Julien MaudeLivre Rare Book
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2014500099897Stock 2014 317 pages 13 4x2 8x21 2cm. 2014. Broché. 317 pages.
2014500208571Stock 2014 317 pages 13 4x2 8x21 2cm. 2014. Broché. 317 pages.
2007Q-1401303110Voice 2007-04-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Voice hardcover
20209781094028767-2025HarperCollins B and Blackstone Publishing 2020. Hardcover. New/New. <p><strong>Author:</strong> Judy Gold</p><p><strong>Publisher:</strong> HarperCollins B and Blackstone Publishing</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781094028767</p><p><strong>Release Date:</strong> 2020</p><p><strong>Number Of Pages:</strong> 1</p><p><strong>Details:</strong> "No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech it would be Judy." Amy SchumerFrom award-winning comedian Judy Gold a concise funny and thoughtful polemic on the current assault on comedy that explores how it is undermining free speech and a fundamental attack against the integrity of the art.From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart comedians have long been under fire for using provocative often taboo subjects to challenge mores and get a laugh. But in the age of social media comedians are at greater risk of being silenced enduring shaming threats and damaged careers because of angry censorious electronic mobs. But while comedians work has often been used to rile up detractors a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars comics are being censured for old jokes long-standing comedy traditions unfinished bits and old material that instead of being forgotten go viral. For comics like Judy Gold today s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic but it better be funny. A comic's observations are deliberately delivered to entertain provoke and lead to an exchange of ideas. "We are truth tellers." More important the tolerance of free speech is essential for a healthy democracy.In addition to offering readers a quick study on the history of comedy and the arts noting such historical reference points as The Hays Code and the threats to them Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead" as well as her singular take on "micro-aggressions" such as:Person: "OMG! You re a lesbian I had no idea. I mean you wear make-up. When did you become a lesbian"Judy Gold: "Coincidently right after I met you!" micro-assault!In this era of "fake news" partisan politics and heated rhetoric the need to protect free speech has never been greater especially for comics who often serve as the canaries in the coalmine monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.</p> HarperCollins B and Blackstone Publishing hardcover
2006x-0765703998Jason Aronson Inc 2006. Hardcover. New. 1st edition. 150 pages. 9.00x6.25x0.75 inches. Jason Aronson Inc hardcover
2010DADAX1160713707Kessinger Publishing 2010-03-19. paperback. New. 6.00x1.10x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010DADAX1168148421Kessinger Publishing 2010-09-10. paperback. New. 6.00x1.10x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2006500281343CONTEMPORARY FRENCH FICTION 2006 256 pages 10 8x1 6x17 6cm. 2006. pocket_book. 256 pages.
2001500125083Nathan 2001 19x1x27cm. 2001. Broché.
2002500294281Vuibert 2002 1x28x17cm. 2002. Broché.
2006500082421Bayard 2006 12 4x1 4x17 6cm. 2006. mass_market.
2002100142965CNRS EDITIONS 2002 288 pages in8. 2002. broché. 288 pages.
2010100135091LA MUSARDINE 2010 253 pages 13 5x2x21cm. 2010. Broché. 2 volume(s). 253 pages.
200737664Archives de Art 2007. Hard Cover. f./f. quarto. 307pp A fine copy in a fine dust jacket. Protected in an archival mylar wrapper. Archives de Art unknown
2001100138331Cambridge University Press 2001 494 pages 15 748x2 794x22 352cm. 2001. Broché. 494 pages.
2016500047966Talent Sport 2016 518 pages 15 1x23 8x2 7cm. 2016. Broché. 518 pages.
2016500048663Talent Sport 2016 518 pages 15 1x23 8x2 7cm. 2016. Broché. 518 pages.
2016500048769Talent Sport 2016 518 pages 15 1x23 8x2 7cm. 2016. Broché. 518 pages.
2016500050229Talent Sport 2016 518 pages 15 1x23 8x2 7cm. 2016. Broché. 518 pages.
2016500083200Talent Sport 2016 518 pages 15 1x23 8x2 7cm. 2016. Broché. 518 pages.
2013110478Global Art Affairs Publishing. New. 2013. Hardcover. 0300207999 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Global Art Affairs Publishing hardcover
2013110477Global Art Affairs Publishing. New. 2013. Hardcover. 9490784125 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Global Art Affairs Publishing hardcover
2026x-1032977949Taylor & Francis Ltd 2026. Paperback. New. 200 pages. 6.14x0.43x9.21 inches. Taylor & Francis Ltd paperback
2013500102951XO EDITIONS 2013 208 pages 15 4x23 9x2cm. 2013. Broché. 208 pages.
2005500153934DISTRIBOOKS INTL INC 2005 48 pages 15x18 8x0 7cm. 2005. pocket_book. 48 pages.
