197 résultats
196962962New York; Los Angeles CA & Bronx NY: Beman Lord 106 East 85th Harold Berson Dec. 1969. 8vo. Approx. 150 separate pen & ink drawings a few water-coloured apparently intended for possible frontisp. or dustjacket cover all laid-out with margins and blanks left for text to be inserted later during printing mock-ups all w/ neat pagination below some with editorial notes; 4to. 14 leaves carbon copy typescript editing corrections in pencil & ink further notes w/ original working title center fold crease from mailing all preserved in original manila mailing envelope with postmark dated Dec. 5 1969 in excellent condition and from the library of Harold Berson artist. This exceptional typescript manuscript and complete suite of original illustrations provide splendid specimens for children’s book publishing during the Civil Rights & Women’s Rights movements through the Vietnam-War era. Set against the backdrop of a new young woman teacher convincing her young students to embrace intramural soccer and set up a league with other nearby schools fielding teams of all genders and races. The title was changed to “Shrimp’s Soccer Goal†when published by H.Z. Walck in 1970 but evidently intended by Lord & Berson to focus on the impact of young Miss Taylor’s enthusiasm for soccer her admiration of Pele after traveling to Brazil to see him play and inspire her students to learn the sport. The young “Negro†character Paul the best athlete is best friends with “Shrimp†and they both belong to neighborhood club with three others with Steve encouraging the young people to become involved in social justice causes. In 1969-1970 the United States featured the newly created professional soccer league sanctioned by FIFA -- North American Soccer League whose most successful franchise was the New York Cosmos who later managed to recruit both Pele from Brazil and Franz Breckenbauer from West Germany to play for them. Berson 1926-1986 was born in Los Angeles served at the end of World War II and was an avid traveler. He graduated from UCLA with a BA in 1953 and spent most of the next two decades traveling in Europe studying art in Paris and then living in Spain France Italy Yugoslavia Turkey North Africa and after 1958 together with his fellow artist & wife Paula Winter Berson 1929-2003. His first illustrated book was “Loretta Mason Potts†by Mary Chase in 1958. He is perhaps best-remembered for his whimsical fairy tale creatures in his Henry Possum Mabel Watts’s “The King and the Whirlybird†“Mother Goose Treasury†“Raminagrobis and the Mice†“King Midas and the Golden Touch†and many others. Beman Lord, 106 East 85th, Harold Berson, unknown
1940D7485n.p. but England c. 1940. Hardcover. Very Good. Original grey cloth over boards decorative paste-downs; 195 x 260 mm; pp. 47 with tipped-on typed text some handwritten annotations and underlines. Extra illustrated with clippings postcards original drawings ephemera and one photograph. Dedicated to Gertrude Alison Densler. Uniformly toned at edges; gently worn; minor tears. <br/><br/>Book commences with the popular Italian tale "Fagiolino" by Elisa Amati translated by Alan C. Dunn. Containing 26 clipped illustration pasted to leaves and hand-colored pen and ink drawings depicting characters from the story. After which book includes typed poems by William Blake William Shakespeare Walter de la Mare Carl Sandburg; and other original works by the poet are clipped and pasted-in. An original hand-drawn paper doll with original hats and clothes are secured by decorative pockets. A charming "book of favorites" and a sophisticated compilation; sketches and poems collaged into this album offer a fascinating glimpse into the mind of a young artist and poet. hardcover
196443865London: Jonathan Cape n. d. 1964. 1964. First edition. Approximately 20" x 26 1/2" framed and glazed original color poster for Len Deighton's "Funeral In Berlin" and signed in ink by Raymond Hawkey next to his printed design credit at the lower right of the poster. The poster pictures a chessboard and chess pieces of a Nazi skull a hand grenade and a machine gun. An attractive design in excellent condition and very scarce to rare. Jonathan Cape, n. d. (1964). unknown
1932D37241932. Hardcover. Fine. Half brown cloth and morocco with gilt-stamped lettering on spine. Fine. Contains 21 grey heavy cardstock leaves each with a tipped-on drawing 6-by-7-inches colored by hand usually in watercolor and pencil. Osborn holds forth in 19 cartoons on the subjects of hair and California. Also includes 2 more serious drawings both concerned with landscape and the human figure. <br/><br/>Early original cartoons by the noted caricaturist cartoonist and satiric commentator Robert Osborn who died in 1994 at age 90. Educated at the University of Wisconsin and Yale University where he was art editor of the Yale Record Osborn studied painting in Rome and Paris before returning to teach art and philosophy at the Hotchkiss School in Lakeville Connecticut. At the outbreak of World War II he enlisted in the Navy with the hope of becoming an aviator. He was assigned to an information unit under the command of the photographer Edward Steichen. As a Navy officer he learned the art of speed drawing and over his military career produced some 40000 drawings for training manuals -- many of them featuring a cartoon character named Dilbert a blunderer who violated rules of military safety. In 1946 he achieved his first public recognition for "War Is No Damn Good" said to be the first antiwar book of the nuclear age. He went on to draw for Harper's Fortune Life and Look and became a regular contributor to The New Republic. Garry Trudeau creator of the "Doonesbury" strip called Mr. Osborn "one of the very few masters of illustrative cartooning." hardcover
196562964New York & Bronx NY Los Angeles CA: Harold Berson ca. 1965-1978. 12mo. sized 3 x 5 in. up to 8 x 11 in. 4to. 81 separate pen & ink drawings intended for text illustrations and page illustrations many with paginations some for during printing mock-ups while most appear in storyboard format others are just image montages most on translucent paper with a couple on ruled paper some with fold creases from mailing and 1 w/ portion burned at margin still a remarkable set of original artwork. This exceptional archive original illustrations reflect the artist’s interests in whimsical fairy tale and folk tale settings and exotic locales he embraces from his many travels. Several of the first grouping within this archive depict a rural thatched roof farm and family with animals while another group focuses on a Japanese folktale. About 25% of the illustrations are focused on his book Raminagrobis and the Mice including notes on colours assorted stages of a few of the illustrations and others. The remainder appear focused on “Kassim’s Shoes†and others including his “Mother Goose†with inventive portrayals of animals and nicely executed storyboarding. As a sociologist and folklorist Berson actively sketched and drew from his surroundings in Europe the Middle East and North Africa to create inventive and engaging worlds for young readers. Berson 1926-1986 was born in Los Angeles served at the end of World War II and was an avid traveler. He graduated from UCLA with a BA in 1953 and spent most of the next two decades traveling in Europe studying art in Paris and then living in Spain France Italy Yugoslavia Turkey North Africa and after 1958 together with his fellow artist & wife Paula Winter Berson 1929-2003. His first illustrated book was “Loretta Mason Potts†by Mary Chase in 1958. He is perhaps best-remembered for his whimsical fairy tale creatures in his Henry Possum Mabel Watts’s “The King and the Whirlybird†“Mother Goose Treasury†“Raminagrobis and the Mice†“King Midas and the Golden Touch†and many others. Harold Berson, unknown
5206<p>Large quarto 26x21 cm. wrappers 16 pp. A youthful energetic pioneer struts through the new Soviet streets rejecting the baggage of outworn religious imperatives and embracing mass production science and technology moving toward the realization of Marxist-Leninist vision. Fine artwork by Ivan Andreevich Maliutin 1891-1932 member of the Futurist group Jack of Diamonds famous for his poster work in ROSTa with Mayakovsky taught at VKhUTEIN and was a leading satirical artist published widely until his untimely death. OCLC locates two North American holdings Harvard Princeton. A bright copy with a publisher's flawed page cut not affecting images.</p> Oktobrenok paperback
1846SW476-7257England 1846-1891. Hardcover. Near Fine. Contemporary full dark green morocco lavishly stamped in blind and gilt on boards and spine; 4to 210 x 265 mm; approx. pp. 200 nearly full with handwritten poetry and prose original artwork albumen photographs and ephemera -- sometimes adhered to the page direct on the page or loosely inserted via corner slots. A little scuffing along spine and edges of boards else fine. A varied collection of highly skilled original artwork including 6 paintings en brunelle 12 in watercolor or gouache and 7 in black ink wash; plus 11 pencil drawings 4 sepia albumen photographs mounted direct to the page ranging in size from 122x85 to 132x195 mm about a dozen handwritten contributions of prose and poetry including one in Spanish and more than 50 pieces of ephemera. Decades in the making and with contributions from numerous hands this is a rich and remarkably accomplished volume -- one wonders if it was perhaps created by a circle of artists. Landscapes and landmarks of England appear in the original artwork such as a finely detailed drawing of the house where Sir Isaac Newton was born and photographs St. Mary's Church; New College from the Gardens as well as the ephemera numerous engraved illustrations of castles neatly clipped from unknown sources. Far-flung locales are also represented: View on the Medina River pencil drawing Martaban at Sunrise beautiful watercolor of Burma an architectural drawing that suggests India. Prose and poetry contributions mostly original offer religious sentiments thoughts on love and friendship and a bit of humor in particular a piece entitled "Georgy on Shakespeare" argues that the Bard is greatly over-rated. Ephemera includes holiday greetings numerous illustrations extracted from unknown sources and the occasional die-cut. Landscapes birds flowers -- all the hallmarks of a typical album of the period -- though this one is particularly nice. <br/><br/> hardcover
1899007992London: The Lutetian Society 1899. First Edition Thus. Full Straight-Grained Morocco. Fine. An exceptional copy. No. 415 of 500 copies limitation. Also extra-illustrated with 23 hand-colored engraved plates 21 of which depict scenes from the play and are after J. M. Moreau and two portraits one of Joan of Arc the other of Voltaire. There are also 25 b/w engravings these proofs of plates done by Duplessis-Bertaux. Bound beautifully by R. Wallis for Robson & Co. a rare bookseller at the turn-of-the-twentieth century stated in full straight-grained morocco with five raised bands and gilt spine decoration gilt turn-ins and gilt edges. And plates are all printed on a luxuriant and thick vellum paper. 8vo. 22 by 16 cm. 406 pp. Pagination continuous between two volumes. Some of the Moreau plates are dated 1788 or 1789. We can assume all of the Moreau plates are from that time. They were created for an earlier French edition of the poem and most of them have two line captions quoting the poem. The Condition: Light rubbing evident on raised bands and spine extremities. Otherwise binding fresh tight. Overall a fine copy. The Lutetian Society unknown
1956843London: Collins 1956. Original dustjacket artwork for the First British Edition of Calvino's first novel. The novel told from a child's perspective paints the trauma of war torn Italy using a variety of impressive characters namely a young boy and his teenage sister who are depicted on the jacket. The only artwork we have seen associated with one of Calvino's books and quite dazzling in comparison to its American counterpart. Gouache on artboard with the image measuring 9.5 X 12 inches and the board measuring 10.5 X 15 inches; signed by artist Trevor Denning near lower right corner. Brief pencilled notation regarding measurments on the lower margin with the publisher author and translator's names overlaid and mounted to the piece on thick cardstock. The printers' instruction sheet for Collins is handwritten on pink stock affixed on verso. Collins unknown
1919006803Milano-Roma: Alfieri & Lacroix 1919. Limited First Edition. Portfolio. Very Good. No. 186 of 250 limitation. Scarce -- only copy recorded on OCLC First Search at BNF! Elephantine folio 66 by 49 cm with pictorial element excluding margins of mounted sheet 43 by 28 cm. Title page preface table of contents followed by 20 plates depicting the Italian navy and sailors during the First World War. All leaves loose as issued. Nine of the plates depict the Italian navy in one way or another and 11 plates relate to the Serbian retreat during the war. Eight of the plates are portraits the remainder being action scenes. The artwork is broad stroked and has elements of Expressionism. Captured is both the heroism of the sailors and the grimness bleakness and suffering of war. The illustrations are two toned with the color varying but always solemn and dark in feel. Carpi 1886-1973 was a notable Italian artist who among other things helped design new stained glass windows for the Duomo in Milan. During the Second World War he was imprisoned by the Germans in a concentration camp an experience he recorded in sketches and writings -- thus in some sense a counterpart to this series of artwork covering the First World War. Portfolio folder with another Carpi illustration. With ribbon ties. Condition: the portfolio folder has been rebacked and had other restoration. Minor closed tearing to edges of leaves. The title and following leaf has light foxing. Alfieri & Lacroix unknown
1872036246Munich / Berlin: Friedrich Bruckmann 1872. 1st Edition Reprint. Hardcover. Very Good . 97 Pp With Mounted Plates. Red Cloth Heavily Embossed In Gilt Beveled Edges With Double Borders Embossed In Blind All Edges Gilt Cloth Endpapers. Bookplate Of Leopold Duke Of Albany. Inscription On Second Free Endpaper From Queen Victoria Of England To Her Son Leopold "For Dear Leopold From Illegible Two Words Dea---- ---A---A Shortened Name Used By Queen Victoria Osborne January 1 1873." Leopold Was Then A Student At Oxford. A Fine New Year's Gift With What May Be Viewed As Exceptionally Romantically Maternal Germanic-Victorian Plates. <br/> <br/> Friedrich Bruckmann hardcover
1800JC12526France late 1800s and early 1900s. Ephemera. Very Good. More than 200 original drawings variously pen and ink crayon and other mediums; on onion skin paper heavy cardstock etc.; sizes vary but average is about 13x10 inches. By various artists some signed with caption notes mark-up for publication and stamps of the various magazines. A little wear some light chipping along the edges and occasional soiling; but overall in VG or better condition suitable for display. <br/><br/>Artwork for French satirical journals and other fugitive publications including Frou Frou Jean qui Rire et al; showing ladies' fashions Paris street scenes and cafes cartoons historical social political ads including some elaborate hand-lettering humor some of it risque. An extraordinary trove of fin de siecle artwork much of it of exceptional quality. unknown
1940140944630New York: Simon and Schuster 1940. First edition. First edition. First printing with title page dated 1940 and no additional printings indicated on copyright page. xiv 380 1 pp. Bound in publisher's red cloth with gilt lettering. Near Fine with light rubbing along edges and to gilt in Very Good price-clipped dust jacket with thin closed tear near head small stain to rear panel toning along edges of flaps. Nice shape overall. Rare as a first printing.<p>An engaging and accessible volume on mathematics. This first edition lays claim to the first published use of the now era-defining term "google" or as it was originally the "Googolplex". Kasner describes with good humor both the immense breadth of the number the Googolplex represents and the coinage of the term itself from the mouth of his nine-year-old nephew. Simon and Schuster unknown
1834D4554London 1834-1835. Hardcover. Near Fine. Bound by Delarue Cornish and Rock of London. Lavishly embossed contemporary black morocco gilt-stamped border and detail on boards and spine inside gilt dentelles a. e. g. pink moire endpapers; 4to; approx. 100 heavy cardstock leaves in different colors many with a decorative blind-stamped border. Joints lightly scuffed else fine. Showcases manuscript poetry and a wonderful array of artwork by numerous contributors as a few signed or initialed pieces attest names mentioned include Phillis S. Samuel and Caroline Samuel. With 11 engravings 8 of them hand-colored and 7 original pencil drawings 12 original paintings watercolors and gouaches 4 original silhouettes. Very nicely accomplished images of birds and animals landscapes portraits of women some in oriental dress and scenes like a group of men drinking and smoking at a table. A pleasing collection including an original trompe l'oeil piece that appears to be a collaged collection of cards. <br/><br/> hardcover
1898006223London: R. H. Porter 1898. First edition. Half Morocco. Very Good. 4to. 26 by 18 cm. 421 color plates which are either hand-colored lithographs or chromolithographs. Photogravure portrait frontis. The greatest number of plates were drawn by Archibald Thornburn. The survey includes many birds that are infrequent visitors to Britain making it very complete. With generally short texts on each species this is primarily a visual source work. Publisher's half morocco. Pebbled cloth on boards. Condition: pencilled numbers on the plate that relate to an organizing system of a prior owner. Light scuffs and wear to the binding. Occasional light foxing. R. H. Porter unknown
198484246Anthoensen Press the Limited Editions Club. As New. 1984. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- - Corresponds to ASIN: B001F3I68Y. SIGNED by the ARTIST LIMITED EDITION OF 1500 COPIES. Xxxii 306 4 pages; 22 silkscreens by Sol Lewitt. -- with a bonus offer-- . Anthoensen Press, the Limited Editions Club hardcover
1920D7114Berlin and Charlottenburg mostly 1920s-1930s. Hardcover. Fine. Custom linen box gilt-stamped lettering "Werbeentwürfe - E. Teschemacher" in brown leather label affixed to front board; about 16 x 20 inches; contains mock-ups preliminary and finished illustrations and designs for houses advertisements bookplates letterheads calendars announcements and more -- even hand-painted decorative motifs in Art Nouveau-style. Various sizes on paper heavy cardstock and onionskin; and in ink pencil or full-color painting. Some duplicates but well over 100 distinct designs. Highlights include full-color paintings for Tiergarten Nuremberg a tiger's face Aerozon Fabrik women's swimwear; and ink drawings for Minimax "Das Schönste Geschenk!" Moton a pesticide Rapsch Kriegsbund der Offizierfrauen. Numerous pencil drawings range from hastily brain-stormed sketches to typographic experiments and detailed streetscapes and scenes. Some projects are available from start to finish -- a pencil sketch turned presentation in ink and the final printed product. <br/><br/>Erich Teschemacher was an architect painter poster artist and graphic designer educated at Unterrichtsanstalt des Kunstgewerbemuseums in Berlin. He was married to the commercial artist Marga Renner and echoes of her resonate in this collection as well: a notebook of 10 embroidery designs in pencil and color and two different exhibition announcments for a show of modern residential interiors. hardcover
140944240San Francisco: Damaged Goods Company 1981. Complete run of an important San Francisco punk magazine. Issues 1-12/13 plus "October 1980 Special Free Edition" about a show at The Western Front. All issues in large tabloid format 11.5" x 17.5" the third being slightly smaller dimensions. Very Good overall with most issues having a horizontal fold in the middle some more distinct than others toning light wear and occasional edge-chipping. Foxing to wraps of third issue. Notes in ink on rear wrap of #7. Very rare as a run.<br /> <br /> <p>Dubbing itself "The Magazine That's Not for Everyone " Damage was a calendar of events for San Francisco with interviews reviews and features showcasing the tail end of punk's first wave and its splitting into post-punk new wave no wave and hardcore scenes. This would prove very eventful as the city was a hotbed of creativity during this period with a number of acts that were sonically ahead of everywhere else even New York and London. Highlights include a collage by Flipper's Will Shatter a list of "Items" by Jello Biafra and an article on his campaign for SF mayor photos of punk fashion at the Society for Mandatory Modern Dress Show updates on performance art in the city an article on the Tokyo punk scene interviews with Crime X The Dead Boys Flipper The Mo-dettes Circle Jerks DNA Gang of Four Flipper The Undertones Public Image Limited Bruce Conner in two parts the Dils Black Flag The Cramps Magazine the Go-Gos Lydia Lunch Adam and the Ants Stiff Little Fingers Madness The Specials Tuxedomoon the dB's The Bags and the Bush Tetras. Damaged Goods Company unknown
JC6232Very Good. Album of 21 pen-and-ink portraits on laid paper after illustrations to Aliprando Capriolo's 1596 Ritratti di Cento Capitani Illustri. Approximately 185 x 143 mm each tipped to larger sheets of wove paper. Small folio Italy: n.d. ca 18th century. Cased in full 18th-century Italian Neapolitan brown calf over pasteboard tooled in gold all-over covers with two outer border rolls surrounding three double-ruled panels filled with rolls and solid tools decorated with silver paint now mostly oxidized inner panel with tulip tools at corner surrounding cartouche of gouges with center lozenge of floral tools spine with raised bands in seven compartments with cherub tool rebacked preserving original spine later endpapers and edge gilding. For binding cf. BL c154g12/Davis 859; BL c27e18; Davis III 380. <br/><br/>An 18th-century Italian album of 21 pen-and-ink portraits based on Aliprando Capriolo's Ritratti di Cento Capitani Illustri 1596. These copies were probably made from Pompillio Tottis edition of Capriolo Ritratti et Elogil di Capitani Illustri 1636. Totti altered Capriolos engravings adding the coats of arms seen in many of the portraits here. Portraits include Tamerlane Gattamelata Roberto Sanseverino and the condottieri Vitelli brothers. The binding is in a style common to the Salvioni workshop. Davis Gift III 380 which Foot suggests was bound in an unknown Neapolitan workshop shows the same wide outer roll on the covers. hardcover
195342288N. P.: Original Cover artwork by Frank Uppwall 1953. 1953. First edition. Original artwork by Frank Uppwall 1900 - rendered in oil on art board. A single sheet measuring 24" x 36 3/4" dry mounted to an art board for an overall size of 27" x 40." Signed by the artist at the lower center of the painting. This is a colorful and stunning cover painting for Charles Willeford's "Pick-Up" his second book issued as a paperback original by Beacon in 1955. A nihilistic early novel following "the pilgrimage of two lost and self-destructive lovers through the depths of San Francisco from cheap bars and rooming houses to psychiatric clinics and police stations" Polito Robert editor Crime Novels: American Noir of the 1950s Library of America. Though the image at the far right of the painting is the most recognizable the artwork first saw publication as the wrap-around cover art for George Weller's "Highway Episode" published by Royal Giant # 21 in 1953. Upwall's painting ranks among the earliest original artwork for a Willeford novel of which we are aware. Included with this original artwork are first edition copies of "Pick-Up" in fine condition and "Highway Episode" in very good condition. The artwork is in fine condition beautifully mounted and framed. Original Cover artwork by Frank Uppwall, 1953. paperback
1805007272Paris: Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet 1805. First Edition. Full Calf. Very Good. Large paper copy! Elephantine Folio 52 by 33 cm. 112 pp. With 72 engraved plates of tropical birds. Plates were actually printed in color with hand-coloring then augmenting that color to create exquisitely beautiful depictions of birds. Light scattered foxing a bit more on the text leaves than the plates. Generally though the plates read quite clean and they are always bright and fresh. Binding rebacked with original spine mostly preserved and laid on but the rebacking obvious along the joints. And there is some loss and cracks to the mounted original spine. Rubbing along the edges. Still the full diced calf binding which is contemporary remains attractive especially with its impressed diamond pattern. Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet unknown
1970153176Los Angeles: Warner Brothers Records 1970. Original photographic artwork assemblage for Van Morrison's classic 1970 album with original double exposure photograph by David Gahr designed by Janet Planet and used by Warner Brothers Records as shooting artwork for the album cover.<br /> <br /> Production annotations in manuscript marker and pencil at bottom of board below the image. Annotations on verso noting "Van Morrison 'Cover' 1884" in manuscript marker with the "1884" being the album catalogue number and "the band street choir" just below in manuscript pencil.<br /> <br /> Gahr was a preeminent photographer of folk blues jazz and rock musicians for over four decades whose subjects include the likes of Bob Dylan John Lennon Miles Davis Bruce Springsteen Janis Joplin Peter Seeger and many many others. His work was regularly featured in the seminal rock magazine "Crawdaddy."<br /> <br /> Building on the critical successes of "Astral Weeks" 1968 and "Moondance" 1970 Morrison's fourth studio LP featured the highest charting single of his career "Domino." Originally titled "Virgo's Fool Street Choir" the LP was renamed prior to release without Morrison's consent by Warner Brothers.<br /> <br /> Photograph mounted on board with a clear acrylic overlay. Original black paper overlay included but not attached.<br /> <br /> Photograph 13 x 19 inches mounted to board as created measuring 15.5 x 24 inches. Near Fine. Warner Brothers Records unknown