158 résultats
19175076DBParis, 1917. Elefant-Folio: 80 x 47 cm. 83 Seiten mit meist ganzseitigen farbigen Stoffmustern mit japanischem Design. Leere Seiten am Ende des Bandes. Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
19232091502135500408Dyeing and Weaving Japan Company 1923. Soft Cover. Fine. Number of pages: thick Box size: 16x22cm Dyeing and Weaving Japan Company paperback
1918WOC-1220Texte manuscrit sur papier millimétré, avec un portrait sur soie tissés «La Selve 1894 de JACQUARD» en vignette sur la page de titre, orné de nombreux dessins dans le texte et hors-texte sur double page et dans le texte et 47 échantillons de tissus rectangulaires (12x5,5cm) collées dans le texte. Monsieur C. VILLARD, Professeur.(sur la page de titre, mention M. Allard,1918). In-folio (40x3x30cm) relié demi chagrin bordeaux, dos à faux-nerfs. 229pp.
1928EB7-102Lyon Desvigne 1928 Lyon 1928 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 398 pages pour les deux tomes en pagination continue. Complet des 150 planches échantillons de ces 2 parties (mais il manque 2 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches.
1928EB7-102Lyon Desvigne 1928 Lyon 1928 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 398 pages pour les deux tomes en pagination continue. Complet des 150 planches échantillons de ces 2 parties (mais il manque 2 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches.
1926EB7-101Lyon / Paris Desvigne Desforges 1926 Lyon 1926 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 354 pages pour les deux tomes en pagination continue. Complet des 100 planches échantillons de ces 2 parties (mais il manque 9 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches, quelques feuillets présentent un arrachage marginal (perte de papier sans perte de texte) ainsi que la page de garde de la seconde partie.
1926EB7-101Lyon / Paris Desvigne Desforges 1926 Lyon 1926 - Reliures à coins dos à nerfs ornés, pièces de titres, titres et tomaisons dorés - Couvertures et dos conservés - Monté sur onglets. 354 pages pour les deux tomes en pagination continue. Complet des 100 planches échantillons de ces 2 parties (mais il manque 9 des petits échantillons de tissu maintenus par bandes adhésives sur les planches) Pour chaque échantillons il y a différentes informations : analyse, disposition, et schémas explicatifs Les reliures sont légèrement frottées, sans gravité , rousseurs sur tranches, quelques feuillets présentent un arrachage marginal (perte de papier sans perte de texte) ainsi que la page de garde de la seconde partie.
192554342Philadelphia PA: Otto F. Schumann Philadelphia Textile School ca. 1925. Small 4to. 8.25 x 9.2 in. 75 leaves unnumbered including 32 leaves with detailed colour charts on weave formations producing various kinds of cloth 3 tipped-in textile samples together w/ weaving instructions in manuscript. Original limp leather 3-ring binder gilt lettering stamped on front cover ink lettering & association of Otto F. Schumann on front cover some soiling dustsoiling edgewear still VG exemplar. This Jazz Age weaving manuscript notebook complete with weave formation design plates fabric samples and instructions offer a remarkable and invaluable artifact of how a young American textile designer and weaver received training at the famed Philadelphia Textile School now Philadelphia University during the 1920s. These course books were judged on completeness and the aspiring weaver’s skill in presenting the details about the instruction as well as their abilities in running the machinery required to produce the cloth. This manuscript notebook includes Schumann’s detailed plates and notes on producing color effect on the plain weave creating Broken Twills Crowfoot Satins Checked & Figured Broken Twills Entwining Twills Basket Weaves and Broken Satins. The extensive manuscript notes detail the loom instructions how many lines are required composition and more in producing the assorted effects. Because of the poor quality of United States textiles exhibited at the Centennial Exhibition in 1876 the Philadelphia Textile Manufacturers pushed for a formalized vocational school to train weavers designers and textile workers. In 1884 it became part of the Pennsylvania Museum and School of Industrial Art with 81 students enrolled by 1885 and by 1894 the School of Textiles added a Department of Wool Carding & Spinning and a Department of Cloth Finishing and Design. By the 1920s the Philadelphia Textile School was offering extensive three-year textile courses chemistry and dyeing courses as well as design courses in cottons woolens worsteds silks Jacquard design and more. Schumann 1906-1967 was the son of Hugo Schumann founder and owner of the Maid Hosiery Mills in Reading PA through the opening decades of the 20th century for whom he worked with until after World War II as designer and sales executive. Otto F. Schumann, Philadelphia Textile School, hardcover
19362111902160201165Dainippon Silk Association Shinano Branch 1936. Soft Cover. Fine. Volume: 1 Dainippon Silk Association Shinano Branch paperback
195859253New York: The Macmillan Co. 1958. 8vo. xii 225 1 pp. With over 350 text illustrations weaving diagrams sketches and photographs. Black publisher’s cloth white & blue lettering & decoration minor rubbing shelfwear w/ d.j. cover art by The Strimbans using handwoven textile by Virginia D. Aldridge minor shelfwear minor chipping head & foot of spine slight scuffing still VG/VG copy from library of Agnes Parsons w/ the original advance order form folded and laid-in. First edition of one of the scarcest and most significant manuals for handweaving in the Mid-20th Century. Following World War II and with increasing interest in designing and weaving textiles the author demonstrated the basic principles of cloth construction by focusing on harness-controlled patterns and four-harness fabrics. Frey 1893-1972 began as an occupational therapist in woodworking at the U.S. Army’s Walter Reed Hospital and began learning and teaching handweaving as well as training her students to construct weaving looms. After moving to New York she worked in the textile industry and later opened her own design studio taught weaving and by 1940 was one of the co-founders of the New York Guild of Handweavers whose first year’s weaving programs focused on studying Native American Weaving of the Cherokee Tribe. See: Diane Kirschner History of the NY Handweavers Guild 2022; The Macmillan Co., hardcover
192757304Fall River MA: Dover Press 1927. 8vo. 160 pp. w/ errata slip bound-in before the ffep. With 83 weaving patterns 128 tipped-in fabric & weaving samples in assorted fabrics numerous illustrated ads for textile mills and textile mill weaving machinery. Gray-blue cloth black lettering on front cover & spine thumbing & soiling to covers darkening to spine ex-lib markings on endpapers still VG copy. First edition of this well-written and illustrated work intended to aid aspiring weavers and textile manufacturers on designing and weaving of cotton fabrics. This volume carefully outlines how to use graph paper to chart out certain weaving patterns what steps have to be taken to produce certain weight cotton fabrics continually referring to the included samples as they compare to the text diagrams. The supplied fabric swatches range from Tobacco cloth to Brassiere and Lingerie as well as Umbrella Muslin Sheeting Gingham Duck Oxford Denim Sateen Seersucker and many other cloths. Nichols 1872-1945 was the longtime principal and trustee for the Bradford Durfee Textile School in Fall River MA and Broomhead 1861-1956 primary weaving instructor. Dover Press, hardcover
19642092902138901295Kyoto shoin 1964. Soft Cover. Fine. Number of books: 3 Kyoto shoin paperback
19558609Alger Jules Carbonel 1955 21 x 29 cm Chemise cartonnée Tome V. Les Tapis du Guergour. Fascicule de 20 pages (présentation) + 73 fiches 19 x 27 sur papîer couché, dont 4 en couleurs.
19305155EBOelsnitz im Vogtland, Koch & te Kock, 1930. Quer-Groß-4°. 25,5 x 36,5 cm. 34 Blatt. Original-Ganzlederband mit Kordelbindung. Vorderdeckel vollflächig mit Teppichmuster mit eingewebtem Firmenlogo und Jahreszahlen.
19752081402109802792Not Available 1975. Soft Cover. Fine. Number of books: 1 book Not Available paperback
19542081402109801727Dyeing Life Happodo 1954. Soft Cover. Fine. Number of books: 1 Dyeing Life Happodo paperback
1997G0855617187I5N10William Heinemann Australia 1997. Paperback. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. William Heinemann Australia paperback
19892092902141102434Kyoto shoin 1989. Soft Cover. Fine. Number of books: 2 books Kyoto shoin paperback
192019646angers Editions de l'Ouest 1920 in-8 broché un volume, broché (paperback) grand in-octavo, dos et couverture imprimés en noir, 1ère de couverture rempliée ornée d'une illustration en couleur (vert, rouge, argent et or) représentant les Armoiries des Cordiers et celles des Tisserands d'Angers par R. Jussaramo, toutes tranches non rognées (all no-smooth edges), orné de 52 photographies in et hors-texte en noir + 10 portraits hors-texte en noir + 11 plans hors-texte en noir dont 4 dépliants (plentifully illustrated), 311 pages, 1920 à Angers Editions de l'Ouest Editeur, Gründ Editeur,
1942579CGHerzogenbuchsee, Ernst Ingold, 1942. Farblithographie auf Papier auf Leinen aufgezogen. Bildformat: 65.5 x 90 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
1942579CGHerzogenbuchsee, Ernst Ingold, 1942. Farblithographie auf Papier auf Leinen aufgezogen. Bildformat: 65.5 x 90 cm.
1935C99901Tervueren [Tervuren], Musée du Congo Belge 1935 68pp. illustré de 50 figures dans le texte + 9 planches hors-texte (dont 4 cartes), en feuilles sous chemise d'éditeur (dos peu abimé), brève inscription sur la couv., 38cm., dans la série "Annales du Musée du Congo belge. Ethnographie série III. Notes analytiques sur les collections du Musée du Congo belge" Tome 3 fasc.1, bon état, C99901
195959254Goteborg Sweden: Wezata Forlag 1959. Tall 8vo. 128 pp. Colour plates weaving patterns & designs photo illustrations text diagrams throughout. Quarter-beige cloth over colour-illustrated boards black lettering on spine minor shelfwear slight rubbing to lower fore-edges still NF copy signed by author on ffep. First edition in English signed of this exceptional and influential Mid-20th-Century work on Swedish handweaving and design. Selander heavily influenced American weavers not only with her Weaving patterns 1956 and the present title but her extended workshop and lecture tour in 1960 through 28 cities. Not only did she introduce techniques of colour blending of strands to enrich the colour pallet but also advised on how to design their own cloth patterns. See: Marion Marzolf The Swedish Presence in 20th-Century American Weaving Textile Society of American Symposium Proceedings 314 2006. Wezata Forlag, hardcover
191629430Oxford: B.H. Blackwell 1916. Hardcover. First Edition First Impression. 5 x 7.25in. xv. 250pp. 4pp. ads. Publisher's cloth boards. VERY GOOD. Shows a spot of discoloration at the front board slight shelf rubbing of the extremities light bookplate remnant at the front paste-down otherwise the binding is strong and tight the text is clean and unmarked and the boards remain bright and distinct. As pictured. B.H. Blackwell hardcover
19612092902141000489Kyoto shoin 1961. Soft Cover. Fine. Size: A3 change Kyoto shoin paperback