studied at Birkbeck College in London, then at the Hammersmith School of Art.] Manuscript
1998166952Royal Oak MI: A.S.A.P. 1998. Limited Edition one of 300 hand-numbered copies this being No. 37 SIGNED by author James Crumley artist Phil Parks and Lise McClendon who wrote the introduction.<br /> <br /> Fine with no dust jacket as issued. A.S.A.P. unknown
192920390New York: The Longacre Press Inc 1929. First edition. Hardcover. String ties. Paper pastedown. Cloth spine. Near Fine. Promotional souvenir program for a transitional Griftith film -- shot originally as a silent re-shot with some sound including most notably songs by Irving Berlin. 4to. 31 by 22.5 cm. Unpaginated 18 leaves. This Griffith film despite rave reviews was not a success at the box office despite the talent associated with it. It also catapulted Lupe Velez to stardom briefly and a personality whose antics became dependable fodder for the press. The story is one in which the male lead William Boyd is cast aside by his girlfriend and resolves that he could find a more suitable lover off the street which he does when he connects with a singer at a sleazy bar played by Velez. Boyd a popular Silent Era romantic lead would suffer a setback in the early sound era but resurrect his career and fortune in a series of Westerns in which he played Hopalong Cassidy. "Lady of the Pavements" may have been a disappointment commercially but one would not know that from this souvenir which is an object of real beauty with its textured wallpaper-like pastedown on the front cover -- the paper used looks like a premium Japon -- its thick glossy leaves its lavish photos and Art Deco illustrations and decoration. Some photos have touches of tinting although they are from full color. And much of the ornamental decoration on the page is in color. One could say that the souvenir expressed something of the ambition of the film-makers but the constraints of early sound severely constrained what they could have done otherwise temporarily reversing some of the breakthroughs in terms of movement and artistry achieved in the Silents made just a year or two earlier. Condition: edgewear tothe cover with slight loss of the paper pastedown upper front corner. A few leaves have a small corner dampstain which is only really conspicuous on one leaf and a relatively trivial issue even on that leaf. Otherwise clean and bright. And we will also note the color on the pastedown paper is very bright as well which often not the case with this publication. The Longacre Press, Inc hardcover
1929005218New York: The Longacre Press Inc. 1929. First edition. Hardcover. String ties. Paper pastedown. Fine. Promotional souvenir program for a transitional Griftith film -- shot originally as a silent re-shot with some sound including most notably songs by Irving Berlin. 4to. 31 by 22.5 cm. Unpaginated 18 leaves. This Griffith film was not a success at the box office despite the talent associated with it. The story is one in which the male lead William Boyd is cast aside by his girlfriend and resolves that he could find a more suitable lover off the street which he does when he connects with a singer at a sleazy bar played by Lupe Velez. Boyd a popular Silent Era romantic lead would suffer a setback in the early sound era but resurrect his career and fortune in a series of Westerns in which he played Hopalong Cassidy. "Lady of the Pavements" may have been a disappointment commercially but one would not know that from this souvenir which is an object of real beauty with its textured wallpaper-like pastedown on the front cover its thick glossy leaves and its lavish photos and Art Deco illustrations and decoration. <br/><br/> The Longacre Press, Inc. hardcover books
19925293Easton Press 1992. HBNODJ issued Bound in Genuine Black Tooled Leather with Gold Gilt Decorations ribbon bkmark Signed 1st Limited edition1992 NF/F AS-ISNODJ Bookplate Gold Gilt pgs edges Moire silk endpapers . Signed by Author. First Edition. Hard Cover. Easton Press,, hardcover
432773Stirling Smith / Istituto Italiano di Cultura. Paperback. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. "The Men of Bannockburn" is the title of an art project and exhibition by Italian artist Marco Trecalli which focuses on the Battle of Bannockburn in 1314. Trecalli's work which took several years to complete meticulously depicts the armor heraldry and clothing of both the Scottish and English combatants. The project was a collaborative effort between Trecalli the Italian Cultural Institute in Edinburgh the Smith Art Gallery and Museum in Stirling and several Scottish academics. Stirling Smith / Istituto Italiano di Cultura paperback
22110McLoughlin Bros Inc Springfield Massachusetts Made in U. S. A. Linen Book measuring approx 6 1/2 X 10 1/2 in. with Some Cover Soiling Stains & Corner Crease Spine Much Rub & Wear NO DATE but EARLY 1930s Back Cover picture of Mr. Bob Collie with rub Wear FoXing Interior Nice Bright colors but some Wear & FoXing Residue possible Exposure MOISTURE VG/G AS-IS NODJ LINEN softcover LIKE BOOK 1st Page shows Alphabet in Red Letters . Includes Other Poems Ding Dong Bell What a Naughty Boy Hey Diddle Diddle. Soft Cover. McLoughlin Bros, Inc Springfield , Massachusetts, Made in U. S. A. paperback
199730993Cambridge UK: Cambridge University Press 1997. Near Fine. Cambridge UK: Cambridge University Press 1997. Offprint. Octavo 23 cm; 339-348pp. Stapled single sheets with photograph and artwork by Marc Atkins and Dave McKean respectively. Signed and numbered 25 out of 26 by Iain Sinclair and Marc Atkins on front page. A Near Fine copy of an offprint of Sinclair's essay from Comparative Criticism Volume 19. Cambridge University Press unknown
1998007202New York : Henry Holt 1998 1997 1998. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st American edition 1st printing ; 192 pages : illustrations some color ; 19 cm ; ISBN: 080505894X alk. paper; 9780805058949 alk. paper LCCN: 97-47173 ; LC: PR5823; Dewey: 828/.809; B ; OCLC: 38024090; "Oscar Wilde was one of the first and unquestionably one of the greatest self-publicists ever. Above all and with that exceptional streak of modernity which characterises much of Wilde's life and works he understood the power of the image in his campaign of promoting himself. As early as his Oxford days he had himself photographed with his contemporaries in loud check suits of the latest fashion. Later when he toured America to lecture on aesthetics in 1882 almost as soon as he landed he commissioned Napoleon Sarony the best portraitist in New York to photograph him in fur coat and velvet suit; and in not one or two poses but at least twenty-seven. The Wilde Album now publishes more of these images of Oscar than have ever been seen together before as well as later photographs some previously unpublished from the family archive showing Oscar his family and his friends. There are also rare snapshots of Oscar in his last years in Italy taken most probably by a friend using Oscar's own camera which we know he owned from a letter of 1900." ; black cloth in color photographic dustjacket ; "The most comprehensive collection of photographs and images of Wilde--compiled by his only grandson." ; "Merlin Holland is a journalist and has spent the last twenty years researching his grandfather's life. He lives in London with his wife and son." ; important collection of never-before seen photos artwork and other Wildeana ; FINE/FINE <br/> <br/> New York : Henry Holt, 1998, 1997 hardcover
193840886NP: NP 1938. Original artwork. Loose_leaf. g to vg. Quarto 10 3/8 x 8". Loose cardstock leaf.<br /> <br /> Original pre-WWII ink and watercolor artwork caricaturing seven major Nazi organizations. Although the signature of the German artist couldn't be deciphered the style is strikingly similar to the one of Albert Hohenester.<br /> <br /> The artwork depicts an impressive and rather frightful SS officer framed by a member of each of the following Nazi organizations:<br /> <br /> On the left side from top to bottom features a member of the Jungvolk 1 of the BDM 2 and of the HJ 3.<br /> <br /> On the right side from bottom to top features a member of the SA 4 of the Frauenschaft 5 and of the PO 6.<br /> <br /> The six half portraits measure from 2 to 3". Each one has rosy cheeks and is looking towards the SS officer 7 who is dressed in his full black uniform. He is seen posing with a certain martial authority: his bare right hand holding his belt buckle while his white gloved left hand holds the other glove. On his left arm features a Swastika armband. The officer's facial expression is severe and this harshness is highlighted by the fact that his right eye is closed his left eye is hidden behind a monocle his complexion is grey and has thin sullen lips. <br /> <br /> The SS officer is depicted in full 9 x 3 1/4" and is featured at center.<br /> <br /> Each of the seven characters is hand-captioned in pencil. The artist's signature in pencil features at lower left margin.<br /> <br /> Moderate and sporadic creasing closed tears and age-toning to upper margin and right fore-edge. Folding mark at center. Captions in German. Leaf in overall good artwork in very good condition. 1 The Deutsches Jungvolk German Youth was a youth organization in Nazi Germany for boys aged 10 to 14 and was a section of the Hitler Youth movement. Through a programme of outdoor activities parades and sports it aimed to indoctrinate its young members in the tenets of Nazi ideology. Membership became fully compulsory for eligible boys in 1939. By the end of World War II some had become child soldiers. <br /> <br /> 2 The Bund Deutscher Mädel abbreviated BDM League of German Girls or Band of German Maidens was the girls' wing of the Nazi Party youth movement the Hitler Youth. It was the only female youth organization in Nazi Germany. <br /> <br /> 3 The Hitlerjugend often abbreviated as HJ Hitler Youth was the youth organization of the Nazi Party in Germany. Its origins dated back to 1922. From 1933 until 1945 it was the sole official youth organization in the Third Reich and was partially a paramilitary organization; it was constituted of the Hitlerjugend proper for male youth aged 14 to 18 the Deutsches Jungvolk German Youth for younger boys and the BDM League of German Girls. <br /> <br /> 4 The Sturmabteilung abbreviated as SA literally Storm Department functioned as the original paramilitary wing of the Nazi Party NSDAP. It played a significant role in Adolf Hitler's rise to power in the 1920s and 1930s. Their primary purposes were providing protection for Nazi rallies and assemblies disrupting the meetings of opposing parties fighting against the paramilitary units of the opposing parties especially the Communist Party of Germany KPD and intimidating Slavic and Romani citizens unionists and Jews – for instance during the Nazi boycott of Jewish businesses. <br /> <br /> 5 The Nationalsozialistische Frauenschaft abbreviated NS-Frauenschaft National Socialist Women's League was the women's wing of the Nazi Party. It was founded in October 1931 as a fusion of several nationalist and National Socialist women's associations. The Frauenschaft was subordinated to the national party leadership Reichsleitung; girls and young women were the purview of the Bund Deutscher Mädel BDM. <br /> <br /> 6 A member of the Politische Organisation abbreviated as PO Political Organization an association concerned with administering the territorial cadres notably those of the deputy Fuehrer the party treasurer the Reich organizational leader and the intraparty judiciary system. <br /> <br /> 7 The Schutzstaffel SS; literally "Protection Squadron" was a major paramilitary organization under Adolf Hitler and the National Socialist German Workers' Party NSDAP; Nazi Party in Nazi Germany. It began with a small guard unit known as the Saal-Schutz Hall-Protection made up of NSDAP volunteers to provide security for party meetings in Munich. In 1925 Heinrich Himmler joined the unit which had by then been reformed and given its final name. Under his direction 1929-45 it grew from a small paramilitary formation to one of the most powerful organizations in Nazi Germany. From 1929 until the regime's collapse in 1945 the SS was the foremost agency of surveillance and terror within Germany and German-occupied Europe. NP unknown
192355081Berlin: Ukrainske Slowo Buch- und Zeitungs-Verlag G.m.b.H. 1923. First edition. Hardcover. Good to very good condition. Folio 12 1/4 x 9 1/4". 16pp Text; 1 color plate 65 artworks on 48pp. Plates 2pp Index. Original tan quarter cloth over gray cloth with black lettering to gilt-stamped horizontal bars on cover. Back cover with blind-stamped publisher's device. Gray textured endpapers. Archipenko b/w portrait photograph on regular glossy paper and Archipenko painting in color on heavy glossy paper not paginated following title page. Printed No. 25 no stated limitation and signed A. Archipenko on title page. <br /> <br /> Splendidly illustrated throughout with sixty-five b/w illustrations of Archipenko's sculptures paintings and sketches. This work is the first monograph devoted to Alexander Porfyrovych Archipenko 1887-1964 a renown Ukrainian avant-garde artist sculptor and graphic artist.<br /> <br /> Text in German. Light wear along edges of binding small chip at head of spine this rubbed and minor age-toning along edges of block. Light staining and rubbing of front cover. Missing front free endpaper. Block with light rippling at upper foredge due to water exposure. Binding in overall good to good interior in very good condition. Ukrainske Slowo, Buch- und Zeitungs-Verlag G.m.b.H. hardcover
