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179348619Wien, Christoph Peter Rehm, 1793. 8°. 140 S., 6 Bll., Ppbd. d. Zt. m. goldgepr. Rückenschild.
1977LFA-126738406Revue mensuelle de combat et de réflexion : 48 pages, format 150 x 210 mm, illustrée, brochée, bon état
1994LFA-126746680N° 5 (Avril 1994) : revue de 66 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
1996LFA-126746693N° 18 (Février 1997) : revue de 66 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
1997LFA-126746736N° 33 (Décembre 1997-Janvier 1998) : revue de 66 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
17002848Paris: L'imprimerie Royale; Jean Boudot 1700. First edition. First editions. L'Hôpital's treatise on differential calculus was based on lessons he received from Johann Bernoulli and it was under the influence of Malebranche that some years later appeared the first work on the integral calculus by Louis Carré. Hardcover. THE FIRST BOOKS ON DIFFERENTIAL AND INTEGRAL CALCULUS. <p>A fine sammelband comprising the first editions of the first books on the differential and integral calculus respectively. "In France it was through the Oratorian circle of Nicolas Malebranche that Johann Bernoulli introduced in 1691 the Leibnizian calculus. His lessons to the Marquis de l'Hôpital led to the draft of the first treatise of differential calculus 1696 and it was under the influence of Malebranche that some years later appeared the first works on the integral calculus by Louis Carré in 1700 and Charles René Reyneau in 1708. The spread and acceptance of the Leibnizian calculus was transferred in this way to the wide public" Landmark Writings p. 56. "The importance of L'Hospital's work lay in its dissemination throughout Europe of the concepts and early development of the calculus whose cause L'Hospital advanced as well through his many contacts; these included Christiaan Huygens who is reputed to have learned the calculus from L'Hospital" DSB. Bernoulli's lectures also covered integral calculus but L'Hospital dropped plans to write a continuation to his Analyse des infiniment petits dealing with this subject "in deference to Leibniz who had let him know that he had similar intentions" ibid. Leibniz never wrote such a text however and Bernoulli's lectures on integral calculus remained unpublished until they appeared in his Opera 1742. The task of completing L'Hospital's book was instead taken up by Carré a pupil of Malebranche and assistant to Pierre Varignon from whom he probably learnt calculus. "Following the classical custom his Analyse des infiniment petits starts with a set of definitions and axioms . The difference differential is defined as the infinitely small portion by which a variable quantity increases or decreases continuously. Of the two axioms the first postulates that quantities which differ only by infinitely small amounts may be substituted for one another while the second states that a curve may be thought of as a polygonal line with an infinite number of infinitely small sides such that the angle between adjacent lines determines the curvature of the curve. Following the axioms the basic rules of the differential calculus are given and exemplified. The second chapter applies these rules to the determination of the tangent to a curve in a given point . The third chapter deals with maximum-minimum problems and includes examples drawn from mechanics and geography. Next comes a treatment of points of inflection and cusps. This involves the introduction of higher-order differentials each supposed infinitely small compared to its predecessor. Later chapters deal with evolutes and with caustics. L'Hospital's rule is given in chapter 9" ibid. The tenth and final chapter of the Analyse discusses the methods of Descartes and Johann Hudde. The companion work by Carré is "the first treatise on the integral calculus in any language which is here applied to the determination of the area of superficies surfaces and solids and their centres of gravity problems of percussion oscillation etc." Sotheran. On this last topic the determination of the centres of oscillation of solids Carré made a significant error. This was known to Bernoulli but not publicized at the time and so was propagated into several later calculus texts such as Charles Hayes' Treatise on Fluxions 1704 and Edmund Stone's The Method of Fluxions both Direct and Inverse 1730. Both works are rare on the market: ABPC/RBH list four copies of L'Hospital's book since the Norman copy which realised $6325 in 1998; and only two copies of Carré's work in the last half century. </p> <br /> <p>"Differential and integral calculus are generally considered to have their origins in the works of Newton and Leibniz in the late 17th century although the roots of the subject reach far back into that century and arguably even into antiquity. Leibniz first described his new calculus in a cryptic article more than a decade before the publication of the Analyse. For all practical purposes Leibniz' early papers were not understood until Jakob Bernoulli and his younger brother Johann began studying them in about 1687 and making discoveries of their own using his techniques.</p> <br /> <p>"Bernard de Fontenelle became the secretary of the Académie des Sciences in Paris in 1697 and wrote the eulogy of l'Hôpital for the academy's journal. He said that in 1696 'the Geometry of the Infinitely small was still nothing but a kind of Mystery and so to speak a Cabalistic Science shared among five or six people. They often gave their Solutions in the Journals without revealing the Method that produced them and even when one could discover it it was only a few feeble rays of this Science that had escaped and the clouds immediately closed again.' Later on Montucla went one step further and listed the only people that he believed understood Leibniz' calculus before 1696: Leibniz himself Jakob and Johann Bernoulli Pierre Varignon and l'Hôpital. L'Hôpital's Analyse changed all of this and for much of the 18th century his book served aspiring French mathematicians as their first introduction to the new calculus.</p> <br /> <p>"For all that the Analyse was a popular and successful introduction to the differential calculus it's remarkable that there is no account of the integral calculus in the book. In his Preface l'Hôpital explained why: 'In all of this there is only the first part of Mr. Leibniz' calculus . The other part which we call integral calculus consists in going back from these infinitely small quantities to the magnitudes or the wholes of which they are the differences that is to say in finding their sums. I had also intended to present this. However Mr. Leibniz having written me that he is working on a Treatise titled De Scientiâ infiniti I took care not to deprive the public of such a beautiful Work' p. iii. Unfortunately Leibniz never completed this book On the Science of the Infinite.</p> <br /> <p>"The Analyse consists of ten chapters which l'Hôpital called 'sections.' We consider it to have three parts. The first part an introduction to the differential calculus consists of the first four chapters:</p> <br /> <br /> In which we give the Rules of this calculus. <br /> <br /> Use of the differential calculus for finding the Tangents of all kinds of curved <br /> lines. <br /> <br /> Use of the differential calculus for finding the greatest and the least ordinates to which are reduced questions De maximis & minimis. <br /> <br /> Use of the differential calculus for finding inflection points and cusps.<br /> <br /> <p>"Taken together these chapters provide a thorough introduction to the differential calculus in about 70 pages. The next five chapters are devoted to what can only be described as an advanced text on differential geometry motivated in part by what were then cutting-edge research problems in optics and other fields" Bradley et al. pp. v-vi.</p> <br /> <p>These subsequent chapters no longer mirror the structure of Bernoulli's lectures. Chapter 5 the longest in the Analyse deals with evolutes and involutes including the cycloid and various spirals. Chapters 6-8 are on envelopes of lines and curves i.e. curves that are tangent to every member of a family of lines or curves - this includes the study of caustics in geometrical optics. Chapter 9 contains "the solution of various problems that depend upon the previous Methods;" the first of these is the celebrated rule that we now call L'Hôpital's Rule which was first discovered by Bernoulli. In his final chapter of the Analyse l'Hôpital demonstrates how all of the methods of Descartes and Hudde may be easily derived and justified using Leibniz's differential calculus.</p> <br /> <p>Born into a noble family L'Hospital 1661-1704 abandoned a military career due to poor eyesight to pursue his interest in mathematics. "Some time around 1690 L'Hôpital joined Nicolas Malebranche's circle which was engaged among other things in the study of higher mathematics. It was there in November 1691 that he met the 24-year-old Johann Bernoulli who was visiting Paris and had been invited by Malebranche to present his construction of the catenary at the salon . Bernoulli told Pierre Rémond de Montmort that upon meeting the Marquis he soon found him to be a good enough mathematician with regard to ordinary mathematics but that he knew nothing of the differential calculus other than its name and had not even heard of the integral calculus. L'Hôpital had apparently mastered Fermat's method of finding maxima and minima and told Bernoulli that he had used it to invent a rule for determining the radius of curvature for arbitrary curves. The method was unwieldy and actually could only be used at local extrema of algebraic curves. Bernoulli showed him the formula for the radius of curvature that he had developed with his brother Jakob which employed second-order differentials. Apparently this so impressed the Marquis that he visited Bernoulli the very next day and engaged him as his tutor in the differential and integral calculus.</p> <br /> <p>"Bernoulli tutored the Marquis in his Paris apartment four times a week from late 1691 through the end of July 1692 . In the summer of 1692 Bernoulli accompanied the Marquis to his estate in Oucques near the French city of Blois where he continued giving him tutorials until some time in October . Bernoulli kept copies of his lessons to the Marquis throughout his long and productive career. The first part on the differential calculus was incorporated by l'Hôpital into the first four chapters of the Analyse. Bernoulli himself published the much larger second part concerning the integral calculus in his collected works. Titled Lectiones mathematicae de methodo integralium this treatise bears the subtitle 'written for the use of the Illustrious Marquis de l'Hôpital while the author spent time in Paris in the years 1691 & 1692' . Because Bernoulli chose not to publish this part it was impossible in the 18th century to say how closely l'Hôpital's textbook coincided with Bernoulli's lessons. A comparison finally became possible when Paul Schafheitlin discovered a manuscript copy of the full set of lessons on both the differential and integral calculus in the library of the University of Basel in 1921 . Because the latter part was a near-perfect match to what Bernoulli had published in 1741 he could be quite certain that the first part was essentially the same set of lessons l'Hôpital had used when composing the Analyse .</p> <br /> <p>"Since the appearance of the Lectiones various authors have characterized the Analyse as having essentially been written by Bernoulli. Indeed Bernoulli himself in an angry letter to Varignon of February 26 1707 said that 'to speak frankly Mr. de l'Hôpital had no other part in the production of this book than to have translated into French the material that I gave him for the most part in Latin.' The truth is much more nuanced. The superstructure of l'Hôpital's first four chapters is certainly due to Bernoulli and many of the details are essentially the same in both texts. However l'Hôpital added much in both quantity and quality. For one thing Bernoulli's Lectiones occupied 37 manuscript pages compared to 70 typeset pages for the first four chapters of the Analyse but the Marquis added much more than mere verbiage to Bernoulli's lesson. He was a very talented pedagogue. He organized his material very well extracting general propositions where Bernoulli gave examples and explained matters clearly and in some detail. Furthermore he frequently included many illustrative examples gradually increasing in difficulty generally providing an appropriate level of detail but always leaving some things for readers to work out for themselves" Bradley pp. vii-xi. The last six chapters were not taken directly from Bernoulli's lectures although l'Hôpital has drawn on material provided to him in Bernoulli's letters or in his lessons on the integral calculus.</p> <br /> <p>Louis Carré's 1663-1711 father a prosperous farmer wanted him to become a priest but after having spent three years studying theology in Paris he refused to take holy orders and his father cut off all financial support for his son. Carré managed to avoid poverty by becoming an amanuensis to Malebranche. The group Malebranche had assembled at the Oratory in Paris included Varignon and l'Hôpital among others. Carré spent seven years with Malebranche after which he became a private tutor in Paris specializing in the teaching of women then barred from a university education many of whom were nuns.At this stage Carré seems to have been interested mainly in philosophy and did not take much interest in current mathematical research. However on 4 February 1699 Varignon admitted him as one of his élèves in the Academy of Sciences. This stimulated Carré's interest in mathematics and he began working on his Methode pour Ia mesure des surfaces .</p> <br /> <p>The work is divided into four Sections:</p> <br /> <br /> On the measure i.e. area of surfaces.<br /> On the dimension i.e. volume of solids.3<br /> On centres of gravity.<br /> On centres of percussion and oscillation.<br /> <br /> <p>The centre of percussion is the point on a solid body attached to a pivot where a perpendicular impact will produce no reactive shock at the pivot. The same point is called the centre of oscillation for the body suspended from the pivot as a pendulum meaning that a simple pendulum with all its mass concentrated at that point will have the same period of oscillation. The formula for the centre of oscillation originally derived by Huygens in his Horologium oscillatorium 1673 requires certain integrations to be performed. Carré made an error in calculating the integral for the moment of inertia of a cone suspended from its vertex a mistake that led to an incorrect expression for the centre of oscillation of the cone. Lenore Feigenbaum explains that the story of Carré's mistake and the subsequent propagation of his error in eighteenth-century calculus textbooks "is instructive in several regards: first in showing how some of the methods of the calculus were interpreted and absorbed during the early 18th century; second in shedding light on the nature of the textbook industry of the time; and finally in providing us with a modicum of historical sympathy when we find our own students making the same kind of mistakes."</p> <br /> <p>Between 1701 and 1705 Carré published over a dozen papers on a variety of mathematical and physical subjects which led to him being admitted to the Academy of Sciences as an Associate Mechanician on 15 February 1702 and being promoted to Pensioner on 18 August 1706. This provided him with an income which allowed him to devote himself entirely to his academic studies during the final five years of his life. At age 46 he suffered an attack of dyspepsia from which he died in 1711. </p> <br /> <p>I. Babson Supplement p.30; Honeyman 2006 & 2007; Norman 1345; Sotheran First Supplement 1411; not in Macclesfield. II. Macclesfield 481; Poggendorff I 383-384; Sotheran I 704. Bradley Petrilli & Sandifer. L'Hôpital's Analyse des infiniments petits. An Annotated Translation with Source Material by Johann Bernoulli 2015. Grattan-Guinness ed. Landmark writings in Western mathematics 1640-1940 2005.</p> <br/> <br/> Two works bound in one volume 4to 251 x 186 mm pp. xviii 181 3 with 11 folding engraved plates; pp. xii 115 1 blank and 4 folding engraved plates. Old signature cut from first title and expertly repaired. Contemporary French calf spine gilt with red lettering-piece. Fine copies. / Hardcover. L'imprimerie Royale; Jean Boudot unknown
#[61708]Title page to the third volume of works by Bacquet Jean 15.-1597 with large oval printer's device of Abel Langelier or L'Angelier 1553-1610 representing a shepherd kneeling in front of a fire and an angel coming from the sky. On the frame: 'SACRUM PINGUE DABO NEC MACRUM SACRIFICABO'. It might hint to Abel one of the sons of Adam and Eve as the first name of the publisher is Abel. Allegorical figures populate the outer frame. Monogrammed in a shield beneath the representation. l Letterpress and wood engraving on laid paper; total: 352 x 215 mm; despite a light pink shadow on the top left margin in good condition mounted on cardboard decorated with a line frame in black ink. unknown
176745831Geneve 1767. Original blue cardboard binding with contemporary handwritten paper title-label to spine. Pencil-numbering to inside of boards. A very nice and clean copy. Woodcut vignette to title-page. With the ex-libris of the notes Danish book collector K.F. Plesner to inside of front board. <br/><br/><em>Rare first edition of this interesting anonymously written continuation of Voltaire's Candide which wraps up the adventures of the hero. "Turning his back on both Voltarian satire and scepticism the novelist proposes a moralistic fable - the focal point of which is a rehabilitation of Leibniz's Theory of Optimism. The main body of the novel tells the story of Candide and his new wife the noble Zénoïde in their sumptuous Copenhagen townhouse. Before achieving this happy state however the couple endures various trials and tribulations reminiscent of the newly minted gothic genre. "Candide au Dannemarc" also features a satirical portrait of Jean-Jacques Rousseau." Éduard M. Langille from the introduction to the new edition of "Candide au Dannemarc" edited by him. Voltaire's "Candide" had inspired a sequel that appeared in 1760 which is attributed to Charles-Claude-Florent de Campigneulles but which might be by Henri-Joseph du Laurens. The present work is a direct continuation of that sequel although it ignores the happy ending of the previous work but evidently from the preface it is not written by the same author. It has still not been determined who the actual author is.The part on Rousseau pp. 148-167 in the present work has become quite famous portraying him satirically as trying to make a living in Copenhagen from copying music while plotting to escape to America. The novel ends with Candide leaving Denmark to be the Danish ambassador in Russia.A secoond edition appeared in 1769. </em> paperback
181313538Philadelphia: Jane Aitken / "For the Author 1813. First Edition. Hardcover. Good-. Octavo 2 volumes bound together. A DEFECTIVE copy lacking the title page and possibly other blank prelims in volume I with the first text page being the first leaf of the Preface. Collation: iii-v 7-90 blank 1-142 blank. Bound in contemporary full sheep with a black morocco spine label bearing the lone word "Thought." Though defective an otherwise good copy moderately foxed at extremities with mild wear to corners and spine ends; sound. Inked ownership signature of P. Keyes Esq to the first leaf of the Preface. Law was a British-born lawyer who settled in the young United States where he married into George Washington's family and became a significant real estate developer in the early years of the capital city. The two texts are sometimes attributed to Law's partner George Watterston but they are attributed by American Imprints and the LOC to Law. The printer of volume I and possibly volume II was Jane Aitken one of the few women in the printing trade in early 19th century America. She is best known for publishing Charles Thomson's massive English translation of the Septuagint the first published in the western hemisphere. Scarce in commerce. American Imprints 20531; 28918. Jane Aitken / "For the Author hardcover
Madrid, Espasa Calpe, 1972 ("Clásicos Castellanos"). 4to.; 253 pp., 1 h. Cubiertas originales.
Valencia, Editorial Castalia, 1954 ("Floresta. Joyas Poéticas Españolas"). 8vo.; LVI pp., 138 hojas, 5 hs. Cubiertas originales. Pérdida de un tercio de la lomera.
13454Dublin: London: Printed for John Morphew near Stationer’s Hall; and Re-Printed in Dublin by C. Carter in Fish-shamble Street 1713. . 14pp. 12mo. Disbound. First Dublin edition reprinted from the leading article in The Examiner No. 17 27 February 1713. Delariviere Manley and Joseph Browne were the principal editors of the journal at the time with Swift playing a major role as well. Swift has been suggested as a possible author of this article but it is not included in the Teerink/Scouten bibliography. Of this edition ESTC records only the Royal Irish Academy copy in the British Isles and three in the United States. [Dublin:] London: Printed for John Morphew near Stationer’s Hall; and Re-Printed in Dublin, by C. Carter in Fish-shamble Stree unknown
1513L85CQLCOIXI5Colophon: Venice: Gregorio de Gregori 1513. Early 20th-century vellum possibly incorporating older materials sewn on 3 recessed supports red spine label. Folio 30.5 x 21 cm. With 13 woodcut decorated initials 6 series plus 8 repeats 4-line typographic Lombarbic initials. Set in rotunda gothic types in 2 columns with a preliminary note in roman type. With contemporary pen decorations in brown ink added to about half of the initials and occasional similar pen decorations in the margins an occasional manuscript paragraph mark some rubrications in brown ink and some initials coloured with a transparent ochre wash. Seventh known copy of an early edition of an important treatise on pharmacology and medical botany by Giovanni Giacomo Manlio di Bosco fl. 1490-post 1500. It is a commentary on ancient Arabic and Greek pharmacological works especially the Arabic treatises of Yuhanna Ibn Masawayh ca. 777-857 a Nestorian Christian physician from Assyria who taught at the academy in Gundeshapur Iran and was personal physician to four caliphs. It gives instructions for preparing numerous medicines indicating the quantities of the ingredients simples each derived from a single plant and describing each ingredient. The present edition includes Manlio's preliminary note addressed to Bernardinus Niger.The title-page indicates that the book also contains Lumen apothecariorum a work by Quirico de Augustis de Tortona of Milan fl. 1486-1497. But it is not present here or in any of the other seven copies we have traced. With contemporary and later marginal manuscript notes. With the text area of B2.7 somewhat browned an occasional small and unobtrusive stain and a few small worm holes in the last few leaves but generally in very good condition. Some of the manuscript notes have been shaved. The binding is slightly dirty and the boards slightly bowed but the binding is still good.l Durling 2938; ICCU 29621 same copy; KVK & WorldCat 5 copies; Emiliano Sordano Il Luminare maius di Manlio del Bosco thesis University of Torino 2010 p. 41; USTC 840112 2 copies; cf. Schelenz Geschichte der Pharmazie p. 414; Wellcome 4017. Gregorio de Gregori, hardcover
162819730<p><strong>Precious diploma in canon and civil law from the University of Rome calligraphed on vellum with the letterhead and the names of the protagonists written in gold ink.</strong><br /><strong>The document is also entirely underlined and framed in this ink.</strong><br />It was awarded to a certain Guillaume Drouaillet from Dole in Burgundy.</p><p>"<em>IN NOMINE DOMINI AMEN. GLORIOSA STUDIORUM MATER URBS ROMA Quae inter omnes mundi Ciuitates celeberrima Scientiarum omnium studio decorata existit . Dominus Guglielmus Drouaillet. Dolanus in Burgundia . Actum Romae in Gymnasio publico in regione S. Eustachii Anno Domini millesimo sexcentesimo uiges. octavo .</em>"</p><p>At the end of the document are signatures most likely of members of the University of Rome and two additional paragraphs handwritten by two different hands.</p><p>From the library of Bruno Monnier Franc-Comtois bibliophile and owner of the Château de Mantry with iron bookplate on the front flyleaf.</p><p><strong>An interesting testimony to the history of diplomas and writing.</strong></p>
190055766Graz, Lit. Anst. ?Senefelder?, o. J. (um 1900). Lithographierte, einseitig bedruckte Werbekarte (15,1 x 9,9 cm).
19041269Chicago: Rand McNally 1904. About very good. Folding map approximately 21 x 27.5 inches. Original wallet-style printed wrappers. Light wear to wraps; a few short separations along fold lines. Light tanning. Uncommon cartographic promotional for this early 20th-century mining company with operations near Cananea and Magdalena in the Northern Mexican state of Sonora. The Rand McNally map is overprinted in red to show the locations of Greene Consolidated Gold Company properties as well as major railroad lines across the country. A special inset titled "Topographical Map of the Eastern Portion of the State of Sonora Showing the Operating and Projected Railways with Relation to the Property of the Grene Consolidated Gold Co. and Other Important Mining Districts" provides a magnified view of the region where the company operated and also shows other significant commercial mining ventures in this part of Sonora as well as planned railroad construction in the area. A brief promotional text and additional information about the business are printed on the wrappers which also incorporate a tear-off order form for stock in the company. Rand McNally unknown
195353406Seattle WA & Fairplay CO: Cordillera Corporation Metals Producers Feb. 12 1953. Two works. 1st -- 4 leaves. Typescript first leaf on letterhead printed in green & black printed signature at end creasing; 2nd -- Folio. 2 pp. Numerous photo illustrations creasing from being folded NF. First editions of this prospectus and shareholder report for the Cordillera Corporation gold mining operation on North Star Mountain Colorado in the early 1950s. The illustrations and text detail how they replaced structures destroyed by lightning strike and the hard-rock mining operations. No copies located in Worldcat. Cordillera Corporation Metals Producers, unknown
3726453<p>Yavapai County Arizona Territory 1906. Two documents signed and a 4-page retained letter. Closed tears at folds; staining; some losses in margins not affecting text; good.</p> <p>The Monica Mines Co. a.k.a. Monica Gold Co. operated in Kirkland Arizona Territory.</p> <p>Two items here directly relate to the company: an amended placer claim Columbia Placer Mining Claim signed by company agent E.B. Corthell and a retained copy of a four-page letter sent to the company’s board of directors about the troubled mine in Yavapai County.</p> <p>The letter discusses the financial woes of the company and the imminent departure of the company treasurer. Its author Corthell urges that “.the work at the mine be shut down and the Stockholders’ meeting be called to which the financial needs of the Company and its prospects shall be fully and truthfully explained…â€</p> <p>The Mining World reported in 1908 that troubled Monica Mines Co. was in receivership which action was brought by Corthell and other company officials. It was hoped that the mining operations would resume.¹</p> <p>An amended lode claim document is included. It relates to a claim independently purchased by Corthell northwest of the Monica mining claim.</p> <p>Note. 1. The Mining World Chicago Vol. XXIX No. 13 September 26 1908 p494.</p> unknown
86003001Edo c.1700-50 n.p. Brown & silver covered boards very clean 7 double-page b.w. erotic woodblock illustrations mounted on mica flecked paper 18 x 25 cm. accordion folded illustration size: 31 x 12 cm. FIRST & ONLY UNRECORDED COPY! . . . . A VERY RARE UNRECORDED EARLY BOOK . . . A BIZARRE & UNIQUE EROTIC BOOK . . . UNSIGNED BUT CLEARLY THE WORK OF A MASTER ARTIST . BY SUKENOBU OR HIS :SCHOOL: . A unique and hitherto unfound odd and most unusual erotic book of the early-mid-18th century. One of the most bizarre erotic books ever done in Japan. . The graphically explicit work portrays men and women with genitals on their foreheads engaged in heterosexual and homosexual intercourse. There is no other book with such unusual and strange illustrations. . . THE TITLE: THE LEGEND OF AMANJAKU or AMAN NO JAKU: Chinese Title: TIAN XIE GUI YUN . THE MEANING OF AMANJAKU: Japanese Buddhist literature is abundant with variations on the theme of "Aman-No-Jaku" aka. "Amanjaku" "Manojaku" commonly understood to be a "Heavenly Evil Spirit." . This spirit or demon-like creature in Japanese folklore is usually depicted as being a male during the day and female at night. The demon is usually depicted as a kind of small Oni devil and is thought to be able to provoke a person's darkest desires and instigate him into perpetrating wicked deeds. . Amanjaku is also depicted in Chinese and Japanese mythology the AMANOJAKU is a changeling a water spirit that infiltrates the human world to play cruel tricks on people by reading their minds and twisting their requests or desires to be used against them. . The "AMANOJAKU" is also known the "Lord of the River" and in Japan serves Bishamonten one of the four Deva kings of Buddhism as a minor demon. See Wikipedia below. . In Japanese the term "Amanojaku" also refers to a person who is deliberately contradictory someone who argues for the sake of arguing or can be used in common Japanese conversation to refer to someone who is a "Perverted Demon." . THE ILLUSTRATIONS: THE BUDDHIST THEME:. This work is unusual in that the genitals of common people are located on their foreheads. A symbolist meaning can be in Buddhist concept that sex and sexual hedonism is openly on the minds of 'lay' people. The Buddha and his disciples on the other hand do not have sex organs on their foreheads meaning their organs are covered and in a different usual location. This can symbolize 'self control' over such biological energies. Devout Buddhist disregard sex as a pleasurable pastime and devote themselves to monastic focus. By contrast "lay" people are distracted with hedonistic pleasure a path away from rather than towards the Dharma or teachings of Buddhism. . In a sense this work illustrates the overwhelming force of evil or the "Amanojaku" and how it distracts people from the "Righteous Path" towards the Dharma and the ultimate goal of attaining Nirvana. It can be posited that this work is designed to give understanding to "lay" people by way of visual example of what forces direct their energies away from the Buddhist teachings in an effort to redirect them towards the "Righteous Path" and life style. . EXCEPTIONALLY RARE UNIQUE WORK: . The work is exceptionally RARE unusual and erotic there are no other example showing genitals on the foreheads of any other Japanese book cited anywhere in the bibliographic literature or record. . This work is certainly RARE in subject content and quantity. Though it was woodblock printed and unsigned which was usual for Japanese erotic works which were banned by the Shogun we have not found anything similar or recorded anywhere in the bibliography. Being woodblock printed one assumes there are other copies in existence. The average printing from woodblocks were somewhere between 100-200 copies. However in this instance no others exist. We have the strong feeling the book could have been the production of a famous Japanese illustrator and perhaps financed by a Buddhist temple again there are no known facts about this rarity. . THE EROTIC ILLUSTRATIONS: . Number 1: This work begins showing the Buddha flanked by two of his disciple monks. The title is written in four Japanese Kanji in Kambun & Chinese characters. The Buddha and his two disciples listen to two elderly Buddhist believers: one is a male he has and erect penis on his forehead. The other is a woman she has a vagina on her forehead. Neither the Buddha nor his two disciples monks show genitals on their foreheads. The couple have come to consult with the Buddha about their grievances. . Number 2: Shows a man and a woman in a Tatami matted room both wear lovely 18th century decorated Kimono. They embrace each other and are engaged in making love from their foreheads which show an erect penis and testicles inserted into the woman's forehead where her vagina is located. Adjacent to the young couple is an older woman who has become aroused by the adjacent couple's making love. The old woman uses a dildo tied to a post which she hugs while inserting the dildo into the vagina on her forehead. . Number 3: Shows a couple laying on a blanket their Kimono pulled down and opened and used as a top cover. They engage in love-making and kiss. The man has an erect penis on his forehead the woman a vagina on hers. There is some used Chirishi toilet paper just above her head on the floor used to wipe the love fluids. There is a folded package of yet unused Chirishi in readiness. Chishiri shown in Japanese Shunga erotic prints prints & paintings is an 'erotic symbol' indicative of sexual excitement with lots of love fluids flowing. Ergo the need for paper to clean up the results of erotic love-making. . Number 4 shows an adult man with an erect penis on his forehead penetrating the anus of a younger man who's smaller but erect penis is seen on his forehead as he faces his lover. The younger man has no pubic hair yet indicating his youth. . Adjacent to these two men is a woman in the next room. The door is open she is a secret voyeur of the two men. Her vagina is also on her forehead. A Shogi board and two bowls for stones is located in the front left of the illustration. Gay activities in Japanese society were accepted as a norm and were not especially unusual. However to find graphic examples in Japanese erotic books are exceptionally rare and seldom found. . Number 5: Depicts a fully clothed man on his knees he bends over a sleeping woman. He has a very large erect penis and begins to penetrate a woman with her vagina on her forehead. She is fully clothed and sleeping on a wooden "pillow" which supports her elaborate hair coiffeur. . Number 6: Depicts a lively scene of two men and a woman. One man with a very large and erect penis pulls the woman's arm toward him while she fends him off with a straight arm to his head. A second excited man also with a large and erect penis on his forehead masturbates and ejaculates in ecstasy. The woman has a vagina on her forehead. The scene is likely an intended rape of a young girl. She looks away in an effort not to allow him to pull her close enough to insert his penis into her exposed vagina. . Number 7: Illustrating a lonely old man in bed. He has an erect penis on his forehead and holds a kind of pot with a large opening. He faces down and inserts his penis into the pot for gratification. . THE TEXT: The text in Shunga erotic Japanese books & prints is often an erotic dialogue describing the erotic action. Often these words are onomatopoetic mimicking the sounds of people in orgasm or making comments about making love or the pleasure and good feelings. The size and hardness of the penis or the flavor and the juices of the vagina and its supple feelings of euphoria when engaged in love-making. All wear 18thcentury period Kimono. . MODE AND FASHION OF THE MID-18TH CENTURY: The room furnishing and Kimono of the participants in this work all wear 18th century period Kimono with period decorations. The style of Kimono and room screens reflect this period. . BINDING AND MOUNTING: Binding: The book has probably been rebound sometime after the 1750's with a more recent thin brown decorated paper with a silver chrysanthemum and a Mon family crest with gold and black on both front and rear covers. Each cover has a distinctly different kind of illustration but of the same theme. The corners and edges are a bit worn some loss to the paper as usual for a work from this period. . Mounting: At an earlier time each page was expertly mounted on a stiff Washi hand-made Japanese paper into an accordion folded book. Each illustration is bordered with a rare and stunning crushed oyster-shell powder mixed with rice-glue and overlaid on the border paper. The stunning effect is a rare shimmering pearl-like color and hue with a remarkable effect. This rare and largely unknown effect has been used for print backgrounds by some of the later masters. . This was no ordinary mounting and appropriate for an exceptionally and most unusual RARE book ! . Contents: By and large the contents are clean solid with a two old worm holes for the first 6 of 7 pages. These are small and towards the edge and does not detract from the overall quality of the illustration. On page 7 there are a few center margin old minor worm holes. All of these have been restored when the prints were laid down on the thick Washi paper creating book format. The work is otherwise solid and firm. There are a few 'rubs' on the old Washi paper which was made from very soft Kozo fibers common to any item of this period on this on handmade papers of the period. . CONDITION OF THE WOODBLOCK PRINTS: . These are very early black and white woodcut prints. Each print has an excellent and vivid impression key blocks are black and superbly printed with strong images. The paper is old and has the patina of paper from that age the usual minor mild surface rubbing or thumbing in the lower corners which is common. . We tend to be overly critical of any flaws found on our books and believe it is better to overly describe rather than avoid such discussion any imperfections. Suffice to say by and large this is an excellent item in very nice condition something that any collector or museum would be proud to own. Please review photos posted to our website. . R A R I T Y OF SUBJECT: The placement of the genitals on the forehead gives one a lot of room to theorize on the meaning of such artistic expression. In our 50 years of experience in dealing Japanese woodblock printed books and painted original art this is the first and only example with such imaginative and symbolist expression. With the beginning of the work showing the Buddha and his two disciples lacking any genitals on their foreheads one can simply assume that in a Buddhist way they have given up carnal desire as represented by common people who's foreheads display genitals perhaps meaning that sex is on their minds or they simply view others as sexual objects eager to make love and engage in carnal thoughts and activities. Obviously seeing an erect penis on some man whiles others see what he thinks and feels is an insight to his innermost thoughts and desires. In all cases in this book the men all show an erect penis. The women are a bit more difficult to fathom. Their vaginas are simply visible on their foreheads and no fluids are visible or other evidence of their carnal desire or sexually excited stated. All of the men have public hair adjacent to their sex organs while all women are lacking any pubic hair completely. This is an erotic symbolism giving full view to women's genitals. . "BANNED" or "PROHIBITED" BOOKS: Shun Pon Haru Bon: In the case of this item it is very likely that it was printed in a much smaller discreet quantity than the 200 copies possible off the blocks. Due to the "banned" nature of such books there is no date publisher nor place cited. One is simply left to determine the date and artist by stylistic analysis. It is well-known that during the Tokugawa period 1603-1868 erotic prints and books were "BANNED" or "PROHIBITED" by decree of the Shogun. One of the influencing factors was that during this period some Shoguns were changing their views and being influenced by Christians who entered Japan during this period. The Shogun did not want foreigners and Jesuit missionaries to think that Japan was a crass and base nation. Naturally foreigners soon learned that prostitution was rampant and so this strange logic from the Shogun never had much affect on the Christians and surely not on the Japanese. . The Shogun enforced severe punishments for persons involved in drawing printing carving blocks and publishing erotic books and prints. With out the "Kiwame" or censor's approval seal all such items were "Banned" outright by the Shogun decree. . While these "Prohibited" books and prints were widely circulated in an "underground" society there are ample examples of famous artists taking on commissions to produce erotic books and prints fun or profit. The record and bibliography is loaded with these examples. "Banning" such erotic works simply meant that the number printed were limited to smaller numbers and distribution was done under the table discretely circulating such books privately among collectors. During these times it was not necessary for artists to sign their such artistic creations by-and-large the population had a very good idea who the artist was by being familiar with their style and other works it was simply a "public secret" who the artist was. Often the artist poked fun at the Shogun with political jokes and assumed names to confound any chance of being discovered by the authorities. . Over the centuries this knowledge decreased and is now the domain of the art historian or scholar to identify and determine the actual artist. Stylistic analysis remains the standard method for unsigned works. . THE ARTIST/SCHOOLS: While there are no signatures or seals indicating the artist's name or even his alternate Go studio name we believe this work is part of the "Primitives and First Century of Ukiyo-e School 1660-1765" period. See Lane below. The women's coiffeur is very similar to those found in this period as well as the drawing style technique and genre. It is this cataloger's opinion that this work was likely the creation of one of the Moronobu School masters. Perhaps done by Sukenobu Yoshikiyo Morishige Sugimura Moronobu Kiyonobu Masanobu or others from this period. We believe this work was likely done from around 1710-1750. It was also likely that it was done by one of the artists listed below. . LIKELY ARTIST ATTRIBUTION: . MORONOBU SUKENOBU SCHOOL: Nishikawa Sukenobu 1671 -August 20 1750 often called simply "Sukenobu" was a Japanese printmaker from Kyoto. He was unusual for a Ukiyo-e in being based in the imperial capital of Kyoto. He did prints of actors but gained note for his works concerning women. His Hyakunin Joro Shinasadame: Appreciating 100 Women in two volumes published in 1723 depicted women of all classes from the empress to prostitutes and received favorable results His Hyakunin Joro Shinasadame: Appreciating 100 women in two volumes published in 1723 depicted women of all classes from the empress to prostitutes and received favorable results Leading members of this school were: Nishikawa Sukenobu the founder; Nishikawa Suketada; Kawashima Nobukiyo; Nishikawa Terunobu; and Takagi Sadatake. . NISHIKAWA MORONOBU SCHOOL: Nishikawa Moronobu 1618-July 25 1694 was a Japanese painter and printmaker known for his advancement of the Ukiyo-e woodcut style starting in the 1670s. Leading members of the MORONOBU school were: Nishikawa Moronobu the founder; Hishikawa Morofusa; Hishikawa Moroyoshi; Hishikawa Moronaga; Hishikawa Moroshige; Hishikawa Morohira; and Tamazaki Ryujo. . BIBLIOGRAPHY: . This title is NOT listed in any of the below resources: SHIBUI Kiyoshi. UKIYO-E NAISHI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. H. KERLEN. CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. Richard Lane: IMAGES FROM THE FLOATING WORLD THE JAPANESE PRINT; pages 28 40-60 show examples of the Ukiyo-e primitives 1660-1765 especially the Moronobu school pp.60-88 et al. . NOT LISTED IN: . KSM SHIBUI Kiyoshi: UKIYO-E NAISI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. Modern Reading: UKIYO-E NAISHI KERLEN H.: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. Not in any other usual bibliographies on Japanese E-hon woodblock printed books. . See: WIKIPEDIA:. unknown
19876501Nevada City CA: Gateways 1987. First edition number 61 of 100 signed copies. 4to 83pp recto only. Each page consists of a hand-pulled lithograph by the artist. Signed by Gold at the colophon. Black leatherette cloth boards with gilt lettering on front cover and spine. Lightly bumped at upper corner and head of spine. Near fine. <br /> <br /> One of the more scarce volumes from E.J. Gold's Secret Talks series this being made up entirely of Gold's original art. These books were written by Gold in the 70s and 80s and privately published in a small number and sold on a subscription basis. The series prints talks and writings given by Gold which revolve around the mystical teachings of Gurdjieff. Titles include The Human Biological Machine as a Transformational Apparatus Objective Prayer The Seven Bodies of Man Science of Objective Hypnotism Angelic Invocation and others. <br /> <br /> <br /> Quite an impressive volume as an art book completely hand printed by the artist and a very rare volume in this important mysticism series from Gold. . Gateways unknown
201429378New York:: Pegasus Books 2014. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. Chasing Gold is the story of how the Nazis attempted to grab Europe’s gold to finance history’s bloodiest war. The story is filled with high drama and close escapes laying bare the palate of human emotions. Walking through the tale are giants of world history as well as ordinary people called upon to undertake heroic action in an extraordinary time. Pegasus Books, unknown
1609A86ACTMRTZ41Franc end al" = Amsterdam: Frederijck de Vrije" 1609. Disbound. Small 4to. Poems celebrating the truce with Spain though attributed to a former opponent of the truce with the Dutch poems in textura types and Latin marginal notes in roman. A political pamphlet in verse celebrating peace and dated less than a month before the signing of the Twelve Years' Truce between Spain and the Dutch Republic. The main poem takes the form of a "codicil" to War's "last will and testament." It recites the various legacies both good and bad that the War has left to people on both sides and even to people and countries not directly involved in the fighting. Asher mistakenly lists the present pamphlet as no. 11 in the Bye-Korf series: it was published about six months after the Bye-Korf was banned but later collectors often inserted it and the associated Testament in place of the earlier Testament which should have been Asher 26-28/10. The author place of publication and publisher given on the title-page are all word plays "Yemand van Waer-Mond" for example suggesting "someone of honest mouth." The STCN attributes the pamphlet with a query to Nierop who propagandized against peace in one of the Bye-Korf pamphlets Asher 28/37 but rejoiced in it once it came. Alden & Landis attributes the associated Testament ofte Wtersten Wille to Middelgeest. The poet's four-line verse on the back of the title-page is signed with the motto: "Yet Meer en mocht/Min en docht Niet."A nice view of popular feelings about the Truce just before it formally took effect.With some tears at the fold of the outermost bifolium and only slightly browned otherwise a very good copy.l Asher 26-28/11; Knuttel 1584; Simoni W 34; Tiele 751; OCLC WorldCat 3 copies. Frederijck de Vrije", unknown
15218Without place or date. 1840s. 10pp. 8vo. On five leaves torn from a notebook. In fair condition on aged and lightly-worn paper. A creditable effort showing the influence of Gray's 'Elegy' and Goldsmith's 'Deserted Village' describing the unnamed farm hand's funeral and reflecting on the virtues and hardships of the poor. Begins: 'From yonder peaceful and secluded dell Snug in the bosom of th'encircling hills The perfumed Zephyr bears a passing knell And melancholy o'er the Soul distils. It tells us hoary Time's unswerving flight Has snapped the thread of Life's uncertain span; And that grim Death with his relentless might Has swung his sickle through th'abode of man.' Care has been taken in the revision of the text with emendations including several passages deleted and replaced. The poem ends abruptly on the tenth page suggesting that it is not complete: 'Then comes the happy and eventful day When scarce-used clothes once more are brought to view'. Without place or date. [1840s?] hardcover
49770Albumen print photograph carte de visite format 63 x 103 mm; verso with a fully contemporary inscription in ink: 'Mount gambier Hospitle'; the print has lost some contrast but is otherwise in good condition as is the mount. This carte was sourced with others taken by travelling photographer J. T. Ginnings. However the State Library of South Australia holds a very similar carte de visite view of the Mount Gambier Hospital that was taken about the same time by Joseph H. Nixon: 'Photograph of the first Mount Gambier Hospital which was established in 1869 and demolished in 1971. The building was designed by Government Architect Robert George Thomas between 1867-69. The hospital was built of stone in the Italian gothic style featuring towers and cloistered verandahs. The two storey stately building had two wings and was typical of the Victorian era with decorative dressings around the doors windows cupolas large ornate chimneys and even featured a widow's walk. The foundation stone was laid in February 1867 by James C Lyon' SLSA B11414. unknown
