197 résultats
1960D7479New York c. 1960. Paperback. Very Good. Heavy brown cardstock wraps bound with blue ribbon lettering in blue gouache and black ink on front cover; oblong 283 x 180 mm; pp. 14 heavy cardstock leaves each with text handwritten in black ink accompanied by a full-color goache illustration. Covers a little soiled; light chipping along yapp edges; text block a bit dust-smudged here and there but overall nice and bright. A pencil notation on the final page indicates that this entirely original illustrated story was the project of Natalie Shalita nee Greenberg a student at Cooper Union. She worked as a designer in Harper & Row's Children's Books Division in the 1960s and early 1970s. Here she tells the story of twin girls and their thwarted attempt to distinguish themselves. <br/><br/> paperback
20034006Winona MN: Sutton Hoo Press 2003. First edition limited. Hardcover. VG. 8vo 9"x6". 79pp. Charcoal silk covered-boards with pastedown label to spine and pastedown intaglio to upper cover deckled edges cold-pressed paper letter-pressed text. Flat signed by Sebastian Matthews. B&W and single-color intaglios by Cristofaro: frontis and throughout. From a limited edition of 200 copies. No dj. as issued covered in seller's mylar. Slightly faded spine slight spine slant. Sutton Hoo Press hardcover
1984mon0003041773Underwood-Miller 1984-01-01. Hardcover. Like New. 1.0000 9.5000 6.5000. Stated first hardcover edition SIGNED by Jack Vance on the title page. Fine in jacket. Underwood-Miller hardcover
2006C71790London 2006. First Edition. Hardback. Dust Jacket. Light shelfwear to dust jacket. Slightly bumped at tail of spine. Otherwise compact and clean copy. Near fine in near fine dust jacket. . 4to. pp: 63. First edition. Original publisher's dark burgundy boards with gilt lettering at spine in original publisher's colour-illustrated dust jacket. Illustrated throughout in black and white and colour. Inscribed to the British poet Alan Brownjohn 'Q' at title-page. ISBN: 1904634532 hardcover
19992092902141504363Haru shobo 1999. Soft Cover. Fine. Size: A4 size Haru shobo paperback
19052092902138300512Toyo Sai Takumi-kan 1905. Soft Cover. Fine. Size: 39x54cm Toyo Sai Takumi-kan paperback
1996CNJL2253Northhampton Massachusetts: Kitchen Sink Press 1996. First Edition. Wraps. Fine. Gebbie Melinda. First printings quarto size 32 pp. in each volume both volumes signed by Melinda Gebbie. Per Wiki: "Lost Girls is a graphic novel written by Alan Moore and illustrated by Melinda Gebbie depicting the sexually explicit adventures of three female fictional characters of the late 19th and early 20th century: Alice from Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass Dorothy Gale from L. Frank Baum's The Wonderful Wizard of Oz and Wendy Darling from J. M. Barrie's Peter and Wendy. They meet as adults in 1913 and describe and share some of their erotic adventures with each other." <br /> <br /> We offer these two volumes together both are signed by Melinda Gebbie. <br /> <br /> ___DESCRIPTION: Both volumes in pictorial wraps both signed on the inside of the front wrap by Gebbie Book One in silver marker Book Two in black marker; quarto size 10 1/2" by 7 1/2" each volume 32 pp. plus the wraps. <br /> <br /> ___CONDITION: Both volumes fine clean and utterly without wear. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Kitchen Sink Press unknown
1996BN208008Cherrytree Books 1996. 1996. Hardcover. Conflict in Art In Art Series <br/><br/>Conflict in Art In Art Series Clare Gogerty Autorin; George Taylor Artwork Cherrytree Books hardcover
19013690<p>W.& R.Chambers Limited. London.1901. ORIGINAL ARTWORK for illustration on page 249 of the book.With; First edition of the book. Illustrated with 37 line drawings by Browne. Original blue cloth with spine and front board lettered and illustrated in black. Boards a little rubed to edges but still a very good copy. Artwork in black ink on white board. Image measures 7 x 5.5 inches. Initialed at bottom "G.B" and the title of the illustration is written in pencil. Double mounted in green and cream board. The image shows a little girl in her bed with an old man at the foot of the bed talking to her. Very good condition.:</p> W.& R. Chambers, Limited.London.,1901 hardcover
2012361443Lakeview CO: Centipede Press 2012. First Edition. Hardcover. Fine/Fine. A book collecting many intricate drawings of John Stewart including 29 color reproductions. Stewart was a British fantasy horror and science fiction artist.<br /> <br /> Preface by Ramsey Campbell and an introduction by Andrew Smith. This is one of 250 numbered copies signed by Campbell and Smith. <br /> <br /> 6 by 7-3/4 inches. 298 pages. First edition first printing. Slight spine lean else a fine hardcover copy in a fine dust jacket. Centipede Press hardcover
SW476-7247England 19th Century. Ephemera. Very Good. Highly skilled watercolor portrait of a seated woman 280 x 215 mm title in pencil at the lower margin but difficult to read appears to be "Lady Fanny Pomfret Now Lady Joley". A little dust-soiled otherwise fine. <br/><br/> unknown
1847SW476-7250England 1847. Ephemera. Near Fine. Highly skilled watercolor landscape showing farm workers in a field; 180 x 290 mm; signed by Bryson and dated July 1847 in the lower left-hand corner. <br/><br/> unknown
197912219San Francisco CA: Damaged Good Company 1979. First Edition First Printings. Original Wraps. Very Good. First Edition First Printings. Original Wraps. From the Collection of Jenny Lens. Patricia of the Bags Damned Sisters of Mercy on cover. Dubbing itself "The Magazine That's Not for Everyone " Damage was a calendar of events for San Francisco with interviews reviews and features showcasing the tail end of punk's first wave and its splitting into post-punk new wave no wave and hardcore scenes. Single issue. Magazine ran from 1979-1981. Toning front and back wrapper detached chipping creasing else very good. Tabloid folio size newsprint. illus b/w with color blue front wrappers. 39pp. Damaged Good Company unknown
196421110601San Francisco: The Auerhahn Press 1964. First and Limited Edition. Hardcover. Near fine/very good . Van Aver Philip. First edition in book form one of 205 copies quarto size 22pp. signed by Brother Antoninus with prospectus. A heart-wrenchingly beautiful paean by one famous poet Brother Antoninus William Everson 1912-1994 to another John Robinson Jeffers 1887-1962 upon his death. "The great tongue is dried. / The teeth that bit to the bitterness / Are sheathed in truth. / For the poet is dead." <br /> <br /> For those who may not know the Auerhaun Press was founded by Dave Haselwood who relates its beginnings in the opening pages of the "Auerhahn Press Bibliography" thus: "During the Summer of 1958 I drifted around San Francisco talking endlessly with painters such as Robert LaVigne and Jesse Sharpe & poets Lamantia McClure Wieners and reading all the live poetry & prose I could get my hands on. It was at this time that it occurred to me that the press could mean a great many things some personal some in a larger context: - I had reached the point where complete physical involvement in something important to me was absolutely necessary. The press could fill that requirement" pp. 5-6. Andrew Hoyem joined the Press and became a partner; his meticulous attention to detail and skill at design and layout are evident here which would become hallmarks of his work at the Arion Press. <br /> <br /> ___DESCRIPTION: Bound in quarter purple leather over ivory paper-covered boards white paper spine label with gilt lettering title page in purple and black the introduction "Note" and poem both with a two-line purple initial capital each stanza of the poem interspersed with a small purple circle signed by Brother Antoninus on the blank following the last page of the text; binding quarto size 10 3/4" by 8 1/8" unpaginated with twelve leaves; one of 205 copies unnumbered. The dust wrapper of plain white the prospectus a single sheet folded once to four pages an illustration on the front page in purple by Philip Van Aver text on the third page with purple initial capitals the second and final pages blank measuring 8 9/16" by 5 1/2" when closed. <br /> <br /> ___CONDITION: Volume near fine and could likely be deemed fine the boards clean other than light offsetting where the paper meets the leather and a tiny speck at the fore-edge bottom corner of the front board straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some light offsetting to the paste-down endpapers and a few very small spots of foxing to the same else fine. The dust wrapper a bit better than very good mostly clean other than a few light stray marks light edgewear mostly at the head and tail but with a fair amount of sunning to the spine and back panel; the prospectus fine clean utterly without wear or soil. <br /> <br /> ___CITATION: Auerhahn Press bibliography no. 24; Bartlett and Campo no. A20. <br /> <br /> ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Auerhahn Press hardcover
2007166929Clarkston MI: A.S.A.P. 2007. Limited Edition one of 300 hand-numbered copies this being No. 109 SIGNED by author Margaret Coel and artist Phil Parks. <br /> <br /> Fine with no dust jacket as issued. A.S.A.P. unknown
195953819Paris: André Sauret 1959. First edition. Softcover. Very good to fine condition. Small Folio. 157 6pp. Original heavy gray wraps in original color-illustrated dustjacket with original mylar jacket. Original color lithograph frontispiece. Title page printed lithographically in blue and black. Beautifully illustrate with six original color lithographs including dustjacket some forty b/w high quality reproductions of paintings and watercolors by Carzou and additional color reproductions of his work several of them double-page. The paintings and watercolors were reproduced under the direction of the artist in collaboration with Louis Duval and Charles Solier. The lithographs were produced by the artist and printed at the Mourlot Frères Press. Contains several pages of press write-ups of Carzou's art at rear with table listing the fifty artworks presented in this volume. Text in French. Light age-toning of block mostly along edges and not affecting artwork. "Jean Carzou was an Armenian-French painter and illustrator recognized for his illustrations that graced the pages of the novels by Ernest Hemingway and Albert Camus. Born in Syria in 1907 as Karnik Zouloumian into an Armenian family the artist was first educated in Cairo Egypt before moving to Paris where he studied art and architecture. Carzou like his contemporaries Dali and Picasso was part of a generation that witnessed many wars. Haunted to the point of obsession by the horrors he had witnessed Carzou's style went through a period where the artist seemed to be desperate to remind the world of the horrors of the past. Today his works have permanent homes in America Great Britain Egypt Japan and his adopted homeland France." Mourlot Editions. André Sauret unknown
D5274c. Paperback. Fine. 8 loose leaves folded once to create 32 pages each page about 7-by-9 inches; contains 16 extraordinary drawings of gorillas rendered in bright blue or black ink frequently in an etched or cross-hatched style reminiscent of woodcuts. With handwritten captions in Russian Latvian and German and dated from 1925-1959. Studies of the animals in the wild or captivity drawn perhaps from life but also copied from other images collected from a variety sources. Though the source of the original image is frequently noted the image itself is never included. All drawings are remarkably bold and adept the bright blue in particular lends an air of pop or modern art while others are more formal or refined. All are surrounded by equally bold perfectly legible handwritten text. Unique and simply wonderful with some haunting images on the faces of the apes. <br/><br/> paperback
1951290008451Chicago Illinois: Merrill Company 1951. Very good. Toned modern tape repair. Two 2 different issues of the same paper doll book with notable differences showing the publisher's changes from one issue to another in response to changes in the market. Each paper doll book is uncut and the publisher has used the same artwork; however large changes have occurred between the issues including typography title coloring and the order of outfit pages within. One of the books has two more leaves than the other. The two books include:<br /> <br /> "Polly and her Playmates". Chicago: Merrill Publishers 1951. Single vol. 12.75" by 10.25" 8 leaves of uncut outfit pages stapled in original illustrated covers with two uncut dolls on each cover.<br /> <br /> "4 Little Girls from School". Chicago: Merrill Publishers c.1951. Single vol. 12.5" by 10.25" 6 leaves of uncut outfit pages stapled in original illustrated covers with two uncut dolls on each cover. Merrill Company unknown
1959140945179Philadelphia: J.B. Lippincott Company 1959. First edition. First edition. Signed by Poul Anderson on title page. 189 pp. Bound in publisher's gray cloth with dark navy stamping. Fine in Very Good dust jacket sunned spine panel closed tear along joint at foot slight crease to back panel. A sci-fi novel with a jacket designed by children's author and artist Eric Carle. J.B. Lippincott Company unknown
199665328Burgess Hill: Classic Publications 1996. 1st edition. As New. folio. dust jacket 356pp. col. & b/w pls. maps appends. sources indexes Fine history of GallandÕs JV44 from its inception in February 1945 through to its surrender at Salzburg just before German capitulation Classic Publications unknown
1866SW476-7246England 1866. Ephemera. Fine. High skilled watercolor portrait of a seated woman in profile 330 x 245 mm initialed J. R. and dated 1866. <br/><br/> unknown
201448080Baltimore MD: Cemetery Dance 2014. Near Fine/Fine. Baltimore MD: Cemetery Dance 2014. Deluxe Slipcased Gift Edition Limited to 3000 copies. Small quarto; illustrated dust jacket; black leatherette boards stamped in red and gilt; black endpapers; 229pp. Color plates. Housed in publisher's black slipcase stamped in red and gilt. A few minor scuffs to slipcase else Fine. Cemetery Dance unknown
19012111902160200411Not Available 1901. Soft Cover. Fine. Volume: 1 Not Available paperback
196662963New York; Los Angeles CA & Bronx NY: Harold Berson Nellie Burchardt & Franklin Watts ca. 1966. 8vo. & 1 oblong folio 14 x 11 in. 5 pen & ink drawings 3 water-coloured apparently intended for possible frontisp. or dustjacket cover art laid-out with margins as printing mock-ups all w/ neat pagination below oblong folio folding pen & ink shows proposed cover art but later modified into different version in excellent condition and from the library of Harold Berson artist. This set of original illustrations provide splendid specimens for children’s book publishing during the Civil Rights era. “Reggie’s No-Good Bird†is set against the backdrop of “when the biggest troublemaker in the class injures a baby Blue Jay and decides to care for it and raise it he finds himself without the time or interest to get into trouble.†And the illustrations depict young Reggie with his African-American compatriot assessing the injuries to the young “No-Good Bird†and later setting it free. These original art work compositions were rendered for the Franklin Watts edition and repeated with the “Weekly Reader Books†edition book club but were changed to a different cover art illustrator for the 1970 Archway paperback.Berson 1926-1986 was born in Los Angeles served at the end of World War II and was an avid traveler. He graduated from UCLA with a BA in 1953 and spent most of the next two decades traveling in Europe studying art in Paris and then living in Spain France Italy Yugoslavia Turkey North Africa and after 1958 together with his fellow artist & wife Paula Winter Berson 1929-2003. His first illustrated book was “Loretta Mason Potts†by Mary Chase in 1958. He is perhaps best-remembered for his whimsical fairy tale creatures in his Henry Possum Mabel Watts’s “The King and the Whirlybird†“Mother Goose Treasury†“Raminagrobis and the Mice†“King Midas and the Golden Touch†and many others. Harold Berson, Nellie Burchardt & Franklin Watts, paperback
D6746Europe late-19th century. Ephemera. Near Fine. A collection of original artwork. 10 pieces E. H. Holmes signature on several. Beautiful landscapes each in pencil and gouache and heightened in white oval-shaped on heavy cardstock white leaves 10.5x7 inches some of them identified in the lower margin Tower of Refuge at the Isle of Man Baltimore Head . Nicely accomplished and loose suitable for framing. The occasional graphite finger-smudge else fine. <br/><br/> unknown